And I don’t care who knows it!
And I don’t care who knows it!
And I don’t care who knows it!
GETTING MORE TALE #705 Extra Hands
Today we discuss perhaps the most controversial subject ever broached on mikeladano.com. In the past we have fearlessly tackled bands without original members, whiny fanboys, the far right, and the plight of natives. Now we go where no one has dared.
Readers here may think that my sister Dr. Kathryn and I have lots in common. We both love music, schnauzers, and Star Wars. That’s everything, right? You’d certainly think so. We disagree more often than we agree.
Some spans are simply too far to bridge. This is one of them.
Here is the controversy. Don’t judge until you’ve heard us out.
My sister and I disagree, strongly, when action figures come packaged with extra hands.
Say what? I’ll explain.
This issue first arose in 2012 when the Star Wars 6″ Black Series was launched. This was a series aimed at collectors, packaged to display. Many increased in value quickly. Each character was numbered. The larger size (standard Star Wars figures were 3 1/4″) enabled more detail, better facial sculpting and way more articulation. Some of these figures look like the actual actors for the first time. Though quite a few are less than perfect (#03 Luke Skywalker has weirdly bright blue eyes) they were, by and large, exactly what nostalgic fans wanted. Eventually just about every major character was released (though we are still missing a Padme) with lots of the minor ones too (bounty hunters, Jabba’s minions). Fans were peeved that it took until now to get an original Lando Calrissian figure, while we already had such dubious characters as “Constable Zuvio”, plus about a dozen Rey variations! From Star Wars ’77 to Solo, most of your favourites are now available in the Black Series line.
The figure that sparked the controversy is #08, the excellent Han Solo in his 1977 getup: Black vest, white shirt, cool holster and blaster! The Black Series also occasionally threw in some bonus accessories. #08 Han has some of the best. He comes with his regular gun and holster, plus a Stormtrooper’s gun and belt so you can duplicate the look he had when he was running around the Death Star after escaping the trash compactor. He also comes with an extra set of gloved hands, so you can have Han as he looked when he was fleeing TIE Fighters aboard the Millenium Falcon. The hands snap in and out easily with no fear of breakage, still maintaining full wrist articulation. One of the gloved hands has fingers outstretched, as if Han were hitting buttons on the Falcon’s dashboard.
So what’s the problem?
My sister likes to keep her figures sealed. She displays them around her desk in her music room at home. I, on the other hand, put my sealed figures in storage, and sometimes buy a second one to open up and display. #08 Han is one such figure that I opened. (My sealed one is in a Cantina two-pack with Greedo!)
I’ve displayed Han in all sorts of ways: With and without vest, with and without Stormtrooper gear, and sometimes with the gloved hands. Meanwhile my sister’s boxed figure gets quizzical looks when she has friends over.
“Why does Han have two dismembered hands in the box?”
My sister finds the hands to be an eyesore she’d rather do without. For me, they are just another display option. I’ll bag up whatever accessories Han isn’t using right now. (Currently, my #08 Han is put away, while I have “Old Han” from The Force Awakens on display with Chewie.)
To me, a bigger offender is actually R2-D2. R2 is loaded with accessories (which is good since he’s half the size of a regular figure but still the same price). R2 is packed with a sensor scope, an antenna, and a Luke lightsaber that he packs in his dome. There are also blue dome covers for when you want R2 all closed up looking normal. But he also comes with jetpacks for his legs. Many fans consider the “flying R2” scenes to be among the worst in the prequel trilogy. I’d rather pretend it never happened.
“Those are stupid too,” says my sister of the leg rockets.
Han isn’t the only figure in the series with alternate body parts. Qui-Gon Jinn has a bonus hand doing a Force movement. Anakin Skywalker came with two heads so you can do him with two looks: mopey or angry. My sister considers all of these to be very poor display pieces.
I guess we will never agree on this issue. I think the extra hands are a bonus. If her friends can’t figure out that sometimes action figures come with alternate parts, then maybe she needs new friends.
A big shout out to
Derek Deke for bein’ around.
GETTING MORE TALE #701: Amazon You Bastards
This is the story of how 18 cents cost me $21.63.
I’m always on the lookout for cheap Star Wars figures. I collect the 6″Black Series exclusively. I keep my core collection sealed, but any time I can buy a double for cheap, I go for it. May as well have an open one for
The other night I was bored and browsing Amazon, as you do. I noticed they had a couple Black Series figs for under $20 — usually a guaranteed threshold for buying a double. I picked up Lando (Billy Dee Williams version) for $12.46 for my sister last week. This week I noticed Liam Neeson, err, Qui-Gon Jinn, for $12.08. After consulting my sister I decided to pull the trigger. Qui-Gon isn’t the best character and for a Jedi he is pretty bland, but I like the little toy lightsabers. He also comes with an extra hand that you can swap out to give him a Force-push kind of pose.
(I like the ability to easily swap out hands. Dr. Kathryn does not. Look for a future story on this called “Extra Hands”.)
“Go for it!” advised Dr. Kathryn and so I looked for something else to qualify for free shipping. I went to my wishlist and remembered Tommy Shaw’s Girls With Guns album. I’ve loved the title track for eons, but the CD was always somewhat rare. In fact it ended up on a very primitive version of the old Holy Grail list. It turns out that the quality label Beat Goes On Records has done a reissue along with the album What If in a single package. I recently picked up BGO’s reissue of Styx’s Caught In The Act – Live and I was very happy with the audio and packaging. I added Girls With Guns / What If to my cart at the price of $22.74, a solid buy.
Total: $34.82. A measly 18 cents short of free shipping.
There was only one copy of Tommy Shaw left in stock. I wanted to keep it in the cart. Only one thing to do. Add another item to the cart to get free shipping.
I browsed and browsed a bit more. Lots of Black Series figures under $20 (mostly from Rogue One), but I had doubles already. There were a few just over $20 and ultimately I decided to buy a second Imperial Range Trooper at $21.63, far exceeding the cost of the original Qui-Gon figure that set me off on this particular shopping quest. And here’s the kicker! At first I decided I didn’t want to get any figures from Solo. There are so many Black Series characters now that I had to draw a line somewhere. But I broke when some of the new figures turned out so good, and Range Trooper is one of them. He’ll be joining the rest of my opened Imperial troopers soon.
But: Fuck you, Amazon! I bet you have banks of computers spitting out algorithms to keep me just under the $35 minimum for free shipping! Weird prices like $12.08…you think you’re getting a deal but then you buy three fuckin’ things!
I’m on to you, Amazon….
The second Star Wars spinoff movie, based on that ol’ scoundrel Han Solo, is also the second Star Wars movie with a soundtrack by someone other than John Williams. He still helms the main “Saga” films, but this time out John Powell had the difficult task of writing new Star Wars music. Powell’s career has mostly centred on kids’ movies like Antz and Shrek. He had an Oscar nomination for How to Train Your Dragon. He’s also known for action scores, like the Bourne movies and and X-Men: The Last Stand. Though Solo has plenty of action, Powell doesn’t go for tired action cliches in his score. And of course, there are plenty of callbacks and reprises of old Williams themes that you’ll never forget.
The opening cue “The Adventures of Han” begins sounding like an old film reel, before settling into something Marvel-like and heroic. This track was actually composed and conducted by Williams himself, providing the essence of a new theme for Han.
Solo is a different kind of Star Wars movie, even from Rogue One (conducted by Michael Giacchino). Likewise, its score is different too though still living in the same universe. Modern percussion and instrumentation can be found alongside the traditional. Han comes from a dark corner of the galaxy, and the score is fraught with tension over oceans of calm (“Flying with Chewbacca”). The characters of Han Solo and Lando Calrissian are loaded with panache, and so are parts of the score. Some of the best tracks are the dark “Spaceport”, which is contrasted by the rhythmic action of “Train Heist”.
“Marauders Arrive” features a children’s choir and a clue. At this point in the film, the masked pirate Enfys Nest enter the scene to pilfer the score that Solo’s crew was in the process of stealing. Later on, [SPOILER] we discover that Enfys Nest is actually a young girl. A Rebel, in fact. Some of her crew were first seen with Saw Gerrera’s rebels in Rogue One. The quite awesome sound of the children’s choir in this scene is a clue to Enfys’ true nature — a child herself. [END SPOILER]
Much of this score just sounds like a heist film. “Is This Seat Taken?” has that kind of quiet tension (with some peaks of themes in the background). It’s all very appropriate for sneaking around and trying to steal stuff like a scoundrel. There there are some more familiar sounds, like when the Falcon shows up. When it does, expect more hi-jinks, excitement and drama from this soundtrack. It rarely gets dull, but strap yourself in for “Reminiscence Therapy”. It’s a virtual greatest hits of themes, including the ones from Solo.
To be charitable, two tracks don’t work as well as others. Star Wars movies tend to have a lounge or bar scene with a band. “Chicken in the Pot” has annoyingly modern R&B beats, just not right for Star Wars, weird languages aside. “Dice & Roll” is also a bit too close to home for a galaxy far, far away.
Solo turns out to be one of the pleasant surprises of 2018. It’s a soundtrack far better than expected.
First, they did Star Wars. Due to popular demand, they did Empire next. And just as Jedi was the weakest of the original trilogy, so is Family Guy’s version.
The full 57 minute episode “It’s A Trap!”, available on its own for those who only like the Star Wars spoofs, follows the same concept as the first two. Favourite Family Guy characters portray the legendary characters from Star Wars. After two, though, the well seems rather dry. Presumably running out of original characters, they peppered the cast with characters from both American Dad and The Cleveland Show. Rollo Brown, Klaus the Fish and Roger the Alien are some of the characters making a Family Guy appearance in the Star Wars universe.
Still, it must have been awful dry in that well when they were writing this.
“It’s A Trap!” had moments that were as funny as any previous Family Guy Star Wars. Then there were stretches that that were as dull and uninspired as Seth MacFarlane’s worst. It was very much a rocky ride, but luckily the good outweighed the bad in this episode.
Pick it up and complete your trilogy.
Or, you know, just watch it on Netflix.
And, no — there is next to a 0% chance that Disney will let Seth do any more Star Wars.
It is a lawless time.
CRIME SYNDICATES compete for resources – food, medicine, and HYPERFUEL.
On the shipbuilding planet of CORELLIA, the foul LADY PROXIMA forces runaways into a life of crime in exchange for shelter and protection.
On these mean streets, a young man fights for survival, but yearns to fly among the stars….
Directed by Ron Howard
We are dangerously close to Star Wars overkill. With the announcement of:
We are very close to oversaturation indeed. Remember when you had to wait three years between movies and much longer between trilogies?
Fortunately, Solo is a welcome addition to the crowded Star Wars family.
Solo was one of the spinoffs conceived by George Lucas before he abandoned ship. He’d been trying to do “young Han” since at least Revenge of the Sith, when he was pictured in concept art as an orphan raised by Wookiees. Lawrence Kasdan (The Empire Strikes Back) and son Jon wrote Solo, so you can be assured there is a level of authenticity here. Who better to write that space scoundrel? Nobody.
And who better to direct than Ron Howard? He came in under difficult circumstances after the firing of Phil Lord and Chris Miller, re-shot 70% of the movie, and pretty much nailed it too. Howard also brought in some of his regulars (brother Clint Howard and Paul Bettany) and threw in a literal ton of Star Wars references and crossovers. Solo is Easter Egg heaven.
Finally, composer John Powell created a soundtrack that is different yet founded in the Star Wars universe. Powell hybridized new and old themes together into a memorable score. He too included Easter Eggs, in his music. Listen closely when [SPOILER] the marauder Enfys Nest and her gang arrives. Powell utilised a children’s choir, as a clue foreshadowing Enfys’ young age under the mask.
Everybody was worried about lead actor Alden Ehrenreich as Solo. Admit it, you were too. Fear not, for young Ehrenreich (who is signed on for three films) nailed the role. His higher voice is the only niggle that consistently reminds you that he’s not the Han you remember. Similarly, Donald Glover fits into Lando Calrissian’s capes comfortably, including the suave talkin’. Billy Dee Williams should be very happy with the new Lando.
The concept of Han as an orphan is retained, but instead of being raised by Wookiees, his backstory is more aligned with the old Star Wars novels. He is a thief on planet Corellia, where he and girlfriend Qi’ra (Emilia Clarke) try to stay under the Empire’s nose. Corellia is a shipbuilding world with huge, expansive scenes of Star Destroyers under construction. When Han and Qi’ra are separated, he joins the Empire, as he did in the comics.
Han wanted to be a pilot, but got stationed in the muddy trenches to quell an uprising on planet Mimban. Han, you see, isn’t the best at taking orders. While enlisted on Mimban, he meets Tobias Beckett (Woody Harrelson) and his best friend to be, Chewbacca (now played by Joonas Suotamo). Solo is swept into the seedy world of organised crime where he is delighted to catch up to Qi’ra, and is introduced to her boss played by Paul Bettany. They both work for the dark, shadowy crime syndicate Crimson Dawn.
From an exciting pulse-pounding train heist to the Millenium Falcon, Solo keeps things moving. It’s one big set piece after another, including the Kessel Run. And yes, they used the novels as the source material. The Falcon does indeed make the Kessel Run in 12 parsecs, getting a little beat up in the process. By the end of the film, she’ll look a little more like the ship you remember.
The plot has its twists but you can foresee that some backs are going to get stabbed. Han’s backstory is over-explained a bit too much for a single film, but there is still enough left to explore should Solo 2 be somewhere in pipe. The truth is, the first viewing of Solo is less paying attention to the plot, and more looking for cameos. Speaking of which, characters tie Solo into movies as diverse as Rogue One and The Phantom Menace. You’ll see some stirrings of the early Rebellion, and Han’s intrinsic sense of right and wrong. You might even see a giant “fuck you” to the Star Wars special editions. [SPOILER] Han is definitely a “shoot first” kind of guy.
Things get a little muddled with a side character (Lando’s droid L3-37 played by Phoebe Waller-Bridge) with a passion for droid’s rights. Perhaps a droid-based Star Wars movie would be interesting for the future, but it was extraneous here. Solo is best when it’s giving you a tour of the Star Wars universe, from crime lords to the trenches on the front lines of the Empire. Trench warfare on Mimban is directly inspired by the muddy fields of World War 1, and it’s far better than any of the Clone Wars stuff in Revenge of the Sith.
Unlike The Last Jedi, a spinoff movie doesn’t have to reinvent the wheel. In many measures, the pressure was off. Solo aims to be a fun movie that requires no connections to the Force or Skywalker family. It’s a shame that it has not performed well, but that is not a reflection on its quality.
In February, I shared a Sunday Chuckle about being told I looked like Mark Hamill (Luke Skywalker).
I’m very very proud of this.
We recently had breakfast with friends Peter and Joanne. Joanne follows me on Twitter on thought the picture of me with a towel on my head (pretending to be my Jedi robes) was hilarious.
So for Joanne, here are two outtakes from the photo session that brought you Mike the Jedi. Please enjoy!
Guest directed by: Kathryn Ladano
We’ve already reviewed the movie ad-nauseum, so here is something fresh: a review of the Blu-ray bonus features by guest writer Kovaflyer!
Directed by Rian Johnson
If you enjoyed The Last Jedi or if you have mixed feelings about the newest instalment of Star Wars and are trying to make sense of the film, the bonus features are a great in-depth look at where Rian Johnson took the galaxy that is so very far far away.
The Director and the Jedi – Full length documentary feature
The Director and the Jedi is your first behind the scenes look at The Last Jedi and the hard work that went into making this Star Wars movie. This part of the bonus features takes you behind the scenes of the building of up to 120 different sets, the creation of all the creatures that we have come to know and love, the eye-pleasing costumes, as well as the amount of detail involved in the makeup artistry; like the work done to create Kylo Ren’s scar.
The Director and the Jedi also features discussions with Mark Hamill about Luke Skywalker and the direction that Rian took with Luke in the film. Mark tells us that he was going to play the Skywalker that Rian envisioned regardless of how he felt about his own image of Luke. Early footage of Mark and Daisy going over lines and choreographing the Luke vs. Rey scene was fantastic.
The interviews and interactions with Carrie Fisher are both heart warming and fun and showcase Carrie at her best; the only way that Carrie knew how to be. Carrie was excited about the direction of Leia’s character in the movie, calling her strong and in charge.
Balance of The Force
Rian Johnson really wanted to hit the re-set button on “the Force” and what it means. He wanted to show new Star Wars fans that the Force is not a super power, but a balance between all things, the light and dark, in all living things. It is a gift, and not all about moving rock or things across a room.
When he started writing The Last Jedi he had a look back at Star Wars and the main characters in the story and what challenges they would eventually come up against.
Rey is looking to find herself and where she comes from; who her mom and dad are and where they have been, and what her new powers mean and how to use them. With Rey there are no easy answers and if she wants them she is going to have to find them herself.
Finn has just woken up on a ship after being injured in a fight on Starkiller Base while trying to save Rey and the Resistance. He wakes up with the ship under attack and Rey missing, and therefore he has to think fast and take action to save Rey, himself and the ship.
Leia, facing more and more loss is taking charge and leading the Resistance in the biggest fight yet.
Luke is fighting his own internal battle that the Jedi must end. In his view, the Jedi have done nothing but added to the problems of the galaxy, and if he were to bring back the Jedi, the Sith would rise again. Luke believes if the Jedi die, that a new light could rise and win. Therefore, Luke Skywalker has exiled himself; he is being selfless. Rian knew that there was a reason why Luke went into hiding, that it was a selfless act and that he was not just cowering away.
Yoda, yes that Yoda (the puppet version brought to life by Frank Oz), comes to Luke when he needs him the most. Yoda reminds Luke of the same lessons he once taught him, to stop with all the big plans and to focus on the here and now, to be the Luke Skywalker that everyone needs; to be the myth, to be the legend of Luke Skywalker and to not let the light burn out. So, Luke must train Rey and keep her in the light. The most important message Yoda had for Luke, was that failure is the greatest teacher of all. Johnson insisted to have the original puppet version of Yoda and his puppeteer Frank Oz for the film. He wanted Mark Hamill to interact with Oz and not a CGI version of Yoda, and even procured the original Yoda puppet mold in order to fashion the latest version of the Jedi master.
The bonus features also offer the following scene breakdowns.
Lighting the Spark: Space battles are massive undertakings. You get the big explosions, the visual and auditory effects. However, Johnson explains that he felt that in this space battle, he wanted to show the humans behind the spaceships; to make you feel connected to what is happening based on the relevance of the battle to the characters. It is interesting and fun to learn where some of the sound effects that were used in the battle came from (e.g. a roll of duct tape), how some of the spacecrafts and battle sequences were modelled after WWII aircraft and aerial footage (e.g. a B-52 bomber), and how Kylo Ren’s spaceship was of course modelled after Vader’s own tie fighter. In this battle, that saw so many Resistance fighters lost, Johnson chose to highlight Leia’s struggle with loss and grief and her deep love for her people.
Snoke and Mirrors: Rian explains that in bringing Snoke to life, he wanted to ground him in reality; make him have a physical presence. He was worried, however, about the complexity of creating a believable character completely out of CGI technology. In utilizing a complete motion capture suit for Snoke’s character, however, they were able to use every nuance that Andy Serkis brought to the character’s physical being; every facial expression, every twitch, etc.
Showdown on Crait: Johnson explains that the scene of the showdown on Crait was one of the first visions he had when he started working on the movie. To create the visual effects for the shots fired on the salt planet, the film crew went to the salt plains of Bolivia and filmed shooting sequences. It is amazing to hear just how many different options they went through when creating the red under the salt (e.g. shredded dyed red paper), how they reinvented the Walker from Empire into the Gorilla Walker using various sounds bytes to create its own unique ‘voice’, or how they used sounds from old beaten down cars in order to obtain the sounds for the Resistance fighter ships.
Andy Serkis Live! (One Night Only)
This part of the bonus features offers a look at the first meeting between Rey and Snoke with Andy Serkis in the full motion capture suit. It is amazing to see Andy’s performance in the raw without the CGI effects. To say that Andy’s performance was intense is a serious understatement!
The bonus features also provide a look at some of the scenes that did not make the final cut for the movie; fun to watch but one can understand why they were left out for the most part.
In closing friends, I give this bonus footage 4/5 stars and highly recommend that you pick up the Blu-ray edition of The Last Jedi as you will enjoy some fabulous bonus features that will enhance your enjoyment of this Star Wars film.
GETTING MORE TALE #670: Censor This Too! – The Star Chamber
This is the sequel to Getting More Tale #669: Censor This! In a footnote to that story, we discussed the evil, corrupt English department at Grand River Collegiate Institute in the school year 1990-1991. With music as part and parcel of everything I do, here is the students’ revenge.
This story was written by myself and Andrew “Abbis” anonymously. (You may remember “Abbis” was the subject of a Zeppelin-esque song I co-wrote called “Abbis’ Stomp”.)
Context: A brilliant young student named Danny was accused of plagiarism for his independent study on part of Milton’s Paradise Lost. The entire English department were united in their belief that he had cheated, not realizing this young dark-skinned kid with a strange sounding last name was actually just really gifted. In a parallel to Paradise Lost, Danny soon found himself in a hell of his own. The school treated him shamefully, but could not prove he cheated. Instead of the A+ he deserved, he got a “no report”. This was his final year of highschool, and he wanted that A+ to get into the university program he had applied to.
This story was our revenge on his behalf.
I take a lot of pride in our creative little rebellion. This was about as misbehaved as we got. Our scathing story The Star Chamber (an obvious mashup of MacBeth and Star Wars) was published in the underground school newspaper, in June of 1991, exactly as you see it below. Pay attention for a Zeppelin reference and plenty of Shakespeare. My character is an homage to Han Solo named…Guitar Solo.
THE STAR CHAMBER
(The Uncensored Version)
BY: Robin Hood and his Merry Men
A long time ago, in a Collegiate Institute far, far away, a battle was being waged between the forces of Good and English. The leader of the rebel forces, Danny “The Terror” Skywalker, had for months been a thorn in the side of the English Empire…
ACT I, SCENE I
In the caverns of Smithers the Hutt.
Enter with a flourish and really neato special effects, Darth Chamber and his English entourage.
DARTH: (To Smithers) By Jupiter! We must capture that foul wretch known to all as Danny “The Terror” Skywalker.
SMITHERS: I say yea my Lord.
Exuent Darth and entourage with an even bigger flourish.
END OF SCENE
ACT I, SCENE II
Enter Danny, his faithful companion Guitar Solo at his side, zipping through space in the Tarachan Falcon.
Their favourite album, “Ten Classic Books in Ten Minutes” is suddenly drowned out by the wail of an intergalactic police siren.
Enter Robo Bolt, with colours and drums.
DANNY: What hast thou pulled me over for, sucka?
ROBO: Dost thou thinks that “E.N.G.-S.U.K.S.” is an appropriate licence plate for thine vehicle?
DANNY: What say you? Thou art a strange fellow.
ROBO: Your horrid image doth unfix my hair!
DANNY: Methinks thou art (and I quote Willie Shakespeare) “a coward, a rascal, an eater of broken meats, a beggar, and a lily livered knave”.
ROBO: Draw thine sword, I’ll make a sop’ o’ the moonshine of you! (they draw and fight, Guitar Solo slain by accident.)
GUITAR: To be…or not to be. What a stupid question! GAHK!!! (he dies. Robo is then slain.)
ROBO: I am slain, I am slain, dead, defunct, kicking the bucket, etc. etc. etc. (he dies.)
DANNY: What have I done, o Lord, o nature? What evil spirit hast possessed me?
Exit Danny, delirious from the battle.
END OF SCENE
ACT I, SCENE III
Enter Darth Chamber having been notified of Robo’s death, mad, and garlanded with wild flowers.
DARTH: Oh what foul deed, what evil, for my fair fair Robo. He is killed. (Enter Danny, furious with rage upon sighting Darth.) Draw, or surely thou shalt perish!
DANNY: Have at you, bud!
Enter Smithers from behind.
Smithers strikes Danny over the head with Roget’s Unabridged Dictionary, knocking him unconscious.
END OF SCENE AND ACT
ACT II, SCENE I
Later in the Star Chamber.
Trumpet answers within.
Enter Darth Chamber and Smithers, armed, a trumpet before them, attendants, the Fool, Edgar, Edmund, Oberon, The Duke of Cornwall, Elvis, drums and colours, Danny Skywalker in chains, Gloucester wandering around outside.
DARTH: Hark, four-score and seven years ago this treasonous wretch, Danny Skywalker, hath committed the ultimate crime against the English Empire. May his trunk be devoured by butterflies. By Jupiter! Behold his foul deed. (cries of astonishment within) He hast plagiarised the almighty Milton!!!
DANNY: Oh Hell! Oh spite me! What manner of accusation is this?
DARTH: Silence scurvy knave. (Darth to attendants) Place him in…(drum solo)…the machine!
SMITHERS: Goody goody gosh! By the fairies, Darth is mighty!
FOOL: (sings) O nuncle, court holy water in a dry house is better than this rain water out o’ door. For he’s buying a Stairway to Heaven.
Exuent all. Death march, colours and banners.
END OF SCENE
ACT II, SCENE II
Enter with a flourish, Darth Chamber and Smithers the Hutt, with entourage carrying fluorescent banners with matching tights, led by an Old Man. Danny strapped to the machine.
The machine, a relic left over from the late 20th century, known as a “Dunking Machine” is filled with water, with Danny strapped to a chair above it.
DARTH: By Jupiter! My seated heart dost knock at my ribs. For the time is near o’ blossom.
SMITHERS: Skywalker thy trial begins! If thou float’est, thou art guilty of plagiarism and shalt be sentenced to die…slowly. First we shall tear all the of the hair from thine body, then soak you in lemon juice, and Kraft salad oil. Then we shall take you out to the Dune Sea you shall be eaten alive by the almighty Mouth, while’st being garnished with tomatoes and olives! But if thou sink’est and die’est, we shall know that thou art innocent and we shall let’est you go.
DANNY: Sorry, but I’ve got a prior engagement.
Enter Abbis Man’s ghost. (See last issue — ed.)
Abbis Man runs onto the stage, dropkicks Darth, hits Smithers with the D.D.T. and frees Danny from the machine.
DANNY: Thanks bud!
ABBIS: No problem, let’s get a beer!
Exuent, too tired to flourish.
DARTH: Gosh darn it! Methinks this ending really sucks!
Exuent Darth and all remaining.
END OF SCENE AND ACT
Danny and Abbis Man, having formed a powerful alliance, travel to Earth where they take on aliases and fight crime as Siskel and Ebert.