Legend has it that Brighton Rock hated this album. Singer Gerald McGhee was on record saying that record company pressure forced his band to soften up the songs and his singing style. Yet, Take A Deep Breath is actually an excellent 80’s rock album, with unusual quality. Everything you loved about 80’s rock is here.
Brighton Rock’s sound was different from the crop of hair bands at the time. They always had a classier feel in their commercial rock. Witness, from the first LP, “We Came to Rock”. The synth strings made it different, a little more refined. Johnny Roger’s tasteful keyboard parts have always provided an interesting background texture to their vocal and guitar melodies. Gerald McGhee’s vocals were emotional and he had a powerful range. On this album, he doesn’t scream (that record company pressure), but that’s OK. It works out fine with these songs. His voice is strong enough, he didn’t need to show off how high he could go.
- “Can’t Stop The Earth From Shaking” (poppy, catchy and upbeat rocker)
- “Outlaw” (dark and moody, great keyboards providing background texture)
- “Rebels With A Cause” (guitars upfront, a good groove)
- “Power Overload” (another guitar rocker with a great shout-chorus)
- “Who’s Foolin’ Who” (best song on the album, sounds like we have some fretless bass here, a moody dark rocker)
- “Love Slips Away” (dark and moody ballad, second best track here)
- “Unleash The Rage” (the dark, metallic song that sounds more like the rockers on the first album)
- “One More Try” (the unfortunate first single, a ballad…look at those doe eyes!)
- “Ride the Rainbow” (the pop song Gerald says he wished he never wrote)
As you can tell, dark moods dominate Take A Deep Breath. You could probably tell that by the cover. Hugh Syme (best known for his work with Rush, although he’s also done Iron Maiden, Megadeth, Queensryche, and dozens more) did the picture of the little boy with the gasmask in the post-nuclear landscape. Because of this dark feel, Take A Deep Breath is unlike most of the pop rock records out at the time. Its darkness allows it to stand up to scrutiny today. When Brighton Rock ditched keyboardist Johnny Rogers so they could “heavy it up” for their next album Love Machine, it didn’t work. They lost that special quality and became just another band trying to sound like it was from LA.
Don’t listen to Gerald McGhee: Take A Deep Breath was an album for him to be proud of, not embarrassed by. It was the high point of this band’s discography. Heck, Jack Richardson produced it — the same guy who recorded Universal Juveniles and the better Guess Who albums. There is a level of quality here underneath the keyboards that is audible, even today.