RECORD STORE TALES MkII:
Getting More Tale
Music, Movies, and more
I can’t believe it took me 28 years to hear this album. Wild ‘T’ (Tony Springer) got the nation’s attention in 1991, with his Arnold Lanni (Frozen Ghost)-produced debut album Love Crazy. Before that, he was making a living (and a name) as a Jimi Hendrix tribute. He was itching to be himself and Love Crazy was born.
MuchMusic was all over the big singles, “Love Crazy” and “Midnight Blues”. Tony Springer (originally from Trinidad) peddled in a hard rocking blues sound, more authentic than most of his 1991 contemporaries. A big blast of horns on “Mean Mean Mama” gives his blues a little bit o’ soul. The album is entirely original and much is co-written by Lanni. The guitar tone is greasy and drenched in pure feel. Lanni is known for getting a nice crisp sound, as heard later with King’s X and Our Lady Peace.
Though Love Crazy is a really good collection of blues both slow and heavy, it’s Springer’s guitar that many will want to hear up close. Shortly after this he was drafted by an English artist named David Bowie to be his new guitarist. He must have been enamoured with the tone of Wild ‘T’. Even if guitar isn’t your thing, dig into the horn hooks of “Yvonne”. Or the upbeat “Shotdown/Spellbound”. It’ll put some pepper in your strut today, guaranteed. The whole album is laden with good tunes and snappy, tight grooves. You can play air guitar, or just dance. Up to you.
I could have gotten this album numerous times out of the ol’ Bargain Bin for about three bucks. For whatever reason it never seemed like a priority. Then along came my VHS Archives and my rediscovery of the epic track “Midnight Blues”. I had to get the album, and I didn’t want to wait. I paid a little more than I could have just to get it right away, but it was worth it. I had an old girlfriend back in ’94 who thought I shouldn’t listen to the song “Midnight Blues” because it would make me depressed. Well, fuck you!
The 1993 American Music Awards – Favourite Country Single. Just the place for Motley Crue to introduce their brand new singer John Corabi, right? Am I right?
Billy Ray Cyrus was the winner for “Achy Breaky Heart”.
Poor John, what a debut.
Hannah Cheesman is the Canadian actress who plays Airiam in Season 2 of Star Trek: Discovery. Airiam has been a mystery character until recently. Without getting into spoiler territory, Airiam had a big episode this season, and Cheesman made it something very special. I wanted to see what’s up with the newest member of the Star Trek cast, and I stumbled upon her Instagram.
Check out the video of Cheesman singing in the car. I laughed pretty hard. This is what happens when your radio is busted!
I am now officially a huge Hannah Cheesman fan. She’s hilarious!
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When your radio is dead and you’re like HOW WILL I SURVIVE ALL THIS LA DRIVING and then you’re like OH YA IM SO FUN (whispers of @mrngprsn in here) . . . . #LAdriving #deadradio #fun #womeninfilm #chatacteractor #actress #director #directress #writer #creator #cinnamonbun #airiam #startrek #robotgirl #mrngprsn #comedy #comedygal #comedygirl
During his 1989 solo tour, Paul Stanley of KISS talked to MuchMusic’s Steve Anthony about his new company Paul Stanley Entertainment LTD.
Ozzy Osbourne never did live interviews with MuchMusic in my time of recording the show, except for this one telephone interview. Teresa Roncon was helming the Power 30 with Ozzy on the line. Ozzy is as mumbly and entertaining as ever!
Listen as Ozzy announces a Black Sabbath reunion tour that didn’t happen. Date: June 28 1993
UNCLE MEAT: Well…I guess tonight I experience the controversy head on.
LeBRAIN: What’s tonight?
MEAT: Members of Black N’ Blue and Badlands.
LB: Kiss? You are going? If so you are REQUIRED to write something for me. Or else!!
MEAT: Old buddy, Scott Hunter, who I saw Kiss with twice in 1982 and 1983, messages me out of nowhere and has a paid-for ticket. Him and his buddy have VIP but only two, but who cares. They had the Vault Experience with Gene last year too.
LB: Go go go.
MEAT: Only been 36 years since I saw Kiss live. Mid-arena, 20 rows up.
LB: It’s gonna be sad I think. Just my feeling.
MEAT: Fairly good tickets. But yeah. The spectacle is the part to enjoy I guess.
LB: I hope you have a good time. But seriously if you don’t write this up for me, I am going to probably hurt you very badly. You won’t see it coming. Maybe we will be driving to the farm and I will punch your nuts so hard that you bleed from your ears. Just saying. Not that you “owe” me anything, you just have to. Or have your nuts tenderised. Your choice! You won’t see it coming but it will happen!
Kiss in 2019 was the best “show” I have ever seen. Easily.
What about the singing? I had watched a cool video the other day, where a guy pointed out in each song where Paul is lip syncing and where he is actually singing. Which was good because before that I thought it was pretty much all tape. That being said, I could notice both last night. It’s like he is trying some songs’ verses (or what have you) on different nights. But, 60% of the vocals (at least) were the same as they had been on other stops. I have heard the “Love Gun” track several times, how the verses have been re-recorded, and he does exactly the same inflections within the verses.
Truth is? 20 seconds in, and I didn’t give a shit. And while I hold the same opinion about it, it literally took ZERO away from a show I can only describe as almost perfect.
Gene sings 100% of his vocals, at least on the verses, and was kinda goofy all night. More aloof than he usually is. Less Demon. More Mike Myers. He is getting fat in the face though, wow…he looked like Bea Arthur in Gene makeup.
Paul still is on the very top shelf of frontmen, as per between-song banter. He had me right in the trenches, clapping along, laughing out loud several times, just fuckin’ entertaining.
Eric Singer was a great drummer. LOVED his voice in “Black Diamond”, and really really enjoyed “Beth”. Like alot. Surprising.
I was really blown away by Tommy Thayer’s guitar tone. Fucking powerful, and creamy. He changed just enough of the Ace solos to put his mark on it, but leaving the important parts of the solo in to suit the songs. Great set list too. “100,000 Years” and “Let Me Go, Rock and Roll” were serious highlights.
The missing 1/2 steak only because of the lip-sync stuff.
Did you check out our Poison album list today, as we counted ’em down from worst to best?
I have a surprising amount of Poison interviews on my VHS tapes. They must have been an extremely media friendly band. From the Native Tongue period alone, I have three separate interviews on my tapes. The first was the best Bret Michaels interview I’ve seen, on Kitchener’s Metal Mike show in 1993. The next will be a sit down with Bret and Richie Kotzen in the MuchMusic studios. This one, however, is a rare live interview with drummer Rikki Rockett.
There are awkward moments, like when he lies about the album selling “really good”. Hear all about the “party cage” and other tour goings-on. He also talks about growing up in a musical family, which is probably the most illuminating part.
Check out Mr. Rockett on live TV!
GETTING MORE TALE #744: A Poison-ous List
Over 30 years of being a band, and yet Poison only have a handful of albums! We won’t get into the whys and wherefores, for they are many. In terms of studio music, Poison have:
That’s it. There are more live records and greatest hits, but Poison don’t have much music to show for such a long time in the business.
Naturally, anybody with an opinion has their own list of worst-to-first Poison albums. The only thing special about mine is my conviction that I’m right and everybody else is wrong!
#9: Hollyweird 2002
Poison’s last album of original songs was not a letdown at all. To be disappointed, you have to have expectations. I don’t think anybody expected much out of Poison in 2002. This dull, bland album had no hits for a good reason. Was Bret saving his best material for his solo career?
#8: Power to the People 2000
Part live, part studio, this album should be included as it was the first new Poison material with C.C. Deville in a decade. Shame that the studio songs are largely forgettable. All but “I Hate Every Bone in Your Body but Mine”, sung by an autotuned C.C., which you’ll wish you could forget. Nobody asked for this, nor the live guitar and drum solos. In concert, Poison need to play long solos so Bret Michaels can take his insulin. On album, there is no excuse for including such boring solos.
#7: Swallow This Live 1991
This album is plagued by the same problem as Power to the People: horribly long live solos that should have been omitted. At least the studio side was decent. There were two pretty good songs, and one excellent single called “So Tell Me Why”. Possibly their best single, actually. Unfortunately you had to wade through 2 CDs of crap to get to it.
#6: Poison’d! 2007
Kinda sad that Poison’s last album was a covers album over 10 years ago. Still, it was a surprisingly good covers album. Just delete the Walmart bonus track “SexyBack” and you’re all set for nothing’ but a good time. Incidentally this is the easiest place to find Poison’s first recorded cover, “Rock and Roll all Nite”!
#5: Crack A Smile…And More! 2000
In 1994, Poison began working on their first album with new guitarist Blues Saraceno. It sat unreleased for another six years. When it finally came out, it was beefed up with two new B-sides, the cool and unfinished “Crack A Smile” demo, an old B-side with C.C., and four songs from MTV Unplugged (also with C.C.). Hence the “And More!” tag in the title. Saraceno is a wiz on the guitar, and with Poison he wrote some cool songs. Just not enough for such a long album. There’s a bit of filler on Crack A Smile, but for guitar playing it’s one of their best.
#4: Look What the Cat Dragged In 1986
I know, I know, it’s their “classic” debut, right? But it ain’t produced so good, and there’s some filler in those grooves. The singles, however, are all great, with “Cry Tough” joining “So Tell Me Why” as one of their all-time best. Poison had an adorable rawness and party attitude, but like many bands they got better as they went.
#3: Open Up and Say…Ahh! 1988
This is when Poison really started getting good. By my measure, this album only has one filler song, “Bad to Be Good”. There’s actually some stunning material here, including non-singles like “Love On the Rocks”. It has the big ballad (and only one ballad!) as well as the unforgettable “Nothing But a Good Time“. Open Up and Say…Ahh! is definitely the best of Poison’s “party rock” albums.
#2: Flesh & Blood 1990
A lot of people consider this to be Poison’s best, and while that argument can be made, I just can’t get past “Poor Boy Blues”. That song is so awful it leaves a limburger-like aftertaste. (It’s even worse when it’s extended on Swallow This Live.) “Unskinny Bop” is painfully dumb, a fact we recognized back in 1990. It didn’t fit the more mature sound Poison were going for with new producer Bruce Fairbairn. “Why is this song the single?” we asked each other, as we discovered way better material buried inside. “Valley of Lost Souls”, “Sacrifice”, and “Life Loves a Tragedy” were never singles but certainly catalogue highlights. Flesh & Blood also boasts two of their best ballads, “Something to Believe In” and “Life Goes On”. It’s a tough album to beat.
#1: Native Tongue 1993
But Native Tongue does surpass Flesh & Blood, thanks to the supernatural talents of Mr. Richie Kotzen. On paper, it was a slam dunk. Poison were never taken seriously as musicians, but with Kotzen, suddenly that bar was raised. That tone! Earthy and hot. He was a shredder, and a soulful singer/songwriter. He dominated Native Tongue. Unfortunately the personalities didn’t mesh (or so we will word it). It was a weird fit, but it resulted in a very special album. Most of the songs are clearly Richie’s, with Bret Michaels singing. (It’s possible that Richie played other instruments as well, but we’ll leave that to speculation.) Kotzen brought to Poison a real soulful bent that they simply didn’t have without him, although they sure did try on Flesh & Blood. His raspy voice didn’t hurt. The good time rock isn’t gone either, though there’s less of it. “Ride Child Ride”, “Strike Up the Band” and “Seven Days Over You” are as fun as the old days, but with a richer more musical palette. Poison also went heavier than ever before. “Scream” and “Bring it Home” groove harder than anything before or after. Perhaps this album should be disqualified from the list as it’s more a Kotzen record with Poison as his backing band? Nope, it’s my list and this is #1.
GETTING MORE TALE #743: A Shout-Out to Sean Kelly
When it’s warranted, I like to use the Getting More Tale banner to include tributes to helpful individuals. This goes as far back as Record Store Tales. These chapters are mini-stories wrapped in a thank-you…or vice-versa.
So let’s go back to the beginning for a moment. Ever since I first launched this site in 2012, I’ve been talking about my insanely cool VHS library and how badly I wanted to show it to you. Now I’m doing that (as you’re all painfully aware by the lack of review content), and it has been enjoyable, rewarding work! Long hours, but well spent. Reliving old memories, hearing forgotten songs, and seeing those MuchMusic VJ faces from ages past…watching these old tapes is something I try to do a little bit every day.
But I’m not doing this just for me. If I was just looking for “hits” or “views” I would just make endless lists of things. That seems to be the kind of content people click these days. I’m doing this for history, both personal and general. I think these old rock star interviews and clips are historically interesting. For you, and for posterity, I think it’s important to get the details as right as possible. I can usually nail down a rough date of recording, and the names of all the people involved.
Usually. This is where Sean Kelly comes in.
Sean Kelly is the Canadian axeman behind Metal On Ice (the book and album). He’s currently playing with Lee Aaron, Trapper, and I can’t keep track of them all! I have his #1 Classical Guitar Album. He has been a regular on Helix CDs over the past decade. He’s played with Nelly Furtado, and of course his own band Crash Kelly! Superdekes interviewed him last year, and there’s no question: the guy knows his rock! (According to the Superdekes interview, Sean and I have something in common: the first rock album we bought was Metal Health by Quiet Riot.)
As I’ve been going through my tapes, I’ve been taking screen shots (like these below) to tease social media. Sometimes I’ll post a challenge: “Name all the people in the picture”. Sean Kelly has a 100% score!
Yeah that’s right. Sean Kelly has yet to get any wrong, and I’ve posted some challenging ones. Only Uncle Meat has come close to Mr. Kelly. (Meat is at about a 99% or so.)
But where Mr. Kelly has helped me out was identifying some of the MuchMusic personalities. As I said, I want to get the details of these videos right for historical purposes. Any time I needed help figuring out who the interviewer was, Sean knew it, and usually got it within five minutes! And it’s funny too. The names “Ziggy Lorenc” and “Lance Chilton” were on the tip of my tongue, but he just knew them right away.
I guess that’s why he’s the professional!
The guy is a virtual encyclopedia of rock. He identified some of the artists just by the instruments they were wielding. He’s also a super talented player and writer, and a helpful friendly chap too!
I really appreciate Sean’s assistance getting the details for the VHS Archives right. Check out the track I currently cannot get enough of: Trapper’s cover of “Illégal” by Corbeau. Trapper is a supergroup consisting of Emm Gryner, Frank Gryner and Tim Timleck. This song rocks! Enjoy.
“You read interviews, and Gene’s giving me digs, and I’m giving him digs, and stuff like that…one day it’ll just be Kiss in makeup again.” — Ace Frehley
I don’t know about you, but I remember being disappointed to hear that Ace Frehley was touring, but without any new music behind him. The quote about a Kiss reunion proved to be rather prophetic. No wonder Ace was laughing! Check out this Ace interview with Teresa Roncon on MuchMusic. The news anchor was Lance Chilton.