SPINAL TAP – “Bitch School” (1992 MCA CD single)
From the album Break Like the Wind
SPINAL TAP – “Bitch School” (1992 MCA CD single)
From the album Break Like the Wind
SPINAL TAP – The Original Soundtrack Recording from the Motion Picture “This is Spinal Tap” (1984, 2010 Universal remaster)
In true Spinal Tap fashion, it turned out that I reviewed their albums in the wrong order. I went backwards, and the soundtrack to the motion picture This is Spinal Tap is the last Tap album for me to scrutinize. Though Spinal Tap is a parody band made of actors Michael McKean, Christopher Guest and Harry Shearer, it is easier to just refer to them as David St. Hubbins, Nigel Tufnel, and Derek Smalls.
If you happened to go through life without owning a single soundtrack album, then you must reverse that situation immediately. All self-respecting rock fans must be able to laugh at the absurdities of their favourite genres, and Spinal Tap represent every mis-step that legendary rock bands ever took. Spinal Tap forced real life rockers such as Judas Priest and Ronnie James Dio to laugh at themselves; a healthy undertaking. Even though some artists didn’t see the humour in the movie This is Spinal Tap, others did and were quick to claim that certain scenes were actually based upon them!
The single/video “Hell Hole” opens the album, a rare Nigel lead vocal with David St. Hubbins on the chorus. According to the helpful liner notes, this track was from Tap’s then-new reunion album, Smell the Glove. Scorching guitar from St. Hubbins and Tufnel; slamming drums from Mick Shrimpton and spot-on organ by Viv Savage: it’s all here. And let’s not forget the band’s secret weapon Derek Smalls on bass and backing vocals, thickening up the mix like a good brown gravy….
I always think of “Tonight I’m Gonna Rock You Tonight” as the song on which something is all but guaranteed to go wrong, live. In the studio it’s a taut rocker with explicit lyrics: “You’re sweet but you’re just four feet and you still got your baby teeth, you’re too young and I’m too well-hung but tonight I’m gonna rock ya!” Lock up your daughters, but you don’t want to miss this scorching classic from 1974’s Intravenus de Milo.
“Heavy Duty” is a concert classic, originally from Bent for the Rent (1976), but to me it has long overstayed its welcome. It is a mere skeleton of a song with not enough raw meat. It does ask an important question in the lyrics, “Why waste good music on the brain?” Interesting inquiry David; something to get the metal masses thinking. For fans of Nigel Tufnel’s signature shredding, you will find much to love in his solo for “Heavy Duty”. Moving forward to 1977, we are next treated to the title track from Rock and Roll Creation, Tap’s misguided collection of rock and roll psalms. Thankfully the track “Rock and Roll Creation” itself boasts one of the band’s strongest choruses, though it is certainly hard to forget the scene in the movie when Derek fails to escape his pod.
The liner notes say that “America” is previously unreleased (I did not know that). It was barely in the film. This duet between Nigel and David boasts some heavy riffing, but not much in terms of melody. Lyrically the song recounts the experience of Spinal’s visits to America, “pretty womens everywhere, Brady Bunch and Smokey Bear!”
Side one of the soundtrack closes with “Cups and Cakes”, a pre-Tap single from 1965 when they were still known as The Thamesmen. This is a Tufnel creation about having tea. Predating Sgt Peppers by two years, obviously the Beatles must have taken inspiration from “Cups and Cakes” for their own songs. Strings and trumpets create the backing music while nary a rock instrument can be heard.
The legendary “Big Bottom” (from Brainhammer, 1973) was given some legitimacy when Soundgarden decided to cover it (as a medley with Cheech and Chong’s “Earache My Eye”). In this track all the axemen play bass — there are no guitars! Opening side two with a song that is all bass and no guitar was probably a genius move. I just can’t explain why. I’m just assuming. Unfortunately when Soundgarden covered it, they did it with guitars, failing to capture the mighty bass necessary to sing a song about bums.
“My baby fits me like a flesh tuxedo, I’d like to sink her with my pink torpedo”
From 1980’s poorly reviewed Shark Sandwich is the riffy “Sex Farm”. Though Shark Sandwich might be considered one of Tap’s worst, “Sex Farm” is one of their most enduring anthems. Readers of my regular feature here, Record Store Tales, may recall that my good friend Uncle Meat got written up at work for playing this song in store. Supposedly somebody called in to complain about the lyrics. This is Spinal Tap is his favourite movie of all time. “I realize there is some innuendo,” says Meat. “‘Plowin’ through your beanfield’…I just, you know, the thought of someone allegedly being so offended by Spinal Tap…” he trailed off. (You can see the story in video form here, as this very CD was one of the Top Five Albums that Got Us in Shit at the Record Store.)
The best tune on 1975’s The Sun Never Sweats was undoubtedly “Stonehenge”, and I would argue that it remains the greatest Spinal Tap song of all time. It is hard to encapsulate this opus in mere English. Tap take us on a trip back in time with both Tufnel and St. Hubbins sharing lead vocals. The mandolin break at the end is one of Tap’s most famous musical moments, as it is there that things often seem to go wrong in concert, regarding the giant Stonehenge prop that is supposed to appear on stage.
In my last year of high school, my mom bought me this soundtrack on cassette. That helped enable a group of my friends to do a Spinal Tap “air band” at our school’s annual air band competition! Lacking a mandolin player, they instead snagged one of our math teachers who played banjo, and had him come out on stage dancing in lederhosen. Absolutely brilliant. I’m glad to have participated in it in my own small way of lending the tape. Bringing Spinal Tap to the highschool masses? There must be an award for that.
The album comes to an end with two oldies-but-goodies. Back to the Thamesmen days, it’s 1965’s “Gimme Some Money”, the flip side to “Cups and Cakes”. The drummer was John “Stumpy” Pepys (Ed Begley Jr.), a “tall blonde geek with glasses” according to David. Pepys died in a bizarre gardening accident. This artifact from their skiffle period is best remembered for Nigel’s cool guitar solo. “Go Nigel, Go!” Then finally it’s “(Listen to the) Flower People” from the cumbersome titled Spinal Tap Sings “Listen to the Flower People” and Other Favourites (1967). The drummer on this track was Eric “Stumpy Joe” Childs, who sadly choked to death on vomit (not his own) in 1974. What is especially interesting about this track is Nigel’s use of the sitar, a full two years after George Harrison did on Rubber Soul. Spinal Tap were exploiting the hippy movement and this track was one of their greatest successes.
The remastered CD comes with two bonus tracks! The non-album single (1984) for “Christmas With the Devil” is presented in two mixes, one from the A-side and one from the B-side. Prior to this, the only version of “Christmas With the Devil” available on CD was the re-recorded one on 1992’s Break Like the Wind. The original single version(s) remained obscure until 2000, when Universal released them here. Now finally having them all, I must say I prefer the 1992 version best. The original does have a little more pep in its step, and there is a Christmas message from the band at the end. The “scratch mix” of the single is not much different.
All joking aside, it’s crucial to remember that these guys (the actors) were not musical slouches. Michael McKean was nominated for an Oscar award, for his music in 2003’s A Mighty Wind. The musicianship is there and it’s intentional humorous. You can hear musical jokes in the solos of Christopher Guest. As a result, the soundtrack is not only funny but also timeless. A good song is a good song is a good song, and some of the tracks here are actually really good when you break them down. “Tonight I’m Gonna Rock You Tonight”, “Sex Farm” and especially “Stonehenge” are all really good songs when it comes down to it!
In the real world, all the songs were written by the trio of Guest, McKean and Shearer with director Rob Reiner. The drums were handled by R.J. Parnell of Atomic Rooster, who played Mick Shrimpton in the movie. On keyboards is David Kaff (Rare Bird) otherwise known as Viv Savage from the film. (Rare Bird are probably best remembered as the band who originally did “Sympathy”, later covered by Marillion.) The album was self-produced. There is no questioning the chops of the musicians involved. It’s hard to create a musical joke of album length that is still fun to listen to 30 years later.
SPINAL TAP – Break Like the Wind (1992)
Almost a decade after the movie, the “black album” (Smell The Glove), and the near-breakup, Spinal Tap returned! Even Marty DiBergi’s documentary could not keep Tap down, and setting aside their differences, they created this reunion album. Mostly new material with some oldies sprinkled in, Break Like The Wind was yet another masterpiece by the Tap.
The lineup was: David St. Hubbins (guitar, vocals), Nigel Tufnel (guitar, vocals) and Derek Smalls (bass, vocals) with new additions Ric (brother of Mick) Shrimpton (drums) and Caucasian Jeffrey Vanston (keys).
It turns out that previous keyboardist Viv Savage was a drummer prior to joining Spinal Tap. He failed to tell them this, and well, he befell the same fate as countless Tap drummers.
From the beginning, like so many Tap albums past, Break Like The Wind was misunderstood. The first single “Bitch School” was about a dog, but many chose a sexist interpretation. This simple rocker is an upbeat catchy single and indicative of the new Tap sound.
The regal “Majesty of Rock” is second. This track was chosen as second single. St. Hubbins dares to ask the deep questions within the framework of a 4 minute pop rock single. “When we die, do we haunt the sky? Do we lurk in the murk of the seas? What then? Are we born again? Just to sit asking questions like these?” An excellent question David.
I do not know why Nigel seemed prone to wearing wetsuits during this period.
Tap turn it up a notch on “Diva Fever”, a fast one to give Metallica a run for their money! A man named Dweezil plays the blistering guitar solo. What an odd moniker.
Just when you thought you could get none more regal, the queen herself, Cher, turns up to duet with David on the gorgeous ballad “Just Begin Again”. With strings and horns beside them, Tap deliver another classic.The lyrics are again deep: never give up, never surrender! Just begin again! As David says in the words, “Life is just a meal, And you never say when!” And if people stand in your way and say enough is enough? “Make the bastards eat their words!” says David!
Derek Smalls takes his first lead vocal on “Cash On Delivery”, a fun rocker advising the listener how Smalls prefers to do business. It rocks along nice.
This is followed by a remake on an old classic, “The Sun Never Sweats” the title track of course from the album The Sun Never Sweats. Nigel’s solo is among the highlights of this classic.
And then, a long lost rarity, “Rainy Day Sun”. It was the B-side to their hit “(Listen to the) Flower People”. Here it is released on CD for the first time, gloriously swirly, psychedelic, and digitally remastered. This ends side one of the original album. If you are listening to a CD, please do not attempt to remove and play the other side.
Side two began with Tap’s first epic since the mighty “Stonehenge”: “Break Like The Wind” itself. Melding middle eastern melody with modern instrumental flare, this one is surprisingly beautiful. Smalls’ bass weaves in and out, as David and Nigel play simple guitar melodies. But all comes crashing down by the time of the powerful guitar solos, and Tap rock once more!
As a surprise to their friend Nigel, the band erased most of his guitar solos and replaced it with other people playing! Four of the greatest guitarists of the 90’s stepped in for Nigel: Slash, Joe Satriani, Steve Lukather, and Jeff Beck. None more epic.
From there, Tap can only disappoint. “Stinkin’ Up The Great Outdoors”, a protest song, is worth protesting.
Nigel finally sings his first lead vocal on “Springtime”, a welcome change of pace. Nigel follows it with “Clam Caravan”, from his solo project. The title was supposed to be spelled “Calm Caravan”, but Nigel liked the misspelled version. “Clam Caravan” is another middle-eastern sounding song, and it lulls you off gently…
Only to be awakened by “Christmas With the Devil”! This is a re-recording of their classic Christmas single from the mid 1980’s. This sonically superior version is even more evil than the original. Happy holidays, to all the children!
The hidden track “Now Leaving” follows, questioning what life is worth if you’re on life support? All three members bring their thoughts to the table, but I think David asks the most eloquent question. “Shall he lie there forever with a tube up his nose, And his peepee and poopoo slipping out through a hose?”
I do not know David, I do not know.
Thankfully, these mortal thoughts are ended by the beginning of “All the Way Home”. You may remember from the film that this was the first song that David and Nigel ever wrote. Finally, their original 1961 demo was found and restored, and mastered for its CD release. This closes the album.
I do not know if the general public felt differently about this album than I do, for Tap did not release another album for 17 years!
SPINAL TAP – Back From The Dead (2009 CD/DVD)
It seems like ages since Nigel Tufnel, David St. Hubbins and Derek Smalls have graced the metal masses with new music. 17 years ago came Break Like The Wind, an album which sounded just as great as it smelled. Now, finally, after the odd show and a couple internet singles, The Tap has returned with the aptly titled Back From The Dead. However, I do want you to understand that nobody has actually died (this time).
The not-dead Causasian Jeffery Vanston has returned on keyboards, still filling in for the very dead Viv Savage. Gregg Bisonette (David Lee Roth), also gratefully still alive, is the drummer on these recordings. Other living souls guesting on the album include Phil Collen, Keith Emerson, Steve Vai, and John Mayer.
All songs are studio recordings, as opposed to the “live” versions as heard on the soundtrack to This Is Spinal Tap. As such they all sound a little more sterile. Nothing here is really superior to the versions we all know and love from that piece of character assassination on celeloid. They all sound a little more stuffy, a little flat in comparison. However, these being classic songs, they are still an enjoyable listen, and performed remarkably well.
There are some new songs and some new arrangements, as well as some oldies finally seeing the light of day! These include:
“Back From The Dead” — an older internet single finally released on CD. Tufnel’s backing vocals are a bit shrill and weak, but otherwise the song rocks proudly and strongly.
“(Funky) Sex Farm” — sadly, not the funky version from the Return Of Spinal Tap TV special, this is a slower less funky version. Still funky though.
“Jazz Oddyssey” (parts I, II, and III) — Wisely breaking up this tedious, yet historic recording into three parts!
“Rock N’ Roll Nightmare” — St. Hubbins growls his way through this stomper, something that truly lives up to and maybe even exceeds the heady Tap legacy. The premier release of an oldie but goodie, this is the best “new” song.
“(Listen to The) Flower People (Reggae Stylee)” — As the title suggests, Tap have finally conquered Reggae. But fear not, a more authentic version is also available (more on that later).
“Celtic Blues” — A very brief song (1:25) that actually sounds quite like their opening act, The Folksmen. Strange coincidence, I can’t figure out why they sound so similar.
“Warmer Than Hell” — Another internet single finally released on CD. Tap want to stop Global Warming, and this is their attempt. Yes, Tap have heard of Global Warming!
“Short And Sweet” — Actually quite long (6:35), this is another rocker sung by St. Hubbins.
The rest of the album is rounded out by the classic songs that we know and love from the movie. But wait! There’s more! Three more to be exact! But you have to get these elsewhere on your own.
“Saucy Jack” — Finally, St. Hubbins’ long unreleased song from his Jack The Ripper musical has seen the light of day. It is a delightful, jaunty track and available for free on their website.
“Sex Farm (2009)” — A more authentic version of the classic song about a farm of fornication, as opposed to the funky version. This is available for download on the iTunes version.
“(Listen to the) Flower People (2009)” — A more authentic version than the reggae one on the CD proper. This one, perhaps, almost exceeds the original 1967 version! Unfortunately you can only get this from Amazon digital downloads, and there’s no such thing in Canada. I still managed to get this song from my longtime friend Dan Slessor who writes for Kerrang!
Finally, Tap have given the loyal, faithful (but not Ian Faith-ful) fans a DVD. This DVD offers the band’s commentary on the tracks. Absolutely essential if you want to understand just what the band was thinking (or not thinking) at the time.
And, also finally, the packaging: Tap have outdone themselves. How can you top a black album cover when you can simply get none-more-black? Tap are not content with 2 dimensions, so they have entered a 3rd. The cover unfolds into a stage, complete with Stonehenge monument, and miniature St. Hubbins, Tufnel, and Smalls figures. A little small Smalls! How quaint! The drawback is that it is very difficult to wedge the discs in and out of the case when it is all folded up in case form — but perhaps this was the idea all along.
[According to metalsucks.net, the case takes 20 minutes to assemble, and I’ve never tried, preferring to keep mine original.]
4/5 stars. Not a perfect return from the dead, but This Is Spinal Tap.