RECORD STORE TALES Part 187: A Day in the Life at a Record Store
Re-enactments of actual in-store events
90’s rock
REVIEW: Def Leppard – “All I Want Is Everything” (2 part CD single)
Part 3 in my series of Def Leppard Slang reviews!
Part 1: “Slang”
Part 2: “Work It Out”
DEF LEPPARD – “All I Want Is Everything” (1996 two part Mercury CD single)
“All I Want Is Everything” was the first song from Slang that we got to hear. Def Leppard first revealed a live unplugged snippet on their Video Archive VHS. I was still surprised when I heard the whole studio version: It is a lot darker than I expected. I love it, don’t get me wrong. I love its sparse, organic sound. I think the chorus and verses are fantastic, but even better is the bridge.
A lot of my customers were turned off my Slang and songs like “All I Want Is Everything”. While I could argue that this song is every bit as good as “Hysteria” or “Stand Up (Kick Love Into Motion)”, it is obviously a lot darker. But it was also 1996. In 1996, bands like Def Leppard moved with the times. Bon Jovi made similar adjustments. This is no singalong hit, but it is quality songwriting and production.
Next up on disc 1 of this single is “When Saturday Comes” performed by Joe, Phil and Sav. This is apparently for a movie also called When Saturday Comes. This song would be more satisfying to those wishing for an older school vibe; indeed it is a dead ringer for Van Hagar. It is anthemic with some shredding from Phil. It wouldn’t make my own personal Def Leppard mix tape, but I thank them anyway for including the song so I wouldn’t have to hunt down an obscure soundtrack. “Jimmy’s Theme” performed by the same trio is an instrumental from the same soundtrack. Out of context from a film I’ve never seen, it doesn’t do much for me. It’s a nice slow blues with Phil playing some elegant melodies. But it’s just “nice”, I don’t regularly come back to this one. The CD ends with an edit version of “All I Want Is Everything” (whoop de do).
Disc 2, for whatever reason, also includes the same two versions of “All I Want Is Everything”. Why not just put the album version on disc 1, and the edit version on disc 2? Small gripe I guess but it got tedious when I had both discs in the changer and was too lazy to skip.
Also on disc 2 are a couple tracks from the Jeffology tribute record. Phil Collen does “‘Cause We’ve Ended As Lovers”. Personally I don’t think anybody can touch Jeff Beck on this one. In fact Beck is so awesome on this, especially live, that I don’t really see the point of listening to a cover version. Sorry Phil, that is nothing against your playing, which is really really great, especially when you start cookin’ around the 4 minute mark. I just think nobody’s even in Beck’s league on this one, and I think that’s a fair assessment.
Vivian Campbell does “Led Boots” from Wired. I love the original “Led Boots”. It’s just funky, chunky and fucked up. I think Vivian’s style is more suited to Beck than Phil’s is. This is an enjoyable listen, Vivian gets to shred a bit. It’s definitely less fucked up sounding than the original, but Vivian is just a pleasure to listen to, he is clearly enjoying himself.
The “Work It Out” single previous to this contained post cards of the first four Def Leppard albums. CD 2 of “All I Want Is Everything” has the final four: Adrenalize, Retro-Active, Vault, and Slang.
3/5 stars
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REVIEW: Def Leppard “Work It Out” (2 part CD single)
Part 2 in my series of Def Leppard Slang reviews! If you missed the first part, click here for “Slang”.
DEF LEPPARD – “Work It Out” (1996 2 part CD single, Mercury Records)
The second single from Def Leppard’s ill-fated but cult-favourite album, Slang, was the modern, powerful “Work It Out”. This immediate winner had drony 90’s qualities and organic, acoustic drums in addition to Rick’s electronics. It sounded like a breath of fresh air for this band, a clever reinvention that kept them fresh, melodic, guitar-oriented and layered, without resorting to stigmatized 80’s sounds such as squealing solos and shout-along choruses.
The cool thing is that the song was originally very different! This was Vivian’s first serious contribution to the band, and he brought it in completely demo’ed with him singing. It’s a much brighter, poppier version, some have compared it to Crowded House! It’s very 90’s pop-rock. That version is included on the CD 2 of this set!
“Move With Me Slowly” is a non-album track, maybe you’d call it a ballad, I dunno. It’s soulful, and there’s some really elegant guitar work going on here. I don’t know what’s Viv and what’s Phil, but all the playing here is soulful, bluesy and perfect. It’s songs like this — a B-side! — that prove what awesome songs this band can write. If this song had come out in, say 1990 instead of 1996, it would have been hallowed Def Leppard, another hit for the record books. According to the liner notes, this would have been the Japanese bonus track on their edition of Slang.
“Two Steps Behind” is the typical acoustic arrangement, live at the BBC Radio One Studios, in 1995 while the band were out promoting Vault. “Truth?” is a very different version from the album. Initially it starts the same, but goes into a completely different, much heavier set of verses. It’s bass heavy, less exotic, and more thunderous than the album version. All told, the album version is superior, but it’s basically a different (but related) song. It has some riffs and melodies in common but otherwise it may as well have a different name. This is a good example of how Def Leppard’s work ethic can turn a good song into a great one. This early version was not quite there.
The second CD came with a really cool set of post cards, of the first four album covers. The next four covers came with the next single, which was “All I Want Is Everything”. Coincidentally, that will be the next review in this series. Stay tuned.
4/5 stars
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Part 184: Alan Cross
RECORD STORE TALES Part 184: Alan Cross
In 2003, we did a promotion with the Canadian DJ and writer, Alan Cross. We were selling his book, although I couldn’t tell you which one anymore, and he came in to do a meet & greet / book signing deal.
I had no idea who Alan Cross was.
All I know is that I had to run down to Hortons and pick up a large container of coffee and some donuts. And not to be alarmed, because he had a large dog that he was going to be bringing with him. No problem, I liked dogs, and Al King from Encore Records had a large dog that he often brought with him.
Anyway, long story short:
1. The dog was cool, sat there quietly and bothered nobody. I would have assumed the dog was dead if I didn’t know better!
2. Alan was cool to everybody. We had a small turnout, but the people that did come out were obviously huge fans of this guy that I had never heard of. I wasn’t into the radio at the time, but even my most recent ex, Radio Station Girl, had never heard of him either. Her reason for not knowing him was that she knew nothing about music. My excuse was that Cross specialized in alternative music, a genre I tended to loathe for sidelining my beloved heavy metal in the 1990’s.
But regardless, Alan was cool and spent a lot of time with every single person. He had extended conversations and stayed longer than he was booked to stay. So credit where credit’s due: I’ve heard tales of people showing up to do signings and acting like total dicks. Alan was not one of those people. Every single person who spoke to me said how cool he was. Which was nice, since I had no idea who he was! At least I knew he was a nice guy!
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REVIEW: Def Leppard – “Slang” single (Souvenir Pack)
DEF LEPPARD – “Slang” (1996 Souvenir Pack, Mercury)
I think Slang is a great album, and I think I’m going to talk about it soon , as I’m on a bit of a Def Lep kick these days. Yesterday I ripped this CD single, a 1996 “souvenir pack” with two bonus tracks and four post cards commemorating the band’s “Three Continents in One Day” concerts. Vancouver was the last stop — look how tired Rick Allen must be in the photo.
Slang, in many respects, was as forward-looking from Hysteria as Hysteria was from Pyromania. It was a reset, a brand new way of doing things, more organic and modern. Yet at the same time, even though it sounds nothing like classic Leppard, it still retains the impeccable attention to detail. Production-wise, it’s not the same beast, but it’s still a beast.
“Slang” itself was a brave choice for a single, and it did alienate many old-school fans, at least where I was working. Others dug it and got it. It’s a fun song verging on rap-rock, but really, isn’t that OK? Didn’t Def Lep kinda-sorta probe those waters with some of the singles from Hysteria? Bottom line, it’s catchy, fun, has the Def Leppard vibe without sounding like anything they’d done before. It’s a good song. The fact that they played it live during Viva! Hysteria in Vegas is proof!
The B-sides on the single include a “strings and piano only” version of “When Love & Hate Collide”, perhaps the most overrated Def Leppard song ever. I have so many versions of it, I really am not certain if this version is on anything else. It does have vocals, and even a guitar solo despite the description! This is just a remix with most of the instrumentation stripped off.
The other B-side is a really cool non-album track called “Can’t Keep Away from the Flame”. It’s acoustic but upbeat and cool. Production-wise, this is very basic compared to Slang: acoustic guitars, vocals, shakers. But it’s also really good, with a cool guitar part, totally memorable. Since then, Leppard’s recorded a lot more acoustic music but for 1996 this was definitely a standout.
According to the price tag, I bought this at Dr. Disc in Kitchener Ontario in May 1996, for the princely sum of $13.99. Money well spent, I have enjoyed these songs a lot over the years.
4/5 stars
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