DENNIS DeYOUNG – Back to the World (1986 A&M, 2013 BGO reissue)
Though his solo debut Desert Moon was a moderate hit, Dennis DeYoung took no time off and was back with a second album two years later. Still using Tom Dziallo on guitar, Dennis also added C.J. Vanston on keyboards. With Dennis being an acclaimed keyboardist himself, was this too much of the instrument? Once again, DeYoung wrote everything himself, with no cover tunes this time.
Opening the album is the theme from The Karate Kid II, “This Is the Time”. Fortunately the song is a lot better than the film. With emphasis on saxophone and keyboards, this is a pleasant, anthemic light rock theme. With some exposure, it could have been a minor hit, but fortune was not with Dennis this time. The track only made it to #93, while the album peaked at #108.
“Warning Shot” has a bombastic Styx-like opening, though with less emphasis on guitar. Dennis’ singing here is top notch, employing a lovely falsetto when necessary. When the chorus hits, it feels like this is the Dennis we have been waiting for. A spectacular guitar solo brings it into a classic rock realm, but really “Warning Shot” is all chorus. A host of backing singers join in and the song launches into the stratosphere. It should have been a single.
The biggest hit, the ballad “Call Me”, was the single, which hit #5 on the Adult Contemporary charts, where no Styx fans were likely to hear it. It has some nice saxophone textures, but it’s unremarkable and will always live in the shadow of Dennis’ better known ballads. It’s just too light. “Unanswered Prayers” is better, with some lyrical guitar work in the intro and solo. This slow number feels like a nice one for a slow dance, but the album needs a jolt of energy and this isn’t it.
Opening side two, “Black Wall” is darker and harder edged. It’s a slow burner with focus returning to the guitar. It is not exactly the energy injection we need, but at least it is a change of direction. The “Black Wall” in the title refers to the Vietnam Veterans Memorial, in Washington D.C. The powerful music is suitably dramatic and deliberate, with the soulful backing vocalists dominating the chorus.
A bluesy harmonica solo introduces “Southbound Ryan”…but the electronic tom tom drums just jar you when they come in. Fortunately once that’s out of the way, we’re onto one of the best tracks on the album and the shot of energy we so desperately needed. A smoking horn section blasts forth, and the tempo is finally hot! That horn section is like the jelly in a PB&J! So sweet, so good, just the perfect punch for a song that deserved it.
Fortunately, the tempos and horns remain on the next song, “I’ll Get Lucky”. We’re definitely in the 80s now, with more keyboards and programming at the forefront. Notably, C.J. Vanston contributed a rocking instrumental section in the middle. The song is a bit jerky, going from dense sections to sparse ones, and it feels bumpy compared to the prior one. Would it have been better had Dennis just played it simple instead of trying to get so clever with the production? Once again, Dennis produced the album himself.
The final song, “Person to Person” has a Styx-like vocal and might have worked on one of the later albums. It’s a little too savvy for a pop record, which is a good thing. Had Styx done it, hopefully it would have less synth and corny toms, but it was 1986 and that was the sound to have. At least Dennis closed the album on an uptempo note, and a song with a memorable chorus.
Had Dennis employed an outside producer, perhaps his first two studio albums would be more even. Back to the World and Desert Moon share this problem. Both albums sag in spots, and despite some awesome songs throughout, there are not enough of them.
3/5 stars
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