RECORD STORE TALES MkII:
Getting More Tale
Music, Movies, and more
Ozzy Osbourne has done lots and lots of tours since his “No More Tours Tour”. It seemed special at the time, because we thought Live & Loud was going to be the last live album. It was not. What was supposed to be a definitive and indispensable capstone is just another live album, only really notable for its packaging.
Let’s start there. If you buy this album, don’t buy the remastered edition in the jewel case. This album didn’t need remastering a couple years later. Why would it? Instead search for the original digipack with the metal speaker grille cover. Finding one in good shape can be a challenge. Unfortunately, the metal grille is not removable although the VHS release did have a removable grille. The release also came with two Ozzy “temporary tattoos” on little 2″ x 2″ sheets of paper. These are the first things to get lost and you might want to consider that you’ll never find them.
Live & Loud scores an A+ for packaging, but gets mediocre grades for the music. This is patched together from a variety of recordings, and it sounds like a lot of fixing was done after the fact. It’s bogged down with over-long guitar and drum solos (Zakk Wylde and Randy Castillo) and too much talking. There is only so much that one needs to be told to “go fucking crazy”. Ozzy proclaims that he loves us so often that it loses all meaning. He’s more of a cheerleader than a singer at times, constantly badgering the crowd to get “louder”! There is also an annoyingly long intro that means nothing without the visual accompaniment that’s supposed to go with it. I will admit that my buddy Peter and I were amused when Ozzy said “Let me see your fucking cigarette lighters” during “Mr. Crowley”.
On the plus side, this particular lineup of Ozzy’s band was one of his strongest. Zakk and Randy were joined by bassist Mike Inez who was invited to join Alice in Chains in 1993. Another plus is the presence of Black Sabbath. The second to last song is “Black Sabbath”, performed by the original Black Sabbath, at the final show on the tour. Fans will recall that Sabbath were touring their incredible Dehumanizer album, which frankly blows away Ozzy’s No More Tears. When Sabbath (then including Tony Iommi, Geezer Butler, Vinny Appice and Ronnie James Dio) were asked to open for Ozzy at his final two concerts, Dio bailed. He was replaced for those shows by a little known metal singer named Rob Halford. At the last of the two shows, the original Black Sabbath featuring Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Ward reunited to play a three song set. It was their first time together since Live Aid in 1985.
Unfortunately, a couple tracks aside, Live & Loud is flat and uninspired. “Black Sabbath” isn’t brilliant but at least it’s historic. All the important songs are there, with maybe a few too many from No More Tears. There is one surprise in “Changes”, the old Sabbath classic. This is performed by Zakk on piano and Ozzy. It’s brilliant and was used as the single. “Mr. Crowley”, “Shot in the Dark” and “Desire” are pretty good, but drummer Randy Castillo was killing it. He was the perfect drummer for that band. Rest in peace Randy.
Live & Loud is for the serious fan only, who will really want to get the grille cover. Live & Loud is not consistent enough for the average listener and gets bogged down in spots making it a very long run.
We have had a solid rain in Kitchener, Ontario. Not only are the banks of the Grand swollen to the limit, but there has also been a steady rainfall of new arrivals at LeBrain HQ! Summer has officially arrived, and what is summer without new rock?
First we have some gratuity for Mr. Geoff “1001” Stephen. Some surprise mail arrived from him this week: two 7″ singles and some Leafs memorabilia. As Mrs. LeBrain said, “Thank you Geoff Stephen for the wonderful surprise this morning. The calendar brought back so many memories of my favourite hockey year. Go Leafs Go!”
For myself, a Kiss “Christine Sixteen”/”Shock Me” single, which alas is too late to fit into my Love Gun re-review! Those two songs make it virtually a double A-side. The other single he sent has a similar standing: Thin Lizzy’s “The Boys Are Back In Town”/”Jailbreak”. Two singles, four amazing cuts of rock history.
On the same day, I received this from a Discogs seller in Japan: a CD that has been on my wishlist a long time. Despite the long wait, I managed to hold off from buying the domestic edition of Ghost’s debut Opus Eponymous all this time. A sealed copy finally came up on Discogs within my buying threshold, so I jumped at it. For my rewards, I got “Here Comes the Sun”, Ghost’s Beatles cover…and a very different one it is.
We will jump briefly to new arrivals in the toy department. Thanks to J. at Resurrection Songs we recently covered the ins and outs of Third Party products. Behold! Badcube has released their take on Masterpiece Transformer Insecticons. These are heavy, heavy toys with lots of diecast and G1 accurate insect modes, with robot modes an homage to the cartoon. Check them out with their leader Megatron (third party Apollyon) and their original 1985 toys below. These, by the way, are deluxe collector’s editions with clear plastic and chromed parts for added value. I’d love to compare them to an official Hasbro Masterpiece Insecticon, but such a thing does not exist. That’s why third party companies have a niche. Labels by Toyhax.
Apollyon by X-Transbots with Evil Bug Corps by Badcube
Badcube Claymore and Transformers G1 Shrapnel
Badcube Hypno and Transformers G1 Bombshell
Badcube Kickbutt and Transformers G1 Kickback
Last new entry in the toy Department: I found some new Star Wars Black Series 6″ releases kicking around at the local Toys R Us on Sunday. I should have grabbed more of the Imperial AT-ACT driver, that one being a Target/TRU exclusive, but sometimes you find those to still be warming the pegs a few weeks later. The Imperial Death Squad commander will look great with my Stormtroopers, but I feel to ask $30 for one little tiny Jawa figure is a bit much. They should have included two Jawas or a droid in there for that price.
The same day as the Toys R Us trip, I also dropped in at the newly re-opened Sunrise Records at Fairview Mall, which is really starting to come along with great customer service and an improving selection. I couldn’t browse long, so I leaped immediately to the metal section and grabbed two CDs that I was missing by The Sword: Low Country (2016) and the new live album Greetings From… (2017). I am slowly getting caught up on that band — loving everything I have heard so far.
A wonderful week to be sure, but it’s time to stop buying music and toys for a short while, and get ready for Sausagefest 2017. I finished recording my parts yesterday, and I have inside information that suggests that this Sausagefest countdown will be pretty awesome.
So there’s these two guys at work. You’ve met Herbert before, a big guy with a big heart that everybody loves. Then there’s another guy, and for the purposes of this story, we’ll call him “Justin Bieber”.
Herbert recently bought a fidget spinner. They’re all the rage right now. Meanwhile, Bieber bought a fidget cube. These are toys for kids who have attention span issues, and studies show they might help. But now they are trendy for adults of all types too.
Bieber pulled a prank on Herbert, by disabling his fidget spinner. He saw a picture on the internet and did this:
Fortunately, Bieber unlocked the spinner before Herbert a) got a bolt cutter, and b) dumped Bieber’s backpack in a toilet. Happy ending!
AMERICAN DAD! – “My Morning Straitjacket” (Episode 7, season 5)
Has Stan gone too far this time? Daughter Hayley has gone to a rock concert! According to a furious Stan, rock concerts are “the devil’s music! It’s the number one cause of school violence, teen pregnancy and leather pants!” But My Morning Jacket are “awesome” according to Hayley, and she plans on going again the next night, until Stan confiscates the tickets!
Fortunately for Hayley, mom Francine understands rock and roll. She used to get backstage the hard way, not like today with those sissy radio giveaways. She secretly returns the tickets to Hayley, infuriating Stan. Using his CIA noise-cancelling earplugs, he goes to the concert to “rescue” his daughter. “Idiots! Paying good money to hear something they already heard on a record!” But when he removes his special earplugs, he hears the music…and finally feels something! Where Stan used to feel only anger, he now feels everything!
Jim James has an “angelic” voice according to Stan. “He makes Enya sound like a Russian couple arguing at the bowling alley!” He can’t get enough. “I want to hear all their music! Right now!” This leads to an unhealthy obsession with the band, accompanied by a smorgasbord of their songs: “Wordless Chorus”, “Touch Me I’m Going To Scream (Part 2)”, “I’m Amazed”, “Remnants”, “Highly Suspicious”, and “Phone Went West”. The animation for Stan’s musical fantasy sequence is suitably trippy. Stan flies through space carried by owls, with My Morning Jacket singer Jim James riding on his back! As usual for Stan, his obsessive behaviour leads to neglect for his family and job. Something has to be done! The final straw is when Stan spends $900 on a bootleg CD of Jim James gargling in the bathroom before a show.
Stan is under the delusion that he and Jim James are soul mates, so Roger the alien comes up with a plan. Dressed as his groupie persona Abbey Road (“I’m Abbey Road, and when it snows I need to be plowed!”) they go to follow My Morning Jacket and meet Jim James. When they finally encounter James in person, he convinces Stan that he already has a real soul mate — his wife Francine.
The music of My Morning Jacket is diverse and entertaining, and although their softer moments are a bit limp, when they rock they rock. As for this episode? It rocks.
Maiden Japan is legendary. It is a crucial EP for all Iron Maiden fans, but also a good solid find for any metal fan in general. It was recorded May 23 1981 in Nagoya Japan. The live bootleg that we are looking at today also claims to be from that same show. That claim appears to be bogus. An A/B test on the track “Remember Tomorrow” reveals they are definitely not the same vocal performance. Maybe this CD is taken from a show on the same tour, such as Osaka or Tokyo.
Regardless of the whens and wherefores, Another Live presents a rare treat indeed, a live CD featuring Paul DiAnno on lead vocals. It is the Killers lineup: Paul, Steve Harris, Dave Murray, Adrian Smith and Clive Burr. A young Iron Maiden just before hitting the crest of their wave…there isn’t much out there officially released besides Maiden Japan. There are a number of tracks on the rare and expensive box set Eddie’s Archive, and a handful B-sides. For that reason, if you stumble upon Another Live, you may as well go for it!
The audio is surprisingly great for a boot, almost official quality, except scratchy in some places. It might be a rip from a previous vinyl edition. Unfortunately the set (wherever it was) has a few songs chopped out for time, and therefore you’re missing some of the best. “Running Free”, “Prowler” and “Phantom of the Opera” would have been nice to have. On the other hand there is the track “Another Life”. You will not find any official live versions of it with Paul singing. The only officially released ones have Bruce: one from Beast Over Hammersmith and one from “The Trooper” 2005 7″ single. Then we have “Twilight Zone” which you won’t find in live audio form anywhere officially. There is definite value here in the way of rarer songs.
The performance is stellar. A serious highlight is Dave Murray’s guitar solo on “Strange World”. Each member has the energy of a teenager and they just blast through. The only speedbumps really are the awkward edits between songs. They are not done well and it’s too bad because the CD is only 51 minutes. However if Another Live did come from an earlier vinyl bootleg, that would explain the shorter running time.
Get it if you find it. You may not play it often, but your Maiden collection will be that much cooler.
During my first few weeks at the Record Store, one of the new releases I got to deal with was the new Tesla, Bust a Nut. My boss cracked open a copy to play in store, but he wasn’t impressed.
“It sounds the same…” he remarked. “It’s just the same.”
Gosh, Tesla didn’t go grunge or rap in 1994? What a crime. No, instead Tesla stubbornly continued, as they always have, without bowing to trends. Bust a Nut wasn’t a successful album, but it was a damn good one. To call Bust a Nut “the same” sells it short. It sounded like Tesla, but a tad heavier and more diverse. Of course, this being Tesla, there must be ballads too.
“The Gate” invites you in via chugging guitars and squealing six-strings. It merges into “Invited”, a hell of a fine introduction. “Invited” reflects the light and shade of Tesla in one song: the mournful acoustic verses, the heavy and catchy choruses, all grounded in a solid classic rock vibe. Tommy Skeoch and Frank Hannon made one fine guitar duo, and the layers of instrumental goodness will keep you interested and digging for more. Heavier still is “The Solution”, which is about as metal as Tesla have ever been. Songs about environmental conservation are more relevant than ever: “Mother nature’s on her knees, and we’re the reason for her disease.” Very true, Jeff Keith. “If we’re gonna make it through tomorrow, the solution is to make a change today.” Tesla have never used such a grinding, detuned riff like this before. What’s this about it being “just the same”? Tesla didn’t go grunge, but they were able to go harder within their own style.
A brilliant track called “Shine Away” uses the soft/loud dynamic popularized by grunge, but that chorus is brighter than the sun. Enjoy some patented Tesla guitar harmonies which always sound as if inspired by Thin Lizzy, though this time verging on Iron Maiden! Time to cool things down with a ballad, and “Try So Hard” is a lovely one in the acoustic mold. A good variety of tunes occupy the rest of side one, but the next obvious standout is “Action Talks”. This is as angry as Tesla get, even dropping a “fuck you!” in the lyrics. It’s difficult to imagine that the same band can do “Action Talks” and “Try So Hard”!
Bluegrass and heavy bluesy rock collide on “Mama’s Fool”, as Tesla have never been afraid to mix genres. Sharp fans will recognize the opening and closing acoustic patterns as the same as “Government Personnel” from Psychotic Supper (1991). A slamming beat drives the tense “Cry”, a killer track based on a simple riff. Dig that theremin! “Rubberband” returns to the soft/loud format, and the loud part is fucking killer. The chorus goes on for days and sticks like glue. Another heavy groove called “Earthmover” earns its title, but some of the best tracks on side two are the ballads. “A Lot to Lose” is likeable, and “Wonderful World” begins with a southern acoustic flavour. Best of all is the fun closer, the old Joe South hit “Games People Play”. It’s Tesla-fied, and the sitar is ditched in favour of more traditional rock instrumentation. It’s transformed into a soul-gospel-rock and roll good time.
Tesla fired Tommy Skeoch (too many drug problems) and went down to a quartet before splitting up. Thankfully they have enjoyed a long and quality-driven reunion since 2001. Bust a Nut is an unsung highlight of their catalogue, and an album you’d be well advised to pick up.
No music today, but it’s for a good reason.
Kenner is a friend of the family. Kenner is an exceptionally bright young man, and very well spoken too. It’s not easy though. Kenner has autism, and his service dog Ivy has completely changed his world from night to day. A Human Rights Tribunal is currently deciding whether Kenner should be allowed to have his service dog in school. I know, right? If you have ever been around a service dog, you know they are unobtrusive, however the Waterloo Region Catholic District School Board has decided that Ivy is a “distraction”. They have ignored the professional opinions of Kenner’s doctors and of the Lions Foundation of Canada Dog Guides. So far, Kenner’s family has been fighting for three years.
Three years for the basic right to have his service dog with him in school. Three years.
A good samaritan named Jolene has taken Kenner’s plight to heart and has organized three rallies. The last one was on June 19 2017. The school board was assailed by cheers, honking horns, and best of all, a motorcycle “slow race”. It turns out that Kenner has support everywhere. We even saw people come from Kalamazoo, Michigan. Most exciting were the bikers from several clubs in the region. I saw Halton, Wellington, and a local club too. We were treated to some very loud bikes and the guys were just awesome. The kids loved the motorcycles, and Kenner got to sit on one.
I’m posting this video in support of Kenner, while the Tribunal takes its time making this decision.
The 80s were bumpy for AC/DC. Back In Black was massive. For Those About to Rock was almost as big. Flick of the Switch was a solid ball of rock, but things were uneven and some songs were filler. Fly on the Wall has its detractors for its muddy sound, and Blow Up Your Video was mostly a snooze. For their 1990 comeback, AC/DC got Canadian mega-producer Bruce Fairbairn involved.* He had a huge run of hit albums most notably by Bon Jovi and Aerosmith. Could he work his magic with AC/DC?
Bruce was one of the biggest names around, but having a hitmaker like him working with AC/DC was bound to affect their sound. Not too much of course; this was AC/DC after all. But Bruce did offer a cleaner sound, and there is no question it worked. To the tune of five million copies! Another change was bringing in ex-The Firm drummer Chris Slade after the departure of Simon Wright, who joined Dio. The bald-headed beat keeper became a fan favourite very quickly. (Slade is once again the drummer of AC/DC today after replacing Phil Rudd.)
Debut single “Thunderstruck” has deservedly become a classic in the pantheon of AC/DC classics. It was immediately obvious that AC/DC toned down the bluesy leanings of Blow Up Your Video in favour of rock and even arguably metal. “Thunderstruck” is heavy metal, especially with that fluttery Angus Young lick that dominates the song.
Chris Slade’s hyper-caffeinated drum stylings really impact “Fire Your Guns”, one of the fastest and most fun AC/DC tracks in recorded history. Any AC/DC song that involves them yelling “fire!” is guaranteed to thrill. Not to be ignored is bassist Cliff Williams who is effortlessly locked in with Slade. And sonically this is the best sounding AC/DC stuff since Back in Black. Singer Brian Johnson said at the time that Bruce Fairbairn encouraged him to scream more like the old days.
Another huge single was the plucky “Moneytalks”, bringing the groove down to a perfect mid-tempo. The main thing is the hook of the chorus. Though all songs were written solely by the Brothers Young, you can hear Bruce Fairbairn’s impact. It’s tight and focused more than AC/DC had been last time out. No doubt Bruce acted as a brutal editor in the studio when necessary, and must have had a role in shaping the songs to their final form. Listen to the layers of vocals on the chorus and tell me that’s not Bruce’s doing.
Some of the best AC/DC tracks in history have been deeper album cuts. The title track is one such song, an ominous almost-epic. “The Razors Edge” refers to a storm front on the horizon, and the song has that kind of foreboding feel. Unfortunately this friggin’ incredible construction of guitars and screams is followed by a novelty track. A seasonal novelty track. “Jingle bells, jingle bells, jingle all day the day. I can’t wait til’ Christmas time when I roll you in the hay.” This song should have been axed and saved for a compilation or single, where it actually could have had some impact. Not that it’s not fun; it is! But who wants to listen to jingle bells on track five of an AC/DC album? “Rock Your Heart Out” closed the side with the dubious distinction of being the first obvious filler song.
The third single “Are You Ready” was the opening track for side two. Good tune, nothing particularly special, but good enough for an AC/DC album. “Got You By the Balls” is an amusing title, but not a memorable song. It has a menacing bite, but not enough hooks. There’s a definite “side two slump” as none of these songs are as good as the first batch on side one. “Shot of Love” is OK. Things get back on track with “Let’s Make It” which might have made a great single itself. It has an old-timey rock and roll feel, and a slow groove. That classic rock and roll sound isn’t heard frequently on The Razors Edge. “Goodbye and Good Riddance to Bad Luck” isn’t shabby but veers close to that filler territory. Finally The Razors Edge comes to a campy end with the unusual “If You Dare”. Fortunately it’s a great, hooky little closer.
As it turns out, The Razors Edge was a one-off of sorts. It spun off a successful live album, also produced by Bruce Fairbairn, but that was the end of their partnership. A 1993 single called “Big Gun” sported a ballsier sound provided by Rick Rubin who went on to do their next album as well. The Razors Edge is also the only studio album with Chris Slade. Phil Rudd returned, reuniting the classic Back In Black lineup. No one will question that Rudd is the best fitting drummer that AC/DC have ever had, but that doesn’t negate Chris Slade’s contribution. Slade and Rudd do not sound alike, and therefore AC/DC acquires a different flavour with him in the band. His cymbal work is enviable and nobody can play “Thunderstruck” like Chris Slade, period.
*Much to the upset of the Scorpions who had tapped Bruce to do their next album Crazy World. That didn’t happen because of the AC/DC job.
GETTING MORE TALE #572: A Weekend at the Lake
A new summer, and new tech! My beloved BlackBerry Z10, bought over four years ago in early 2013, has bitten the dust. That Blackberry was responsible for most of my Sausagefest and Mike and Aaron Go to Toronto videos, not to mention the hundreds of photos it provided for this site. In that time, my BlackBerry required no service at all. So to all those who told me not to buy a CrackBerry:
My new weapon is a Samsung (not the kind that explodes) and so far I’m very pleased with it. This past weekend I had a chance to give its camera and video abilities a test run. Needless to say the quality of both exceeds my four year old phone. I was so happy with the quality that I decided to edit together a little video and post it for you. I’ve done this for a few good reasons:
Please enjoy some of the music of Stealth, and the sounds of pure nature. Look for a cameo by my dad, up to no good prob’ly. Leave your comments below: What do you think LeBrain’s dad is up to this time?
Slow week this week. Jen thought this chicken finger looked more like a cock. Tee hee.