GETTING MORE TALE #733: Joy In Blue
I was never going to be a rock star. I knew that. I couldn’t play a song all the way through. A fella could dream, though. I carefully plotted out my super-stardom.
First I needed a name for a band. In highschool, my best friend Bob wanted to call our band Paragon. “Not Paradox,” he stressed, “but Paragon. It means we’re among the best.” We used Paragon as the name for our non-extistant band until Bob graduated highschool, at which time a real band used the name. When Bob and I went our separate ways (he sold his guitar), I settled on the name Godspeed. I wasn’t interested in doing anything “wimpy” and I wanted a name that got that across.
However, once again a real band took the name I wanted for my fake band. I needed to get more original, instead of just picking a word I liked. I came up with Joy in Blue. I liked the name because it summed up what I wanted to do with music. Listening to music is a joyful experience, but you can still get dark when expressing those inner emotions. Hence, Joy in Blue. I still like it.
I drew up some logos. Not the best ones ever, but I wanted something a kid could easily draw in a binder. Like Kiss. I even wrote some music! In 1994 I poured everything I had into a song called “Midnight”. It was roughly 20 minutes long. I had some parts recorded. The rest of it, I was unable to play — all I could do was hum it! It was meant as a Rush-like epic in eight parts. The truth is, it was easier to mash my ideas together into an eight part song than to try and write eight complete songs.
The problem with Joy in Blue was that there was nobody capable of playing the music I was hearing, a minor inconvenience. I had bigger things to plan. Album titles, projected year of releases — I plotted out the next 30 years of Joy in Blue. It was going to start with our demo tape, which would get a commercial CD release. Then three studio albums and a live record. Finally after the live record, I laid it all on the line: a double concept album! To appease the “old” fans, a few records later we’d go back to basics. I called that LP Back to the Garage, and it was to be done with the same spirit as the first demo. I knew when I wanted our box set to come out, and my solo album Sweat.
Jesus Christ…a solo album….
Think that’s all crazy? I even wrote out who I wanted to produce each album. For our early material, I wanted David Bendeth. I really liked the heavy groove he got on the Sven Gali album. I wanted to see if we could get Bob Ezrin for the concept album, and self-produce the Garage album ourselves. As we got into the tail end of our career, I realized Wolfgang Van Halen would be old enough to produce records. Therefore I pencilled in Wolfie for our last three or four albums. I also knew that I wanted us to do a proper farewell, not drag things out forever. Final albums, box sets and live recordings were planned.
All of this without being able to play more than two minutes of a song. It would have been glorious though, had I been able to figure out the music part!
Early Joy in Blue circa 1991 – absolutely awful.
Wonderful post! My group was going to be called Noose. Our first LP? No Noose Is Good Noose.
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BAHAHAHAHA!
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That’s genius. What happened to Noose?
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We split up straight after the imaginary Noose Of The World EP.
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Mikey your band is following the KISS protocol…3 studio and a live album formula…
I think for the concept you could have pulled off a ‘The Elder’ like vibe…..
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I modelled the whole thing off Kiss! I made sure I didn’t do anything prematurely, based on the Kiss model. I always wanted an album every two years, minimum.
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KISS handbook 101…now your x band members will chirp that your a sex addict and a Asshat!
hahaha
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Asshole. He called Gene an Asshole, not an Asshat. Let’s be accurate when dealing with such children.
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I know what called him…I like Asshat better
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If your band needs a new guitarist, I should be able to play 2 minutes of a song in about 1 to 2 years. I can barely get through a verse right now.
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Perfect. We’re on track.
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I distinctly remember “Midnight” and your muse for it. Never knew you had that much planned out though. Maybe “I like frogs” would have been the hidden bonus track.
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You know we can still record “I Like Frogs”.
I remember sitting in history class one morning writing the lyrics to “Midnight”. You helped me out with one section actually. I didn’t include this in the post but there was a section called “Fudgepacker”, and that was your title dude!
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I like that, inability to actually play the music, a minor inconvenience!
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Today in 2019, it really is. I could record one chord and use software to make a whole song of it.
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It’s nice to dream! My fake band was called Airborne and it would have been a couple of decades before and Australian band took the name. I chose the name because I was a big WW2 buff in high school. However, my playing ability extended to playing the bongos rather badly and the first eight notes of “Brain Damage” on a guitar. I would have bought Joy in Blue albums.
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Joy in Blue would have been honored to open for Airborne, and we’d join you for the next eight notes of Brain Damage.
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Thanks lol
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I like those dramatic pauses you make between the notes when playing the guitar. Very effective.
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That’s my technique. It looks like I’m trying to actually find the right note on the neck, but that’s just misdirection.
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Genius!
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I love this, Mike. My imaginary band was ‘?’ I wrote about 40 songs. All words with no music. No grand plans, though. That’s probably why the band failed.
If your looking for any band members could me in.
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Man I love that you mapped all that out, though. Sure is nice to dream…
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