RECORD STORE TALES MkII:
Getting More Tale
- OLD DIRECTORY OF REVIEWS (not updated – use search)
One “plumbing disaster” has been fixed. A second, more containable leak, remains to be repaired.
I wasn’t thrilled when the emergency plumbers showed up complaining that it was a Friday night, but we take what we get.
I no longer have water on my floor. There was a main drainage pipe with a crack in it. They had to come at it from two directions: from the bathroom wall, and the kitchen cabinets. I have a huge hole in the wall now, some cabinets that need repair, and some tile and carpet to replace. And a secondary kitchen leak. At least we’re not dealing with water on the floor anymore.
Since I’ve been unable to commit any time to the kind of interviews I’m used to doing, Superdekes is taking over the Greg Fraser (Storm Force) interview for his new show Scotch On the Rocks. Link below. I am confident this show will be bigger than the LeBrain Train ever was for two reasons. 1) He has always been the guy who gets the guests. 2) He has the backing of Sleeze Rocks which I tried and failed to get. They were not interested in covering any of my interviews. I’ll be hanging out with Deke as sidekick for the evening. Scotch on the Rocks is the next step of evolution for the live stream community. Out with the old, in with the Scotch!
As for the health stuff, what can we do? Keep going. Keep going. Keep going.
I’ve managed to get some of my crap in order, and I have mailed out the first four copies of the new Max the Axe CD Oktoberfest Cheer. I have one copy for sale remaining, and a couple review CDs for those interested. Please contact me for details.
I received a cool box of music from Aaron as well as managed to crack the seal on the new Metallica box set. Combing through the CDs, I have determined that all the single B-sides from the Metallica album made it into the box set. As for Aaron’s box, I’ve been wanting that Indiana Jones soundtrack for a long time. Maybe one day I’ll even return to writing and get to review it.
I’m sorry for “vaguebooking”. I can tell by the number of concerned messages that it wasn’t a good idea.
We have a couple problems to deal with, some health related, and one plumbing disaster. It is taking maddenly long to resolve. Until it’s fixed I can’t do this site. It’s taking up all my energy, and also the time that I normally would spend doing creative stuff. The third plumber cancelled today because somebody else had a more dire emergency, which is fine. But it has been over a week since we first reported this issue to the condo management. We have to replace the carpet, the drywall and redo some tiles. But the plumbing has to be fixed first and that’s condo responsibility.
Deke will be taking over the Storm Force interview, with me riding shotgun. He’s just getting everything set up to stream, so keep an eye on Superdekes for updates. I’ve cancelled the Jack Frost interview, but hope to reschedule when this is all resolved.
As Deke would say though, it’s not all bad. Yesterday Mark from Encore Records stopped by to deliver a whole bunch of music that I ordered. Yes, that’s what you think it is. It’s the massive Metallica 2021 box set. 24 hours of music. Also Permanent Waves box set by Rush, and a Kiss radio broadcast of the same Tokyo show that was recently released officially. I ordered this a long time ago, before that official bootleg was even announced. I just forgot about it and never picked it up. Fortunately Mark kept it and brought it with him! I have a weekend of music, at least.
Hoping to be back soon. Sorry for worrying you.
This site will return at some point in the future with regular new content, after a hiatus. Be safe and well.
Leatherwolf progressed in just three albums from an unremarkable thrash band to a melodic, heavy rock quintet with a knack for a hook. They also had a gimmick: the “Triple Axe Attack”. Unlike most bands of the time, Leatherwolf boasted three guitarists. Geoff Gayer and Carey Howe handled the leads while singer Michael Olivieri played the rhythm. Their first album was just OK, but on their second they signed to a major label and had some decent production. They also wrote better tunes, and embellished their sound with keyboards and ballads.
By the third, their songwriting chops had really grown. In the end, this album is less heavy than the first two; a little more straightforward. It still retains thrash metal aspects mixed with ballads, but on the whole this album is more middle of the road. Track for track, it’s free of filler and each song has some kind of memorable hook that makes return visits a pleasure.
Traditional metal guitar harmonies and thrashing chords blend on the opener “Wicked Ways”, which careens from slow to fast and back again. Focus is solidly on the guitars, though Michael Olivieri certainly blows all the fuses on lead vocals. A great melding of styles, like an 80s Iron Maiden song fueled by nuclear fusion.
For a song called “Street Ready”, a dirty groove is most appropriate. That’s where Leatherwolf take this nasty little tune with bite. The riff recalls their single “The Calling” from the previous album. But the first single this time was the balladesque “Hideaway”. A power ballad with the emphasis on power. Singer Michael Olivieri had a great range and plenty of lung capacity. A ballad with bite.
Back to heavy, “Take A Chance” is quite thrash, but faster than the mainstream. The choppy riff could have come from an early Scorpions album, when they had sting. Keeping the pace is “Black Knight”, an instrumental thrash rocker with amazing drumming courtesy of Dean “Drum Machine” Roberts. Faster and heavier than anything since their debut.
Back when albums had sides, side two opened with a big powerful anthem, a roll of bass, and earthshaking chorus. “I am the thunder that starts the rain.” This song must have been a killer live. Slow in pace, but the weight comes from that heavy anthemic feeling, defying the storm.
A second ballad “The Way I Feel” is soft by comparison, but doesn’t lack backbone. Comparable to “Share A Dream” from the last album. Not for everyone — thrash metal people should certainly avoid. Everyone else will enjoy its melodic power. Speaking of power, back in that direction is the ragged “Too Much”, careening off the rails at top acceleration.
“Lonely Road” takes us back to huge anthem territory, like “Thunder”, but faster. A soft keyboard intro is deceptive. This ain’t no ballad. This is a banger; you have to let it get going. They go full-on for closer “Spirits In The Wind”. Great tune with lots of metal guitar thrills.
In Japan however that wasn’t the closer. A bonus track “Alone in the Night” is tacked on for added value. This originated on the 1988 Return of the Living Dead Part II soundtrack (which also featured Zodiac Mindwarp and two Anthrax tunes). It has a thinner sound to it, indicating it came from a separate recording session. Not one of Leatherwolf’s better songs, but not a throwaway either. Just not as memorable, but a valuable addition.
Song for song, Street Ready is the best Leatherwolf album. Metal bands just don’t try to sound like this anymore.
Norm Macdonald had been fighting cancer for nine years, and none of us knew about it. That takes guts, to just keep on keeping on. What a man Norm Macdonald must have been.
Side-splittingly funny. Like most of us, I first saw Norm on Saturday Night Live. Then came my favourite, Dirty Work, and of course all the understated brilliance that’s waiting on YouTube for you to discover.
His style was like his fingerprint. Laid back. Meandering. Riveting.
There are others who can say it better than I can, so go on Twitter and read what they wrote. Seth Rogen cites Norm as a prime influence. Tom Green counts him as a friend. Hearts are broken today. So have a laugh courtesy of Norm Macdonald. Rest in peace
Cousin Geoff’s grandparents on his dad’s side owned a huge piece of property in the country with a swimming pool, and the most amazing landscape to explore. Grassy fields gave way to trees, and I don’t think we ever hit the end of the property when we went walking. It simply went on forever. Any time we went there, it was a treat. We spent a few days at the property that summer, swimming and running pretending we were Jedi or superheroes. The house had an amazing “back yard”. There was a steep downwards incline, which you traversed via a series of stairs and landings. To us it was huge! It seemed like you were climbing down a mountain. At the bottom: the swimming pool and all the land you could run through for hours. – Record Store Tales #909
RECORD STORE TALES #939: The Frog in the Pool
The most precious of childhood memories took place around that swimming pool. I remember my grandpa picking me up like I was a rag doll and tossing me into the water. Then I’d swim back and ask him to do it again.
There’s a funny old picture of my grandpa at poolside. I remember that he liked to roll his own cigarettes. I remember the tobacco tins and my mom having to explain to me what he was doing. Well apparently he really loved to do it. In this photo, he obviously packed up all his tobacco and rolling gear, and just sat there at poolside rolling cigarettes! He looks so happy with a huge pile of tobacco in front of him. It strikes me as hilarious that he brought all that stuff with him to spend a day at the pool.
Sergeant Winter reporting for duty.
There’s one notable event that happened at that pool that we don’t have pictures of.
I was really young. Just a few years old. And I must have had to go bad, so I pooped in the pool. I remember the little teeny brown nugget at the bottom of the pool. “Nobody will notice,” I told myself.
Well they noticed a lot sooner than I thought, so I resorted to my “plan B”. I thought the little poop looked like a frog at the bottom of the pool, so that’s what I claimed it was. “Just a frog”. Nobody bought it and somebody got a pool scooper and picked up my poop. I probably denied that it was mine right to the very end. This might actually be my first admission that I pooped in the pool!
No it was not a frog. It was me. I confess.
Let me tell you something’ people. Danko Jones? He’s the real deal and he’s back with Power Trio, an absolutely smokin’ new album heavy on the riffs and attitude.
Something about this pandemic has been driving our favourite artists to create some of their best work. From Lee Aaron to Styx and Iron Maiden, we’ve been getting a lot of seriously great albums this summer. Danko Jones joins their ranks with 11 of his best tunes to date.
“I Want Out” is relentless hammering with nothin’ but pure soulful metal aggression. He gets a little sly on “Good Lookin'” before the pounding of the mighty axe resumes. Great guitar and vocal hooks. “Saturday” brings the party with no less adrenaline or acceleration. Let’s use that word “relentless” again. Power Trio is an album with the emphasis on power. The band take it down to a mid-tempo slammer on “Ship of Lies”. “Everybody knows it’s getting old, let’s sink this ship of lies.” Amen, brother! Great jagged riff, chunky tone.
Potential album highlight “Raise Some Hell” sounds like an anthem for bands sidelined by the pandemic. “I’m tired of watchin’ it go by, sittin’ in the fence,” sings Jones as he looks forward to getting back out there for some rockin’. “‘Cause sooner or later we’re gonna break the spell.”
“Blue Jean Denim Jumpsuit” has the best title on the record, but does this thing ever move! The riff is like an engine. The guitars on “Get To You” take on a more traditional metallic tone, though the song maintains the Power Trio drive. “Don’t you let them get to you,” preaches the man; someone who knows. “Jealousy don’t look good on ’em,” he roars. “Take it as a backhand compliment, every time they take the shots. Every sling that gets thrown at you only serves to drive up your stock.” Wise words my man. Just as Dee Snider took on bullies in the 80s, Danko is here to continue the work in the 2020s.
“Dangerous Kiss” has bite, as it clocks in as the shortest bomber on the album. Second shortest is “Let’s Rock Together”, a real upbeat corker of a stomp. Like classic Andrew W.K. but with a guy who can really sing. The screamin’ “Flaunt It” turns up the tempo even faster, taking it to punk rock velocity. This serves to set up the optimistic AC/DC-like closer “Start the Show”. Yes, let’s! Special guest Phil Campbell on guitar.
There have been several albums this year that were deemed to be the records we needed in 2021. Add another worthy contender to the list. Power Trio is another in a long line of consistently good Danko Jones. The biggest difference is that we need Danko more than ever now.
Power trio: Danko Jones, Rich Knox, John Calabrese.
BONUS ==> Misheard Lyrics
“I’m tired of watching it go by sittin’ on the fence,” totally sounds like “I’m tired of watching Nickelback sittin’ on the fence”!
Nothing major, but watch where you’re going bud.
Music: “Pygmy Blowdart” by Max the Axe from the new Oktoberfest Cheer EP.
The Darkness have a new album coming out called Motorheart. This week the band released a rather unique lyric video for a new song called “Nobody Can See Me Cry”. Most lyric videos you see today are still pictures or slight animations. This one isn’t. It’s just a continuous moving single camera shot of the four Darkness members crying. You gotta give guitarist Dan Hawkins credit in this one for going all out with the blubbering. A smoke machine is added for effect and bassist Frankie Poullain fights to keep the tears at bay.
Sounds like a pretty heavy album is coming our way. Get ready Darkness fans!
Something old; something new.