SKID ROW – Revolutions Per Minute (2006)
Skid Row did a pretty good job of replacing the irreplaceable Sebastian Bach on their fourth LP, Thick Skin. It earned a more than healthy 4.25/5 stars, in part due to the charismatic vocals of Johnny Solinger. For their second album with Johnny, they re-teamed with producer Michael Wagener, but had mixed results in repeating the magic.
Revolutions Per Minute is heavy enough; there was no issue of the band going soft. There was a dip in quality from the songwriting department, strongly dominated by bassist/leader Rachel Bolan. Strangely, they chose to pad out the album with a cover (The Alarm’s “Strength”) and a remix. It’s worrisome when the best song is a cover. There’s a distinct pop-punk vibe on many songs, which one has to trace back to Bolan. Dave “Snake” Sabo has two co-writes, and Scotti Hill a mere one.
“Disease” is very Skid Row, nothing outstanding, but a strong enough way to open the album. The punk-like “Another Dick in the System” is better. With Solinger scraping the ceiling with his screamy high notes, it’s reminiscent of old Skid Row circa Slave to the Grind. “Pulling My Heart Out from Under Me” follows with an 80’s Elvis Costello vibe to the guitars. This one is quite a departure from Bach-era Skid Row, and a decade later I’m still not sure if I like it. You can’t fault a band for experimenting, but if the results aren’t good enough, that’s a tough call. I’m not sure if “Pulling My Heart Out from Under Me” is good enough. The worst of the punk influenced songs is “White Trash”, which is so indescribably bad that I won’t even try. It’s not funny and not good. Back to something that sounds like Skid Row, “Nothing” is one of those tunes that you could imagine was written in 1988 for the debut album.
Influences collide on “When God Can’t Wait”. Johnny Solinger is a country guy, and Rachel Bolan is a punk guy. It seems 1+1 does indeed =2, and the sum total of punk and country is rockabilly. I have to admit to liking this one, even though I’m still not sure if it’s any good. I definitely prefer it to the next tune, “Shut Up Baby, I Love You” which doesn’t have much going for it aside from the full-metal tempo.
Strangely, the best original song is “You Lie” which begins as nothing but pure country. Only after the twangy guitar solo does it accelerate into rock territory, but it’s the country part that rules. The final track is a “Corn Fed” remix, which adds slides, harmonica and accoutrements. At least that ends the album on a good notes. The CD does start to drag a bit with two lacklustre songs, “Love is Dead” and “Let it Ride”, so the remix of “You Lie” is a smart way to end it.
You get the feeling that Skid Row had potential for a great album, but only came up with enough good songs for an EP.
2/5 stars
The thing is… Skid Row went wrong going for a Cowboy. They should have chose either the Indian or the big guy with the wings. Or both! Even better!
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I know eh? This is why Bach is better! He had the green wing guy.
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I know eh? This is why Bach is better! He had the green wing guy.
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And the Indian!
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I don’t think that’s as significant. Lots of bands like Anthrax have indians. Who has a winged guy? Just Kiss?
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True. But no one has both. It’s the combination of winged guy AND indian that tipped Bach over the edge. I mean, put a winged guy in Anthrax and… woah.
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Sigh. I don’t have the energy to debate you over wings vs. indians this morning Scott.
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What about if they had a winged Indian?! Mind. Blown.
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I hope he rides a motorcycle too, like the Painkiller. Which raises a point — why did the Painkiller need a motorcycle when he has wings?
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Just caused it looked awesome I suppose! Pure window dressing.
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I’m too practical. If I were the painkiller, I would have sold the bike (looks like a gas guzzler) and just flown around.
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Yeah me too. The Painkiller is just a big poser.
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But it was 1990. We didn’t think about gas as much, as everybody except Tom Araya was a poser.
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True. Those are simpler times.
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I never gave Skid Row a listen after Bach left. I love the Alarm, so I will have to give the cover a listen.
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Oooh I have something for you if you like the Alarm. Mike Peters had a band with Billy Duffy from the Cult called Colorsound. I’ll have to review that one for ya.
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Awesome. I will see if I can find that one and give it a listen. Thanks.
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MEH Row! Just could not wrap my head around these guys after Bach left. They should have released a live album than i would have checked them out for sure…too late…
Good review Mikey…
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Yeah! Why have they not done a live album? Well too late to do one with Johnny now!
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I’ve got ‘You Lie’ playing as I type, that’s catchy little ditty – nice vocal harmonies!
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Not bad eh? Certainly better than some of these other tunes.
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I only own the Bach stuff of Skid Row, and didn’t even know this other stuff existed. From your review, maybe it’s better that way!
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No, Thick Skin! You need that one.
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Good write up Mike, I’m with you totally – this should have been an EP. Would have been a great one too.
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You’ve heard it? You surprise me sir!
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There was a big fuss over it in Classic Rock magazine when it came out, so I got it.
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Are you kidding? A big fuss over THIS?
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Yup. Word up.
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I think you were way to kind on this record. I would have given it the turd treatment…
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It’s hard sometimes. Listening back, I was saying “Ah this song ain’t so bad!” And some were pretty good. Some were utter horse shit.
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Mike, I’d love to read your review of the latest Skid Row album, “The Gang’s All Here” released last year, as well as your thoughts on new vocalist Erik Grönwall. Rock on!
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