REVIEW: The Essential Kinks (2014)

THE KINKS – The Essential (2014 Sony)

A question I often get is “Have you heard ‘x‘ by ‘band y’?”  I’m always eager to offer up opinions, but like any other music collector, there are albums I simply have not heard yet.  Friends and fellow writers continually offer fantastic suggestions, but time and money are always limited.  I like to listen to my old music too, and not just stuff that is new to me all the time.  Getting caught up on bands I may have missed is a time consuming process.

The Kinks are one such band.  Growing up as a rocker, I was aware of their hits and the overall narrative of their career.  As an adult, I wanted to start with a compilation.  When you have a band with a career as long and varied as The Kinks, I very much enjoy getting a snapshot of the whole thing rather than pick off albums one by one.  Sony’s double disc Essential Kinks is 48 tracks of rock from 1964 to 1993.  It’s a rather monolithic slab, but it does tell a story.

The beginning is hard and ragged British invasion rock and roll, and the road is windy.  Whether you know these tunes from movie soundtracks (“Nothin’ in This World Can Stop Me Worryin’ ‘Bout That Girl”) or Van Halen riffs (several), many songs are familiar.  Early on, their pop and rock stylings could be compared with equal respect to that of those Beatles.  The songs are just as unique, memorable and British.  The charismatic vocals of Ray Davies immediately capture the imagination.  His knack for melody is uncanny.  As time goes on, their music becomes more unique and conceptual, but no less captivating.  It is here that I discovered my favourite Kinks song, “Apeman”.

Perhaps I shouldn’t be too surprised that I already knew many of these songs as covers.  Queens of the Stone Age did “Who’ll Be the Next in Line”.  Def Leppard did “Waterloo Sunset”.  The Jam tackled “David Watts”, and made a hit out of him again.  I can also hear a lot of Dave Davies’ guitar in the rock bands that followed.  There is no denying the influence of the Kinks.

The only imperfection with this compilation is that live tracks are substituted for studio ones on “Lola”, “Till the End of the Day” and “Where Have All the Good Times Gone”.  You’ll tell me “just buy the albums, then” and to that I respond, “OK”.  (“Lola” live is a single B-side.)

I’ll be lazing on a “Sunny Afternoon” with the Kinks.

4.5/5 stars

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30 comments

  1. You approach bands the same way I do. Listen to a compilation album from them and decide if you want to explore them further. However, you can’t deny the contribution the Kinks made to music over the past five decades.

    Liked by 1 person

  2. They made aome pretty awesome tunes.
    It’s too bad they kind of fizzled out. The last song I remember was Come Dancing, and during the 80’s I was not digging songs like that.

    As for that video, it was really nice of Lola to let the boys wear her coats.

    Speaking of Lola, the original lyrics were Coca Cola and not cherry cola.

    Liked by 1 person

      1. Reckon so, Mike. The one I had was a cheap ‘20+ hits’ disc of some sort. Very good, but sadly gone! (I have been known to be careless with discs, by loaning them to folks who have held on to them or dropped off the radar).

        Liked by 1 person

  3. “Lola” wasn’t a B-side. It’s on a great album called Lola Versus Powerman and the Moneygoround, Part One. The b-side of the “Lola” single in the USA was “MIndless Child of Motherhood” – I know this because I played it many times on jukeboxes.

    Liked by 1 person

      1. As S.E. Hinton would say that was then, this is now.
        I was a metal head in the 80’s and Come Dancing was too happy and light.
        My musical tastes have changed 100 fold since then and I can appreciate it now.

        Liked by 1 person

        1. I would have hated it back then too. I first knew it was the Kinks when a girl at work played the compilation Come Dancing. And I was surprised it was them. Blew away my preconceived notions.

          Like

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