



RECORD STORE TALES #1241: Time To Talk
For the first time in…well, perhaps ever…I have been unable to write about my life. This entire site started because I wanted to write about my life…and I have been paralyzed, frozen, unable to put fingers to keys and just pound out some words.
Even when Jen had cancer…even when her mum was dying…I was still able to write some words. I might have taken breaks, but I was still documenting and logging my thoughts and feelings. These days, I haven’t been able. Ever since December 2025, I’ve been clamming up and keeping things private. The reasons for this are multiple, so let’s see if we can’t crack this open and talk about life changes.
It would be a lie to suggest that the political changes of the last two years have not affected me and my life. I have spent many nights in existential dread mode. (Check out Kumail Nanjiani’s comedy special Night Thoughts for some humour on this subject.) It’s not just wondering about the end of the world, but also the real-world impact of tariffs on my job. Times are hard everywhere, and now with gas going up, summer just got a lot more expensive.
Summer means we made it through winter! It was an uneventful winter here, except for a couple major upheavals that we’ll get to momentarily. Winter used to be my nemesis, my Kryptonite. It used to be the element that could be counted on to bring spirits down and destroy hope. Winter 2025-26 was nothing. At least as far as seasonal affective disorder goes.
What has become more difficult is that Jen’s seizures have become more severe and frequent as of late. We saw the neurologist and there’s nothing more he can prescribe. We’ve been through every medication there is. In 20 years of dealing with this bullshit disease, we’ve never hit a point where there was no hope left. We have to live with it. There are no options available. Oh sure, they’re talking about sending her back to Toronto again for weeks and weeks of observation. That didn’t do anything last time. I guess it’s something. We’ll be separated for that time, while she is stuck in observation and I toil away at home.
That is where we get to the biggest change, one which I have been reluctant to speak about. Work changes are scary, and due to a variety of reasons, I no longer have an office to work out of. The physical building in which I worked for 19 years was sold, and eventually came the decision that we’d been semi-expecting for years: the office was closing. This was the biggest life change I’ve experienced since getting married in 2008. Working from home! I’d done it on a tiny laptop before, but now I had to set up my own home office. This all coincided with my unfortunate accidental dumpster dive, and subsequent injury. This only added to my stress, as I had a timeline for moving into a home office that I wanted to adhere to. Everyone had to help with the office closure, but my rib injury made my participation extremely painful. This news was not what the others wanted to hear, (as was made clear to me) but I did my part, probably setting back my healing timeline by a couple weeks. I bought a desk; one of those fancy electric ones that raise and lower, which helped me deal with the rib pain by changing positions when uncomfortable. I set up a home office. It is small. It is cozy. It is all mine and I am surrounded by my things, and all the toys and music that makes me happy. I settled in quickly and fell in love with my home office.
I don’t want to jinx it. I don’t think everything lasts forever, so I am going to enjoy the home office to my fullest extent while I can.
I make my own home cooked meals for lunch. I go out to the convenience store on my breaks. I have lunch with my mom and dad once a week. I don’t have to drive anywhere. I saved a ton on gas. I have only fueled up four times in 2026, and it’s mid-April.
The difficulty here was probably more on Jen’s side. She was used to having the house to herself almost every day. Now she has me to deal with, but she’s made the adjustment and has a healthy schedule of getting out daily.
I don’t want to talk about working from home and further than that. It has been a privilege and I feel like if everyone knew how comfortable, how efficient, and how great I feel working from home, it’ll all go away. So enough of that.
I have continued to buy new music, but have not felt motivated to write about it very much. I’ve gone through periods like this before, and now I understand that it’s just a phase. It doesn’t mean I’m all done or won’t be able to come back from this. I used to think that. Experience has taught me that these creative waves can end, but return when the time is right. It’s still cold, it’s still dark, but spring is here and that always changes my creative life. Soon it will be time to charge up the drone, and fire up the barbecue at the cottage. Summer at the cottage always offers its own creative opportunities, and is the best setting for listening to new music. Perhaps this summer, it was be the Van Halen 5150 anniversary box set. Live Without A Net on the front porch in the sun? Sounds great to me.
One of the most unusual things about this past winter was that it was my first winter in 52 years without my Grandma. Even as she grew older and weakened, we still tried to go and see her every other weekend. That part of our routine was gone, and it was strange for a while. There were times when I thought I’d pick up the phone and tell her something. One thing Grandma used to love was when we’d come over and show her my drone videos. She loved seeing what the cottages looked like from the air. This spring, when I take my new drone up in the sky, I wish Grandma could see my videos.
Spring and summer always offer surprises. I never know what my next creative project will be, but something always comes up.
Let’s find out.
Let’s keep going. Onwards. Allons-y!
RECORD STORE TALES #1240:
Life is short sometimes, goes by in the wink of an eye
Changes have been afoot. Not all has been well. I have been quiet. You probably haven’t noticed, but life is…interesting. We’re not ready to talk about the changes yet.
Some things remain the same, and on Friday April 17, we loaded the car with new tunes and made our way to our lake retreat for the first time in 2026. We began the trip with Judas Priest and Ozzy Osbourne’s new version of “War Pigs”. This one really blew the ears open for the road trip. What a track. Destined to be a classic. Later on, we followed it with some April Wine.
It was the first time I’d driven to the lake in the dark in close to a decade. In that time, both my eyes and nerves have aged. We made it safe and sound, albeit a bit tired.
Writing is difficult. There are a lot of things I just don’t feel like talking about right now. I hope that this summer will bring all of the things I enjoy: flying drones, doing shows from the cottage, cooking food, taking pictures and making videos. And whatever else comes our way that I can turn into a creative endeavor.
We will return again soon, and we have planned the first live show of the weekend. With good friend Peter Kerr, Harrison and I will discuss our Top Five Artists that are Not Rock! The first cottage show of the season will likely be indoors due to the cold, but you never know. We are back!
The first drone flight of the weekend occurred Sunday April 20 before 7:00 AM. It was below freezing. Our first flight at negative temperatures! Flying above the birds, I captured beautiful views of Lake Huron by the beach, and revealed much higher water levels than last fall. Let’s hope that they don’t retreat again. The detritus of winter can be seen on the beach. A huge log washed up, impossible for a person to move. Only the power of snow and ice could have moved it here. For the drone video, I chose the song “Life Is” by Arkells on the flight soundtrack.
I ran into a new problem, which is moisture condensation inside the drone camera. I ordered some silica gel packs to try to get rid of the moisture, but this is new territory for me and I’ve never had to deal with this before. Hopefully, I can solve the issue.
Driving home on Sunday, we chose the new Arkells album Between Us for the soundtrack. The album has catchy songs, but very few that have captured me. We’ll have to give it time, but early signs point to this being “just another album” by the Hamilton band.
Much more intriguing is Quebec’s Angine de Poitrine. Everyone is talking about them. Their albums are completely sold out everywhere and go for over $150 on Discogs. A CD reissue is due in June, but until then all we can do is stream. This band uses a custom microtonal guitar/bass doubleneck to achieve song melodies that sound like someone bending the notes precisely every time. A duo, they loop their parts and build the songs slowly. An addictive band and a cool way to end our weekend. Ignore the alien costumes. While they may have drawn eyes to the band, the music is what you need to focus on.
Enjoy the photos below, and see us live on Friday April 24 with Peter Kerr from Rock Daydream Nation. The cottage is waiting for your arrival!
For only the second time in history, Harrison Kopp and Mike Ladano appear together on another show! With Rock Daydream Nation being the first to record the pair, John the Music Nut is second to know a good team when he sees one! In the past, Harrison and Mike have only appeared separately on other programs, such as Tim’s Vinyl Confessions, bicyclelegs and of course Rock Daydream Nation. It pleases me greatly to finally join Harrison on another show.
The Music Nut asked Harrison and I what albums we’d be interested in covering on his series, The Live Cut? Without much deliberation, we settled upon Boston 1981, an archival live album by Rainbow. Featuring a personal favourite lineup, it’s Ritchie Blackmore with Joe Lynn Turner, Don Airey, Bobby Rondinelli and Roger Glover. The Difficult To Cure tour featured a number of new songs, along with a smattering of songs from the Dio and Graham Bonnet eras, with one Deep Purple cover. We compare the album to other Rainbow live offers, and dissect the performances by each member of the band.
This is an album that, like many, I purchased, listened to, and filed away. It was a pleasure to dig it up and listen to it intently for a few days.
My show notes are at bottom, but please watch this awesome episode on the Music Nut Channel!
Spotlight Kid – Straightforward version, Joe in peak voice. Don Airey really shows why he was the guy to replace Lord in Purple, with his organ work off the top.
Love’s No Friend – Striking version. First Graham track and Joe handles it just fine (if not better). Loads of solos and Airey organ. Joe’s vocal is very bluesy and expressive. Roger on backing vocals? TOP Blackmore blues solo.
I Surrender – “Harpichord” intro but a straightforward version. Blacker’s solo is slow, low and fun.
Man On the Silver Mountain – first foray into Dio – nice Don Airey organ screech at the start. I hate when Joe sings “take my spirits hiiiiiiigh!” but it is toned down a bit on this version. Very short version.
Catch the Rainbow – 14 minutes. I like Joe’s vocal take on this classic. Don also sounds very regal. Slows down for long solo section around 6 minutes. Blackmore plays with band for a bit and then a true solo begins unaccompanied. Goes into Greensleeves. Band comes crashing back in for more instrumental brilliance. Lots of pick scrapes, awesome licks, drum fills. Joe has a long vocal workout (“Let it shine!”) at the end.
Can’t Happen Here – Another short fire cracker, a welcome break.
Lost In Hollywood – Starts with a cool Airey solo and then Blackmore brings the riff, faster and heavier than album. The noise solo at the end is always interesting to me in a noise-art way.
Difficult to Cure – The usual. 6:45 version. Does all the things you expect it to do. Long Bobby Rondinelli drum solo, nothing special.
Long Live Rock N’ Roll – Feels more melodic than the older versions. Joe really stretches out. Lots of jamming and instrumental work.
Smoke on the Water – Includes Lazy, Woman From Tokyo.
Episode 143: Lenticular Cover Art collections with bicyclelegs talks music
When a new release is announced with a “lenticular” cover edition, do you always jump at the chance? Harrison does. Harrison loves those “three-dimensional”, moving images in his music collection. So does Mike, and bicycelegs! Together we will show you just about everything we have in our music collections with lenticular cover art.
Lenticular art is nothing new. For centuries before its invention, humans have been trying to create moving images. Lenticular art involves taking two or more images, interlacing them, and presenting them behind a piece of glass or plastic with ridged lines throughout. The result is a moving, three-dimensional image.
Tonight we’ll look at some items that you’re familiar with, and many that you are not. From newer releases to old classics from the 1990s, we have a variety to show. Please join us tonight for this fun and educational episode! We will be live, and we love interacting in the comments.
Click here for the link to the live show
Friday April 17 at 7:00 PM EST, 8:00 PM Atlantic. Enjoy on YouTube or Facebook.
A reunion was in order! After our very fun Live Cut episode with Robert Lawson on Steve Earle’s Shut Up and Die Like an Aviator, I hooked up with John the Music Nut once again to dig into some cool country. The topic this time is Steve Earle’s Washington Square Serenade, a different album for him that took many by surprise. After a move to New York city, and falling in love with singer Allison Moorer, Steve shifted gears. Working with John King of the Dust Brothers, Earle incorporated loops and electronic elements into his music for the first time. The results were nothing short of astounding. “Purists” may balk at the idea, but what Earle recorded here is a very special album.
Please join John and I for an in-depth episode on this album and its contents. In his words:
On the latest episode of the Latter Day Albums series, our friend Mike Ladano from @GrabAStackofRocK returns to the channel as we discuss Steve Earle’s 12th album entitled Washington Square Serenade. Released on September 25, 2007, this would be the first of several releases on New West Records and would win the Grammy award for Best Contemporary Folk/Americana album in 2008. What do you think of Steve Earle’s music as well as this album? Please let us know in the comments!
GRAB A STACK OF ROCK #142
Another Maiden live album? Another 50 Years of Iron Maiden live episode. Hitting the skies in a brand new Ed Force One jet, our heavy metal heroes embarked upon “the road” once again. With the new space and science fiction-themed Final Frontier album providing new Eddies and new songs, the Maiden live show evolved once again. With six new songs (including intro “Satellite 15”) and an alien hybrid Eddie, Iron Maiden roared into Santiago, Chile intending to record a live DVD and Blu-ray. Recorded on this day, 15 years ago, April 10 2011, history was made and documented. The album was released almost a year later, on March 26 2012.
Join Mike and Harrison live, as we celebrate the 15th anniversary of the En Vivo! concert. Another double live CD and DVD or Blu-ray set, we will take you through the entire track list song by song. The visual aspects of the show will be accounted for, and the unique split-screen editing will be assessed. The bonus DVD includes a music video (and a short behind the scenes clip) and a 90 minute documentary called “Behind the Beast”. We will take you through each in our usual detailed manner.
Is this just another Maiden live album? What tracks stand out? How does it compare to other live albums? We’ll assess the whole thing and let you know.
Please join us live if you can. We love interacting in the comments, and these live albums give us an excuse to do these Maiden episodes as live ones. You make it worth it!
Friday April 10 at 7:00 PM EST, 8:00 PM Atlantic. Enjoy on YouTube or Facebook.
Past episodes:
Handy YouTube Playlist:
JUDAS PRIEST featuring OZZY OSBOURNE – “War Pigs (Charity Version)” (2025 Sony)
In one of the most amazing collaborations in all of metal history (no hyperbole), Judas Priest teamed up with Black Sabbath’s Ozzy Osbourne for a cover of the Sab’s “War Pigs”. In another amazing circumstance, the track wasn’t left to the digital download ether. No; it was even given a CD release, albeit an expensive one when shipping is factored in. The best part is that a all profits that the label would have received were donated to the Glenn Tipton Parkinson’s Foundation, and Cure Parkinson’s. Glenn Tipton was diagnosed with Parkinson’s Disease in 2008, while Ozzy was diagnosed in 2020. This would be one of the last things Osbourne would ever do in music.
The cover art (credited to Mark Wilkinson) features the six musicians compiled together from separate photos: Scott Travis (drums), Ian Hill (bass), Rob Halford (vocals), Ozzy Osbourne (vocals), Glenn Tipton (guitars) and Richie Faulkner (guitars). Priest’s live guitarist, producer Andy Sneap, handled the studio duties and additional guitar for a seven-man lineup. Trivia buffs would love to know that both Ozzy and Rob Halford have performed as lead singer of Black Sabbath, so Rob is no stranger to this classic.
The first concern upon pushing play was, “How will Judas Priest, a single guitar band, do an old Black Sabbath tune?” Would the styles mesh?
Yes they would. Gloriously so.
From the opening chords, it was clear that Priest know how to meld the two metal worlds. The guitar sounds singular, monolithic, like Iommi, before one comes careening in as if from “Sinner”, merging the two worlds. The track generally goes this way: true to the Sabbath sound, with occasional guitar chemistry that only Judas Priest can conjure. The solo work is Priest, but vintage Priest, not modern-day shred. Also noteworthy is drummer Scott Travis, who tries his best to inhabit that Sabbath world, especially on the cymbals. He does a few double bass flipouts, but keeps them sparing and appropriate to the song.
As for the vocals, Ozzy sounds more at home, but the two trade off just as you imagine old pals would. Ozzy takes the first line; Rob growls the second. It’s a cool contrast: the Prince of Darkness and the Metal God, together at last. The two pair up on some key chill-inducing lines.
Let us be glad that this pairing happened. It existed, and we have a CD of it. Magnificent. Rest in peace, Ozz.
4.5/5 stars
ALICE COOPER – Welcome To My Nightmare Live at The Forum, Los Angeles 6/17/75 (2025 Rhino)
For the first time ever, Alice Cooper was on tour without the Alice Cooper Band. Dennis, Michael, Neal and Glen were set adrift. Supporting his first solo album, Alice brought with him Dick Wagner and Steve Hunter on guitars, Prakash John on bass, Whitey Glen on drums and Jozef Chirowski on keyboards. A more dramatic show was presented, including almost the entire new album. (Only “The Awakening” was never played.) So focused on the new album was this set that a smaller ratio of old Cooper classics were included.
At this point, only a few years into his career, Alice was already introduced as “legendary”. He opens with an ominous and “Welcome to My Nightmare” and the crowd begins screaming as soon as he enters. Alice’s voice is a little off from the start, but the band behind him has every beat covered. Compared to his previous group, this one truly sounds like a “backing band”, with the star up front and group of pros behind him taking care of business. That’s not a criticism, just an observation, and the soloing on “Welcome to My Nightmare” prove how great they are. It’s a very different sounding group from what we heard before.
Not playing the Nightmare album sequentially, “Years Ago” recurs throughout the early songs played. Old songs framed by “Years Ago”? Quite clever. Here, the first verse leads into “No More Mr. Nice Guy”, a very slick version though Alice sounds hoarse. Even still, he powers through the chorus and falsetto. If anything, he is less able to deliver some of the melodic hooks accurately. Back to “Years Ago”, we get the second verse before “Billion Dollar Babies”, which is the strongest performance so far. The extra keyboards and guitars are more than welcome, beefing up Alice’s stage sound and adding a side of virtuoso musicianship. On its third appearance, “Years Ago” consists of a creepy keyboard solo, extended from the album version. This time, the crashing guitars of “I’m Eighteen” shake us from the nightmare. Though he’s vocally great here, Alice does mess up a line and goes in for a re-do. That’s what makes a real live performance so beautiful. The lead soloists weave tapestries of tasty hooks as the song goes on.
The fourth and final “Years Ago” delivers the “I’m a little boy…” verse, and it’s a bit weird sounding live with that “Steeeeven, Steven come home!” part included. A transitional segue consisting of some of the music from “Black Widow” and a lot of original riffing too leads into “Some Folks”. This is done instrumentally with the twin lead guitars playing the first chorus, until Alice himself enters the fray. His vocal is undeniable rough here, except when doing the falsetto. Fortunately it’s a great song and a brilliant performance by the band.
“Cold Ethyl” rocks a little more straightforward than the last few minutes of music. Cooper delivers the creepy vibe here; a pretty solid version. A brief musical interlude sets up the opening chords to “Only Women Bleed”. The keyboard provide the strings, and the delicate picking of Hunter and Wagner is spot on. Alice is strong here. He seems to struggle vocally when he sings in that “rough” raspy evil voice, but not so much when singing clean or falsetto.
There is a fade out before “Devil’s Food” and “The Black Widow”, but this duo is a show highlight. Prakash John gets a bass solo moment between the two, as does everyone else, as it’s ten minutes of music before “Black Widow” begins. As to that, Vincent Price’s part plays on tape and you know what is coming next. “Black Widow” lacks the certain special haunting quality of the album version, but this one makes up for it in drum and guitar power. This is much more a heavy metal exercise in Arachnology. The only thing that could follow such a song is “Steven”, which is excellent except for some startling screaming during the song that is a big loud when it comes! Your neighbors will wonder what the hell is going on at your house!
“Welcome to My Nightmare” is reprised, as the show ends appropriately with a trio of “Escape”, “School’s Out” and “Department of Youth”. “Escape” is a show highlight, the irresistible riff blasting hard (and we get plenty of too). Alice is pretty solid here too. “Department of Youth” is an extended outro with loads of playing by the band (and band intros). It sounds absolutely huge!
This album is really a treasure for Steve Hunter and Dick Wagner fans. There is so much guitar, all over the entire show. Jozef Chirowski is really outstanding on keyboards. This is a player’s Alice Cooper album. Vocal issues aside, the only issue I had was with the drum sound. A little flat and thuddy. This is a 50 year old recording and we admire it for its authenticity.
3.25/5 stars
RECORD STORE TALES #1239: The Black Widow
From the very start of Record Store Tales, to the present day I have been quite emphatic about one fact: My parents did not place any conditions or prohibitions against any kind of music we listened to as kids. We had nosey Catholic neighbours who did on their kids, but my mom and dad were cool. My dad liked that Iron Maiden sang historically accurate songs about World War II, and other conflicts such as the Crimean War. My mom had a younger brother, my long-haired Uncle Don Don, who liked Led Zeppelin and Alice Cooper. What I was bringing home, Van Halen and Quiet Riot, wasn’t much noisier or frightening. We’re talking degrees of separation. I had it easy. I wouldn’t have the collection I have today if they didn’t give me free reign over my entertainment.
That doesn’t mean they weren’t paying attention. They saw stuff on TV about “Knights in Satan’s Service”, and my mom did ask me if that’s what KISS stood for. I remember getting really huffy and saying “NO, it’s just a word!” She believed me and let me go. I think my parents always knew that rock stars did well by generating their own controversy. They witnessed the rise and fall of Elvis Presley, and the explosive career of the Beatles, all accompanied by screaming teens, shaking hips, and suggestive songs. I think they knew I wasn’t going to die on a toilet like Elvis just because I saw David Lee Roth getting arrested wearing nothing but a towel in the “Panama” video. I don’t think they believed in Satan, so much as thought I would go to hell because I saw Ozzy Osbourne dressed as a werewolf in a music video. Maybe it would have mattered if I spent all my time watching videos, but I went to school and did my homework like every other kid. They just preferred Tears For Fears to Tesla.
I can really only remember a handful of talks about music. Once was the question about the meaning of KISS, and one was about the death of Randy Rhoads. I was quick to correct my dad when he said he “probably died of drugs”. “He wasn’t on drugs, but the pilot of the airplane was,” I said. I never got in shit for playing any music. Only the for the volume at which I played it. I played “Big Balls” by AC/DC at the kitchen table one time. Never a word!
There was only one instance in which my mother was simply not impressed with my music. Not at all impressed. It involved the aforementioned Alice Cooper.
I had this second cousin on my mom’s side, Danny. He was a bit older and into all kinds of heavier rock. He was into Alice Cooper, and played me “The Black Widow” in the Winnebago he arrived in. Summer of 1986. The bit with Vincent Price doing his Vincent Price thing really grabbed me. I loved Vincent Price. Alice had a big comeback in the 80’s, with Constrictor, Raise Your Fist and Yell, and Trash. He was once again in the news, but this time for his remarkable return to the forefront of popular rock artists. It was in this climate that I began collecting his music. My mother knew who Alice Cooper was. It was she that gave me Welcome to My Nightmare for Easter 1991. It was weird, and some things were decidedly un-rock…but I loved it! One thing I enjoyed about Alice Cooper’s music is that he constantly forced me to re-define my conceptions about what rock was.
I was still in highschool, and my mom was still doing my laundry for me. One night I was in bed, lights out, with music rocking me to sleep as it did every night. Welcome to My Nightmare was still fresh in my collection, and that’s what was playing when she entered my room that night with a basket of laundry. “The Black Widow” was mid-song. She missed all the cool Vincent Price stuff, which I’m sure she would have approved of. No, this is what she walked in to:
“DID HE JUST SAY VIRGINS AND CHILDREN ARE DEFLOWERED?” asked my mother with a volume in her voice you rarely heard.
I mumbled something about Vincent Price and didn’t attempt to defend the lyrics. I said something about he’s singing about spiders and that’s all I could muster.
To her credit, nothing more was said, and when Alice Cooper came out with his new album Hey Stoopid that summer, she bought a copy for my birthday. Today, she knows the Coop is a man of high character, and approves of my selection!
Episode 141: Top Five Albums that Make Us Feel Good! With Dan @OffTheCharts
We’re back! It’s the Fourth Annual Good Friday Afternoon show on Grab a Stack of Rock! We have done this every year since 2023, and this one is a special one for us! It is a little different from past Good Friday episodes. This time it’s less a hangout, and more a list show with lots of physical music!
Episode 141 trailer – Top Five Albums that Make Us Feel Good
We decided to bring the sunshine by talking about music that makes us feel good. Top Five Albums. Some of the greatest music we’ve ever heard in our lives. We’ll also be playing a song from each our lists: music videos of great songs that make us feel great!
Special guest Dan Chartrand will be joining to discuss our Top Five lists. As always you can count on physical product on all three major physical formats: Cassette, CD and LP. These formats are the tangible versions of the music that brought smiles to our faces so many times over the years. We’re talking music that goes back with us for decades in some cases. Other music is newer. What you will get from us this afternoon is going to be pure love for the albums that always bring us joy.
This is a show about physical music! We will also be doing a MASSIVE, $550 unboxing – stay tuned!
Please join us 🅻🅸🆅🅴 for this annual tradition. There will be music, videos, and surprises in store!
Friday April 3 at 1:00 PM EST, 2:00 PM Atlantic. Enjoy on YouTube or Facebook.