Iron Maiden

50 Years of IRON MAIDEN bonus episode: The Essential Iron Maiden

50 Years of IRON MAIDEN bonus episode: The Essential Iron Maiden

GRAB A STACK OF ROCK bonus episode

This week’s bonus episode of 50 Years of Iron Maiden falls on a Tuesday.  This is a shorter episode, that we wanted to run mid-week.

On 12 July 2005, Sony released The Essential Iron Maiden in North America.  As Maiden’s fourth compilation (and third multi-disc compilation), it was interesting for several reasons.  First and most obviously, there is no Eddie on the cover.  Second, it was released as part of Sony’s Essential series, and we’ll look at another disc from that series for comparison.  Third, it is again mostly reverse-chronological, almost like an updated Best of the Beast without the rarities.

We’re calling it the “weirdest” Iron Maiden best of album for these reasons and more.  Would you buy it?  Have a watch and let us know about this truly un-essential Essential release by Sony!

 

Wednesday January 13 at 7:00 P.M. E.S.T., 8:00 PM Atlantic.  Enjoy on YouTube.

 

 

Past episodes:

Handy YouTube Playlist:

 

REVIEW: Iron Maiden – The Early Days (2004 DVD)

IRON MAIDEN – The History of Iron Maiden Part 1: The Early Days (2004 EMI DVD)

Staying on the cutting edge, Iron Maiden released one of the best and most value-packed videos of anyone’s career with The History of Iron Maiden Part 1: The Early Days.  We won’t get too much into how they never really properly followed it.  We’ll just praise it for what it is:  A must-buy DVD for your Iron Maiden collection, and your education.

The DVD is divided into several sections, with the main feature The Early Days winding up on Disc Two.  That’s where we’ll start.

 

 

Disc Two

The Early Days

Released to DVD on, The Early Days is a 90 minute feature directed by Matthew Amos.  Impressively and most importantly, they gathered together as many past members as were willing and able.  Many of them have never seen interviewed before:  Doug Sampson, Rob “Rebel” Matthews, Dave Sullivan, Terry Rance, Bob Sawyer, Terry Wapram, Paul Di’Anno, Dennis Stratton, and Clive Burr.  This in addition to Steve Harris, Bruce Dickinson, Dave Murray, Adrian Smith, and Nicko McBrain.  We gain some insight into the formation of Steve’s early band Gypsy’s Kiss.  What Steve really needed was a band where he could lead.   Gypsy’s Kiss broke up after a mere five gigs, due to the usual “musical differences”.  Iron Maiden formed, and gained fans via word of mouth.  There is the claim that original singer Paul Mario Day didn’t have a great stage presence, according to original drummer Ron “Rebel” Matthews.  Looking for a showman, they went with Wilcock who was highly influenced by Kiss.  He had this sword gimmick with fake blood coming from his mouth.  Musically, Dave Murray was the turning point, but Dennis Wilcock convinced Steve to fire the whole band.  Steve and Wilcock formed a new Iron Maiden, with Thunderstick on drums.  You know!  The guy with the leather mask, best known from Samson.  He blew a gig (on drugs) and was fired.  Maiden tried a keyboard player instead of a second guitarist, until Wilcock suddenly left the band.  Doug Sampson from one of Steve’s first bands, Smiler, joined in.  Dave Murray came back, and they found Paul Di’Anno.  This would prove to be the foundation of Iron Maiden.  They toiled with a four-man lineup, as they tried out guitarists.  Paul Todd, Tony Parsons, and “Mad Mac” all their moments, but don’t last.  Parsons, at least, was recorded on a number of tracks now released on Eddie’s Archive.  Speaking of whom, Eddie is finally created (as a smoke-breathing head), and Maiden had a mascot.  The Soundhouse Tapes were recorded, and handed to DJ Neal Kaye.  This led to a live gig at the Soundhouse and things began to snowball.

Future manager Rod Smallwood got hold of the tape.  Somehow he managed to sign Iron Maiden to a three record deal, which was an incredible guarantee for Iron Maiden.  Doug Sampson unfortunately was not healthy enough to enjoy the spoils.  He would not be able to tour, and had to be replaced.  The talented Dennis Stratton came aboard on guitar and backing vocals, bringing drummer Clive Burr with him.  The lineup that recorded the EMI debut was set.

The band were not happy with original producer Will Malone, who was disengaged and uninterested.  Artist Derek Riggs was found, and Eddie was brought to life.  Iron Maiden performed live on Top of the Pops, the first band to actually play live since the Who in the 1970s. Touring with Kiss, Maiden took note of their stage and performance.  It is acknowledged that Kiss were their model when they chose to get more theatrical on future tours.  Unfortunately for Stratton, Dennis was let go at the end of the Kiss tour.  Regardless of his talent, they were not cut from the same cloth.   They knew Adrian Smith from his band Urchin (“Roller” is shown).  Martin Birch (Deep Purple) is recruited to produce the more satisfying second album, and they band embark on their first world tour.

The beloved Paul Di’Anno began to falter.  Even Paul acknowledges that Maiden did the right thing by getting Bruce Bruce from Samson.  Bruce electrified the band, in the studio and on stage.  He enabled them to push it further.  On stage, he was an acrobat.  This caused some friction with the bass player, who was quite used to standing next to the singer on center stage.  Now, there was a madman running about, colliding with Steve Harris at center stage as they battled for position.  It only made the band that much better live.

It’s clearly a tough gig.  Clive Burr was not doing well.  The drummer was given three months to sort himself out but he couldn’t.  Lacking time, the band had to move on.  Nicko McBrain was known from the band Trust, and was the natural guy to take over.  Food For Thought was considered for the next album title, but we all know it became Piece of Mind.

Cut to Maiden live at Dortmund.  To be continued.

 

Disc One

Live at The Rainbow (originally released on VHS on 11 May 1981) – 30 minutes

Recorded 21 December 1980

The video quality on Live at the Rainbow is incredible – feels more like late 80s than early 80s quality!  However it was recorded and remastered for DVD, they did a smashing job here.  This lineup features a short-haired Adrian Smith on guitar, and has a stage set with the first album Eddie as the backdrop.  Paul Di’Anno is rocking mega spikes on his arms and belt, as was the look at the time.

The set begins with a cracking good version of “Wrathchild”.  Then Paul introduces the “Title track from the second album!”, but the lyrics are the early version from before the words were finalized.  “Killers” features an incredible top-speed Clive Burr.  There are great closeup of Davey playing the descending harmonics.  The lights go dim, and the band are in darkness for the quiet opening of “Remember Tomorrow”.  The lights really go nuts on heavy parts.  Steve moves to the front for the instrumental “Transylvania” as he becomes the focus on stage.  The epic “Phantom of the Opera” follows.  Clive shows the world why he was so beloved in Iron Maiden.  He’s absolutely hammering here.  This could be the greatest version of the song ever released.  The set closes with “Iron Maiden”.  Davey starts with a whammy dive, before going into the main lick.  Paul has jacket on.  You can tell there was some editing here, as Paul had no shirt on the previous song, and now he has his jacket.  It’s a treat to see Dave and Adrian play those harmonies and leads though.

Beast Over Hammersmith (full audio available on Eddie’s Archive, video previously unreleased) – 45 minutes

Recorded 20 March 1982

They claim the full show is unwatchable.  They say they had to do a lot of work just to restore the nine songs on this DVD.  Regardless, this show including Bruce is great to watch because of the contrast.  Now the band were on the big stage.  Now they had a stage show.  Now they had Bruce.

There is an opening montage of the crowd entering the venue, lots of jean jackets and patches, to the tune of “Murders in the Rue Morgue”.  Bruce enters like a whirlwind!  The lighting rig is cool – like a “V” of lights on stage below Clive.  “Run to the Hills” is early in the set and now it’s refreshing to go back to 1982 and hear Young Bruce singing it at full lungs.  Bruce is noticeably a far more visual frontman than Paul was.  Only one studded arm though!  “Children of the Damned” is next, as the lights dim a bit and Bruce stands center stage.  No running about, this time.

“The Number of the Beast” sees the crowd fairly calm during the opening, since it is a new song and they don’t know the opening yet.  Davey headbangs through the whole thing!  Annoyingly, the camera avoids Adrian during his part of the guitar solo.  During “22 Acacia Avenue”, Bruce reveals that Adrian had some bruised or broken ribs!  Though musically brilliant, this is where the band lost their way.  Charlotte appears on stage in the flesh, dancing next to Adrian, raising her legs, and moving to center stage in front of Bruce.  It’s a rare miss for Iron Maiden as it takes the focus away from the band.

Bruce introduces the “B-side of our current single!”, and it’s the rarely played “Total Eclipse”.  Bruce’s vocal is far more expressive than the studio version.  This time the camera focuses on the appropriate guitar players during the split solo, thankfully.  Bruce then removes his leather jacket for the melodic masterpiece “The Prisoner”  For “Hallowed Be Thy Name”, he most dramatic song of the set, Bruce stands on the “V” steps by the drums.  Then, he comes down later to rile up the crowd as the song gets faster and harder.  Finally, it’s “Iron Maiden” and Bruce explains to the crowd what the torture device does.  The band really explode onstage for this fast blaster!

Live In Dortmund – Rock and Pop Festival (previously unreleased) – 45 minutes

Recorded 18 Dec 1983, broadcast only once

Maiden headlined over Ozzy, Scorpions, Def Leppard, Priest and Michael Schenker if you can believe it.  Maiden over Ozzy.  For this Piece of Mind era show including Nicko McBrain, we only have the surviving broadcast tapes.  “Iron Maiden” was also played, but cut from broadcast due to an Eddie “lobotomy” with tissues and ribbons counting as “excessive violence”.  The recording of that song is now lost.

Bruce had what we’ll call his “caveman look” with a shirt like something Fred would wear on the Flintstones, paired with some leather trousers.  We open with “Sanctuary” and a very animated Nicko on the cymbals, when he stands for the cheer break.  Bruce’s vocal delivery is a tad too operatic for this song.  Davey’s solo is gravy.  Onto “The Trooper”!  Bruce waves the union Jack, with smoke all over the stage.  The guitars are a bit thin sounding on this recording.  One cool moment is when Steve runs up drum riser and plays face to face with Nicko.  Steve is a real band leader, interacting with all the members on stage.  It is during “Revelations” that Bruce plays a Les Paul during the guitar harmonies.  Plays, or “plays”, it was rarely seen and here it is documented.  (It is this version that is included on the Best of the Beast vinyl LP limited edition.  His vocal here is powerful and far more expressive than the album.  It is a brilliant, full sounding version, loaded with energy.  There is however an annoying close-up on the stage Eddie (behind Nicko) during instrumental mid-section that keeps repeating.

“Scream for me, Dortmund!  The Flight of Icarus!”  The bass sounds heavier on this version.  Bruce nails the chorus.  No backing vocals audible as on Live After Death.  An absolutely killer rendition.  Back to “22 Acacia Avenue”, there is no dancing girl this time, Maiden having learned their lessons.  The audience is a sea of hands.  A great live version, with Bruce adding extra flair.

Now that they are familiar with the song, the audience speaks along to “The Number of the Beast” and its opening narration.  A grim reaper, concealed in smoke, appears on stage.  The band leaves, and then returns for the encore “Run to the Hills” and final song of the included set.  The chorus sounds different this time, lower perhaps.  Maybe it is because Steve’s backing vocals being so high in the mix?  At the end, Bruce destroys a drum kit!

 

Disc Two

There is plenty more to be seen and heard on disc two of this set, besides just The Early Days documentary.  There is a whole other 45 minute unreleased set of music from the band’s own archive, and lots of TV stuff included as well.  Here is a detailed breakdown of everything else on Disc Two.

20th Century Box – 21 minutes

Recorded & broadcast 1981

This television special is primarily framed in terms of the New Wave of British Heavy Metal (here called a “revival”), and the musical culture of the time with Punk also reigning high.  There is rare black and white footage from the Marquee club, including “Phantom of the Opera”, “Drifter” and “Iron Maiden”.  There are interviews with Steve and Paul (in a comics shop!), Neal Kaye, Geoff Barton, famed air guitarist Rob Loonhouse (age 23), and many fans.  Produced for television, everything is slick and pro-shot.  A valuable time capsule.

Live at the Ruskin (previously unreleased) – 45 minutes

Recorded 14 April 1980

As of this DVD, Live at the Ruskin is the oldest known video of Iron Maiden live.  It is single camera of surprising quality, probably filmed by road tech Vic Vella.  The Ruskin was kind of a home base to Iron Maiden, and so the introduction goes:  “Welcome, your very own Iron Maiden!”  Paul is very talkative, as if presiding over a party with friends.  Heck, his own mum is in the house!  And so is guitarist Dennis Stratton, not yet sacked, and very much showing his value in this video.

“This is a song you should all know by now, it’s our next single.” And know it they do.  “Sanctuary” lights the place up.  The young band appears crowded on that small stage.  Dennis’ Les Paul solo is speedy magnificence.  Davey takes the second solo, with wah wah pedal.  Paul Di’Anno is very growly, and the “chuggy” section at the end is longer.  The video gets blurry a bit on “Wrathchild”, but it’s awesome to hear a version with Dennis’ solos.  The sweat is visible on Di’Anno’s face during “Prowler”.  Again, it is amazing to hear a live version with Dennis, as his tone was not the same as Davey’s or Adrian’s.  He also sings ample backing vocals, and his voice is different from Adrian’s.

A touch slower version of “Remember Tomorrow” follows, and then Clive leads the clapping on “Running Free”.  Vocally this is one of the best versions available, and that’s partly due to Dennis’ audible backing vocals.  Dennis and Davey perfectly in sync on guitar harmonies.  Outstanding version.  The instrumental “Transylviania” also features a lot of Dennis.  He does the first solo, and the main guitar lick of the song.

Time for band intros, as Paul removes his shirt.  Then it’s onto “Another Life”, the only official live version with Dennis ever released.  Steve’s bass is dominant, with a lot of high notes.  This is back when Maiden still had drum solos.  “Clive Burr on drums!” The audio goes out for a second, it’s not your DVD.

“Phantom of the Opera” features Steve and Dennis on backing vocals, in a very version.  Amusingly , you can spy lots of beer cans visible behind Davey on his amp.  Then we end the recording with “Charlotte the Harlot”.  Paul explains that it’s a song about a whorehouse, a brothel!  He can’t say more, as his mum is in the house!  There is a meandering intro, but Iron Maiden were not an arena act yet.  Another powerful version!

Top of the Pops

Two tracks here:  “Women in Uniform” (22/02/1980) with Adrian on guitar.  Actually live!  This is the only official live version of “Women in Uniform”, ever.  The drums sound shit, and you can hardly hear the guitars.  It’s not like Top of the Pops knew how to broadcast a live rock band.  The second track is “Running Free” (13/11/1980) which sounds better.  Paul is wearing the striped shirt under leather jacket.

Rock and Pop ZTV

Only one track here, from a German broadcast in 1980.  It’s a mimed “Running Free” with Adrian on guitar.

Five Promo Videos

You’ve seen ’em on TV, on Visions of the Beast, and now here too:  “Women In Uniform”, “Run to the Hills”, “The Number of the Beast”, “The Trooper” and “Flight of Icarus”, all original versions.  It doesn’t matter what people think today; back in the 80s these were some of the coolest music videos ever!  “Flight of Icarus” even had footage from inside the recording studio, which was not common for a lot of metal bands.

Steve’s Diary & Scrapbook, On The Road

Click and flick through the scans!  Interesting stuff about seeing Genesis at the Hammersmith, and the Stones at Knebworth.  There’s even some band bookkeeping:   getting paid 5 pounds for expenses, 10 pounds for a gig at Cart and Horses.  The biggest payout you see in these receipts was 25 pounds.  Steve even documents his bass amp payment installments.  Some major Maiden history is recorded:  the day Dennis Wilcock auditions to replace Paul Day (“Mon the 20th”).  Steve’s thoughts: “Now the hard part is to tell Paul…”  Paul Mario Day did 26 gigs in total, and understood when Steve broke the bad news.  The scrapbook has gig ads back to 1976.  One gig has them second to Samson (at the Music Machine, in Camden).  The section titled “On the Road” contains photo galleries going all the way back to 1973, Smiler, and the first Iron Maiden lineup.  There are pictures of Vic Vella, Rob Loonhouse, and many more.   This goes up to 1983, and includes tour programs, tour dates (back to 1979), shirts, backstage passes and assorted art.  All very fascinating stuff, but limited by the DVD format.  Today you’d do this on a website.

There is also an album and singles discography, with art.  Again this is something that works better on a website today.

And that’s an exhaustive review on an essential Maiden DVD.  There is even a beefy booklet with liner notes to read.  Maiden even toured for the DVD, playing only songs from the “Early Days”.  Now that’s how you do a release.  If only we had a live album from that tour!  Deluxe edition, lads?

4.5/5 stars

 

 

 

 

50 Years of IRON MAIDEN episode 27: The Early Days DVD

50 Years of IRON MAIDEN episode 27:  The History of Iron Maiden Part 1:  The Early Days

GRAB A STACK OF ROCK #133

Buckle up, for tonight is one of the most detailed episodes of 50 Years of Iron Maiden to date!  In 2004, Iron Maiden went out on tour, but not to promote a new album.  This time (and for the first time!) they were out to promote a video:  The History of Iron Maiden Part 1: The Early Days, on DVD.  Tonight, we break down the entire contents of the DVD release (including the special features you probably never watched!) and the tour to boot.  Yes, this is an episode of 50 Years of Iron Maiden as essential as any!

The DVD itself centers on The Early Days, a 90 minute documentary on Maiden history from 1975 to 1983 (the “early days”).  It includes interviews with Maiden members you’ve probably never met before, such as Ron “Rebel” Matthews, Terry Rance, Doug Sampson and many more.  The history of the band is run down with great care, ending in Dortmund in Germany on the World Piece Tour.

There are four concerts, in various states of completion:  Live at the Ruskin (1980), Live at the Rainbow (1981), Beast Over Hammersmith (1982) and Live in Dortmund (1983).  Even though we have discussed some of these tracks in previous episodes (including a full episode on the CD version of Hammersmith), we will go through every single track in exhausting detail.  Then there are the Top of the Pops and other TV shows to cover!  Then, Mike will take you through all the interesting details in the bonus features, such as Steve’s diary and scrapbook.  Find out exactly how Steve fired original singer Paul Mario Day, and when!

When this all said and done, Harrison will guide us through the Eddie Rips Up the World Tour, including the setlists and an incident involving Sharon Osbourne.  You might have heard about that one!  It happened on this tour.

Don’t miss the premiere of this episode, as we always like to interact in the comments!  Up the Irons!

 

Friday January 9 at 7:00 P.M. E.S.T., 8:00 PM Atlantic.  Enjoy on YouTube.

BONUS:  Tomorrow, January 10, Mike will post his written review of this DVD, never before seen, right here on this site.  This review, at almost 3000 words, is for those who prefer to read!  Mike never wrote a review of this release back in 2013 when he did his Maiden review series.  This is brand new and will not be exactly the same as what we will present in the video.  Enjoy both!

 

Past episodes:

Handy YouTube Playlist:

 

REVIEW: Bruce Dickinson – More Balls to Picasso (2025)

For a review of the original Balls to Picasso album, click here.

BRUCE DICKINSON – More Balls to Picasso (2025 BMG)

A time of turmoil!  As Bruce explains in the excellent liner notes within, there was a lot going on in the early 1990s.  Aside from leaving Iron Maiden in order to spread his wings as an artist, Bruce ended up scrapping the new solo album a couple times.  The first was an attempt with the UK band Skin.  Bruce was dissatisfied.  He tried again in America with Keith Olsen, a more pop version that Bruce said was influenced by Peter Gabriel.  Olsen had some issues, and that record too was scrapped when Bruce met a band called Tribe of Gypsies.  Immediately finding chemistry with guitarist Roy Z, Bruce started over again with producer Shay Baby, retaining only the song “Tears of the Dragon” from the earlier attempts.  Most of the Olsen album was ultimately released on B-sides, and on the 2 CD deluxe edition of Balls to Picasso.  The released 1994 album was heavy, and very 90s.  Little did we know, however, that Bruce wasn’t fully satisfied with the final album either.  By the time Bruce reunited with Roy and the Tribe of Gypsies in the late 1990s on Accident of Birth and Chemical Wedding, Bruce was questioning if Balls to Picasso should have been heavier.  More guitars.

Now, you can decide for yourself.  More Balls to Picasso is a remixed version of the album, with guitars added after the fact, and other enhancements made using the original tapes.  Given that the original is considered an important album in Bruce’s solo j0urney, it’s a risky record to revisit in this way.  Yet, Bruce did have a point.  As good as it was, it stands out in the discography as different; a lone rock.

The running order is unchanged.  “Cyclops”, a song more relevant today lyrically, is about living in the camera’s eye.  The sonic changes are immediate.  You can hear the sparse instrumentation of the original mix, but with thicker guitars and an added keyboard part that just shrieks.  It’s a very cool enhancement and the first clue that messing with this album was not a bad idea.  All the original elements are there, from Roy’s sparse guitar to the exotic percussion that often set the stage on this album.  Now there is just more to listen to.  You realize, there was always room for more.

“Hell No” opens as the original did, with more percussion and more guitar chords.  The bass has more thump, and the keyboard licks are a nice touch.  “Gods of War” has an added “war drum” part, along with some keys that sound like howling winds.  This song is one of the more transformed of the lot, though still not drastically so.  “1000 Points of Light” has one of the best enhancements.  In the chorus, you get a sudden guitar and keyboard duo lick that was never there before, and never would have existed in 1994.  It’s much more in line with the kind of metal melodies that Bruce did later in his solo career.  This hook improves the song 1000 percent, but never would have made the 1994 record.

Side two would have come at this point on the original album, which opens with “Laughing in the Hiding Bush”, never a standout song, but similarly remixed with additional atmosphere.  Now, “Change of Heart” is one that shouldn’t be messed with.  You don’t enhance perfection.  The keyboard/string arrangement is a nice touch, but the original is just too ingrained.  Its sparse arrangement was part of what gave it such lonely impact.  Now it sounds less special.  Less unique.  Less like a dark room with a sole occupant.  On the other hand, “Shoot All the Clowns” (which was a single) is much improved.  The song always felt a little cringey, with Bruce doing that rap part.  Now, with a horn section added, it makes much more sense.  A solid improvement.  “Fire”, meanwhile has more going on with the guitar and bass, and feels more engaging.  There are also what sounds like keyboards playing horn-like parts.  Moving on to the blazing “Sacred Cowboys”, this one would be difficult to improve upon.  Bruce’s double-tracked vocal on the original was so hypnotic.  This remixed version sounds strangely nasal.  Finally, “Tears of the Dragon” is another sacred song that you don’t want to mess around with.  The added string-like keys don’t really add.  Once again, the original was already perfect and this new one is like Bruce’s version of Drastic Symphonies.  Some may love it, but the original will remain the go-to for most.

Two added “live in the studio” bonus tracks are included.  Previously unreleased, these are heavy versions that should have been issued last time they released this album!  Bruce absolutely wails on “Gods of War”.  “Shoot All the Clowns” meanwhile gives you something to compare the horn version with, but Bruce’s vocals are very different on the verses.  They’re actually cooler here.

What this sounds like is Bigger Balls to Picasso.  It’s the same album.  With a couple exceptions, what we loved about the original record is still here.   In the liner notes, Bruce talks about being most comfortable in a “band” situation, rather than just with a bunch of hired musicians.  This sounds like the same band, but bigger.  It’s basically the Balls to Picasso band, as if they added a backing guitarist and a keyboardist and went out to play the songs live in the new configuration.  Some songs lose in the exchange, but more end up sounding better.  That’s it in a nutshell.

4/5 stars

 

50 Years of IRON MAIDEN bonus episode: Top 11 Maiden Art (edited for length)

50 Years of IRON MAIDEN bonus episode:
Top 11 Maiden Art

GRAB A STACK OF ROCK bonus episode

Original broadcast:  May 12 2021

Back in the pandemic days, long before 50 Years of Iron Maiden was a thing, we used to do three-hour shows.  People needed something to do, and something to watch.  Unfortunately, as good as our lists and topics were, the shows were too long and meandering.  Well, not anymore!  I have toiled away and edited down our epic Top 11 Iron Maiden Art show to a manageable hour.  Now it enters its rightful place as a watchable bonus episode of 50 Years of Iron Maiden.

Our group of four picked our favourite Eddies from past and present:  Myself, Harrison, Mr. Books and original co-host Deke. We split our picks from albums, singles, and tour shirts.  Through it all, we saw some epic art from Derek Riggs, Melvyn Grant and others.  A monumental set of lists!  The format was called a “Nigel Tufnel Top Ten”, meaning we went up to eleven!  Check out the picks, some of which are pretty obscure and little-seen!

Thanks for watching, and if you just want to know what Maiden art we picked, check out Aaron’s hand-written list below!

Friday Dec 19 at 7:00 P.M. E.S.T.  Enjoy on YouTube.

SPOILER – Do Not Read if you intend to watch the episode.

Past episodes:

Handy YouTube Playlist:

REVIEW: Iron Maiden tribute Food For Thought – Now That’s What I Call ‘Kin Music / What Are We Doing This For? (2003)

A supplement to Dec 12’s bonus episode of 50 Years of Iron Maiden

FOOD FOR THOUGHT – Now That’s What I Call ‘Kin Music / What Are We Doing This For? (2003)

Thanks to Harrison the Mad Metal Man, the world knows about this incredible and unorthodox Iron Maiden tribute album.  Hunt for it and hunt well, for you will want this in your collection far more than the Encomiums and Nativities In Black out there.  Food For Thought (a spoof of Piece of Mind) get it far better than any corporate version could.  Through its 19 tracks, Food For Thought visit every single Maiden album (to date), and even some non-album material.  The tracks are performed in a variety of styles, often imitating the trademark styles of major artists like Deep Purple, Motorhead, AC/DC, and…Kate Bush.  It’s not all metal, but it’s almost all brilliant.  This is a unique and effective tribute album, infinitely listenable and thoroughly enjoyable.  Let’s break it down from first track to last.

1. “Be Quick Or Be Dead”

Not as breakneck.  More of a groove.  Opens with a distorted transistor radio sounding guitar part; very alterna-90s.  There is a second guiltar part in the beginning that sounds inspired by Bruce’s solo Skunkworks album.  The wah-wah pedal in the riff is a nice addition.  The female lead vocals are a change of pace, but the oodles of guitar solos are really tasty.  The chorus is more layered with both male and female vocals.  It’s heresy, but I like this version of the song better than Iron Maiden’s.

2. “Twilight Zone”

Let’s take Maiden to Funk Town!  Unbelievably, this works really well as a horn-inflected funk song.  Like a funkier version of Sledgehammer!  I’ve AI Maiden funk stuff before, but believe us when we say that the human-made kind is way way better.  Don’t listen to AI; listen to this!  Once again, Food For Thought have created a version of an Iron Maiden song that rivals the original.  The horns here are very Bosstones.

3.  “22 Acacia Avenue”

We’ve gone to Funk Town, so now let’s hit the lounge.  Yes, it’s a lounge version of this ode to the oldest profession in the world!   It is largely acoustics and fretless bass, by special guest Chris Dale of Skunkworks!  Though it opens with male vocals, during the “Charlotte” section the song transforms into a full blown Kate Bush homage.  An absolutely genius interpretation and re-imagining.  In many ways, these Food For Thought cover are almost like originals.  This actual arrangement has little to do with Iron Maiden’s!  The piano parts are really completely original.

4.  “Angel and the Gambler”

Our first foray into the Blaze era, which this album does frequently.  This folksy acoustic version is only 2:14 long.  It is either a duet, or mixed with double tracked vocals.  The original should probably have been about this length!  The delicately picked guitars are like a country picnic.  Such a strange re-imagining, but imminently catchy…with a lot less repetition.  There’s even a country hoedown at the end.

5. “Mercenary”

One of the best tracks on the album.  This lesser known track from Brave New World is performed as a Bee Gees homage via “Stayin’ Alive”.  Has to be heard to be believed.  The falsetto vocals aren’t bad, but the funk Disco beats are gonna get your butt shakin’.  The lyrics are a complete contrast to the dancey vibes of the music!  A short one though, as soon we’re off to war…

6. “The Trooper”

Electric violin, with growly metal lead vocals.  Musically it’s reminiscent Canadian fiddler Ashley MacIsaac.  The heavy growl vocals ground it in metal.   There is a even a violin solo to go with what sounds like a fuzzy bass solo.  Toward the middle, it goes into a section possibly inspired by Maiden’s “Mother Russia”.

7. “Fortunes of War”

Blaze era track number two with this dark classic, re-interpreted as an industrial/electronica track, with programmed drums and music, and distorted lead vocals.  The digital beat is bizarrely catchy, and this track can easily become a favourite.  The inspiration might be early Ministry.

8. “Blood on the World’s Hands”

That’s two Blaze tracks from The X Factor, in a row!  They could not be any more different from each other.  “Blood on the World’s Hands” is jazzy, with piano a’plenty and tasty jazz guitars.  This one swings fast and bold.  The scat vocals and drum break are a total delight!

9. “Stranger In A Strange Land”

Back to Somewhere In Time with a song that doesn’t get enough attention.  Here’s some attention for ya!  The mood of the lyrics is captured in this somber, acoustic version with violin as the feature instrument.  The words are based on the lost Franklin Expedition, marooned somewhere in the Arctic ocean far from civilization.  The fabulous guitar solo is pretty much note-for-note to Adrian Smith’s original.  Maiden fans far and wide are likely to enjoy this one, one of the less quirky songs on the album, though still a departure.

10. “Flash of the Blade”

Powerslave time, with a Celtic jig and a violin.  The violin handles the main riff, which is performed with hammer-ons when played on guitar.  Here is the swipe of the bow.  The layered violins also re-create Maiden’s guitar harmonies.  The drum part is a perfect homage to Nicko’s signature original.   This magnificent metal masterpiece translates well to a new genre that we’ll call violin metal!  Unlike many of the other songs on the album, the lead vocal part is true to Bruce’s original.

11. “Wildest Dreams”

Is that Lemmy?  The newest song on the album, from Dance of Death, is clearly done in the style of Motorhead.  Everything about it screams “Lemmy”, from the distorted bass to the accelerated tempo.  And this was already a fast song to begin with!  Now it is breakneck.  An album highlight.

12.  “Futureal”

Best song on the album?  What if Bon Scott replaced Blaze Bayley in Iron Maiden?  This version of “Futureal” from Virtual XI poses that question.   Both the lead and backing vocals could be mistaken for Bon Scott era AC/DC.  The solo sounds like Angus.  There is even an added lyric referencing “Dirty Deeds”!  Honest, it is worth buying the album just for this version, which is so much fun that you’ll play it on repeat.  The tempo and vibe are based on “It’s A Long Way To The Top (If You Wanna Rock ‘n’ Roll)”.  You might even trick your friends into thinking it’s unreleased AC/DC track.  Give it a try!

13. “Nomad”

Very System of a Down/Serj Tankien in the vocals.  Very jokey.  Feels like a polka.  Not an album highlight, but brief.

14. “Sanctuary”

Also brief is this “Speed King” inspired version of the classic Maiden single.  Right to the tempo, distorted organ and the solos, it’s very Deep Purple.  “Speed King” is a great song to base a Maiden cover on; I’m sure they would approve.  If Purple wrote “Sanctuary” in 1970, this is what it would sound like.  The only difference is that this singer doesn’t scream, but he really shouldn’t since is a Paul Di’Anno song, not Bruce.

15. “Innocent Exile”

Another foray into electronica.  The programmed beats and music are accompanied by female lead vocals.  Not bad, because it’s a great Maiden song, but again not an album highlight.

16. “Public Enema Number One”

No Prayer for the Dying is represented here by this lovely acoustic ballad, with mournful vocals, accordion and a fretless bass solo.  Though it is a total contrast to the original, perhaps it captures the mood of the lyrics better than Maiden did it.

17. “Heaven Can Wait”

A wake-up call here as we’re bombarded with upbeat 80s New Wave.  Is the inspiration here the Talking Heads?  Regardless it’s tremendous fun and much shorter than Maiden’s original.

18. “Burning Ambition”

A B-side and a surprising choice at that!  This forgotten Maiden song works better as performed by Food For Thought, as an acoustic folksy version, with mandolin.  It’s all very Rod Stewart circa “Maggie Mae”.  If only it had Rod’s rasp.  This track is a lot of fun, especially if you love Iron Maiden deep cuts.

19. “Seventh Son of a Seventh Son”

Food For Thought chose to close the album with what is normally a Side Two opener, “Seventh Son of a Seventh Son”.  It works brilliantly in this position.  Unlike some of the abbreviated tracks on this album, “Seventh Son” is the full length, well over 10 minutes.  It begins very “No Quarter” (Led Zeppelin) to begin, with that John Paul Jones keyboard sound.  It gets heavy after the middle section, which could top the Maiden original.  The way they use the original music, but play it on different instruments, it fascinating to hear.  A track like this is tricky to re-arrange, but here it is!

Find this album.  Get it in your collection, and enjoy it over and over again.

5/5 stars

 

50 Years of IRON MAIDEN bonus episode: The Greatest Iron Maiden Tribute Album You Never Heard – Food For Thought

50 Years of IRON MAIDEN bonus episode: The Greatest Iron Maiden Tribute Album You Never Heard – Food For Thought

GRAB A STACK OF ROCK #130

This is an episode that we have been looking forward to since the very start of this series.  Tribute albums wouldn’t usually figure into our Iron Maiden story, but this is one that we felt so strongly about that there wasn’t even a question.  Check out Sweden’s Food For Thought, who did the best Iron Maiden tribute you’ve never heard.

With 19 tracks spanning the debut album all the way to Dance of Death, Now That’s What I Call ‘Kin Music / What Are We Doing This For? (2003) is the coolest tribute album you’re likely to hear.  Each track is performed in a unique style, from metal to folk to electronica, often in the style of known artists.  Therefore if you would like to hear “Sanctuary” done in the style of Deep Purple’s “Speed King”, you will hear it on this album.  What if Lemmy was in Iron Maiden?  Or Bon Scott?  All those questions will be answered tonight.

Harrison and Mike break down the album’s 19 tracks, including deep cuts, hits and a B-side. We also play song clips to illustrate our points.  It might not be an easy album to find, but our goal is to get your shopping for Food For Thought at the episode’s conclusion.

We hope you enjoy this episode and ultimately the album!  Tune into the premiere as we always like to interact in the comments.

 

Friday December 12 at 7:00 P.M. E.S.T., 8:00 PM Atlantic.  Enjoy on YouTube.

Past episodes:

Handy YouTube Playlist:

Coming This Week on 50 Years of Iron Maiden… A Chat with BLAZE BAYLEY

Harrison and Mike are thrilled to announce that this week on 50 Years of Iron Maiden, we have an incredibly special guest:  Blaze Bayley himself, the first Iron Maiden alumni to ever grace the show with their presence.  Thank you so much to Blaze for doing this.

In this interview, we cover:

  • Re-recording Wolfsbane.
  • AI, science fiction and technology.
  • The Silicon Messiah.
  • Virus.
  • Canada.
  • Who the King of Metal really is.
  • Mental Health.
  • And so, so much more.

Get ready this Friday for the premiere of our interview with the amazing Blaze Bayley!  You can find all things Blaze at BlazeBayley.net.

50 Years of Iron Maiden bonus episode: The Best of Blaze Bayley (edited for length)

50 Years of IRON MAIDEN bonus episode:
The Best of Blaze Bayley

GRAB A STACK OF ROCK bonus episode

In 1999, Iron Maiden reunited with Bruce Dickinson.  They have been going strong for a quarter of a century since.  Blaze, meanwhile, has had a solid solo career to celebrate.  Tonight we celebrate everything Blaze on 50 Years of Iron Maiden, to cap off his tenure in the band.

This episode from November of 2023 pre-dates our 50 Years of Iron Maiden series, but we felt now was a good time to edit it down to a reasonable length and give it a replay.  If you’ve seen this episode already, you can safely skip this bonus broadcast.  If you haven’t, we have edited this live show down to the Blaze basics and cut it to a digestible length.  All of Blaze’s career is included in this episode’s Top 11 song list.  Foregoing the traditional rules, Harrison didn’t just pick his 11 favourite Blaze tracks like Mike did.  No, Harrison technically picked 22 songs.  All Blaze solo, or Blaze Bayley-branded live versions.  Mike chose songs from all three eras of Blaze:  Wolfsbane, Iron Maiden, and solo.

Harrison and Mike only had one song in common.  That means combined we have given you 32 songs to check out.  Harrison and Mike also provided a lot of context and background to our picks, and we hope that this episode is in-depth enough for the Blaze diehards.  And we know there are Blaze diehards out there.  We see you in the comments!

We also took a look at some physical rarities:  Two Iron Maiden X Factor Japanese CDs, an X Factor singles box set, two lenticular Virtual XI CDs, a “Holy Grail” live album, one CD that Mike needs, one CD that Harrison needed but since acquired, and a Wolfsbane cassette.

We sincerely hope you take the time to watch this passionate, insightful episode about a singer that deserves more of your attention: Blaze Bayley.

 

Friday August 15 at 7:00 P.M. E.S.T.  Enjoy on YouTube.

 

Past episodes:

Handy YouTube Playlist:

WTF Comments: Iron Maiden “Proper 90s” edition

We knew we’d get trolls for The X Factor era of Iron Maiden.  There are lots of Blaze haters out there.  I just didn’t expect the exact type of troll we got in “Proper 90s”, a person who has met Iron Maiden.  This, therefore, makes him an expert.

Proper 90s left three comments during the premiere of The X Factor:

  • “I think you guys have lost the programme.“

I replied “Thanks”, as I often do to nonconstructive feedback.

  • “How about listen to ‘Live After Death‘ and take it from there.”

I informed him that we did Live After Death months ago, and he was now watching Episode 18.

  • “Have any of you actually met anyone from the band? I have. This entire thing is BS.“

We have no idea what we got so wrong.  At that point of the show we were discussing our lyrical interpretation of the themes on the album.  I am guessing he took objection to that.

Everyone told him to fuck off, and he did!

 

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Handy YouTube Playlist: