REVIEW: Journey – Time3 (1992 box set)

scan_20161015-2JOURNEY – Time3 (1992 Sony 3 CD box set)

Very few box sets satisfy the way that Journey’s Time3 satisfies.  When it was released in 1992, Journey wasn’t even a functioning entity anymore.  Sony’s box set still represents the kind of care and attention to detail that makes for an extraordinary listen.  It is arranged (mostly) chronologically with ample rare and unreleased material.  What is most remarkable is how great this rare and unreleased material is.  Aerosmith did a similar looking box set in 1992 as well (Pandora’s Box), but their set isn’t as steady a listen as Time3 is.  Time3‘s ample wealth of worthwhile rarities rank it easily as the superior set.

From start to bitter 80’s breakup, every Journey member from 1975 to 1986 is included.  George Tickner, Aynsley Dunbar, Robert Fleischman, Randy Jackson, Mike Baird and anybody else you may not have known were in Journey are represented in this box.  There are ample liner notes and photos explaining the roots and branches.  (Humorously the notes claim the early Journey instrumental “Nickel & Dime” may have been the prototype that Rush ripped off for “Tom Sawyer”.)  Valuable early rarities include the unreleased jazz rock number “Cookie Duster” and an excellent vocal track called “For You” recorded  with Robert Fleischman singing.  Fleischman might be best known as the original singer for Vinnie Vincent’s Invasion a decade later, but in Journey he turned in a pretty powerful pop rock song.  This was just before Steve Perry joined the band as its first full-time lead singer.  Keyboardist Gregg Rolie took care of the vocals before Perry joined, in addition to performing several smoking organ solos included herein.

There is a distinct change between the early progressive jam rock tracks and “For You”.  When they hired on a lead singer, it was with the intention to get a big break, and Steve Perry was the final ingredient.  With Perry they recorded brilliant classics such as “Patiently”, “Anytime” and the unforgettable “Wheel in the Sky”, which unfortunately is only included here as a live version.  Indeed, the Journey box set’s only weakness is a substitution of (non-rare) live versions for studio originals.  “Lights” is another such substitution.

Just as the band were making this prog-to-pop transition, drummer Aynsley Dunbar left.  His style was more progressive and frankly too highbrow for the direction Journey were going.  He was replaced by another total pro, the feel-oriented Steve Smith, a jazzbo at heart who can play R&B like nobody’s business.  “Too Late” from 1979’s Evolution is a perfect example of what he did to the Journey sound, as things simplified.

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With Smith behind the kit, the hits kept pouring in.  “Lovin’ Touchin’ Squeezin'” (also included live), “Any Way You Want It”, “Line of Fire” and many more burned up speakers across America.  The band very quickly went from “point A” to “point B”, but also with several exceptional looks backward.  Some of these lesser known gems include “Little Girl” from a rare Journey soundtrack album called Dream, After Dream done for the Japanese market.  There is also the live “Dixie Highway” from Captured that shows off some serious instrumental chops.  A rare highlight is the soulful and unreleased cover of “Good Times”, with full-on horn section, from 1978.  It’s one of the songs that make it worth buying a box set like this.

Rolie left after Dream, After Dream and did not appear on the one new Journey song on Captured:  “The Party’s Over (Hopelessly in Love)”.  This brilliant pop rocker pointed the way towards the next era of Journey.  From The Babys came new keyboardist (and sometimes guitarist and singer) Jonathan Cain.  Cain forever brought Journey into the 1980’s, with modern keyboard accompaniment and serious writing abilities.  He has since become an indisposable member of the band, as important as founding guitarist Neal Schon himself.  Jon Cain’s first was the Escape album, which has sold nine million copies to date.  Not a bad little debut.  With “Don’t Stop Believin'” , “Stone in Love” and the smash ballad “Open Arms”, Journey ascended to the top of the mountain.  These tracks are all included as their studio originals.

There are a number of notable and great rarities from this period included in Time3.  “Natural Thing” was the soul-laden B-side to “Don’t Stop Believin'”, but feast your ears upon “La Raza Del Sol”, which snuck out as the progressive flipside of “Still They Ride”.  This blazingly recalls the arrangements of the early years with an unusually contemoplative lyric.  Check out Schon’s flamenco guitar solo.  There is the understated and brilliant rocker “Only Solutions”, from the 1982 Tron soundtrack.  These are valuable songs, that any Journey fan should enjoy completely.  Moving forward, “All That Really Matters” is a synthy demo with Jon Cain on lead vocals.  It doesn’t sound like Journey, but Cain fans will find it interesting.  Two more soundtrack songs are indispensable:  “Only the Young” from Vision Quest, and “Ask the Lonely” from Two of a Kind (both 1983).  Each song was significant enough to include on 1988’s Greatest Hits, so fans are well acquainted with both.  It’s incredible to think that Journey had songs of this quality to give to soundtracks.

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Towards the end, as bands often do, Journey began falling apart.  Steve Perry had a hit solo debut Street Talk (1984) and he returned to Journey more confident, imposing a soul/R&B direction upon the band.  Steve Smith and founding bassist Ross Valory were out.  Randy Jackson and Mike Baird were in.  Raised on Radio took forever to record and underwhelmed fans upon reception.  A live version of “I’ll Be Alright Without You” with the new members indicates that Journey had sanded off the rough edges.

Even at the end, there were still interesting happenings.  The liner notes reveal that even as the band was ending, they were winning awards.  Journey performed at the 1987 Bay Area Music Awards with a different singer — Michael Bolton.  One has to wonder where that could have gone.  The last music on this set chronologically comes in the shape of two unreleased instrumentals called “With a Tear” and “Into Your Arms”.  They were recorded in 1986 but not used for Raised on Radio, and so they were finished in 1992 by Schon and Cain for this box set.  Sadly these instrumentals are better than most of the tracks on Raised on Radio.  One is a ballad, and one is a rocker, but both are exceptional.  Journey started life with instrumentals, and so it’s fitting that Schon and Cain polished off the box set with a couple as well.

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This box set was reissued a number of times, but for the money you can’t beat the original 1992 printing with the long box and large booklet.  The liner notes are ample but the rare photos may even top them.  From the earliest days there are pictures of the band with original guitarist George Tickner and drummer Prairie Prince.  Prince was invited to join permanently, but chose to join the Tubes instead, a band he found more creative.  He was replaced by Aynsley Dunbar who recorded the first LP.  Also pictured within are some truly impressive hair styles, clothes, and moustaches.

With tracks this strong from start to finish, great packaging, and such a wealth of rare material, it seems Time3 should be an easy 5/5 stars.  However, that niggling issue of live tracks (particularly “Wheel in the Sky”) replacing studio cuts is really devious.  It’s unnecessary.  It all but forces casual buyers to also own Greatest Hits for the studio versions.  It seems very calculated.

Otherwise, proceed.

4.5/5 stars

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44 comments

  2. That posted before I was done..this app! As I was saying, I didn’t know Journey existed before Steve Perry! It would be interesting to hear their earlier sound…your description reminded me a bit of Fleetwood Mac before and after.
    I wonder why they opted for all those live tracks. Including live and studio versions would have been great. Maybe there were licensing restrictions?
    Thanks for another insightful review, Mike!

    Liked by 1 person

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    2. Here is one of the early Journey albums without Perry, from the 200 word series!

      https://mikeladano.com/2016/09/01/review-journey-look-into-the-future-1976-200wordchallenge/

      I don’t think there were any licensing restrictions on the studio tracks. They were all on the same record label. I think it comes right down to forcing people to buy another CD if they want the original. Which I did, and lots of other people too I’m sure.

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  5. Really thorough review here, Mike. I’m not sure Journey are quite my cup of coffee, but I dare say there’ll be a selection of tracks that I’d dig. As for that Aerosmith box – I owned that. My first Aerosmith purchase, actually.

    Liked by 1 person

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        1. You know what man…this is hard to believe but I never saw the final season of Sopranos. I didn’t have cable at that time, and the DVD sets are so expensive. At this point I would pretty much have to re-watch the series to catch up again.

          Liked by 1 person

        5. Yup — Deep Purple’s “Stormbringer” for example. You don’t hear that song very often on TV.

          It was one of my favourite shows, but I couldn’t afford to keep buying the sets. When the 5th season came out I felt so lost, so I never got caught up to the 6th.

          From the seasons I saw, I thought it peaked around season 3. The episode when Paulie and Christopher are lost in the woods is my favourite of the whole series. Steve Buscemi directed that one.

          Liked by 1 person

  9. I dunno …
    Great review but I lost interest after Captured…The two I bought after were Greatest Hits Live and than I got fooled by that Trial By Fire debacle…..
    Hardline’s Double Eclipse is the album Journey should have made…
    My 2 cents….I mean WTF was Raised On Radio? ….

    Liked by 2 people

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  13. What a great video! So 80s! At the time, I dismissed Journey in favour of serious music like the Beatles, Pink Floyd, Rush, Jethro Tull, the Moody Blues, but in retrospect enjoy them as a non-guilty pleasure (like Foreigner, etc). The blokes had moved to narrower trousers and shorter head and facial hair, but still recognizably 70s and no trace of punk, disco, new wave. But the girl is everything bad about 80s fashion rolled into one. Faced with her, I would choose separate ways as well!

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