Part Thirty-Six of the Def Leppard Review Series
Original Review: CMT Crossroads (2009)
Dedication (noun): The character trait of being so devoted to a project that you will watch the Taylor Swift & Def Leppard DVD one more time, even though you reviewed it once before and swore you’d never watch it again.
TAYLOR SWIFT & DEF LEPPARD – CMT Crossroads (2009 Walmart exclusive DVD)
You can blame Rick Allen’s brother for this DVD. How did pop country songstress Taylor Swift and Def Leppard hook up? Taylor was on tour with Tim McGraw and Faith Hill whose tour manager was Rick Allen’s brother. You might recognize McGraw from the song “Nine Lives” on Leppard’s last album Songs From the Sparkle Lounge. Swift expressed interest in doing an episode of CMT Crossroads with Leppard and eventually they made it happen. Lucky us.
The DVD starts immediately, no big long intro, with “Photograph”. In a democratic way of doing things, it’s a Def Leppard song to open, but Taylor Swift getting the first lines. Her smooth voice doesn’t sound right with Screamin’ Joe’s vocal lines, and takes some getting used to with these songs. You can’t really hear her fiddle player or acoustic guitarists on “Photograph” but they sure are having fun.
The concert is intercut with interviews that help bring the context to this odd collaboration. Taylor was born two years after Hysteria, but was exposed to Leppard’s music from birth. She had been wanting to do a show with Leppard for some time so she made it happen. It’s also fun watching her learn British slang.
Taylor’s “Picture To Burn” is…well, it’s a song about some guy who drives a pickup truck, it seems. No matter how much they try to convince us that Leppard and Swift are not all that different, they sure are. “Love Story” is more like a Leppard ballad and isn’t so hard to swallow. Finally we get to “Hysteria” which works remarkably well as a duet. Taylor’s vocals add rather than subtract. You can actually hear certain parts of her massive backing back on this as well, plinking here and fiddling there.
A blues jam about Taylor’s boy trouble is amusing. “Teardrops On My Guitar” is a nice song, a little more understated and quiet. Stage choreography seems important with so many band members on stage, and they all seem to have their places and times. Leppard’s ballad “When Love and Hate Collide” is one song that is the most transformed by the collaboration. It sounds at home in both worlds. Taylor reveals she’s long had an obsession with this hit. It’s very fun to see Joe give her the last line of the song too.
Taylor’s “Should’ve Said No” is upbeat and twangy. A little bit rock and roll, something a little more familiar. There’s a great march-like arrangement towards the ending, and then the drums start thumping and you know what that means. “Pour Some Sugar On Me” has never sounded like this before. Fiddles and double drums…it actually sounds pretty good. And that’s the closing song of what is a fun but definitely jarring set of hits.
The three bonus tracks are “Our Song” (written in 9th grade for Taylor’s highschool talent show), “Love” (new Leppard song), and “Two Steps Behind”. These Taylor songs really take some effort to digest when you’re a Leppard fan, until Joe starts singing at least. Giving her credit, Taylor sure knows how to command an audience, but it’s irritating to see Vivian ripping up the fretboard, but being unable to hear him in the mix. More interesting is “Love”, the only choice from Songs From the Sparkle Lounge. It really benefits from all the extra backing singers and musicians, becoming something really big and huge. The final bonus track “Two Steps Behind” has eight guitar players and a nice intro from Joe explaining how the song was written electrically in 1989 to become a hit acoustically later in 1993.
To Def Leppard fans at least, some of the best content might be contained in the bonus interviews. It’s clear Leppard had a new but genuine appreciation for Taylor Swift and how her songs are constructed. They discuss all the things they have in common with Taylor, such as age. Rick Allen turned 16 opening for AC/DC and Taylor of course released her first hit album at 16. Allen reveals his parents were supportive of him leaving highschool in order to tour with Def Leppard, but made him get a tutor. They understood that it was a once in a lifetime opportunity. Both artists discuss what it’s like to be pigeonholed into a genre be it “country” or “heavy metal”. But the coolest thing is the foreshadowing of Leppard’s new album Diamond Star Halos. “You know who else is a huge Def Leppard fan? Alison Krauss,” reveals Taylor. And in 2022 she too collaborated with Def Leppard.
In addition to the interviews, there’s a press conference with Joe, Phil and Taylor where they discuss their history with each others’ music. They are obviously having fun with their collaboration, even if you are not. One of the things Joe says is that they would love to work with Taylor in the studio any time anywhere. Rather than ask why this hasn’t happened any time in the last 13 years, let’s just be glad it hasn’t. This is a difficult DVD for the Leppard fan to finish in one sitting so let’s just be glad that’s all there is.
2.5/5 stars
Previous:
- The Early Years Disc One – On Through the Night
- The Early Years Disc Two – High N’ Dry
- The Early Years Disc Three – When The Walls Came Tumbling Down: Live at the New Theater Oxford – 1980
- The Early Years Disc Four – Too Many Jitterbugs – EP, singles & unreleased
- The Early Years Disc 5 – Raw – Early BBC Recordings
- The Early Years 79-81 (Summary)
- Pyromania
- Pyromania Live – L.A. Forum, 11 September 1983
- Hysteria
- Soundtrack From the Video Historia – Record Store Tales
- In The Round In Your Face DVD
- “Let’s Get Rocked” – The Wait for Adrenalize – Record Store Tales
- Adrenalize
- Live at the Freddie Mercury Tribute Concert
- Retro-Active
- Visualize
- Vault: Def Leppard’s Greatest Hits / Limited Edition Live CD
- Video Archive
- “Slang” CD single
- Slang
- I Got A Bad Feeling About This: Euphoria – Record Store Tales
- Euphoria
- Rarities 2
- Rarities 3
- Rarities 4
- Cybernauts – Live
- Cybernauts – The Further Adventures of the Cybernauts (bonus disc)
- X
- Best Of (UK)
- Rock Of Ages: The Definitive Collection
- Yeah!
- Yeah! Bonus CD With Backstage Interviews
- Yeah…Nah! – Record Store Tales
- Songs From the Sparkle Lounge
- “C’Mon C’Mon” (picture disc)
Next:
37. B-Sides
38. Yeah! II
39. Yeah! Live
40. Mirror Ball – Live & More (Japanese import)
41. iTunes re-recordings
Never understood this stuff. lol. Its like Leppard was looking to crossover like Jovi did when they did there country rock album what was that Lost Highway… I think Leppard was at a Crossroads back in 2009 which to me was a mid life rock crisis.
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For your record, here’s your quote that I used in my original review!
“Of course that country cop out track (“Nine Lives”) is brutal…Leppard has no place for CMT! I remember hearing about the Swift deal…I had zero interest. I was like, ‘How can a band that put out stellar product (basically the first four albums) go and cross over!??’ I mean right out of the Sixx play book entitled Following Trends!” — Deke from Metal Shatz
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This was the era where Vivian was trying to go shirtless like Phil and I hated it lol! I really like “Picture to Burn,” though. I feel the same way about Taylor as I do with Alison Krauss; I never want to see or hear either of them working with Def Leppard ever again!
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I don’t get the Krauss hate at all.
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I mean, that’s just my opinion. She has a good voice, but I don’t want to hear Def Leppard singing country. “Nine Lives” is an exception because it has a good beat. The Alison Krauss songs are ballads.
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Alison Krauss has buckets full of artistic integrity and Tim McGraw has none. That’s why it’s an easy choice for me.
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I don’t pay attention to any of them, so I wouldn’t know. I know Alison sang with Robert Plant, that’s about it.
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That alone should be enough! But she has a 35 yearlong career with the best in bluegrass.
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What is bluegrass anyways? I never understood that genre.
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Watch the movie O Brother Where Art Thou for a crash course in the beauty of bluegrass. It’s American roots music that goes back to the great depression. Based on Celtic music from Scotland.
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The Great Depression, huh? Sounds interesting. I’ll check it out.
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It’s nothing like what we call country music today, which is just pop music.
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I’ll take your word for it since the only country music I really liked was by Taylor Swift.
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That’s not really country. Her first two albums sure, but she hasn’t been a country singer in well over a decade now. She’s just a pop star.
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Yeah, before she went pop. I liked her songs from ‘Fearless’ all the way through ‘Red,’ the latter was definitely more poppy.
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Definitely. Fearless is more country.
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Yeah and I was pissed when she decided to go full on pop because I thought her country vibe made her different. Now, she’s just like everyone else doing pop music.
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I agree fully!
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My therapist thought I was nuts and that I was overracting. But I said otherwise.
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Overreacting? No I don’t think so.
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Yeah, she thought it was cool that Taylor was “changing with the times.”
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Cool or not, you were right
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I appreciate you for saying that. Thank you! Looking back on it, I can see the situation from both sides, but yeah I’m still not a fan of Taylor’s pop stuff.
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2.5 out of 5…not bad. Better than I was expecting from you. It does have its moments and it did help my kids get more exposure to Leppard (even more than I was giving them), so i like it for that fact.
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Well 2.5 is half…and half of the songs were good ;)
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That is true.
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