REVIEW: Judas Priest – The Best of Judas Priest (Insight Series reissue)

Welcome back to GREATEST HITS WEEK! This week we are looking at different, interesting hits albums from various bands. Today we visit the Mighty Priest!

Monday:  Extreme – The Best of Extreme: An Accidental Collication of Atoms? (1997)


Scan_20150808JUDAS PRIEST – The Best of Judas Priest (1978 Gull, 2000 Koch Insight Series reissue)

The abbreviated story:  Judas Priests’s first two albums, Rocka Rolla and Sad Wings of Destiny, were released on Gull records.  Priest’s first album for Columbia was Sin After Sin in 1977.  When they made the move to the bigger label, they lost all rights for their first albums to Gull.  The label proceeded to issue and reissue unauthorized compilations of those songs.  They even had Rocka Rolla remixed in its entirety by Rodger Bain and reissued in 1981 as part of the double album Hero, Hero.

The Best of Judas Priest was the first exploitive release by Gull, in 1978.  It would have been frustrating for the band to be out there promoting the new album, Stained Class (1978) when the unauthorized Best of hit the shelves.  Whenever asked about it, Priest have discouraged fans from spending their money on these Gull releases.  That was especially true when Best of Judas Priest was reissued again in 2000 by Koch records as part of the “Insight Series”.  They even placed a disclaimer on the official Judas Priest site advising fans to stay away from this CD in particular.  What really seemed to chap their collective ass was that the “Insight Series” contained a lengthy interview with former drummer John Hinch, who was really in the band for only a short time and was fired due to “lack of ability” (their words).

We at LeBrain HQ have acquired a copy for research purposes!

The Best of opens with 10 minutes of slow sludge from Rocka Rolla in the form of “Dying to Meet You” and “Never Satisfied”.  Poor sequencing aside, it is surprising that the up-tempo “One for the Road” is nowhere to be found.  Some heat is finally in the kitchen on Joan Baez’ “Diamonds and Rust”, an early unreleased version.  This too must have peeved the Priest.  This was recorded during the Sad Wings of Destiny sessions, but ultimately left off the album.  Not wanting to let the arrangement go to waste, it was re-recorded for Sin After Sin with Roger Glover producing. This earlier version, out the following year, probably confused a few fans who bought both albums.  The Sad Wings version is of high quality.  It lacks the crispness of the Glover recording, but should be absolutely essential to collectors today.  It can be found on a number of releases including Hero, Hero.

“Victim of Changes” was and is a high water mark.  It’s actually an amalgam of part of a song Rob Halford wrote (“Red Light Lady”) with a song by original Priest singer and founder, Al Atkins (“Whiskey Woman”).  To this day, has Halford ever used his scream more effectively?  “Victim of Changes” is nothing less than a desert island classic.  “Victim”, and the rest of the songs, all come of Priest’s immortal second album Sad Wings of Destiny.

“Island of Domination” is not a place you want to visit:  “We gotta get, we gotta get, we gotta get out of this place.  There’s a man with a needle who’s pleading to get to my face.”  The speedy metal delight keeps you there anyway.  “The Ripper” is a brief but undeniable classic, another highpoint from the Gull years.  Finally, “Deceiver” is separated from its first chapter, “Dreamer Deceiver”.  It does sound odd without its companion, but for a brief and explosive rock song to end a side of vinyl, it is certainly more than up to the task.

Finally there is the infamous 18 minute John Hinch interview that so upset the Priest camp upon its release.  Hinch discusses his history with the band, going back to forming a band with Rob Halford called Hiroshima.  Perhaps the guys in Priest were peeved when Hinch recalls playing on the same bill as Judas Priest, who he says were “horrible”.  His description of KK Downing as a “strutting lead guitarist [with] long blonde hair,” isn’t complimentary.  Ian Hill invited Rob and Hinch to join the band to replace Al Atkins, and their drummer Chris “Congo” Campbell.  According to Hinch, they did so reluctantly and with a desire to change the name.  This critique turns to praise, especially after Glenn Tipton joined the band to fill out the sound.  Perhaps his recollections don’t match those of the band, but it is otherwise impossible to find any other interviews with the drummer from Priest’s first album.  If you want a perspective from the drum stool in 1974, here it is.  What’s missing is any comment on why he was let go.

Ultimately it is up to the fan to decide where to draw the line on what to buy, and what not to buy.  Since the early “Diamonds and Rust” is also on Hero, Hero, one could choose to only buy that release, if they decide they don’t need the Hinch interview.  One could even buy both, or neither.  Personally speaking, I would have bought this anyway if only for the unique cover art.  It is your decision, but The Best of Judas Priest is a decent listen.

3/5 stars


  1. This is a bit cheeky. If you’re only going off of two real studio sessions its not worth a greatest hits. I feel like a band needs at least 4 albums before a greatest hits is appropriate. (Ideal world with business greed aside).

    Liked by 3 people

  2. My mom had quite a record collection, this album included. Records were past their prime when I was a kid, so we abused them. Eventually, they all left the house, whether by yard sale, attrition, or just plain breakage from being used like a frisbee. Today I collect vinyl myself and I can’t believe what we let go.

    Liked by 1 person

    1. My mom may have done even worse with her records. Not only are they badly worn, but she cut McCartney’s face out of the records for her old locker!!!! I think Roy Orbison may have suffered the same fate.

      Liked by 1 person

  3. Awesome review! I’ve always thought ‘best ofs’ are a label-driven release. What are your top 4 Priest albums?


  4. Well Done Mikey…Priest for me started with Unleashed In The East …I just never delved into there back catalogue. No reason why just never got around to it….by this review I enjoyed reading it and listening to the clip so In other words……back To Unleashed!


  5. Gull was going under so I can see how they would try and use their top name act to make a cash grab. I wonder that since Gull went under in 1984, if the band had to pay royalties for the first 2 albums

    Liked by 1 person

  6. Hmmm. This is intriguing. I’m not familiar with any of this Priest stuff. Shabby business by the label, but seems that was a common practice way back when (Sun Records really made loads on Cash and Elvis when they moved on). But yeah – points for the album art. I dare say I’d be tempted if I saw this for a couple o’ pounds.

    Liked by 1 person

  7. Greatest hits albums suck. All of them do. Complete waste of polycarbonate, your money and your time. Perhaps a gateway drug to eventually enjoy a true studio album? That being the only merit of ANY greatest hits album. With the exception of the Rheostatics calling their debut album .. Greatest Hits.

    Liked by 2 people

        1. At least he probably acknowledged people unlike a certain person at certain record store in downtown Kitchener today.
          Not a hi, not even look up. Banging stuff behind the counter and acting pissed off must be the new sales technique.

          Liked by 1 person

        2. We’re probably thinking about the same guy from the same store. (I used to call him “Zed” because I thought he looked like the guy from the pawn shop in Pulp Fiction.)

          I had one customer, whom I won’t name, who came to me specifically after shopping there and being pissed off at the service. He came in to me, I won him over, and he was my customer for good from then on.

          Liked by 1 person

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