Reviews

REVIEW: KISS – Alive II (1977)

Partย 9 of my series of Kiss reviews, leading up to the release of Monster!

Produced once againย by Eddie Kramer, this is taken from multiple shows in 1977, plusย 5 studio tracks.ย  The crowd noise (probably from the Japanese shows) is a bit shrill and the overdubbing of Paul Stanley’s voice is much more noticeable than it was on the first Alive.

The problem that Kiss had in Alive II was toย avoid repeating any songs from Alive!, which was onlyย two years prior. That resulted in a truncated tracklist, and thenย Simmons had the idea to tack on a fourth side of studio material.ย  He says this was inspired by the ZZ Top album, Fandango!ย ย That idea turned out to be pretty smart, as theย five new songs are by and largeย very decent.

Two other songs were recorded at rehearsals or soundchecks: “Tomorrow And Tonight”, and “Hard Luck Woman”. Crowd noise was overdubbed and the songs sweetened in the studio.

Once again, it is hard to argue with the track selection on Alive II. There are very few songs I would have excluded in favour of others.ย  The concert opens with the double salvo of “Detroit” and “King of the Night Time World”.ย  “God of Thunder” is played at a faster tempo and I generally prefer this version to the original. ย Ace’s “Shock Me” is here, and Peter Criss sings on “Hard Luck Woman” and of course “Beth” (sung to backing tapes as always).

Ace also had a lead vocal on “Rocket Ride”, one of the new songs. Let’s talk about those a bit.

“All American Man”: I like the riff a lot, and I find this to be one of Paul’s coolest songs. I have also felt it had a similar vibe to the stuff they’d later record for Killers, 4 years down the road. But who’s that on lead guitar? Bob Kulick.ย  Kulick replaced Ace Frehley on lead guitar, on four of the five studio tracks on Alive II!.

“Larger Than Life”: A Gene plodder. Another pretty strong one. I think you can guess what he’s singing about in the title.

“Rockin’ In The USA”: Gene loves the USA which has given him so much. The lyrics are pretty bad, but it’s basically Gene’s love song to America, much like the Beach Boys had done.

“Rocket Ride”: Ace’s track. Ace plays all guitars and bass, Peter Criss plays drums, and the other two only contribute vocals. An Ace classic which later appeared on his solo Live + 1 EP.

“Anyway You Want It”: I have a soft spot for Kiss covers like this Dave Clark Five track. I think Kiss did a great job with it, particularly with the vocals. Paul plays all guitars.

I must stress, I think you should buy the Alive Box rather than this version. You’ll get four Alives, andย some rarer tracks.

5/5ย stars. Might not be very live, but it sure is very rock.

REVIEW: KISS – Love Gun (1977)

Partย 8 of my series of Kiss reviews, leading up to the release of Monster!

KISS – Love Gun (1977)

Love Gun, the 7th album by Kiss in a brief 3 year period, was the end of an era. It would be the last album by all four original Kiss members (Alive II was missing Ace Frehley on four songs, Dynasty featured Peter Criss on only one track). Yet at the same time, it also featured Ace Frehley’s first lead vocal on “Shock Me”.

Not terribly different from Rock And Roll Over, Love Gun is nonetheless a glossier package. “Tomorrow And Tonight” for example featured female backing vocals, and “And Then She Kissed Me” was a Phil Spector cover (the Crystals actually, with genders reversed).

Incidentally, I made sure I had “And Then She Kissed Me” played at my wedding!

Like Rock And Roll Over, there’s a little bit of filler on here. I’m not a big fan of “Almost Human” even though Gene is, and some people dislike “Hooligan” although I love it. I could also take or leave “Got Love For Sale”.

The classics here are among Kiss’ all time best. “Shock Me”, “I Stole Your Love”, and “Love Gun” are still played in Kiss’ set circa 2012 (with Tommy Thayer singing lead on “Shock Me”). “Tomorrow And Tonight” and “Christine Sixteen” were on Alive II and were often in the live set. (“Christine”, in this writer’s opinion, contains Peter Criss’ best-ever drumming. He channels Charlie Watts and plays the most interesting fills and beats of his career.) “Plaster Caster” was covered by the Lemonheads. Even “Hooligan” got played live by Kiss on the Love Gun tour.

The only flaw with this CD is that there’s no cardboard love gun inside like there was in the vinyl. Otherwise it’s a great sounded disc, with cover art once again by Ken Kelly.ย  Man I gots to get me some vinyl!

5/5 stars

REVIEW: KISS – Rock and Roll Over (1976)

Partย 7 of my series of Kiss reviews, leading up to the release of Monster!

KISS – Rock and Roll Over (1976)

After 1976’s Destroyer, Kiss had a choice:
a) continue down that road and see what they could see with the epic, orchestrated sound that Ezrin got out of them, or
b) return to their rock roots

On Rock and Roll Over (for better or worse) they chose b).

I love Rock and Roll Over, and I consider it a slightly stronger album than both Destroyer and Love Gun. Check out the tracks:

“I Want You” – Acoustic intro, electric riffage, classic song.
“Take Me” – Paul co-wrote this album cut with Sean Delaney. A lost klassic.
“Calling Dr. Love” – I was never a huge fan of this song, but obviously it always goes over well with the fans in concert.
“Ladies Room” – Peter Criss plays some fun drum rolls on this Gene rocker.
“Baby Driver” – The weakest song on the album, which Peter Criss claims is due to Kiss playing it at the wrong tempo. He does get to scream his butt off though.
“Love ‘Em and Leave ‘Em” – Gene’s motto?ย  Either way a great Kiss tune.
“Mr. Speed” – Another Stanley/Delaney classic. Best song on the album! I wish Kiss would play it again!
“See You In Your Dreams” – I prefer this version to the later one on Gene’s solo disc.
“Hard Luck Woman” – Peter Criss has never sounded so raspy and good. Truly, a song for everyone. Simply perfect songwriting courtesy of Paul, with some sweet 12 string.
“Makin’ Love” – Like a stick of dynamite in your ear.

Interestingly Ace had no songwriting credits on Rock and Roll Over. I recall reading that he did write a song called “Queen for a Day”, that he intended on singing, but it was dropped.

Kiss regrouped with Eddie Kramer (Led Zeppelin, Hendrix) to co-produce this album. Kramer previously did the original Kiss demo and Alive! They recorded it as live as possible in a theater. While it does not sound like a live album, it does have a lot more life than Destroyer.

5/5 stars

Also, check out this weird bootleg I have from the Rock and Roll Over tour, simply titled Kiss Army! ย It’s obviously supposed to look official. ย Although no exact date is given, it purports to be recorded live at the Budokan Hall in Tokyo Japan, 1977. ย (Check out how “rhythm guitar” is spelled on Paul’s page.)

REVIEW: KISS – Destroyer (and a word about that 35th anniversary Resurrected thing)

Partย 6 of my series of Kiss reviews, leading up to the release of Monster!ย  See the end for a bit of a preview of the forthcoming Destroyer: Resurrected too.

KISS – Destroyer (1976)

DISCLAIMER: I’m not the biggest fan of Destroyer. I loved the cover as a kid, and that cover led me to expect the album to be heavier.ย  Also worth noting:ย  I got mono real bad around the time that I got this album, so upon initially hearing it, I was constantly sick.

I strongly like four of the tracks today, which unfortunately have become overplayed:

  • Detroit Rock City
  • King of the Night Time World
  • Shout It Out Loud
  • God of Thunder

And let’s face it, Kiss fans can take or leave “Beth”. Unfortunately for Peter Criss it was the only hit that he had a hand in writing, and during the reunion got way overplayed. It was nice hearing it again at first, since it had been dropped from the set for about 17 years. I’m sick of it now. We’re all sick of it. Kiss felt the song was a throwaway, and it kind of is. A novelty.

Other tunes:

  • “Sweet Pain” — not a big fan. I find it dull.
  • “Flaming Youth” — again, not a big fan. I think Ezrin got carried away with production on this one, and to be honest I’ve never been a fan of the “Mad Dog” riff in the middle.
  • “Great Expectations” — never liked it. Always thought it was a novelty even moreso than Beth. But the live version on Alive IV is stunning.
  • “Do You Love Me?” — I have no idea how this song continues to be played live. Maybe when Nirvana covered it, it got a new life? It’s just too simple.

Ezrin’s production is probably too sweet for my tastes. On the Alice Cooper stuff he was a little bit more rock, a little bit more raw. As I said, “Flaming Youth” is drenched in production. Calliope? Why? I don’t know.

Having said that, Ezrin pulled a few tricks out of the bag on this album that are really cool:

1. Grand piano subtley doubles the guitar riffs on most songs. It is audible on “Shout It Out Loud”, but you can hear it if you really listen on the other tracks. It gives the riffs a little extra BOOM!

2. The sound effect intro to “Detroit”, and the walkie-talkies on “God Of Thunder”. Genius atmospheres. No wonder this guy would later produce Pink Floyd!

3. Songwriting. Ezrin really helped Kiss learn about songwriting craft, and Kiss would never be the same.

So there you go. It is undeniably a classic, but it does not represent what Kiss really sound like. Maybe if Kiss had continued down this road immediately and tried some production stuff on their own, without Ezrin, they would be a different band today? But they didn’t, and Kiss returned to rock and roll on the next album, which I like better.

3/5 stars

AND NOW!

Destroyer: Resurrectedย (35th Anniversary Edition)

This baby is coming in August.ย  A full-on Bob Ezrin remix of Destroyer, plus unheard demos.ย ย  Now I know a lot of you don’t particularly care for remixes, but if Ezrin is helming it, I believe there will be a point to it.ย  Ezrin is a producer of integrity and I don’t believe he would waste our dollars or time if this remix wasn’t somehow going to be worth it. I don’t know if the original mix will be included.ย  But who cares?ย  Everybody owns that and it’s not being deleted.

Ezrin pulled the tapes from the vaults and painstakingly remixed the entire album, enhancing the sound and bringing out its rich texture and vibrancy, while keeping the integrity of the original recording intact. Destroyer: Resurrected will also include rare and unreleased recordings rediscovered during the remixing process, plus the originally intended cover artwork.

I’m now hearing it’s only going to be 1 disc, butย with the original Ken Kelly cover art (Alive! costumes), read more here!

REVIEW: KISS – Dressed To Kill (1975)

Partย 3 of my series of Kiss reviews, leading up to the release of Monster!

KISS – Dressed To Kill (1975)

Dressed To Kill is an interesting album. While it contains the best known Kiss song (“Rock N’ Roll All Nite”) it also contains quiteย a few album classics that a lot of people don’t know (“Getaway”, “Anything For My Baby”, and “Two Timer” being good examples). ย This is one I play frequently. ย I never tired of it. ย It just has “vibe”. ย Listen to “Two Timer” for example. ย Kiss were obvious more than the sum of their parts, and this album was pretty heavy for 1975.

“Room Service” is an upbeat Paul opener, and I think we all know what kind of service Paul was getting. ย “C’Mon and Love Me” has a killer riff, one of the best Paul’s ever written. ย “She”, of course, goes back to the Wicked Lester days. ย It’s one of Gene’s sludgier moments. ย Even standard album tracks like “Love Her All I Can” and “Anything For My Baby” are entertaining enough. ย They might not be classics, nor complex, but they sure get the foot tapping.

The first and only album produced by the Casablaca label president Neil Bogart, Dressed To Kill retreats from theย weak but more metallic sound ofย Hotter Than Hell, and goes back to the more rocky feel of their debut. The songs are every bit as good. I particularly like “Two Timer”, “C’Mon and Love Me”, and “Rock Bottom”. “Rock Bottom” features aย beautifulย acoustic intro by Ace Frehley.

The album cover is also classic — a shot of the band wearing ill-fitting suits, given to them by manager Bill Aucoin.ย  It’s perfect.

5/5ย stars

REVIEW: KISS – “Hell or Hallelujah” single! (2012)

Stepping out of continuity: Partย 5 of my series of Kiss reviews, this time on the BRAND NEW SINGLE, leading up to the release of Monster!

Yes, I know I forgot part 3.ย  It’s coming.ย  I just forgot to publishย Dressed To Kill!

KISS – “Hell or Hallelujah” single (download only, 2012)

If you’re still hung up on Ace and Peter not being in the band anymore, just go away.ย  Get over it.ย  This sounds like Kiss.ย  Pure and simple Kiss.ย  Like the 70’s crossed with the speed of the 80’s.ย  Picture a song like “Take Me” with the velocity of “Under The Gun”.

Sticking to the seldom-broken formula of having a Paul song be the first single, “Hell or Hallelujah” kicks ass from start to finish.ย  I can’t say I prefer it to the first single from the previous album, “Modern Day Delilah”, but it’s certainly heavier.ย  I love the sound of Gene and Paul singing together.ย  The riff is retro-Kiss, and Paul is singing great.

Tommy Thayer shines, with a guitar solo that is less Ace and more Tommy.ย  Rather than rip off a bunch of Ace licks like he did last time, this solo reminds me more of something like Bob Kulick would have done back in the day.ย  Still Ace-like enough in general sound, but with much more dexterity.ย  Having said that I don’t think it strays too far from the classic Kiss sound, and it’s about time Tommy got to really show off his chops.

Clocking in at 4:06, and selling for $1.29 on iTunes, I can’t wait for a better sounding format.ย  The CD has to sound better than this!

4/5 stars

REVIEW: KISS – Alive!

Partย 4 of my series of Kiss reviews, leading up to the release of Monster!

KISS – Alive! (1975)
Forย the record I would recommend the Alive Box over this, simply because you get the first 3 Alives in one set with extra material. Buut we’ll get there evenually.

Kiss Alive!…what can you say? Greatest live album of all time? Not really live? Who cares! It sounds amazing and 35 years later people are still buying it. The same cannot be said of many live albums from the era. Live At Last by Black Sabbath was recorded around this time, nobody buys that record now. It’s one of a handful of classics. Frampton Comes Alive, and Live & Dangerous (Thin Lizzy) are up there with it.

Is it live? Sort of. Paul’s guitar playing and singing was not up to snuff for the live album that producer Eddie Kramer wanted to make (too much jumping around) so a lot of it was done in the studio. Can you tell? Absolutely not. You can’t tell at all.

The sound: Epic, loud, superior in every way to the studio albums. The songs: Played faster, more intense, solos are crazier and longer. Paul’s stage raps became popular because of Kiss Alive! Now everybody knows the rap about “a taste of alcohol” (“Cold Gin”), and the big middle section to “100,000 Years”.

You can’t fault one single song inclusion on Kiss Alive!, and indeed this version of “Rock And Roll All Nite” has become more well known than the original. Sure, there are other great Kiss songs that didn’t make it here, but when a live album becomes too long it also becomes harder to listen to.

This (or the Alive Box) should be your first Kiss purchase if you’ve never bought one before.

6/5 stars!

Part 71/ REVIEW: Pink Floyd – Shine On (9 disc box set)

Shine On came out in ’92, I got my copy 11 years later. ย First, the story of how I acquired this exceptional copy, and then the review!

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RECORD STORE TALES Part 71: ย Shine On

Iย still have the receipt:ย  I paid $199.99 on February 12 2003.ย  New, it’s going for about $440 on Amazon.com these days.ย  I paid a lot, that is true; we did not get staff discounts on big ticket things such as this.ย  However, when I encountered Shine On that day, I’d never seen one in better shape.

The hardcover book, containing 110 large pages of text, photos, artwork and credits, was still sealed in plastic.ย  Nobody had even bothered to open it.ย  Theย eight artwork post cards were intact in the black envelope.ย  The little black fold-out display box was still folded, and remains so to this day.ย  It’s a very nice touch but I prefer to keep mine as I found it.

The discs, each housed in its own shiny black plastic case, are all mint.ย  Maybe some were never played before I got hold of it.ย  The cases are also nearly spotless.ย  Most of the time, the biggest defect with used copies of this set were broken cases.ย  Each case was unique:ย  The front of the case hadย a smallย image of the album, and the spine of the case had a piece of a rainbow embossed.ย  Put all 8 CD cases together in the correct order and you get an image of the Dark Side prism effect.ย ย That’s why theย set comes with that little cardboard display – in case you felt like showing them off this way.

Lastly, the bonus CD, The Early Singles, is intact.ย  A set in this condition was a rarity and I’d never seen better.ย  Over the years, every set I encountered had a defect of some kind, major or minor:

  • The bonus CD would be missing
  • One or more discs badly scratched
  • One or more cases badly broken
  • One or more postcards or pieces missing
  • The box itself would sometimes be missing and all you’d get is the discs with the little display case
  • Or, just the book would be missing
  • Once, the book was warped and damaged from excessive moisture

You can see why I jumped at the chance.ย  A box of this condition, used, well that could not be passed up. Likely I’d never see one again that wasn’t sealed brand new — but as a deleted catalogue item, new copies were upwards of $300 at the time.

So, no staff discount?ย  No problem.ย  VISA to the rescue.

A $200 sale was a good chunk of my daily quota.ย  Head office was in the habit of calling at 5 and checking the sales for the day so far.ย  I read mine off, which was high obviously, but didn’t say why it was high.

“Wow!ย  Good for you Mikey!ย  You’ve been busy, keep it up.”

“Yeah, well, it’s been a good day y’know,” I responded.ย  May as well take the credit for it too, right, hell it was my money.

I was dating Radio Statio Girlย at the time.ย  However I was already starting to get cynical about our prospects, having been dumped once alreadyย by this time.ย  Our second go-round was pleasant but a bit tense.ย  I was supposed to drive down to her place that night, but I decided to spend the evening with Syd Barrett, Roger Waters, David Gilmour, Richard Wright, and Nick Mason instead.

I called.ย  “Yeah, hey.ย  I’m not feeling well at all.ย  I think I’m going to puke.”

Considering the much bigger lies she tossed my way before and after, I thought my little white lie was pretty innocuous.ย  Especially when I was immersed in Meddle for the first time ever!

PINK FLOYD – Shine On (9 disc box set) (1992)

At the time of release, this was probably the coolest way to get some of the best Floyd discs.ย  Now with Immersion Editions, Why Pink Floyd…?, fresh remasters, and 5.1 mixes all available, this seems pretty basic.ย  Indeed, all albums are simple 1992-ish remasterings, no bonus material aside from the afforementioned The Early Singles disc.ย  And just FYI, you can often find that disc on its own.ย  Somehow it got separated from a lot of Shine On box sets.

As I described in my story above, the box’s contents are elaborate and fragile, and difficult to find complete.ย  This is a heavy, heavy box too — not exactly portable.ย  I find the remastering to be fine, it was 1992 and it’s probably not as loud as more current editions.ย  Picky audiophiles, I have no idea which you will prefer.

The albums included are as follows:

Disc 1: A Saucerful of Secrets

Disc 2: Meddle

Disc 3: The Dark Side of the Moon

Disc 4: Wish You Were Here

Disc 5: Animals

Disc 6: The Wall part one

Disc 7: The Wall part two

Disc 8: A Momentary Lapse of Reason

Disc 9: The Early Singles

So you’ll notice right away that there are some important albums missing.ย  Sure, you can understand why albums like Atom Heart Mother or Obscurred by Clouds were not included in a (merely) 9 disc Floyd box set, if the purpose was to boil it down to essentials.ย  I think it’s a shame that The Final Cut, one of my favourites, is not inside.ย  I would have preferred that or Piper at the Gates of Dawn to A Momentary Lapse I think.

The real bonuses to this set are twofold:ย  The book and The Early Singles.

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I don’t know what the current status of these single A and B sides are, in regards to current CD releases.ย  I know the Piper three disc set has some of these tracks.ย  But here’s the contents of The Early Singles:

  1. Arnold Layne
  2. Candy and a Currant Bun
  3. See Emily Play
  4. The Scarecrow
  5. Apples and Oranges
  6. Paintbox
  7. It Would Be So Nice
  8. Julia Dream
  9. Point Me At the Sky
  10. Careful With That Axe, Eugene

There are no liner notes with this disc.ย  I believe all tracks are stereo mixes.

The book is absolutely stunning and will take days to read.ย  There are extensive interviews from magazine sources, lyrics, liner notes, a nice discography, and loads of old reviews both gushing and nasty.ย  There’s plenty of artwork and photos to look at, too.

I won’t go too deeply into the music.ย  Reviewing these albums each on their own would be a monumental task.ย  Suffice to say that there is much brilliance within.ย  I think both Dark Side and The Wall are complete triumphs while Meddle and Animals come very very close to that level.ย  There is much to love here, and much that will take many listens to penetrate.

As a set, this is not perfect and I think the biggest flaw is the selection of albums.ย  Having said that, for a collector who wants a beautiful deluxe collector’s item, this is easily a:

4/5 stars.

For people who would rather have something with more music on it, you’re better off going with some of the more recent reissues.

REVIEW: Motley Crue – Shout at the Devil (2003 Remastered edition)

MOTLEY CRUE – Shout at the Devil (2003 remastered edition)

If Too Fast For Love was nothing more than a gloriously wreckless demo pressed to vinyl, then perhaps Shout is the first “real” Motley Crue album. It is certainly among the best, with only Too Fast and ’94’s self-titled coming close to the metallic goodness of this disc in my world. It is a shame that the original cover did not survive to CD (a pentagram embossed on a pure black cover) because it was a statement of purpose: You are about to Shout at the Devil.

Instead, the CD (and cassette!) cover had four makeup wearing dude-chicks scowling, primping, preening and teasing. However, it was the 80’s, and it was OK then. Don’t let the cover scare you away. ย The Japanese vinyl replica CDs also have a replica of the original pentagram cover. ย I had one years ago, but sold it off to buy the remaster with bonus tracks. ย But we’ll get to those later.

The album opens with a piece that, when we were kids, I loved and played over and over again because it just sounded cool: the spoken-word “In The Beginning”. “In the beginning, good always overpowered the evil of all man’s sins…”ย  It sounded cool, so we used it on Halloween tapes and just about anything else we could think of.

Then, the opening chords of “Shout At The Devil” hit you right between the eyes, Mick’s guitar as wreckless and hammering as ever. The man had yet to really discover his bluesier talents; for now he was just content to sloppily riff you to death. All is well. Vince Neil drunkenly slurs every lyric, but it works. Tommy’s drums are as simple but as hard hitting as ever.ย  Really, Tommy’s not a great technical drummer but his hard hits give him a great sound perfect for this album.

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You should know most of these songs: The adrenaline rush that is “Looks That Kill”, the mid-tempo harmonies and drama of “Too Young To Fall In Love”, and even the Beatles coverย “Helter Skelter”. Side two of the album is the real surprise, loaded with non-singles that kick as much butt as the singles. “Red Hot” is a proto-thrash number, while “Knock ‘Em Dead, Kid” is as good as anything on side one. There’s also the equally good but controversial “Bastard”.ย The PMRC attacked it for the line, “In goes my knife, I pull out his life, consider that bastard dead.”ย  When I was 12 years old, we owned this on cassette. There was no lyric sheet and Vince Neil slurred so much, you couldn’t make out the lyrics. I had no idea at all what he was singing until about a decade later. By then I was old enough to understand that it’s just storytelling.

There’s a bit of filler in “God Bless the Children of the Beast”. It’s nice for Mick Mars fans, a caveman version of neo-classical guitar, but otherwise it’s just an intro to the manic “Helter Skelter” cover. Kind ofย like how Sabbath used to throw in a slow instrumental just before hammering you once again with riffage, just that I think Sabbath’s stuff was a little better executed.

The bonus tracks here are rough and not nessesary, except for collectors (like this guy!). “I Will Survive” was completely unreleased until the first run of Crue remasters came out.ย  It’s a decent track but not up to the album’s lofty standards. “Hotter Than Hell” is a demo version of “Louder Than Hell” from the next album. (Not availablke on this CDย is a great track called “The Black Widow”, finally released a little later on Red, White & Crue.ย  Also missing is “Sinners and Saints” which is on Supersonic & Demonic relics.)

There are also three more demos from the albums sessions:ย  “Shout”, “Looks That Kill” and “Too Young”.ย  The 1999 remastered edition did not have “Too Young To Fall In Love”.ย  That was a Japanese bonus track instead.

There’s also a music video for “Looks That Kill” for your PC if you care, but I don’t.ย  All the Crue vids were made available on the Greatest Hits DVD.

I believe Shout At The Devil is the essential Crue album to own, and also a great metal album for any collection. Yes, Priest, Sabbath, Maiden and Purple are the cornerstones, but Motley Crue for a short time were the flag bearers. This is a great sloppy metal meal, a burger and fries with all the works. Enjoy the meal.

5/5 stars.

Original LP artwork, and remastered CD back:

REVIEW: KISS – Hotter Than Hell (1974)

Part 2 of my series of Kiss reviews, leading up to the release of Monster!

KISS – Hotter Than Hell (1974)

Hotter Than Hellย was my first Kiss album. I had it on a scratched up piece of vinyl that I don’t have anymore. Because of the condition of the record and my turntable at the time, I had no idea just how bad Hotter Than Hell sounds. And it does sound bad. Kids these days, used to ProTools and gloss, are gonna find it unlistenable.

Kenny Kerner and Richie Wise produced onceย again, two guys who didn’t know how to achieve the heavy rock that Kiss wanted, but tried anyway. The result is a murky impenetrable sound with drums that sound like Peter’s banging away on wooden blocks. The cymbals are nearly impossible to hear. Yet this white noise serves only to make the album heavier and darker to these nostalgic ears.

“Got To Choose” kicks off the album, a Kiss classic. I remember playing it to my 8th grade class much to the teacher’s dismay. Gene and Paul sing harmonies together, but this is a Paul song. The acoustic version from MTV Unplugged is also quite excellent. “Parasite” follows, an Ace song that Gene sings and one of the fastest tunes Kiss were to do in the early days. The Alive! version is more fully realized. A ballad of sorts, “Goin’ Blind” follows. This is a Gene song from his pre-Kiss days, previously known as “Little Lady” and co-written by his Wicked Lester bandmate Steve Coronel. This version doesn’t do it justice, but lines like “I’m 93, you’re 16” hint at territory that Gene would revisit later in other songs. The title track, “Hotter Than Hell” is a Paul song and one of the best on the album if not in Kisstory. The riff and coda are both so memorable. (I miss the days when Kiss used to tack on these extra riffs as codas, they were always so heavy and cool.) Side 1 ends with “Let Me Go, Rock And Roll”, a fast rock n’ roll Chuck Berry guitar number which I always found comical due to Gene high voice at the beginning. The Alive! version has become a classic today.

Side 2 begins with a “lost” album cut called “All The Way”. It’s not played live often but it has one of my favourite choruses. You just can’t get the melody out of your head. Plus it has cowbell! “Watchin’ You”, aย Sabbathy Gene song, follows. This song was even revisited for Kiss Alive III in a funkier guise. “Mainline” is a Paul song, sung by Peter Criss. It’s a little more rock n’ roll again, but with that great chrous melody. “Comin’ Home” is another Paul song that ended up on MTV Unplugged. Strange how many of these songs sounded great acoustically! It was always an album favourite of mine with great lyrics. The album ends with the dirgey “Strange Ways”, an Ace Frehley written song, but sung by Peter Criss. This is probably the only song on the album I don’t like very much, even though it is so heavy and Sabbathy.

Rumour has it that Peter recorded a lengthy drum solo, and demanded that it be included in the song, or he was going to quit the band.ย  (This is according to Gene Simmons.)ย  The solo was not included, and Peter stayed.

Given the upcoming deluxe remixed edition of Destroyer coming this year (remixed by Ezrin!), I don’t think it’s unreasonable to hold hope for a remix of Hotter Than Hell.ย ย ย Maybe, though, it should neverย be remixed.ย  Maybe the shite sound is part of the charm?

If that sound issue doesn’t bother you, then delve in and discover a true Kiss classic. Just look at how many songs keep popping up on setlists to this day. That’s the sign of a classic album.

5/5ย stars

Check out my review for the live bootleg Kissin’ Time in San Fransisco by clicking here!