Part Five of Five
RATT – Detonator (Originally 1990, 2020 reissue — The Atlantic Years 1984-1990 box set)
Hit the emergency breaks! If Ratt were spinning their tires commercially, then Atlantic sought to change course. Producer Beau Hill was given the deep six, and new stewardship was sought. Desmond Child was one of the most successful writers of the 80s, and so Child was hired to co-wrote every song on Detonator. From his stable of talent came co-producer Sir Arthur Payson. Even Jon Bon Jovi showed up for a backing vocal. (Returning the favour, Ratt’s Robbin Crosby played on Jon’s own Blaze of Glory.)
Needless to say, the fifth and final Ratt album on Atlantic was a change in direction. The album split fans, with some balking at the new commercial sound of the band. Others appreciated the slicker, tighter songwriting.
Opener “Shame Shame Shame” (and its “Intro to Shame”) is a gleaming example of the new collaboration, bearing sweet fruit. The bite of the old rodent remains, and the song is trimmed of any fat the old Ratt was carrying around. Warren’s guitar tone is buttery beauty. While DeMartini shines, Robbin Crosby was noticeably less involved with this album. He was suffering from addiction and only has two credits on Detonator. He had six on Reach for the Sky.
“Lovin’ You’s A Dirty Job” was the lead single, and indicates even the squeaky clean Desmond Child couldn’t scrub Ratt free of sleaze. He helped make them more effective at it, and the result is a song reminiscent of “Lay It Down”, but without the menace. The next track “Scratch That Itch” has a hint of the heavy Ratt from Dancing Undercover. The guitar smokes even if the melody does not. But then, “One Step Away” is virtually all melody! It is nothing like the Ratt N’ Roll of the past, but is an undeniably catchy summer rock tune. It sounds more like a Poison single, but with more bite. It could even be the album highlight.
The album has some surprisingly tough deep cuts. “Hard Time” is simple and effective. Pearcy shows his fangs and Desmond keeps it melodic. “Heads I Win, Tails You Lose” is…less effective. You can definitely hear Jon on it, and at least Warren’s lead guitar tone is brilliant. Otherwise it is filler. “All Or Nothing” and “Can’t Wait On Love” are the two Robbin co-writes. These are some of the most Ratt-like tracks. Quite a lot stronger than the usual Ratt album cuts.
“Givin’ Yourself Away” is quite un-Ratt. This is not a band known for their ballads. Pearcy isn’t that kind of singer. “Givin’ Yourself Away” only works in its context: a song written for radio in the last dying days of the hard rock era, right down to the contrived key change at the end. It is thick with backing keyboards. Diane Warren and Desmond Child co-wrote it with Pearcy, so you can use your imagination. The people it was written for (Bon Jovi fans) will love it.
Closer “Top Secret” is closest in sound to old-school Ratt. It could have been on Out of the Cellar for the vibe it exudes.
This CD, more than the others in the series, is packed with bonus tracks. Two tepid remixes of “Lovin’ You’s A Dirty Job” are here for the collector. But what some people forget is that before they split, Ratt released one more amazing tune: “Nobody Rides For Free”. This stripped-back gem was from the Point Break soundtrack in 1991 — the opening track on it, in fact. It was the first music video to feature Ratt as a four-piece without Robbin Crosby. Yet it remains a tough, mean Ratt track with great lyrics and chorus. Maybe better than anything on Detonator itself.
Detonator, like most Ratt albums, is a bumpy ride. This time the valleys are deeper, but there is also less pure filler. The result is a Ratt album that is a more consistently entertaining listen. The slicker production isn’t an impediment to enjoyment. But it didn’t save Ratt’s fortunes. Crosby was out, and the band was put on ice shortly after. But like most rodents, Ratt was hard to get rid of!
3.5/5 stars
The Atlantic Years 1984-1990:
Man, I am the contrarian here as I love this album, so much so it is my favorite!! I like the slick production, the writing is better and everyone sounds great. It rocked out from beginning to end for me. And I even liked the ballad. Top Secret is an old track back from 1982 with Jake E. Lee I believe. Great song.
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That makes sense. It sounds the most like old Ratt. I’m with you John, the writing is better. I’m not too keen on that ballad but otherwise we are in sync.
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I bought this album but never gave it a chance as I was moving away from this music by the time this came out. I tried selling the album shortly after it came out but couldn’t even give it away (we had no second hand shops in my town.). I’m not even sure i even listened to it in its entirety. Thirty years later i gave it a shot as I was revisiting the Ratt discography and, what do you know, this is pretty dang good. I have no hang ups about pop music anymore so I don’t mind the Desmond Child commercial rock songs and it does still have the Ratt sleaze (how could you not with Pearcy singing) with songs like Shame Shame Shame with that amazing riff. The deep cuts are, in turn, much better than the equivalent cuts on the last two albums, at least. Hard Times, All or Nothing, and Cant Wait on Love are strong. A definite step up from the last two albums and probably my third favorite from them. And they still had one more good album left in the tank.
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Thanks sorry for the late reply! Glad to have some backup for my opinion on this album. I still like it a year later.
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One more thing. Considering that this was album 5 for Ratt and considering when it came out, it’s really kind of a miracle that it went gold. In addition, other than tier 1 bands, which Ratt probably never was, it is just not all that common for bands to still be getting hardware five albums in. Almost none of the 80s bands did it (heck, many didn’t even make it to album 5 before reunion cash-ins much later). It is a pretty solid achievement.
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Good point that I had not considered before.
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Contrarian!
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Are you identifying, or accusing?
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Whichever one most people don’t want me to.
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I want to think you like this album.
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Interesting. I’d never even been aware this existed!
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Now I have almost all the Ratt. I just need two albums and a couple singles.
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I hope you find them, otherwise you might exclaim “ratts!”
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This album I thought was very good. Surprised it did not sell but the times were a changing
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Sorry, not sure why i submitted my comments as replies to another comment.
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this is a great record. I enjoyed the commercial aspect to it and the hooks, even the ballad made it to a mix tape.
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Sounds like they went all out for this one with the outside help. I’m surprised. I was sure the music industry would have given up on them by now.
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