Breadfan

REVIEW: Metallica – Enter Sandman (Remastered 2021 German CD singles)

METALLICA – “Enter Sandman” (Remastered 2021 German CD singles – 5″ Maxi CD and 3″ Pockit-CD)

The Black Album box set is coming!  Batten down your wallet because it looks absolutely incredible.  Yet on the 14 CDs and 6 DVDs, you won’t find the specific live tracks released only in Germany on the new set of “Enter Sandman” CD singles.  (There is also a glow-in-the-dark vinyl single, but it is missing the live tracks.)  All the discs maintain the style and design of Metallica’s original 1991-1992 singles.  This is an appetiser for what is to come, including two of the newly remastered Metallica tracks.  Proceeds went to German charity.

“Enter Sandman” and “Sad But True” are the two remastered studio cuts included.  The remastering sounds good and the tracks are not brickwalled.  Fans will be pleased to know that Metallica opted out of the Loudness Wars this time.  Good thumping bass, nice and prominent.  Crisp, clear, and loud enough.  “Sad But True” is really punchy.

The live tracks are all taken from Frankfurt or Stuttgart, shows not included in the box set.  The 5″ Maxi-CD and 3″ Pockit-CD each contain two exclusives.  Just like in the days of old, you have to buy both formats to get all the tracks.

“Through the Never” is one of the thrashiest songs from the Black era, and the very dry recording here is evidence of non-tampering.  Tasty wah-wah from Kirk Hammett.  “Damage, Inc.” brings thrash the old school way, Metallica as frantic as ever, barely holding it all together, but making the heads bang no matter what.  By the end it’s a total steamroller.

The teeny little 3″ CD is no less mighty.  “Of Wolf and Man” is choppy and heavy.  Hunting relentlessly like the titular wolf, Metallica are out for blood.  What’s really wild is the long jammy section at the end which contains a surprise.  Finally the Budgie cover of “Breadfan” ends the whole series of tracks with an explosive go-for-the-throat attitude.  Sloppy but foot on the gas the whole way.

What’s better than a wicked set of Metallica CD singles, including a 3″?  What could beat that?  How about if both discs were pressed in black plastic?  Would that do anything for ya?  These limited singles are sure to be collectible for their exclusive tracks and unique traits.  Try the German Amazon site for international shipping.  Contrary to a report in Bravewords, these singles do ship worldwide.

4/5 stars

REVIEW: Metallica – “One” (Japanese 5 track single)

It’s the end of the Week of Singles 3!  Since it’s Friday I have to leave you with something a little more special.  If you missed any of this week’s singles or EPs, click below!

METALLICA – “One” (1989 Sony Japan 5 track single)

While there is no doubt that this single is indeed rare, when T-Rev and I shared an apartment together in the late 90’s, we both owned a copy.  We figured we must have had the only living room in the country with two Japanese copies of the “One” single by Metallica.  I believe both of us acquired our copies via the record store.  (Unfortunately, neither of us had the obi strip.)

Along with the full 7 1/2 minute version of “One”, this single presents Metallica’s excellent cover of Budgie’s “Breadfan”.  Metallica’s take, which emphasizes the heavy parts, is awesome.  It was “Breadfan” that inspired me to check out Budgie, and then discover yet another one of my favourite bands.  “Breadfan” was always a monster; Metallica simply turned it up.  It is a song that they were born to cover anyway.  The unusual thing is that “Breadfan” is one of Budgie’s most notably bass-heavy tracks (from a bass-heavy band anyway), but Metallica’s cover comes from Metallica’s least bass-y period.  I’m sure Newsted must be digging in deep to play those Burke Shelley bass rolls, but you can’t hear him clearly enough.

Next are two live bonus tracks:  “For Whom the Bell Tolls” and “Welcome Home (Sanitarium)” from Dallas, Texas, February 5 1989.  (The 7″ and 12″ singles contained different live tracks:  “Seek & Destroy” and “Creeping Death” respectively.)  I think this period of live Metallica is among their best.  Hetfield’s voice had filled out to max out on the menacing scale.  Newsted was an able replacement for the late Cliff Burton, and I enjoyed his backing growls on “Sanitarium”.

Last and rarest is the original demo version of “One”.  It was recorded to four-track tape:  drums, James’ guitar, vocals, Kirk’s guitar.  That’s right – because it’s only four tracks, there’s no bass!  (Insert jokes about the …And Justice For All album right here: _ _ _ _ _ _ _ _ _ _ _ _ _ .)  This demo was recorded in November 1987, and unlike many Metallica demos, this one has lyrics.  “One” was a fully-formed song in the demo stage, with only a couple parts unfinished.  It’s remarkable and I’m sure Metallica had no idea in 1987 that what they were writing was going to become a rock classic.  As confident as they probably were, I’m sure nobody in Metallica said, “In 25 years we’ll be playing this at the Grammy awards.”  Yet it’s all there; 95% of the very song that would be played at the 2014 Grammys, with Chinese pianist Lang Lang.

This is a great little treasure and I’m sure “one” day (stinky pun) I’ll add the 7″ and 12″ singles to my collection to get the other two live tracks.

5/5 stars ONE_0003