REVIEW: Black Sabbath – The Dio Years (2007)

BLACK SABBATH – The Dio Years (2007 Rhino)

Compilations are always fun to quibble about. Fans like to complain about which songs are missing, and which songs they’d replace. I won’t spend too much time talking about that. Most reviewers have already pointed out that “Sign Of The Southern Cross” and “Time Machine” are missing from the 2007 Dio-era Black Sabbath compilation, The Dio Years.

It’s very important to remember two things. One, this album contained the first new Black Sabbath music released in nine years. Nine years! This is a band that used to release an album every year, up until the point that Ozzy Osbourne rejoined the band. Since then (and before the new album 13), the band released exactly two new songs (both with the Ozzman singing) and started to stagnate. Since The Dio Years represented the first new Sabbath material in almost a decade, it bears a listen.

The second point of note: this set was originally supposed to be a 2-CD boxed set. As such I’m sure a lot of songs were dropped along the way, Yes, “Southern Cross” is missing. However, this reviewer’s only real quibble is “Southern Cross”. I mean, hey — “Lonely is the Word” is on here!  I would have replaced “Lady Evil” with “Southern Cross” myself (I never liked “Lady Evil” much), but perhaps the fine folks at Rhino felt that one 7+ minute epic was enough for a single disc. I can understand that logic. Besides, I, like every Sabbath fan worth his or her own salt, already own Mob Rules.


This disc was freshly remastered. I should point out that this remastering session was not the same one that produced the series of Sabbath Castle remasters in the late 90’s, but one that occurred in 2006/7. As such the sound is even heavier (louder). I found that I had to roll down the bass a bit, as my normal settings made the bass just too heavy. This was also the first time that the material from Dehumanizer (15 years young!) had been remastered.  The running order is a little weird, though.  “Heaven and Hell” as the third song on an album?  A live “Children of the Sea” following “I”?  The flow is lacking in cohesion.

The liner notes are excellent, very detailed, with lots of facts that casual Sabbath fans didn’t know (like the fact that Craig Gruber from Rainbow, and Sabbath keyboard man Geoff Nicholls were brought in to play some bass when Geezer briefly left the band in 1980). There are a bunch of cool pictures and artwork as well, which fit in nicely with the Sabbath vibe.

Every Dio-era album get a look-in, even the controversial Live Evil via a great version of “Children Of The Sea”, almost as memorable as its studio counterpart. No rarities. What you get instead are the aforementioned three new songs. That’s one more than Ozzy gave you on the Sabbath Reunion CD, by the way!

When Dio was with Sabbath he tended to talk about his songs in terms of tempo. As such, you get one “fast one” (“Ear In The Wall”), one “slow one” (“Shadow Of The Wind”) and one mid-tempo song (the single “The Devil Cried”). I almost always prefer the fast Sabbath stuff, so obviously “Ear In The Wall” is my favourite. Sound-wise, these three new songs pick up where Dehumanizer left off, and foreshadow The Devil You Know.

Geezer, unfortunately, was not involved in the writing.  Iommi and Dio also did the production themselves. This might have something to do with the fact that I can’t hear nearly enough of Geezer’s trademark slinky bass lines–something I identify with the Sabbath sound more than any singer they’ve ever had. Iommi’s playing some good riffs and some scorching solos here, although I have found his guitar tone over the last decade to be too modern and distorted. I much prefer it when he gets a nice amp-driven sound rather than something so processed. However, bottom line is, these three new songs are good, albeit not essential, parts of the Sabbath catalogue.

Thankfully these three new songs were not the last gasp of Black Sabbath. Before his untimely death, Ronnie James Dio recorded The Devil You Know, under the name Heaven & Hell. And of course after that, the original Black Sabbath finally delivered the unforgettable 13.

As for The Dio Years?

4/5 stars


  1. First! I’m glad you post these thngs. One day, I will own this. But I want to finish off collecting the studio albums first. But it’s good to know about this. Thanks!


  2. On yeah ,this is for me one of the better comps out there as I only had the original Heaven and Hell on vinyl ,never bought Dehumanizer plus the 3 new songs as a added bonus Man U did not have to sell me on this one!
    Tv Crimes for me is worth the price of admission alone!
    Love it!

    Liked by 1 person

  3. I would have liked to have seen Country Girl, Sign of the Southern Cross, and Slipping Away. But I am biased towards Mob Rules tunes, since it was my first Black Sabbath record back in the day. (It is amazing how awesome Mob Rules is since the entire band, and even the producer(the great Martin Birch) were mainly stoned during the entire process.)
    I have enough live Dio era Sabbath that I would have preferred all studio tunes as well, and if it had come with a bonus disc with the above mentioned tunes and even a DVD with interviews and some live material that would have possibly placed it right up there with my favourite Sabbath recordings.
    Another thing the casual Sabbath fan may not know is that Bill Ward plays drums on Heaven and Hell album, but it is Vinny Appice on Mob Rules and Dehumanizer.
    Even though I have all of these songs in one form or the other, I will probably buy this anyway, because I have to own anything with the words Black Sabbath or Dio in the title, and this has both.


    1. Hey Brian thanks for the in-depth comment.

      Thanks for bringing up Bill Ward. I often listen to Live Evil and compare Vinnie Appice’s versions of songs to Bill’s. Fortunately I have some live Sabbath with Bill and Ronnie James Dio, on B-sides of singles. So I do have a version of Heaven & Hell, live, with Bill on drums. And they are two very different players. Completely different.


  4. Time Machine was better with Tony Martin so I don’t mind it’s absence. I’m just glad to see TV Crimes get some recognition, it’s my favourite tune off Dehumaniser.


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