SONS OF FREEDOM – Sons of Freedom (1988 Slash records)
“Never retract, never retreat, never apologise…get the thing done and let them howl.” – Nellie McClung 1873-1951
Once considered the saviours of Canadian rock, Vancouver’s Sons of Freedom powered their way onto the national scene in 1988 with “The Criminal”, one of the straight-up rockingest tracks to ever emerge from the tundra. They maintained momentum long enough to beat Nirvana in the college radio charts in 1991 (#1 debut vs a #2 for Nirvana), but Sons of Freedom didn’t fit into a nice “grunge” pigeonhole. They were too different, too weird, too Canadian. By 1995 and a mere three albums, they called it a day, but were not forgotten.
What a track “The Criminal” was, certainly sounding very little like 1988. The bleak music video didn’t look much like the competition. Crammed into a tiny rehearsal space, the three clean-shaven, short-haired musicians (all named Don for real!) and one long-hair with a British accent (named Jim Newton at first, but he changed his name on every single album!) didn’t look like other bands on the rock scene. They hooked up with Slash Records, and Faith No More’s producer Matt Wallace, and made a starkly heavy record. They may have appealed to the same audience as The Cult, a superficial comparison, but Ian Astbury was considered an “honorary Canadian” by many rock fans (he lived in the Great White North for six years in the 1970’s and Cult bassist Jamie Stewart later made his home on the Toronto scene). But in 1988, the Cult had never recorded anything as relentless as “The Criminal”.
We got love, we got love, we got justice from above.
If any band in Canadian rock history defined the phrase “ahead of their time”, it had to be Sons of Freedom. “The Criminal”, with its emphasis on that singular groove and strangely hypnotic vocals, could have lead the charge in the 1990’s. There are solos, but they are clang-and-bang, not shred. They even had a quote by a Canadian female rights activist on the cover! Why didn’t they catch? Maybe it was the fact that they didn’t stand still and repeat themselves. Maybe it was the singer changing his name to James Jerome Kingston. Whatever it was, Sons of Freedom didn’t make the impact they rightfully could have. They even had a song called “Fuck the System”!
The three Dons (Binns, Short and Harrison) lay down massive and strange bass-heavy grooves all over this debut album. They sound more like industrial machinery than musicians on some tracks. “Super Cool Wagon” has the concrete foundation needed to flatten all comers, but also boasted a weird “Ah-ooh-ah-ooh-ah-ay” vocal with no words! That’s the album opener — nearly four solid minutes of heavy rock with nothing but ah’s and ooh’s for lyrics! Amazing tracks like “Mona Lisa”, “This is Tao” and “Shoot Shoot” are based on the same template. Smashing monolithic grooves, expertly recorded by Wallace, are topped by the unusual and melodic vocals of James Newton. The vocals allow you to grasp onto the song, while the undercurrent of the groove carries you away. I blame Don Binns for the sheer inertia of the grooves, since his bass work sounds to be the driving force of them.
Other tracks explore different directions. “Dead Dog on the Highway” slows it down but adds a strangely funky Don Harrison guitar lick on top. “The Holy Rollers” drones on slower than slow, the Smiths on Quaaludes, but again you are dragged along with it. Pay attention to what is going on beneath the groove, as dischord rules with a balanced fist. “Judy Come Home” is almost radio-friendly, but “Is It Love” has a stuttery groove that could have been hit material in the right climate. “Fuck the System” is hard-hitting good-time punk and one of the only songs to have a rocky riff. The final track “Alice Henderson” is the Sons’ version of an epic as it chugs without rest, leaving nothing but wreckage and waste behind.
Ultimately, I suppose nothing bonds bandmates like a good first name. The three Dons emerged a few years after Sons of Freedom split, backing Lee Aaron (then simply “Karen”) in a new band called 2preciious and a later industrial project called Jakalope!
3.5/5 stars
I’d never heard of them Mike. It all sounds very Canadian to me.
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I admit I made this up. They don’t exist. Neither do Shadowy Men on a Shadowy Planet, or Radio Free Vestibule, or “Rush”.
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Yeah, Rush – never fooled me those guys. By-Tor!
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Indeed. “Geddy”. What kinda name is that?
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Exactly, like he’s a real person!
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Don’t forget Trooper
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First day buyers got a free moose!
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(Name drops another Canadian thing)
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MAPLE SYRUP.
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Good try, but the correct answer was Bob Rock.
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Not to be confused with Bobby Rock of the band Nelson.
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I have never heard of them either but you make them sound worth checking out.
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Worth picking up just for The Criminal!
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I have heard of these guys! My friend from my teen years, Jenny B, introduced me to their sound and got me hooked on Mona Lisa (had it on a mixed tape). Great sound! And everyone around me would get confused by their name. No…not Our Lady Peace…no, not I Mother Earth, no no, not Sisters of Mercy….None of my other friends were onto their sound either.
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Too many three word Canadian bands!
So cool you had them on a Mix Tape. That’s rock and roll!
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Jenny B was able to audio tape Muchmusic off of TV via stereo receiver the lucky bum, so I got it from her that way. I got a lot of music that way because Sudbury.
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We didn’t have a stereo receiver but I did something similar. I have mountains of tapes from Much. Anything I didn’t own on vinyl, I’d hook up my ghetto blaster to the VCR with a mono cable and a Y connection. It would still be mono but at least you’d get it in both ears. That’s how I listened to a lot of new music!
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We also hadsomething called cable radio where you would hook up a coax cable to your receiver and get much in stereo if your tv was in mono. If you had a tape deck you could go to town. I think Jenny B might have gained access that way. We had a set up like this for a little while but the stereo sucked and didn’t tape well. Jenny’s set up was more stable.
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I remember you used to be able to get Much on the radio. Do you remember that?
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Not us up in Sudbury. The only way was through Cable radio, and you had to have the pay tv package through our cable company.
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I’m surprised I don’t know these guys – too weird, too Canadian is my kind of sound!
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I know eh? Maybe you were just not the right age at the right time.
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Wow what a throwback. I haven’t thought of these folks in… well, since back then! And even then I don’t think I ever owned the album, I used to hear the song around.
Cool beans. Thanks for dragging this one back into the light!
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Funny thing was, their second was more common, but I never bought it!
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Never heard of this lot (unsurprisingly), but I like the sound of them. Some nice big alternative rock vibes, with just enough punk and eccentric shenanigans going on.
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Yes — exactly. There’s a mixture there was was too head of its time for 1988. I mean I had never heard a band like them before! Certainly not out of Canada.
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These guys got some video spins on Muchmusic. I would watch em. Some reason though I never checked them out.
Nice little write up Mikey
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I have seen Sons of Freedom play live on four occasions. They, along with Skinny Puppy, are my favourite Canadian bands. You know how there’s that ‘Ten Album Covers in Ten Days’ thing that started making the rounds on Facebook during the COVID pandemic? Sons of Freedom were my # 4.
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Yes, I love those album cover lists. I haven’t done one during this pandemic, but I did one a year or two ago. I should do it again. Great pick Stef.
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Just FYI, Jim Newton (Vocals/Guitar) and Don Binns (Bass) have a new band in Vancouver. They’re. called Rat Silo and have been putting out music since 2007.
https://www.ratsilo.com/
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Thanks for the tip sir! I will definitely be checking them out.
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