Gene Simmons

Sunday Screening: Trailer for KISS Off the Soundboard: Tokyo 2001

Just a quickie for you this Sunday.  In rather cool news, KISS announced a new series of live soundboard albums.  The first of these is Tokyo 2001, one of Ace Frehley’s last shows with the band.  The lineup is one never before represented on any official releases until now:  Stanley/Simmons/Frehley/Singer.

The vinyl can be purchased on black or “exclusive 3LP crystal clear vinyl with bone swirl”.  Or for those of us not made of money, plain ol’ CD.  Check it out.

 

1. “Detroit Rock City”
2. “Deuce”
3. “Shout It Out Loud”
4. “Talk to Me”
5. “I Love It Loud”
6. “Firehouse”
7. “Do You Love Me”
8. “Calling Dr. Love”
9. “Heaven’s On Fire”
10. “Let Me Go Rock & Roll”
11. “Shock Me”
12. “Psycho Circus”
13. “Lick It Up”
14. “God of Thunder”
15. “Cold Gin”
16. “100,000 Years”
17. “Love Gun”
18. “I Still Love You”
19. “Black Diamond”
20. “I Was Made For Lovin’ You”
21. “Rock and Roll All Nite”

#888: The Limewire Days

RECORD STORE TALES #888: The Limewire Days

I got into the downloading business later than everyone else. As a Record Store manager, I had zero interest in downloads. I’ve never used Napster and I sided with Lars Ulrich when it came down to it.  You might not have cared about Lars’ bottom line, but I cared about mine.  Downloading hurt us.  And we weren’t a corporate entity, we were just a small indy chain.  Eventually in the year 2001, I relented and began using WinMX and Limewire to download rare tracks. I bought so many CDs annually, I figured “why not”? I quickly discovered all the new Guns N’ Roses songs that they played in Rio.

I still remember the first time using WinMX. It was at an old girlfriend’s house and she was showing me how she downloaded music. Hey neighbour was using WinMX too, and gave her a mix CD of all the tracks she had downloaded. I’ll never forget putting on this mix CD, and suddenly from the speakers it’s “Who Let the Dogs Out”!   As the song went on, I remarked “I don’t think I’ve ever heard the verses to this song before. Just the chorus.” Do you know how the verses go?

I copied what the girlfriend showed me, downloaded WinMX, and before you know it, I was listening to “The Blues” by Guns N’ Roses.

After everything dried up on WinMX, we both switched to Limewire where I continued downloading the odd rarity. I accumulated a large music folder, and began burning all my new tracks to mix CDs. I have several volumes of mixes all with tracks downloaded during this period. But there were always odds and ends that I never fit onto a mix CD. I thought all those tracks had been lost, but I just dug up an old CD labelled “MP3 downloads”. It is here that I burned the stragglers, and then stuffed the CD in with some photo discs and forgot all about it.

The title “MP3 downloads” is misleading as there are video files here too (none of which work anymore). The downloads are also not exclusively from Limewire, as we’ll get to. Let’s have a look track by track at what mp3 files I still had in my music folder back in 2004.


This CD is only 303 mb (of 656).

First, the video files are a weird variety of stuff I downloaded and intended to keep.  I didn’t have cable back then, so “Gene Simmons on MTV Cribs” is one I wanted.  Then there’s a file called “Gene’s hair on fire”.  Then there’s a file called “some jackass tells a cop to fuck off”.  I remember that one.  I think I had been searching for Jackass videos, and came across this idiot getting beat by a cop after walking up and giving him the finger.  Some Star Wars videos include the Star Wars Kid vs Yoda, a deleted scene from A New Hope, and something called “Episode 3 Leaked Marketing Video”.  All the video files appear to be corrupt and won’t play on anything.

Onto the music.  I can see there are some tracks here from albums I didn’t own then, but do now.  From the compilation CD Spaced by William Shatner and Leonard Nimoy, it’s “Mr. Tambourine Man”, “The Ballad of Bilbo Baggins”, “I Walk the Line” and “When I Was Seventeen”.  These are strictly novelty covers, although Nimoy does give it a good effort.  All of these songs were originally released on separate Nimoy and Shatner albums in the late 1960s.  Related to these, I also have “Shaft” by Sammy Davis Jr.  I have long loved Sammy’s glittery version of the Shaft theme.  Who’s the black private dick who’s a sex machine with all the chicks?  Sammy Davis Jr. was!  The guitar work on this is great slippery fun.  I’ll have to get a copy for real.

A fun treat next:  A full hour Peter Criss interview show by Eddie Trunk.  This is with all the songs and music.  Peter was out of Kiss once again, and he spilled the full beans on his whole perspective.  Doing the Symphony show with Tommy Thayer, Peter complains “without Ace, it’s not Kiss”.  This interview is definitely a keeper.  According to the file name, this interview is from May 4, 2004.

Several of the files are really, really low quality Dokken.  These are tiny files, they are so poor.  Demos of “Back for the Attack”, “We’re Illegal”, “It’s Not Love”, “Unchain the Night”, “Upon Your Lips”, and “Sign of the Times”.  A live version of “Paris is Burning”.  Remixes of “Nothing Left to Say” and “I Feel”.  I could have burned all these to a Dokken rarities CD, but the sound quality is poor, I knew I’d never want to listen to it.

There is also a smattering of rare Leatherwolf, including some live stuff.  Some were downloads from their social media pages at the time.  “Tension” is definitely one such official track, an instrumental solo that isn’t on any albums.  (You can tell by the file size it’s official, compared to the low quality Limewire downloads.)  I also have “Black Knight” live with original singer Michael Olivieri, and a partial instrumental called “The Triple Axe Attack”.  I’m not 100% certain what these are, but they don’t seem to have originated on the rare Leatherwolf live album called Wide Open.  Best of all the finds are the three official demos they did with singer Jeff Martin:  “Burned”, Disconnect” and “Behind the Gun”.  Martin did not last, and was replaced by Wade Black of Crimson Glory on the album World Asylum.  Fortunately I had already burned these tracks (and “Tension”) to a bonus CD.

There is a smattering of Gene Simmons demos, varying in quality.  “Heart Throb” is almost unlistenable.  “Howling for Your Love” is OK but I can’t identify if it was later rewritten into something more recognizable.  “It’s Gonna Be Alright” is bright and poppy with a drum machine backing Gene.  Then there is “Jelly Roll”, a heavier track with a riff like “Tie Your Mother Down”.  “Rock and Rolls Royce” is the track that was rewritten into “Love ‘Em and Leave ‘Em” from Rock and Roll Over.  “Rotten to the Core” was recycled way later on 2009’s Sonic Boom as “Hot and Cold”.  Like the Dokken tracks, I never burned these to CD because of the poor audio that I knew I wouldn’t want to listen to.

Other miscellaneous rarities here include Faith No More, Motley Crue and Van Halen.  Faith No More were known to mess around with covers live, and here I have “Wicked Game” (Chris Isaak) and “We Will Rock You”.  Sound quality is awful and neither are full songs, just them messing around on stage.  The two unreleased Motley Tracks are “Black Widow” and something just labelled “unreleased track” which is actually “I Will Survive”.  Both of these are officially released now so I have no reason to keep them.  Onto Van Halen, not everything sounds shite, but “On Fire” is just a few seconds of a demo.  “Let’s Get Rockin'” is complete.  A good sounding track that later was reworked as “Outta Space” on A Different Kind of Truth.  Then I have 90 seconds of the sneak preview single for “It’s About Time” (2004).  And then just two seconds of shred on a track labelled “VANHwhee”.  So strange!

Other rarities include one Def Leppard treasure called “Burnout”, which was an official download from their site.  It was also available on the CD single for “Goodbye” and a Def Leppard boxed set.  I also have an audio rip of “Lick My Love Pump” from the movie This Is Spinal Tap.  I should really take this and add it to the soundtrack as a bonus track!

I downloaded some miscellaneous songs that I didn’t own the albums for, but intended to get later:

  • Blue Oyster Cult – “Don’t Fear the Reaper” (I was watching Stephen King’s The Stand that year!)
  • Budgie – “Breadfan”
  • Buckethead – “Nottingham Lace” (might be an official download)
  • Cat Stevens – “The Wind”
  • Creedence Clearwater Revival – “Down on the Corner” (mislabelled as “Willy and the Poor Boys”)
  • Fleetwood Mac – “Go Your Own Way”
  • Iced Earth – “Dracula”
  • Iced Earth – “Jack”
  • Kenny Rogers – “Just Dropped In (To See What Condition My Condition Was In)”
  • Marty Robbins – “El Paso”
  • Mojo Nixon & Skid Roper – “Elvis is Everywhere”
  • The Pursuit of Happiness – “I’m An Adult Now”
  • The Pursuit of Happiness – “Hard to Laugh”

Of these, there are some I still have not bought and some I have no intention of getting anymore.  I do own the B.O.C., Budgie, Cat Stevens, CCR, Kenny Rogers, Marty Robbins, and Fleetwood Mac.  I’d still like to get Mojo Nixon to be honest with you!

Finally, there are bits of pieces of funny things that I liked to have hanging around for making mix CDs.  Many are from a website that used to have mp3 files of movie quotes, and the rest are from Homestar Runner.  Does that take you back to the 2000s?  From Homestar, I have “Alright 4 2Night”, “Strongbadia National Anthem”, “Everybody Knows It”, “Ballad of the Sneak”, “Cheat Commandos”, “CGNU Fight Song”, and a computer voice saying “back off baby”!  I might have been using that as an MSN Messenger alert sound.  Any time someone messaged me, the computer would say “back off baby”!  If I didn’t, I should have.  From the movie Sexy Beast I grabbed a bunch of Ben Kingsley’s best lines.  Saying he’s going to put his cigarette out in somebody’s eye, calling someone “porky pig”, yelling “no!” repeatedly, and announcing he had to take a piss.  Because of course.

The last files I found on this CD are strange, but for the sake of a complete and thorough inventory, they are:

  • no_respect:  24 seconds of the pretty terrible “Rappin'” Rodney Dangerfield song from the 80s.
  • 50_10sec:  Actually 11 seconds of the “Smoke on the Water” riff.  I can tell it’s Blackmore.  Why did I keep this?
  • MM Jukebox Plus Upgrade:  18 second software ad that obviously got left there by something I downloaded.  This is probably the first time in my life that I actually played this track!
  • cant_holdon:  36 seconds long.  This took forever to identify.  Lyric searches told me nothing.  Then I figured it out by uploading to YouTube and waiting for the copyright block to tell me what it was!  “Can’t Hold On / Can’t Let Go” by a band called Thunder, but not the band Thunder that you know today.  Probably downloaded by mistake is my guess.  Sounds like something you’d hear in an 80s Bruce Willis flick.

I don’t know how interesting this will be for you to read, but I found it entertaining enough to do this complete inventory.  I had clearly not tried to listen to all the files before, or I would have weeded at least a few out.  It is likely that in 2004 I was getting a new hard drive put in my computer and hastily burned my mp3 files to CD, intending to eventually put them on mix discs like I did with the rest of my mp3 collection.

After a little further digging, I did find that I had burned some of these songs to a mix CD.  Not all, but some.  You can get an idea here of how I’d make use of weird stuff like this.  The rest of the tracks never made it to the mix CD stage, so finding the original mp3 disc is a fun reminder for me of just what I was doing in 2004.  And I’m going to keep that Peter Criss interview, and a few other worthwhile things too.! Productive morning spent, and I hope you enjoyed this look at the way we did things a decade and a half ago.

 

THREE-VIEW: KISS – Best of Solo Albums (Japanese CD)

  Best of Solo Albums (Originally 1979, 2020 Universal Japan CD)

Third review for this Kiss compilation here, but why?  A couple reasons.  For one, it’s the first-ever official CD release of this album!  It took 41 years for them to finally put out a CD, and yet only in Japan.  More remarkably, there is one track here that I’ve never heard before in this particular version.

That song is the incredible Paul Stanley epic “Take Me Away (Together As One)”.  On Paul’s solo disc, it fades away at the end of side one at 5:35 in length.  Here, it goes to 5:48, no fade, right to the end of the track.  It’s an ending I’ve never heard before.  This song isn’t even on the more common European version of Best of Solo Albums, just the Japanese.  And apparently the CD has an unreleased version without the fade.

“Oh boy!” you exclaim.  “I have to buy this import just to get 13 seconds of music I never heard before?”

No.  You don’t have to buy it.  I did, because I wanted a copy of this album on CD.  When I discovered the longer version of the track, I was ecstatic to unexpectedly get something extra for my money.

There’s no need to review this album track by track again.  I’ve done it twice, and I’ve also reviewed all four solos albums twice each.  There’s really no need to run through all the songs again, although this tracklist is quite different.  Unlike the European version, these songs are not arranged in three-track blocks for each member.  Additionally, seven of the European tracks were substituted with others.  That’s more than half the album!

Gene Simmons:  Instead of “Mr. Make Believe” and “See You In Your Dreams”, Japan used “See You Tonite” and “Living In Sin”

Paul Stanley:  “Move On” was replaced by the unreleased version of “Take Me Away (Together As One)”.

Ace Frehley:  “Speedin’ Back to my Baby” was removed in favour of the instrumental “Fractured Mirror”

Peter Criss:  All three of the Cat’s songs – “You Matter To Me”, “Tossin’ and Turnin’”, and “Hooked on Rock and Roll” were replaced!  I guess Japan didn’t care for those as much as they did “Don’t You Let Me Down”, “Rock Me Baby” and “I Can’t Stop the Rain”.

For me, I prefer the running order that Europe used, with each member of the band getting three songs in a chunk.  However, there are plenty of songs that I prefer on the Japanese version, such as “See You Tonite”, “Take Me Away (Together As One), “I Can’t Stop the Rain” and “Don’t You Let Me Down”.

It’s interesting that the solo albums are by and large panned by the masses, but nobody can agree on the “Best Of“.  Maybe those albums weren’t so bad after all, at least when you distil them down to the essential tracks.  The Japanese CD will become my preferred listening experience for two main reasons:  it sounds better than the vinyl, and I like more of the songs.  It would sound even better if I had an MQA decoder, a new-ish hi-resolution CD format from Japan, which will unlock an even better sounding version of the album, if you have a few grand to spend on upgrading your system.  If not, enjoy the disc and stellar packaging, with not one but two different covers to display.

4/5 stars

 

Halloween Memories with your host, “Max the Axe”!

Thanks for joining me, “Max the Axe”, for this special episode of Halloween Memories! Where’s Pablo? I’m kind of a big deal. Three yolks, two whites, that’s how you make Hollandaise sauce.

If you watch the video below I’ll give you a sneak preview of the new song “Oktoberfest Cheer” and we’ll visit with special guests “Mean” Gene Simmons and Dr. Kathryn Ladano!

To hear “Oktoberfest Cheer” which I played twice, go to 0:02:35 or 1:31:15. Chose your sound quality — shitty or shittier!

To hang out with Dr. Kathryn, go to 0:13:40.

To see what Mean Gene Simmons has to announce, check out 0:34:05.

Happy Halloween everyone!

THREE-VIEW: KISS – Unmasked (1980)

Back for Round Three.  For the first two Unmasked reviews, click here and here.

  Unmasked (1980 Casablanca, 1997 Mercury remaster)

This has been a weird year.  Comforting, nostalgic sounds in the age of Covid have dominated at LeBrain HQ.  There are two Kiss albums that have been absolute joys this summer for blowing the blues away.  They have been Dressed to Kill, and Unmasked.  Originally rated 2.5/5 stars, I was definitely wrong on Unmasked.  The band may have disowned it, and it might not be hard rock, but reviewing it is not as “Easy As It Seems”.  This album definitely has “Two Side of the Coin”.  It might not be “What Makes the World Go ‘Round” but this summer, I just want to say one thing to Kiss Unmasked:  “You’re All That I Want”.

One reason I may have judged Unmasked harshly before is that first impressions are strongest.  In a case of Classical Conditioning, my first impression was not good.  In fact, for the first two years of hearing Unmasked, my copy was all but unlistenable.  In the beginning, I taped my first Kiss albums from next door neighbour George.  He fancied himself a bass player.  While he was recording Unmasked for me, I sat in his bedroom while he played bass along to it.  Every song.  Unbeknownst to him, his bass bled onto my tape.  Every time I played the album, it was like a remix with George overdubbed on bass, and I had the only copy.  Sometimes he continued playing well after the fade, other times he came in prematurely.  Either way, my first two formative years with this album were awful.  Even after buying a proper copy on cassette, I couldn’t hear the album without the auditory illusion of George’s bass ringing in my skull.  Though not the only factor, that had to be one of several reasons for my dislike of the album.  A dislike which in no longer:  in 2020, it’s love.  Just a fun anecdote to colour in some history, nothing more.

“Is That You?” asks Paul Stanley on the opener, a Gerard McMahon song that boasts grinding verses and a killer chorus.  Piano tinkles quietly in the background, but the guitars are nice and rich, especially Paul’s solo.  His lead vocals absolutely rip, while a sultry Gene sings the backgrounds.

A second Paul vocal follows, and it’s the big hit “Shandi”.  Listening with 20/20 hindsight in the year 2020, it’s amusing to ponder how anybody thought this was Peter Criss on drums.  It was a secret that Anton Fig played on Unmasked and Dynasty, but it’s really obviously not Peter Criss.  That disco groove is too impeccably perfect to be the Catman.  Paul is, in fact, the only Kiss member to play on “Shandi”.  And while this song is a softie, it ain’t a baddie.  It’s clear that Kiss were not the rag-tag rock and roll beast they once were.  They had evolved.  Temporarily, at least.

If the first two tracks were light on Ace Frehley, that’s not indicative of the album.  Three lead vocals for the Spaceman this time, including the single “Talk To Me”.  Shiny and chromed-up, Frehley’s songs are among the best on Unmasked and “Talk To Me” could be the top track.

I always had problems with “Naked City”, but part of that might be that I can still hear George come in early on the bass.  Gene Simmons makes his album vocal debut here, and while the chorus and riff are still not top-notch, the verses are excellent.  Songs like this also demonstrate that Gene is an underrated singer.  He’s more versatile than people realize.

Paul strikes a cool riff on “What Makes the World Go ‘Round”.  He often talks about how the album had good songs, but they should have sounded different.  This one sounds like it could have turned out more like the first three albums.  You can imagine how the riff would have been more prominent.  As it is though, it’s one of the most unabashedly catchy songs Paul’s ever written, and his guitar solo is simply delicious.  You can slag Paul for doing something so pop, but can you slag him for doing it so well?

Side B’s opener is “Tomorrow”, with Paul’s vocals cleanly produced as per the pop trends of the day, with slapback delay and airy EQ.  But like “What Makes the World Go ‘Round”, this is pop rock done really well.  The keyboards are too prominent, but at least Ace gets a tasty solo here.  As Kiss songs got catchier, so did the Spaceman’s solos.  Frehley’s next lead vocal follows on “Two Sides of the Coin”, the song title which inspired a podcast (“Three Sides of the Coin“).  Y’see, Ace just can’t pick a girl!  But he has to.  “Two sides of the coin to choose from, I’m getting weary.  Which one should I choose?  I need time.”  He insists that the girls don’t mind, but I question that assertion.  But he has to pick a mate because he’s “tired of all those dates”!  Silly words aside, Ace has knocked out two top-notch songs on Unmasked so far.

Gene’s back on “She’s So European”, a song about a girl with a French accent who drinks pink champagne.  I’ve softed my stance on this one too.  You can certainly hear the rock n’ roll riffiness that it could have been.  That’s been replaced by keyboards and slick beats, and it’s fine.  “Easy As It Seems”, a Paul song, really sneaks up on you.  It disappears into the fabric of the album until one day you just can’t get it out of your heard.  Paul lays down another fine solo, and weaves a plaintive tapestry with his incredible voice.  What range he had.

An album highlight is the third and final Frehley concoction — a weird little number called “Torpedo Girl”.  Surf rock meets the Space Ace.  The guitar lick is a tricky little off-beat riff, but with Anton Fig behind on drums, Kiss could do complex stuff like this.  Especially since that’s Ace playing the bouncy bass part too.  It’s also one of Frehley’s most entertaining lyrics.  A submarine with a pretty girl on the bridge has surfaced in the bay!  Better go check it out.

The final track, “You’re All That I Want” is a Gene number.  Like “Easy As It Seems”, one day it just catches you.  Especially Paul’s “answer” vocals in the outro.  One thing (among many) that made Kiss truly special is the multiple lead singers.  And unless you’re a Catman diehard, you don’t really miss Peter in that mix.  Frehley more than made up for the lack of Criss.  While four singers is better than three, remember that Kiss only had three lead singers for their first five studio albums.

I don’t want to have to three-view the entire Kiss catalogue but it is amazing how Unmasked just opened up to me this summer.  I’m enjoying more than ever, with that nostalgic glow for days gone by.  The “good old days” were not always good, but at least the music was.

4.5/5 stars

REVIEW: KISS – “Venus and Mars / Rock Show” (2014 McCartney tribute)

 – “Venus and Mars / Rock Show” (2014 Sony, from The Art of McCartney)

Kiss rarities can be so crushingly disappointing.  Some, like the Ramones cover “Rock and Roll Radio” are catalogue highlights.  Others, like “Don’t Touch My Ascot” are just curiosities.  Unfortunately the Paul McCartney medley of “Rock Show” and “Venus and Mars” fall into the latter category.  But why?

These tracks come from a Paul McCartney tribute album called The Art of McCartney.  On the back cover, the track is clearly listed as Kiss.  But Kiss must have had some lineup changes if that’s the case.  Doug Petty on bass!  Dan Petty on guitar!  Jason Paige on drums!  You’ll be forgiven if you don’t recognize those names as Kiss members last time you checked.  Only Paul Stanley and Gene Simmons from the real Kiss appear, and only in a vocal capacity.  Why the false advertising?  On the same album, Robin Zander and Rick Nielson “of Cheap Trick” are listed, but not Cheap Trick themselves.  Yet Paul and Gene are credited as Kiss, tricking the fans into thinking they were hearing the band, not just two of the singers.

How is it?

Well, it doesn’t sound like Kiss, that’s for sure!  Gene sings the “Venus and Mars” section, in his natural voice.  Then a raspy Paul comes in, bringing a Kiss-like vibe with him.  He gets to sing one of Paul McCartney’s coolest lyrics of all time:

What’s that man movin’ ‘cross the stage?
It looks a lot like the one used by Jimmy Page.

Or Ace Frehley!

At no point do Paul and Gene sing together or harmonize like they used to when covering the Beatles on the streets of New York City.  Doesn’t it seem like a colossal waste, having the two Kiss founding members appearing essentially separately?  Would have been even better with Tommy Thayer and Eric Singer playing, but…hey, nobody asks me ahead of time!

And here is another reason why physical media is important.  If you had just downloaded this from iTunes, you might never know that what you bought wasn’t really Kiss.  Then again, the front cover does say “The songs of Paul McCartney sung by the world’s greatest artists.”  Nothing in there about the playing part.

Buying this CD (to be reviewed separately at a later time) would still not be a bad idea.  You’ll get exclusives by Alice Cooper (double shot), Sammy Hagar, Joe Elliott of Def Leppard, actual Def Leppard, Jeff Lynne, Billy Joel, Willie Nelson, The Cure, B.B. King, Dylan, Heart, Dion and tons more.  Cooper’s “Eleanor Rigby” is worth the purchase alone.  This helps negate the soul-squashing disappointing of buying a “Kiss” song that isn’t.

2.5/5 stars

REVIEW: KISSworld – The Best of Kiss (2017) – PLUS Kiss Re-Review Series complete directory

The KISS RE-REVIEW SERIES Part 47: The Conclusion

Two years ago, I bought this CD to use as the final review for the KISS Re-Review Series. I hadn’t played it.  I hadn’t even opened it. I wanted to save it for our conclusion…so here it is. A lot happened since we started, most notably the current End of the Road farewell tour.  Let’s wrap this series up in a bow.  And to do that properly you’ll find links to every single part and supplement to the KISS Re-Review Series below!

 

KISSworld – The Best of Kiss (2017 Mercury)

You know what KISSworld makes me miss?  The good old days when bands would bribe you into buying their new hits compilation by including something you didn’t have already.  In 1978, Kiss re-recorded “Strutter” for Double Platinum.  In ’82, Kiss recorded “I’m A Legend Tonight”, “Partners In Crime”, “Nowhere To Run” and “I’m A Legend Tonight” for inclusion on the UK compilation Killers.  And in ’88, Paul Stanley produced two new songs (“Let’s Put the X in Sex” and “(You Make Me) Rock Hard”) for Smashes, Thrashes & Hits.  Not great songs, but new ones at least, so you felt less foolish for handing Kiss more of your money.  By the time of 1996’s Greatest KISS album, they tacked on a new “live” version of “Shout It Out Loud”, and from that point on they pretty much gave up giving you any added value.  True, they did record “Samurai Son” for 2005’s KISS 40, but that was a mere blip in the overall pattern.

So in terms of reviews, all you can really talk about is song choice and running order.  It looks like KISSworld is just a revamping of various versions of KISS 40.  The running order is no longer chronological, but the songs are the same.  Opener “Crazy Crazy Nights” was on the single CD KISS 40.  “Unholy” was on the double CD version of KISS 40, albeit live.  “I’m A Legend Tonight” was on both, and so on.  It would have been nice to hear something you don’t get very often, like “All Hell’s Breaking Loose” or “Got to Choose”, but nobody expects bravery from a Kiss tracklist or setlist these days.

Kiss Dynasty poster

Fans who were buying Kiss albums during the peak years probably miss the excellent packaging Kiss would throw in for free.  Look at the mirror finish of the original Double Platinum LP, or the posters and masks and booklets that came with other albums.  Buy a Kiss CD today, get nothin’!  KISSworld has one vintage 1974 black and white photo inside, song credits and nothing else.  Granted, we know that Kiss doesn’t come up with these releases, it’s the record label.  And we keep buying them and buying them, “for the collection”, even though we know we’re going to be disappointed.  The label isn’t thinking of us when they issue this stuff.  They think of it as a part of their latest marketing push, aimed at people buying their first Kiss (or first Kiss in decades).  But they know — they know — that we fans are buying these things too.  They can’t throw us a bone?  What is there here for us?

Nothing, except another CD to file in the appropriate slot, making our collections “complete” again.  Will you listen to it?  Maybe, if you’re tossing coins and can’t decide which greatest hits to play on this particular road trip.  It is, however, the most complete of the in-print, easily-acquired hits CDs.  For a first timer, it would appear to make sense to grab this over Double Platinum or one of the other choices at the CD shop.  You’d be getting a good variety of tunes from over their entire career.  But you’re not getting something assembled with any logic or care, nor are you buying a fair representation of their best stuff.  In fact, this CD only has one song from their first three albums (“Rock and Roll All Nite”)  You could make a greatest hits just from their first three albums!  KISSworld‘s ill-considered tracklist is its downfall.

1/5 stars

 

 

THE COMPLETE KISS RE-REVIEW SERIES

GETTING MORE TALE #551: “You’re Wrong on Unmasked“ (Introduction to the Kiss Re-Review series)
Part 1: Wicked Lester (1972) & the Eddie Kramer demos (1973)
Part 2: KISS (1974 Casablanca)
Part 3: Hotter Than Hell (1974 Casablanca)
GETTING MORE TALE #353: Hotter Than Hell
Supplemental: DUST – Hard Attack (1972) / Dust (1971) (2013 Sony Legacy)
Part 4: Agora Ballroom 1974 (2015 Go Faster)
Part 5: Dressed To Kill (1975 Casablanca)
Part 6: Alive! (1975 Casablanca)
GETTING MORE TALE #552: Alive!
Part 7: Destroyer (1976 Casablanca)
Part 8: Rock and Roll Over (1976 Casablanca)
Part 9: Love Gun (1977 Casablanca, 2014 deluxe)
Part 10: Alive II (1977 Casablanca)
Part 11: KISS Meets the Phantom of the Park (1978 Hanna-Barbera TV movie)
Part 12: Double Platinum (1978 Casablanca)
Part 13: Peter Criss (1978 Casablanca)
Part 14: Ace Frehley (1978 Casablanca)
Part 15: Gene Simmons (1978 Casablanca)
Part 16: Paul Stanley (1978 Casablanca)
Part 17: Dynasty (1979 Casablanca)
Part 18: Unmasked (1980 Casablanca
Supplemental:  PETER CRISS – Out of Control (1980 Casablanca
Part 19: Best of Solo Albums (1979 Phonogram)
Part 20: Music From the Elder (1981 Casablanca, 1997 Mercury remaster)
Part 21: Killers (1982 Germany and Japan versions)
Supplemental: PETER CRISS – Let Me Rock You (1982 Casablanca)
Part 22: Creatures of the Night (1982 Casablanca, 1985 Polygram reissue)
Part 23: Lick It Up (1983 Polygram)
Part 24: Demos 1981-1983 (Bootleg)
Part 25: Animalize (1984 Polygram)
Part 26: Animalize Live Uncensored – audio portion (2015 American Icons)
Part 27: Runaway (1984 Tristar feature film)
GETTING MORE TALE #579: Entering the Asylum
Part 28: Asylum (1985 Polygram)
Part 29: Crazy Nights (1987 Polygram)
Part 30: VINNIE VINCENT INVASION – Vinnie Vincent Invasion (1986 Chysalis)
Part 31: eXposed (1987 Polygram VHS)
Part 32: Monsters of Rock (Bootleg from 1988 tour)
Part 33: In the Land of the Rising Sun (Bootleg from 1988 tour)
Part 34: The Ritz, NYC, 12th August 1988 (2015 American Icons)
Part 35: VINNIE VINCENT INVASION – All Systems Go (1988 Chysalis)
Part 36: Smashes, Thrashes & Hits (1988 Mercury)
Part 37: KISS – Still On Fire (Dave Thomas & Anders Holm (1988 book)
GETTING MORE TALE #608: Hot in the Shade
Part 38: Hot in the Shade (1989 Polygram)
Part 39: “Forever” (1990 Polygram EP
GETTING MORE TALE #690: Unholy Kisses
Part 40: “God Gave Rock & Roll to You II” (1991 Interscope single)
Part 41: ERIC CARR – Rockology (2000 EMI)
Part 42: ERIC CARR – Unfinished Business (2011 Auto Rock Records)
Part 43: Revenge (1992 Polygram)
Part 44: Alive III (1993 Polygram)
Part 45: KISS My Ass – Classic Kiss Regrooved (1994 Polygram)
GETTING MORE TALE #697: Kiss My Ass
Part 46: Toronto – Scotiabank Arena, March 20 2019
Supplemental: KISS Playing Cards
Supplemental: KISS Crocs
Part 47: KISSWorld – The Best of Kiss (2017 Mercury)

AND THERE’S STILL MORE!

72 MORE KISS REVIEWS available by clicking this link!

 

#750: KISS II

GETTING MORE TALE #750:  KISS II

Kiss frontman Paul Stanley seems emboldened by the monumental success of their End of the Road tour.  Why “emboldened”?  Because they’re pulling it off with only half the original band.  Ace Frehley has not shown up to sing “Shock Me” and Peter Criss seems happily retired.  Tommy Thayer and Eric Singer remain in the greasepaint and the spotlight.  It’s proof that the majority of the masses don’t know or don’t care who is in a band anymore.  The “fans” who refer to Thayer and Singer as “scabs” have had no impact on ticket sales with their boycotts.

Many bands have toured successfully in recent years without key members.  AC/DC made headlines by replacing Brian Johnson with Axl Rose.  Deep Purple are going strong with only one original member.  Queen sell out with Adam Lambert taking Freddie Mercury’s place on stage, and bring home terrific reviews to prove it.  Kiss too are doing just fine.

Would they be able to do it with even fewer original members?  Like, say, none?  Paul Stanley thinks so.  He’s said so before and recently he raised the idea again:

“I think that Kiss has served a huge purpose and brings incredible joy to people on the End Of The Road tour. The shows are packed, and not only with the early followers of the band, but people who have heard the legend of what this band does live. And it’s something that’s more than music. It really is a preaching of self-empowerment and the idea that anything that you’re willing to work hard for, you can probably attain. And the idea of celebrating life. Things that may seem simplistic or overtly simplistic, but actually have a timeless depth to them. So when bands continue, ultimately the people in ’em need to change or have to, because of circumstances.

“So that’s a long explanation for me feeling that I would have an enormous amount of pride in knowing that we can continue the band once I’m not there anymore.  That would be the ultimate test of its credibility and the role, I think, that it serves.

“I didn’t invent the wheel. I am the product of all the people who I looked up to, all the musicians who I respected, and it was kind of like a stew, and then I added my own ingredients to it. But there are other people who are out there who wouldn’t necessarily imitate me any more than I imitated my heroes. But there are people out there, I’m sure, who are well equipped to pick up the flag and run with it.”

Paul is correct to say that bands must sometimes change out of necessity.  He is actually the best proof of this.  Paul cannot sing anymore and has been miming a huge percentage of his lead vocals on this tour.  We won’t go down that rabbit hole this time.  Suffice to say, if this wasn’t the End of the Road, Paul couldn’t really continue singing lead in Kiss.

But replacing him?  That’s a whole other bowl of Cheerios.

The idea of Kiss going on without Paul and Gene – let’s call the hypothetical band “Kiss II” – would certainly cross a line with me.  Bands with one or two original members is one thing.  Many bands have replacement members far more important than the originals.  Phil Collen is a key member of Def Leppard, vastly more so than his predecessor Pete Willis.  Same with Roger Glover and Ian Gillan in Deep Purple.  Adrian Smith in Iron Maiden.  The list goes on and on.

Could a Kiss II be a viable prospect with Eric Singer the longest serving member?  With Tommy Thayer as band leader?

No.  Paul and Gene control Kiss.  The other guys have just been hired guns ever since the originals left.  Kiss may have started as four guys, but for the last few decades it’s the vision of just two.  (In the 80s, just one, as Gene went Hollywood.)  You could imagine Paul and Gene controlling a Kiss II band from behind the scenes, but that is a hollow prospect.  Imagine Stanley and Simmons discussing new costumes and approving setlists for a Kiss II tour without them.  Would you pay to see that?

I wouldn’t.

Kiss have already gone down in history, many times, for their accomplishments.  Making the band immortal with all parts replaceable might also be historic, but not in a good way.  There are guys out there who can sing better than Paul, and play better than Gene.  Tribute bands have all the moves down pat.  But you can go see a tribute band for $10.  Kiss II would be, in essence, an “official” tribute band and with Paul and Gene behind the scenes they’d be charging a hell of a lot more than $10 per ticket.

I think Paul has lost perspective.  Kiss has been successful, against the odds, in replacing Peter Criss and Ace Frehley.  But there was precedent for that.  Kiss made fantastic albums without either.  That doesn’t mean you can remove Paul or Gene from the picture and still call it Kiss.  Paul and Gene have always been the ones with the drive and the vision.  They are not so easy to replace.  Can you picture some replacement guy imitating Paul’s stage raps?  There might have been a brief window in the late 80s when Kiss could have gone on without Gene, only Paul, since he had become the captain of the ship for a while.  However that ship sailed long ago and it’s all but impossible to imagine the band without them both.

No, Kiss II is a lousy idea.  It’s just a way to milk naïve fans in this era of hologram and nostalgia tours.  Would they sell tickets?  Sure, they’d sell some.  These hologram tours are proof that people will pay to see anything.  Would it be good?  Hell, no!

 

GUEST CONCERT REVIEW: KISS – Toronto – Scotiabank Arena March 20 2019 by Uncle Meat

UNCLE MEAT:  Well…I guess tonight I experience the controversy head on.

LeBRAIN:  What’s tonight?

MEAT:  Members of Black N’ Blue and Badlands.

LB:  Kiss?  You are going?  If so you are REQUIRED to write something for me. Or else!!

MEAT:  Old buddy, Scott Hunter, who I saw Kiss with twice in 1982 and 1983, messages me out of nowhere and has a paid-for ticket. Him and his buddy have VIP but only two, but who cares.  They had the Vault Experience with Gene last year too.

LB:  Go go go.

MEAT:  Only been 36 years since I saw Kiss live.  Mid-arena, 20 rows up.

LB:  It’s gonna be sad I think. Just my feeling.

MEAT:  Fairly good tickets. But yeah. The spectacle is the part to enjoy I guess.

LB:  I hope you have a good time.  But seriously if you don’t write this up for me, I am going to probably hurt you very badly. You won’t see it coming. Maybe we will be driving to the farm and I will punch your nuts so hard that you bleed from your ears. Just saying. Not that you “owe” me anything, you just have to. Or have your nuts tenderised. Your choice! You won’t see it coming but it will happen!

 

– Toronto – Scotiabank Arena, March 20 2019
Review by Uncle Meat

Kiss in 2019 was the best “show” I have ever seen.  Easily.

What about the singing?  I had watched a cool video the other day, where a guy pointed out in each song where Paul is lip syncing and where he is actually singing.  Which was good because before that I thought it was pretty much all tape. That being said, I could notice both last night.  It’s like he is trying some songs’ verses (or what have you) on different nights. But, 60% of the vocals (at least) were the same as they had been on other stops. I have heard the “Love Gun” track several times, how the verses have been re-recorded, and he does exactly the same inflections within the verses.

BUT!!!

Truth is? 20 seconds in, and I didn’t give a shit.  And while I hold the same opinion about it, it literally took ZERO away from a show I can only describe as almost perfect.

Gene sings 100% of his vocals, at least on the verses, and was kinda goofy all night.  More aloof than he usually is. Less Demon. More Mike Myers.  He is getting fat in the face though, wow…he looked like Bea Arthur in Gene makeup.

Paul still is on the very top shelf of frontmen, as per between-song banter.  He had me right in the trenches, clapping along, laughing out loud several times, just fuckin’ entertaining.

Eric Singer was a great drummer.  LOVED his voice in “Black Diamond”, and really really enjoyed “Beth”.  Like alot.  Surprising.

I was really blown away by Tommy Thayer’s guitar tone.  Fucking powerful, and creamy.  He changed just enough of the Ace solos to put his mark on it, but leaving the important parts of the solo in to suit the songs.  Great set list too.  “100,000 Years” and “Let Me Go, Rock and Roll” were serious highlights.

4.5/5 steaks 

The missing 1/2 steak only because of the lip-sync stuff.

 

 

 

 

VHS Archives #49: KISS – Gene and Bruce interview mega-mix (May 1992)

Gene Simmons and Bruce Kulick of  visited MuchMusic in May of ’92 for an interview, and to host the Power 30.  There are some real moments of sincerity, such as when they are asked about Eric Carr.  However the clips you are about to watch are also notable for showing how the Power 30 was a drop in quality from the Power Hour.

Unlike previous MuchMusic visits, this one was broadcast in separate segments.  First is an interview by Teresa Roncon; the best part.  Then there is a Power 30 co-hosting gig, and a smattering of interview outtakes from the Kiss Spotlight.  All filmed the same day, but split apart since the Power 30 was too short.

I’ve recently given you two great Power Hour shows with guest hosts.  Rik Emmett from Triumph was a fabulous co-host and also played music in addition to a substantial interview.  Blackie Lawless of W.A.S.P. picked the tunes for his co-hosting gig, and the candid interview made it one of the best episodes of the entire run of the Power Hour.   Now, here is Kiss co-hosting the shorter Power 30, and there is very little substance.  A bad joke by Gene that went too far and got censored is the only particularly notable moment.  Well, that and Gene’s advice to “fat girls”.  Bruce Kulick seems far more engaged, but it’s jokey and short compared to what the Power Hour used to do.

Stuff to look for:

  • Cool live footage from the Phoenix club in Toronto
  • Gene’s Canadian jokes, which Bruce eventually apologises for
  • Talking about the club tour and playing obscure songs
  • A brief clip from the famed Creatures-era limo interview with Jeanne Bekker
  • Another brief clip from a 1992 Peter Criss interview

I remember when the Kiss spotlight aired, my mom really liked when Gene compared Kiss to “electric church”.  Yeah, my mom loved that….

 

This one required a bit of editing to make it cohesive; I hope you enjoy.