kiss

#792: The Summer of ’93 – Live Album Explosion

GETTING MORE TALE #792: The Summer of ’93 – Live Album Explosion

Keeping up with new releases is challenging for anyone.  Today, every band is releasing a box set, live album, compilation, EP, or even (gasp) new material!  This is not a new phenomenon.  As a young collector in an earlier time, 1993 was particularly challenging.  I was suffering from “live album burnout” due to a number of double lives that year.  I dutifully picked up the most important ones to me, as much as I could afford.

I plotted things out.  The first batch of live albums on my radar that year were as follows:

Four of my favourite bands in one brief chunk of time, with two of the four being doubles.  I had to budget this out somehow.

I’m not sure when I bought Van Halen’s album, but I most likely bought it first.  The dual CD set was at Costco for thirty-something bucks so I put it in the cart.  I know it was early in the year because I remember listening to it in the car while driving to school for final exams, which occur in April.  Specifically I remember listening to the live version of “Cabo Wabo” on my way there.

I found the Van Halen album underwhelming.  Too much stuff from For Unlawful Carnal Knowledge and some clattering solos made it a struggle to finish in one sitting.  Sammy Hagar would later comment that the album sucked because too much of it was re-recorded in the studio.  I just thought it was a drag.

Kiss were (and are) my #1 band, so I dutifully bought it as quickly as I could.  I didn’t get it on the day of release (May 18), but I do know the exact date that I purchased it:  May 20.  I know this because I remember that we had to get home from the mall (Fairway Park Mall’s HMV store) in time to catch the series finale of Cheers.  I got the free poster with my cassette copy.  I chose cassette for strategic reasons.  Double live albums were a bigger investment, so I liked to get those on CD.  I was already starting to distrust the cassette tape format.  I’d hate to buy a double cassette set and have one of the tapes go bad.  Alive III was a single tape, so I went for that and stayed with that until I got a double vinyl reissue a couple years later.

The Ozzy was a limited edition package.  I needed that special grille cover with the two “tattoos” inside.  I couldn’t afford it so I put it on my birthday list.  I accompanied my mom to HMV to make sure she got the right one.  Killed the surprise, but also the anxiety of not getting the exact version I “needed” for my collection!

Ozzy Osbourne had already supersaturated the market with live albums, and his was tedious to listen to.  I gave it more it than a fair shot, as I wanted to really hear how Zakk approached the live versions differently than Randy or Tony had.  It was an exercize that paid minimal dividends, wading through minute after minute of numbing “extra extra crazy” Ozzy monologues.

I decided to hold off on Iron Maiden as long as I could.  The idea of a single disc live Maiden album was a little off-kilter for me.  An album of tracks from 1986-1992 didn’t sound all that appealing to me.  Maybe I should wait until the second disc, due in October, came out so I could listen to both equally.  Maybe I should skip A Real Live One entirely.  The album seemed a hasty entity, being released so Maiden could tour to support new product.  The cover art was also lo-fi sketchy, compared to predecessor Live After Death.

Good or bad, I decided to hold off on Maiden for the time being.  I had enough live metal to digest anyway.

Kiss was the only album I was happy with, though it was clearly an inferior offering to Alive I and II.  Unlike Osbourne, it wasn’t too long, and kept the filler to a minimum.

When the next batch of live albums rolled out, I was weary.

The Bon Jovi live disc came with a pricey special reissue of Keep the Faith, a limited edition.  I immediately put that one on my Christmas list and did my best to pester my mom into buying it.  I had to make a decision about the others.  I scratched Satriani and Testament off my list.  They weren’t going to be priorities this time.

As for the final call on Iron Maiden?  The decision was made for me when I found Live at Donington, once again at HMV.  What was this?  It looked like a bootleg, but wasn’t.  It had no liner notes.  Absolutely bare minimum packaging.  Nary an Eddie in sight.  It was a “limited edition“, and a double CD with a complete concert.  The easy choice was to buy this instead of the other two albums.  For the time being, at least.  I finally did get all three albums, when I was working at the Record Store, in 1996.  The Boxing Day sale enabled me to get both live Maidens and the recent Tesla greatest hits for a reduced price.  It took me three years to get ’em!

That busy 1993 list doesn’t include live home videos released that year (Ozzy, Van Halen, Bon Jovi, Kiss) or the albums that I didn’t even know about (Live Cult).  I had to draw the line and audio has always been my priority over video.

Too much is too much, and in 1993 we just had too much.

Do you remember what live albums you bought in 1993?  Comment below!

 

REVIEW: KISS – “Venus and Mars / Rock Show” (2014 McCartney tribute)

 – “Venus and Mars / Rock Show” (2014 Sony, from The Art of McCartney)

Kiss rarities can be so crushingly disappointing.  Some, like the Ramones cover “Rock and Roll Radio” are catalogue highlights.  Others, like “Don’t Touch My Ascot” are just curiosities.  Unfortunately the Paul McCartney medley of “Rock Show” and “Venus and Mars” fall into the latter category.  But why?

These tracks come from a Paul McCartney tribute album called The Art of McCartney.  On the back cover, the track is clearly listed as Kiss.  But Kiss must have had some lineup changes if that’s the case.  Doug Petty on bass!  Dan Petty on guitar!  Jason Paige on drums!  You’ll be forgiven if you don’t recognize those names as Kiss members last time you checked.  Only Paul Stanley and Gene Simmons from the real Kiss appear, and only in a vocal capacity.  Why the false advertising?  On the same album, Robin Zander and Rick Nielson “of Cheap Trick” are listed, but not Cheap Trick themselves.  Yet Paul and Gene are credited as Kiss, tricking the fans into thinking they were hearing the band, not just two of the singers.

How is it?

Well, it doesn’t sound like Kiss, that’s for sure!  Gene sings the “Venus and Mars” section, in his natural voice.  Then a raspy Paul comes in, bringing a Kiss-like vibe with him.  He gets to sing one of Paul McCartney’s coolest lyrics of all time:

What’s that man movin’ ‘cross the stage?
It looks a lot like the one used by Jimmy Page.

Or Ace Frehley!

At no point do Paul and Gene sing together or harmonize like they used to when covering the Beatles on the streets of New York City.  Doesn’t it seem like a colossal waste, having the two Kiss founding members appearing essentially separately?  Would have been even better with Tommy Thayer and Eric Singer playing, but…hey, nobody asks me ahead of time!

And here is another reason why physical media is important.  If you had just downloaded this from iTunes, you might never know that what you bought wasn’t really Kiss.  Then again, the front cover does say “The songs of Paul McCartney sung by the world’s greatest artists.”  Nothing in there about the playing part.

Buying this CD (to be reviewed separately at a later time) would still not be a bad idea.  You’ll get exclusives by Alice Cooper (double shot), Sammy Hagar, Joe Elliott of Def Leppard, actual Def Leppard, Jeff Lynne, Billy Joel, Willie Nelson, The Cure, B.B. King, Dylan, Heart, Dion and tons more.  Cooper’s “Eleanor Rigby” is worth the purchase alone.  This helps negate the soul-squashing disappointing of buying a “Kiss” song that isn’t.

2.5/5 stars

NON-REVIEW: KISS – Hit Collection 2000 (Russian import)

kiss-logo – Hit Collection 2000 (E.S Records – Russian import)

I call this a “non-review” because I’ve never actually listened to this CD.  I’ve never even opened it.  This disc is one of dozens of Russian imports sold to us by a guy named Serge.  Ah, Serge — part time Russian CD distributor, part time male model.  And a total pain in the ass.  Most of what he tried to sell us was utter shit.  “This is really big in Europe”, he would say about just about every dance CD that I would pass on.  Because this CD is more a curiosity than anything else, I’d like to keep it sealed.  These compilations are so shady that Discogs won’t even allow them for sale.  Think of them as bootlegs.  It’s not the real Kiss logo at the top and that should be cautioning. Because I don’t want to open it, I’ll just listen to the songs on other albums, and review it that way.

The track “Psycho Circus” is a logical opener for a CD released in 2000.  The Psycho Circus album was Kiss’ most recent, and they opened their shows with the title track.  It’s the closest thing to a classic from that album.  Never mind that Ace Frehley and Peter Criss aren’t really on the song; that was typical for Kiss.  It just takes one play and you know it’s Kiss.  Nobody else sounds like this.  Kiss basically ripped themselves off on this song.

Off to a good start, but then things go a bit strange.  “Charisma” from 1979’s disco album Dynasty follows, and by contrast to “Psycho Circus”, the band has never played it live.  (The internet will tell you they played it in Mexico in 1981, but this was just miming for a TV performance.)  The Russians then dropped “Detrot Rock City” (yes, that’s how they spell it) in the third slot.  Then it’s “God of Thunder” which works really well immediately following “Detroit”.  Strangely, back to disco next.  It’s the hit “I Was Made for Lovin’ You”, before it gets even weirder.  Sandwiched between “I Was Made For Lovin’ You” and a slew of tracks from the Kiss solo albums is the ballad “Beth”.  Granted, “Beth” is pretty out of place no matter where she is placed.  It’s also strange that three of Kiss’ biggest hits are crammed together in a small group like this.  It’s even stranger when you look further down the tracklist and realize that one of the biggest hits (“Rock and Roll all Nite”) is completely absent in any form.

The only thing more jarring than hearing Gene Simmons’ solo track “Radioactive” immediately after “Beth” is when the painkillers start to wear off in the middle of a root canal.  Were the solo albums big in Russia?  All four solo albums get a track on this CD, though not all were singles like “Radioactive” was.  Frehley’s “Rip It Out” is arguably a better song than his single anyway (“New York Groove”).  “Rip It Out” is more than welcome here since it so rarely makes it onto compilations.  It’s only on two others:  Best of Solo Albums, and Ikons.  Stanley’s next with “Ain’t Quite Right”, an interesting choice since it’s such a laid back track.  His album has so many better songs for compiling.  Last of the solo tracks is Peter’s single “Don’t You Let Me Down”, a nice ballad, but as you’ll see this CD already has enough ballads.

Back to the mainstream Kiss songs, “Do You Love Me” works really well as a transition out of the solo stuff.  Then it’s time for some Elder.  “A World Without Heroes” isn’t shunned like it used to be.  It’s been on a few compilations, like Kiss 40, Icon 2, and the Box Set.  Another hit from the disco era, Frehley’s “2000 Man” (a Stones cover) is a welcome addition.  The only other compilation it’s been on was Ikons (not including live). Here’s a fact for you:  a Kiss compilation is only strengthened by more Ace.  Fortunately this isn’t the last.

As we get close to the end, “Shout It Out Loud” is rolled out, which makes up for the lack of “Rock and Roll all Nite”.  Then the Russians go full Chernobyl by including the weak ballad “I Finally Found My Way” as the last song in the set.  Why?  Was this a hit in the motherland?  Was it a hit anywhere?  Peter sings it, but he didn’t write it.  Paul did.  And Paul was writing a lot of shit ballads back then.

Russian imports usually had “bonus tracks”.  Sometimes they’d use tracks from live or solo albums.  They went live in this case, with three tracks from the Psycho Circus bonus CD.  Ace sings on “Into the Void”, one of those undeniable Frehley riffs.  “Into the Void” was a highlight from the disappointing Psycho Circus, and this live take swaggers.  “Black Diamond” is dramatic as ever, but where I give the Russians the most credit is closing the CD with “Let Me Go, Rock and Roll”.  Think back and realize, that’s how the original Kiss Alive ended too.

I’m not going to bother giving this CD a rating (what’s the point?) but I will point out that the Russians go all over the place, from genius to asinine, with this track list.  Sometimes it feels like they just threw a bunch of stuff to the wall and didn’t wait to see what stuck.  At others it sounds well thought-out.  It’s probably just random.

?/5 stars

REVIEW: KISSworld – The Best of Kiss (2017) – PLUS Kiss Re-Review Series complete directory

The KISS RE-REVIEW SERIES Part 47: The Conclusion

Two years ago, I bought this CD to use as the final review for the KISS Re-Review Series. I hadn’t played it.  I hadn’t even opened it. I wanted to save it for our conclusion…so here it is. A lot happened since we started, most notably the current End of the Road farewell tour.  Let’s wrap this series up in a bow.  And to do that properly you’ll find links to every single part and supplement to the KISS Re-Review Series below!

 

KISSworld – The Best of Kiss (2017 Mercury)

You know what KISSworld makes me miss?  The good old days when bands would bribe you into buying their new hits compilation by including something you didn’t have already.  In 1978, Kiss re-recorded “Strutter” for Double Platinum.  In ’82, Kiss recorded “I’m A Legend Tonight”, “Partners In Crime”, “Nowhere To Run” and “I’m A Legend Tonight” for inclusion on the UK compilation Killers.  And in ’88, Paul Stanley produced two new songs (“Let’s Put the X in Sex” and “(You Make Me) Rock Hard”) for Smashes, Thrashes & Hits.  Not great songs, but new ones at least, so you felt less foolish for handing Kiss more of your money.  By the time of 1996’s Greatest KISS album, they tacked on a new “live” version of “Shout It Out Loud”, and from that point on they pretty much gave up giving you any added value.  True, they did record “Samurai Son” for 2005’s KISS 40, but that was a mere blip in the overall pattern.

So in terms of reviews, all you can really talk about is song choice and running order.  It looks like KISSworld is just a revamping of various versions of KISS 40.  The running order is no longer chronological, but the songs are the same.  Opener “Crazy Crazy Nights” was on the single CD KISS 40.  “Unholy” was on the double CD version of KISS 40, albeit live.  “I’m A Legend Tonight” was on both, and so on.  It would have been nice to hear something you don’t get very often, like “All Hell’s Breaking Loose” or “Got to Choose”, but nobody expects bravery from a Kiss tracklist or setlist these days.

Kiss Dynasty poster

Fans who were buying Kiss albums during the peak years probably miss the excellent packaging Kiss would throw in for free.  Look at the mirror finish of the original Double Platinum LP, or the posters and masks and booklets that came with other albums.  Buy a Kiss CD today, get nothin’!  KISSworld has one vintage 1974 black and white photo inside, song credits and nothing else.  Granted, we know that Kiss doesn’t come up with these releases, it’s the record label.  And we keep buying them and buying them, “for the collection”, even though we know we’re going to be disappointed.  The label isn’t thinking of us when they issue this stuff.  They think of it as a part of their latest marketing push, aimed at people buying their first Kiss (or first Kiss in decades).  But they know — they know — that we fans are buying these things too.  They can’t throw us a bone?  What is there here for us?

Nothing, except another CD to file in the appropriate slot, making our collections “complete” again.  Will you listen to it?  Maybe, if you’re tossing coins and can’t decide which greatest hits to play on this particular road trip.  It is, however, the most complete of the in-print, easily-acquired hits CDs.  For a first timer, it would appear to make sense to grab this over Double Platinum or one of the other choices at the CD shop.  You’d be getting a good variety of tunes from over their entire career.  But you’re not getting something assembled with any logic or care, nor are you buying a fair representation of their best stuff.  In fact, this CD only has one song from their first three albums (“Rock and Roll All Nite”)  You could make a greatest hits just from their first three albums!  KISSworld‘s ill-considered tracklist is its downfall.

1/5 stars

 

 

THE COMPLETE KISS RE-REVIEW SERIES

GETTING MORE TALE #551: “You’re Wrong on Unmasked“ (Introduction to the Kiss Re-Review series)
Part 1: Wicked Lester (1972) & the Eddie Kramer demos (1973)
Part 2: KISS (1974 Casablanca)
Part 3: Hotter Than Hell (1974 Casablanca)
GETTING MORE TALE #353: Hotter Than Hell
Supplemental: DUST – Hard Attack (1972) / Dust (1971) (2013 Sony Legacy)
Part 4: Agora Ballroom 1974 (2015 Go Faster)
Part 5: Dressed To Kill (1975 Casablanca)
Part 6: Alive! (1975 Casablanca)
GETTING MORE TALE #552: Alive!
Part 7: Destroyer (1976 Casablanca)
Part 8: Rock and Roll Over (1976 Casablanca)
Part 9: Love Gun (1977 Casablanca, 2014 deluxe)
Part 10: Alive II (1977 Casablanca)
Part 11: KISS Meets the Phantom of the Park (1978 Hanna-Barbera TV movie)
Part 12: Double Platinum (1978 Casablanca)
Part 13: Peter Criss (1978 Casablanca)
Part 14: Ace Frehley (1978 Casablanca)
Part 15: Gene Simmons (1978 Casablanca)
Part 16: Paul Stanley (1978 Casablanca)
Part 17: Dynasty (1979 Casablanca)
Part 18: Unmasked (1980 Casablanca
Supplemental:  PETER CRISS – Out of Control (1980 Casablanca
Part 19: Best of Solo Albums (1979 Phonogram)
Part 20: Music From the Elder (1981 Casablanca, 1997 Mercury remaster)
Part 21: Killers (1982 Germany and Japan versions)
Supplemental: PETER CRISS – Let Me Rock You (1982 Casablanca)
Part 22: Creatures of the Night (1982 Casablanca, 1985 Polygram reissue)
Part 23: Lick It Up (1983 Polygram)
Part 24: Demos 1981-1983 (Bootleg)
Part 25: Animalize (1984 Polygram)
Part 26: Animalize Live Uncensored – audio portion (2015 American Icons)
Part 27: Runaway (1984 Tristar feature film)
GETTING MORE TALE #579: Entering the Asylum
Part 28: Asylum (1985 Polygram)
Part 29: Crazy Nights (1987 Polygram)
Part 30: VINNIE VINCENT INVASION – Vinnie Vincent Invasion (1986 Chysalis)
Part 31: eXposed (1987 Polygram VHS)
Part 32: Monsters of Rock (Bootleg from 1988 tour)
Part 33: In the Land of the Rising Sun (Bootleg from 1988 tour)
Part 34: The Ritz, NYC, 12th August 1988 (2015 American Icons)
Part 35: VINNIE VINCENT INVASION – All Systems Go (1988 Chysalis)
Part 36: Smashes, Thrashes & Hits (1988 Mercury)
Part 37: KISS – Still On Fire (Dave Thomas & Anders Holm (1988 book)
GETTING MORE TALE #608: Hot in the Shade
Part 38: Hot in the Shade (1989 Polygram)
Part 39: “Forever” (1990 Polygram EP
GETTING MORE TALE #690: Unholy Kisses
Part 40: “God Gave Rock & Roll to You II” (1991 Interscope single)
Part 41: ERIC CARR – Rockology (2000 EMI)
Part 42: ERIC CARR – Unfinished Business (2011 Auto Rock Records)
Part 43: Revenge (1992 Polygram)
Part 44: Alive III (1993 Polygram)
Part 45: KISS My Ass – Classic Kiss Regrooved (1994 Polygram)
GETTING MORE TALE #697: Kiss My Ass
Part 46: Toronto – Scotiabank Arena, March 20 2019
Supplemental: KISS Playing Cards
Supplemental: KISS Crocs
Part 47: KISSWorld – The Best of Kiss (2017 Mercury)

AND THERE’S STILL MORE!

72 MORE KISS REVIEWS available by clicking this link!

 

#767: Just Older

A sequel to Getting More Tale #332:  Getting Older Everyday

 

 

GETTING MORE TALE #767: Just Older

Unless you’re a teenager buying booze with your fake ID, nobody likes being mistaken for older than they actually are.

When I was in my 30s, people used to think I was in my 20s.  I looked younger and I dressed younger because I worked at a Record Store and I could get away with it.  I bleached my hair, had piercings, and flashy shirts.  I saw people working at hair salons looking like rock stars so I thought the same could work for me in a Record Store.  Eventually I had a collection of over 30 flashy shirts.  I don’t think my bosses were impressed with my new image, but it was a hit with the ladies.

I loved looking younger than my actual age but all good things come to an end.

After quitting the store I wanted to change my line of work and look more professional.  The fancy shirts went into a closet.  The pleather pants were saved for Halloween.  The hair was toned down.  Eventually it started to go grey.  My beard turned white and I got fat.  It can happen to anyone.

I own the “old man” schtick now, but there is still one thing that I hate.  And I do mean hate.

Mrs. LeBrain is a little younger than me (I’m a 1972 model and she’s a 1978), but not by a significant difference.  Where she wins is a natural youthful look.  People always mistake her for someone much younger.  She loves being asked for ID.  That kind of thing makes her day.  What pisses me off is when people mistake me for her father!  And it keeps happening!

I took Jen to the hospital to have some tests done (no worries, all good) and had about an hour to kill.  I had an mp3 player loaded up with Kiss.  Because Heavy Metal OverloRd had been talking about Hotter Than Hell (a personal favourite and among the first Kiss records I ever owned), I decided to take a nice morning walk while listening to that album.  When done I progressed onward to Rock and Roll Over.  It was a lovely morning filled with cool summer breezes, trainspotting, and Paul Stanley at his peak.

I got back in good time and soon a nurse called to tell me Jen was all set to go.  She led me to her bed, and I saw a big bright smile on her face.  It’s the smile that keeps me going every day.  “Hi ‘dad’!” she said grinning.  I was confused.  Did she have a seizure?  Was she really mistaking me for her dad?

No, she was playing around.  The nurse asked if she wanted them to call “her father” to come and get her.  Me being her father!  Jesus Murphy….

I hate, hate, hate being mistaken for her father!  I didn’t even have my big white beard!

I’ll let it slide because those nurses did a great job as always, but c’mon!

I looked exactly like the guy in the photograph below.  I don’t think he looks old enough to be Jen’s dad, do you?

The hat, maybe?  The day I took Jen to the hospital I was wearing a Van Halen T-shirt and camo shorts with shoes and socks.

I have since shed the locks; a mixture of “shit brown” (my dad’s words) and grey highlights.  I now rock the bald head again, but do I look any younger?  I don’t think so.

It’s a game I just can’t win!  Though it doesn’t really matter does it?  Jen prefers me with less hair, and it’s a lot less work.  I was just keeping it long just to have long hair at Sausagefest for once.  I enjoyed that (it also kept my neck from getting burned), but long hair doesn’t feel nice in the summer time.  It’s time to go back to what feels good!

I have a birthday coming up this week, but I’m not old.  Just older!

 

#766: The Blue Tape (1991)

GETTING MORE TALE #766: The Blue Tape (1991)

This blue Scotch tape has seen a lot of use over the years.  It was my first blank tape, 120 minutes.  This cassette was well loved.  Back in ’83, it contained open-air recordings of songs like “Dirty Deeds Done Dirt Cheap” and “The Mighty Quinn”.  At some point in history (early 1991) I must have recorded over it.  Let’s have a listen.

Play ►

I have a feeling I know what it is now.  Sounds like something I recorded for a girl!  It would have been for my long distance crush Tammy.

This tape was never anything more than a cheap cassette, and it sounds awfully horrendous today.  The contents, however, are still identifiable.  The reason I never sent it to her was that it didn’t pass the sound quality test when I played it back.  That was the shitty thing about cassettes.  You could pour hours into making something, and then abandon the entire project.

I’m writing this in real time as I listen.  If I’m right about my original intentions with this cassette, then I know that I’m going to find a specific song buried somewhere in the track list.  Let’s find out.

Side 1

1. Tesla – “Love Song”

The acoustic intro to the song made a perfect run-in for this lovey-dovey tape.  I’ll spare the identity of the poor girl who this was made for, but she knows!  This Tesla ballad is still utterly perfect.  Off to a good start.

2. Kiss – “Shout It Out Loud”

Whew, I sure am glad it’s not all ballads.  This track took me by surprise.  I’m glad I used a classic Kiss rocker as the second track, instead of pandering for romance with “Reason to Live”.  Good for me!

3. Cheap Trick – “The Flame”

I read a lot of hate for this song today.  In the 80s, it was my favourite Cheap Trick and it’s still in my top five.  It may be a ballad but like the Tesla one, it’s utterly perfect.  This tape is now clearly made for a girl.  I’d never do 2/3 ballads for my opening trio otherwise.

4. Warrant – “Thin Disguise”

Here I go again with the rarities!  She loved Warrant but there is no way she had this song unless she had the cassette single for “Cherry Pie”.  I did — I collected that stuff even back then.  Turns out the B-side “Thin Disguise” is one of the best Warrant tracks, even today.  It’s an acoustic/electric killer.  Jani wrote some incredible songs in his time.  This is one.

5. Warrant – “I Saw Red (Acoustic version)”

Another rarity, this time from the “I Saw Red” cassette single.  I think this simple acoustic track (just Jani and a guitar) is better than the bombastic A-side version.  Even then, I was trying to impress a girl with my music collection — how comical is that?

6. Kiss – “Reason to Live”

Ahh shit, there it is!  That is hilarious.

7. Cinderella – “Nobody’s Fool”

OK, I’m getting a little sick of the power ballads now.  The cool thing is, I know for a fact that I taped this off a cassette that she gave me for Christmas called Rulers of Rock.  I wanted to show that I appreciated the gift by including this song.  Kind of like when your favourite aunt gave you a sweater and you had to wear it when she was over to visit.

Enough with the ballads though.  Let’s get a rocker next.  Let’s hope for a rocker.

8. Kim Mitchell – “Easy to Tame”

Well, it’s not a ballad, but it ain’t a rocker either.  Kim Mitchell was a good way into a girl’s heart in the late 80s and early 90s.  Everybody loved “Patio Lanterns”.  “Easy to Tame” was kind of like it’s cooler, lesser known cousin.

9. Paul Stanley – “Hold Me, Touch Me (Think Of Me When We’re Apart)”

Jesus fuck!  I went full ballad.  This was probably my favourite ballad of all time back then.  Stanley’s guitar solo is flawlessly written and executed.  And I got three Kiss songs right there on side one.

10.  Kiss – “I’ll Be Back”

Four!  Four Kiss songs!  What a wild inclusion, too.  This is a brief, very quick, Beatles tune done a-cappella for Kiss eXposed on VHS.  I dubbed this from the video for a “soundtrack tape” that I made, and then recorded it here tape to tape.  Just a filler between two other songs, but fuck…that’s cool.

11. Killer Dwarfs – “Doesn’t Matter”

At least this ballad has balls.  We played this song a lot the previous summer.  Bob had the cassette for Dirty Weapons, and he loved this song.  A couple years later it was still good enough to include on their next album Method to the Madness.  It’s still great.

12. Triumph – “Let the Light (Shine on Me)”

I’m getting steadily more and more disgusted with myself as the ballads play on.  This one was recorded from the 7″ single, but at this point I don’t care and I just want the side to be over so I can flip the tape.

13. Quiet Riot – “Don’t Wanna Let You Go”

I’ll let myself off with a warning here, because this electric song is still pretty great.  Truthfully, I included it hoping she’d like it, as Quiet Riot wasn’t really her thing.  I was feeling nostalgic for the early 80s, the simplicity and quality of the Metal Health era.  You didn’t need a ballad to have a hit then, and indeed “Don’t Wanna Let You Go” isn’t a single.  Even in this shitty tape, Carlos’ guitar sound incredible.

14. Slaughter – “Fly to the Angels (Acoustic version)”

I put this on because she loved Slaughter but didn’t have a CD player, and this was a CD bonus track.

Side 2

I need a break from all the balladeering, but I have a feeling the mush will be just as relentless.  On the whole of side 1, there was only one track that you could call a rocker!

1. Judas Priest – “Out in the Cold”

Here it is!  Yes, I sure do remember making this tape.  The main motivation was — get this — to trick her into liking Judas Priest.

She hated Priest.  Meanwhile, we were in the Painkiller era and I was riding a Priest high.  I planned to write this song on the cover as:

1. Exciter – “Out in the Cold”

I used an alias (disregarding the thrash band with the same name because I know she wouldn’t recognize it) because I wanted her to hear this awesome Priest song with no preconceived notions.  I wanted her to love it.  I never found out since the cassette sounds so terribly bad and I never sent it, but this proves that I remembered my intentions correctly.

This sheds a new light on all the balladry.  I was trying to really lull her in.  I figured I needed a tape with nothing but the best soft songs in the world to really get her with the mighty Priest.  It’s all coming back to me now.

2. Frehley’s Comet – “It’s Over Now”

I didn’t think she would know this one, but I hoped she’d like it.  I was a big proponent of the second Frehley disc, appropriately called Second Sighting.  I always thought this song should have been a huge, huge hit.  I was hoping she would agree.  Unusually for a Frehley song (but wiser from a commercial ballad point of view), it has both lead vocals and lead guitar by Tod Howarth.

3. Frozen Ghost – “Promises”

This one takes me completely by surprises.  It’s a great song, but I didn’t have it back then.  My sister did — I must have poached it from her collection for this tape.  Bob played this a lot in the car over the last couple summers, so our whole gang would remember it fondly.  She would have been in the car when we were rocking Frozen Ghost.  Lead singer Arnold Lanni later went on to become quite a successful producer.  Guitarist Phil X made it even bigger, now touring the world with Bon Jovi!

4. Lee Aaron – “Only Human”

I don’t think this is one of Lee’s finer moments, but I thought she’d like it, so on it went.

5. Winger – “Miles Away”

Putrid.  Just awful.  Fast forwarding.

6. AC/DC – “Moneytalks”

Holy shit!  Finally a rock song.  AC/DC were huge in ’90-’91.  I couldn’t have gone wrong with AC/DC.  Then why the fuck didn’t I include more?  “Who Made Who”.  “You Shook Me All Night Long”.  Everybody likes those songs.  Holy shitballs.

7. Motley Crue – “Home Sweet Home”

Tammy had Dr. Feelgood before I did, but I don’t know if she would have Theater of Pain back then.  There was no such thing as a Motley greatest hits (can you imagine such a world?) so I thought this would be nice for her to have.

8. Van Halen – “Dreams”

OK, probably not a ballad.  Very keyboard-heavy.  Very easy to enjoy, and Van Hagar were still cool as fuck.

9. Van Halen – “Dancing in the Streets”

Some folks that are not necessarily Van Halen fans really like their version of “Dancing in the Streets”.  It’s probably better than Bowie/Jagger, at least.  I’m pleased with myself for including both Sammy and Dave on this tape, and one after the other no less!

10. REZ – “Shadows”

Woah!  Deep cut.  This was a tape, of a tape, of a tape, of a tape.  You can imagine what it sounds like today.  Bob and I loved this song by the Christian rock band REZ, formerly Resurrection Band.  You can see that I snuck in a few unfamiliar songs like this, hoping she’d get into them.  This one is pretty easy to like.  Total shock to find it here.

11. Kiss – “Hard Luck Woman”

Kiss Count:  five.

12. Brighton Rock – “One More Try”

This also comes as a surprise.  Then I think to myself that my music collection wasn’t very large back then and I would have to pull a few obscure ones out.  If I remember the details clearly, Tammy had MTV and so didn’t necessarily hear as much Canadian content like Brighton Rock.

13. AC/DC – “You Shook Me All Night Long”

Ah, good.  What’s interesting to me about this is that at this point of the tape, the right channel is completely inaudible.  So all I get is Angus (no Malcolm), Brian, and maybe half of Phil Rudd.

To my surprise, that is the last song.  Usually I snuck something short and goofy at the end of a tape.  “You Shook Me All Night Long” does make a good final song….

Wait!

I didn’t erase the tape to the end!  There is something left at the tail.  Older contents; older than 1991.

It’s “On the Road to Rock” by Kick Axe!  It is a mystery how that song got on this tape in the first place, as I didn’t own it back then and don’t even own it now.  I must have recorded it off someone.  Who, I have no idea.  Perhaps my next door neighbour George had it.  It was him or Bob, but I’ll never know for sure.  George is gone now and Bob wouldn’t remember.

Knowing when I made this tape, and all the motivations behind it doesn’t forgive it for being a piece of shit. I did a shitty job here folks! Too many ballads, not enough variety. It’s a real slog to listen to without a fast forward button. At least half of those ballads could be axed, and replaced with something else that I had in my collection at that time.

Usually when you make a tape for someone, you give it away and never hear it again. In this case I had the rare chance to play back a mix tape that I made 28 years ago and never sent. It’s just as bad as I feared though not without some surprises and the odd cool inclusion.

That blue Scotch tape, an ancient C-120, goes back to at least 1983 making it 36 years old at minimum.  120 minute tapes are never any good, and this one was always particularly cheap.  Now that I’ve satisfied my curiosity, I will never play this tape again.

REVIEW: KISS Crocs – Classic Kiss clog

Crocs – Classic Kiss clog (2019)

One of the most hard-to-find rock collectables this season has been…a pair of shoes?  Crocs, no less?

Well folks, at mikeladano.com we are profoundly pro-Croc.  If you are among the many who think the shoe should not even exist, then this review will not be for you.  Just letting you know.

Kiss, who will put their logo on everything from condoms to coffins, have now finally completed the triumvirate with the venerable Crocs.  This crossover, almost as monumental as Spiderman joining the Marvel Cinematic Universe, should have been obvious.  Kiss Crocs took everyone by surprise and the shoes quickly sold out.  They are a sleek, black shoe with the classic Destroyer-era logo emblazoned on the front.  The same logo can be found on the heel.  This all ties in with Kiss’ epic End of the Road final tour.

If you’ve never worn Crocs, be assured they are a durable shoe.  They are ideal for housework, camping, and swimming.  The plasticy-rubbery material is both soft on the foot yet offering firm support.  There is no-slip traction on the inside of the shoe and a decent tread on the sole.  This makes them ideal for river-walking while visiting Sausagefest 2019.

The Kiss Crocs come in four different styles, including one with an Ace Frehley moon boot look.  This one, the “classic clog”, is the only one with holes in the front of sides of the shoe.  This makes it better for water, as the others will simply fill up instead of draining out.  The choice is up to you — we recommend the classic.

5/5 stars

 

REVIEW: Rulers of Rock – Various Artists (1988 cassette)

RULERS OF ROCK (1988 PolyTel)

When the front cover features crumbled tinfoil, you know you’re in for a seriously good time.

This tape still sounds amazing!  It was a gift 30 years ago from an old girlfriend, and it somehow survived all my cassette purges (even the one that sent most of them to Thunder Bay.)

From the fine folks at PolyTel, you get an assortment of hot rock that makes for a remarkably good listen today.  Opening with Bon Jovi’s “Living on a Prayer” you couldn’t ask for a better embarkation point.  That goes right into the back-to-basics brilliance of “Love Removal Machine” by the Cult.  I remember that old girlfriend really hated The Cult, so it was kind of her to give this to me.  I didn’t have Electric yet, so this was my first ownership of the song.

The Ozzman cometh on “The Ultimate Sin”, still relentless today even though Ozzy tries to ignore most of the Ultimate Sin era.  Ozzy and Jake made some incredible music together and this is one.  The cassette swings back towards hair metal with Cinderella and their early hit “Nobody’s Fool” from 1986.  On tape, the ballad sounds thicker and heavier.  It also appears to be the full length version and not a single edit.  Up next, it’s the non-metal of The Alarm, but “Rain in the Summertime” fits like a glove.  It’s really no softer than “Living on a Prayer” when you think about it.  Unfortunately the cassette has a warbly spot right in the middle of the song.  Kiss close the side with the softest one yet:  “Reason to Live” from Crazy Nights.

Flipping the tape, side two opens with a hit just about equal to the one that commenced side one.  The keyboards sound carpet-deep on tape, as you recognise “The Final Countdown” by Europe.  If there were only two bands battling for rock supremacy in 1987, it was Bon Jovi vs. Europe.  Side one vs side two!

Our first Canadian content is predictably by Rush.  Hey, it had to be either Rush or Bryan Adams.  “Time Stand Still” featuring Aimee Mann was the kind of mainstream hit perfect for a tape like this.  Less predictable is the presence of Yngwie Malmsteen with “Fire” from Trilogy, a song totally out of character for a tape with The Alarm and Cinderella.  Deep Purple are next to crash the party with 1987’s Bad Attitude.  Once again, it was my first time owning a song.  I imagine Deep Purple with a little less shocking next to Yngwie, though probably just as unfamiliar to an unsuspecting buyer.

Why not a little Christian content, since so many styles of rock are represented here?  Stryper’s “Honestly” may sound like a romance, but it’s a cleverly disguised prayer.  And finally, because why not? It’s “Hourglass” by Squeeze!  I was 17 years old, and I hated it!  Different story today.

30 years down the road, Rulers of Rock was a delightfully entertaining listen with twists, turns and surprises.  And it’s still the only place I own those Squeeze and Alarm songs!

4/5 stars

 

 

#750: KISS II

GETTING MORE TALE #750:  KISS II

Kiss frontman Paul Stanley seems emboldened by the monumental success of their End of the Road tour.  Why “emboldened”?  Because they’re pulling it off with only half the original band.  Ace Frehley has not shown up to sing “Shock Me” and Peter Criss seems happily retired.  Tommy Thayer and Eric Singer remain in the greasepaint and the spotlight.  It’s proof that the majority of the masses don’t know or don’t care who is in a band anymore.  The “fans” who refer to Thayer and Singer as “scabs” have had no impact on ticket sales with their boycotts.

Many bands have toured successfully in recent years without key members.  AC/DC made headlines by replacing Brian Johnson with Axl Rose.  Deep Purple are going strong with only one original member.  Queen sell out with Adam Lambert taking Freddie Mercury’s place on stage, and bring home terrific reviews to prove it.  Kiss too are doing just fine.

Would they be able to do it with even fewer original members?  Like, say, none?  Paul Stanley thinks so.  He’s said so before and recently he raised the idea again:

“I think that Kiss has served a huge purpose and brings incredible joy to people on the End Of The Road tour. The shows are packed, and not only with the early followers of the band, but people who have heard the legend of what this band does live. And it’s something that’s more than music. It really is a preaching of self-empowerment and the idea that anything that you’re willing to work hard for, you can probably attain. And the idea of celebrating life. Things that may seem simplistic or overtly simplistic, but actually have a timeless depth to them. So when bands continue, ultimately the people in ’em need to change or have to, because of circumstances.

“So that’s a long explanation for me feeling that I would have an enormous amount of pride in knowing that we can continue the band once I’m not there anymore.  That would be the ultimate test of its credibility and the role, I think, that it serves.

“I didn’t invent the wheel. I am the product of all the people who I looked up to, all the musicians who I respected, and it was kind of like a stew, and then I added my own ingredients to it. But there are other people who are out there who wouldn’t necessarily imitate me any more than I imitated my heroes. But there are people out there, I’m sure, who are well equipped to pick up the flag and run with it.”

Paul is correct to say that bands must sometimes change out of necessity.  He is actually the best proof of this.  Paul cannot sing anymore and has been miming a huge percentage of his lead vocals on this tour.  We won’t go down that rabbit hole this time.  Suffice to say, if this wasn’t the End of the Road, Paul couldn’t really continue singing lead in Kiss.

But replacing him?  That’s a whole other bowl of Cheerios.

The idea of Kiss going on without Paul and Gene – let’s call the hypothetical band “Kiss II” – would certainly cross a line with me.  Bands with one or two original members is one thing.  Many bands have replacement members far more important than the originals.  Phil Collen is a key member of Def Leppard, vastly more so than his predecessor Pete Willis.  Same with Roger Glover and Ian Gillan in Deep Purple.  Adrian Smith in Iron Maiden.  The list goes on and on.

Could a Kiss II be a viable prospect with Eric Singer the longest serving member?  With Tommy Thayer as band leader?

No.  Paul and Gene control Kiss.  The other guys have just been hired guns ever since the originals left.  Kiss may have started as four guys, but for the last few decades it’s the vision of just two.  (In the 80s, just one, as Gene went Hollywood.)  You could imagine Paul and Gene controlling a Kiss II band from behind the scenes, but that is a hollow prospect.  Imagine Stanley and Simmons discussing new costumes and approving setlists for a Kiss II tour without them.  Would you pay to see that?

I wouldn’t.

Kiss have already gone down in history, many times, for their accomplishments.  Making the band immortal with all parts replaceable might also be historic, but not in a good way.  There are guys out there who can sing better than Paul, and play better than Gene.  Tribute bands have all the moves down pat.  But you can go see a tribute band for $10.  Kiss II would be, in essence, an “official” tribute band and with Paul and Gene behind the scenes they’d be charging a hell of a lot more than $10 per ticket.

I think Paul has lost perspective.  Kiss has been successful, against the odds, in replacing Peter Criss and Ace Frehley.  But there was precedent for that.  Kiss made fantastic albums without either.  That doesn’t mean you can remove Paul or Gene from the picture and still call it Kiss.  Paul and Gene have always been the ones with the drive and the vision.  They are not so easy to replace.  Can you picture some replacement guy imitating Paul’s stage raps?  There might have been a brief window in the late 80s when Kiss could have gone on without Gene, only Paul, since he had become the captain of the ship for a while.  However that ship sailed long ago and it’s all but impossible to imagine the band without them both.

No, Kiss II is a lousy idea.  It’s just a way to milk naïve fans in this era of hologram and nostalgia tours.  Would they sell tickets?  Sure, they’d sell some.  These hologram tours are proof that people will pay to see anything.  Would it be good?  Hell, no!

 

VHS Archives #59: Paul Stanley in the Much studios (1989)

During his 1989 solo tour, Paul Stanley of KISS talked to MuchMusic’s Steve Anthony about his new company Paul Stanley Entertainment LTD.