Emerson Hart

REVIEW: Tonic – Head On Straight (2002)

Though they had Bob Rock in the producer’s seat, Tonic really stopped rocking on their third album.

TONIC – Head On Straight (2002 Universal)

This album really should have been their best to date, with talent like Bob Rock at the console.  Instead, it sounds as if Rock was bored or distracted, and there was nobody in quality control for songwriting.  The band sound desperate, chasing hits, and not doing what they used to – rock in their own style with twang and stomp.  The bland cover art belies the faceless music within.

The misleading opener “Roses” is a typical de-tuned early 2000s rock song.  The riff and chorus fail to lift off.  It slams hard, but there’s nothing at all to hook you in.  It’s as if the band have forgotten how to write songs.  You can hear that Jeff Russo is doing some cool stuff on guitar, but you can’t actually hear it!  It’s buried under the uninteresting riff.  It’s like they forgot all that southern charm that made their debut and follow-up both attention-getters.

Second track “Take Me As I Am” is the first ballad, and it’s fine, if a bit cookie-cutter.  It has hooks.  Three more ballads follow, and none are as memorable as anything on the first two albums.  Even the title track, “Head On Straight”, is a ballad.  I was expecting a rocker.  These ballads just don’t have the weight or impact of past albums.  They’re well produced and hefty enough, but they lack that je ne sais quoi they used to have.

“Liar” is the first rocker in a dog’s age, and it’s crap.  Low on melody and high on cliche, it ain’t good.  Then, more ballads!  Songs like “On Your Feet Again” might work a lot better if there were only two.  As it is, the brain just can’t differentiate from song to song.

Fortunately, “Come Rest Your Head” isn’t a ballad, but it also doesn’t really rock.  It has one riff that rocks, but it meanders into the murky swamp of “meh”.  Bet you’ll never guess that “Ring Around Her Finger” is a ballad though, and it’s the sappiest yet.  Singer Emerson Hart affects an annoying falsetto.  This song just stinks.   It’s followed by “Believe Me”, which I guess for lack of better words, we will also call a ballad.  It’s not a rocker, so what is it?  Mid-tempo schlock with xylophone, on an album that needed adrenaline in any form.  It’s atrocious, is what it is.

“Irish” is also embarrassing.  Would you call this a sea shanty?  A rock sea shanty?  I have no friggin’ idea.  Normally I like this kind of thing – rock music with a celtic bent – but maybe I’m just sick of this album and feeling salty.

The album ends on…a ballad.  “Let Me Go”.  It’s so cliche, it could have been music from a Family Guy montage.  Fortunately the song picks up at the end, but until that point, it is the most cliche song on the entire album.  “Let me change my direction, I won’t take their rejection!”  But Emerson…you did change your direction.  You use to have some serious emotion; now you’re punching a clock.  It’s no wonder this was Tonic’s last album before a break up.

The shame of it is, I like these guys.  I adore the first two albums, and I followed Jeff Russo through to his career in TV soundtracks.  The last minute guitar burning on “Let Me Go” is far too little, too late to save this album.

2/5 stars

 

 

REVIEW: Tonic – “If You Could Only See” (1997 CD single)

TONIC – “If You Could Only See” (1997 Polygram CD single)

Tonic’s Lemon Parade was not a bad album at all.  Regardless of the strength of its deep cuts, it is now known for one song: “If You Could Only See”.  It put Tonic on the map, and it also put a bullet in their career.  If you’re over a certain age, you remember the powerful and tasteful ballad from when it hit the charts in 1997.  I had the album already.  I bought it when it first came out, after reading a glowing review in the local paper and seeing a used copy pop in at the Record Store.  Finding Jack Joseph Puig’s name in the producer credits got my attention too.

The single for “If You Could Only See” features the well known album version.  Acoustic, but only until the guitars punch in, this is a ballad with crunch and heart.  It’s a true story of an argument that singer Emerson Hart had with his mother, over a woman she did not approve of.  He simply said “If you could only see the way she loves me, maybe you would understand.”  And with that a song was born.  A hit song.

Three live tracks from Amsterdam round out the CD single.  Album opener “Open Up Your Eyes” is not a lightweight live version either, clocking in at over seven minutes.  Guitars drone and cry until they form the song’s main riff.  It’s not an overly heavy live version, just an awesome one where you can hear all the instruments clearly.  It breaks down in the middle, when the band plays at lower volume and gives the guitar space to just jam.  Great tune, and one that deserved more attention.

“Thick” was never one of the album highlights, but the live version is superior.  The vocals aren’t as high pitched, and it’s a more laid back vibe.  Not perfect, but more appealing than the album.  There’s some cool haphazard guitar shenanigans towards the end that are worth checking out.

Shame that “Casual Affair” is the shortest of the live tracks as it kicks the heaviest.  Not as tight or as slamming as the album version, but live versions are what they are.

These are not the greatest live tracks that have ever been put on a single, but certainly a welcome addition to any Tonic collection.  Their use of slide guitars and acoustics instruments separated them slightly from the rest of the competition.  Vintage live by the original lineup, and why not.

3/5 stars

REVIEW: Tonic – Lemon Parade (1996)

TONIC – Lemon Parade (1996 Polygram)

“If You Could Only See” was both the song the put Tonic on the map, and the one that put the bullet in their career.  If you’re over a certain age, you remember the powerful and tasteful ballad from when it hit the charts in 1997.  I had the album already.  I bought it when it first came out, after reading a glowing review in the local paper and seeing a used copy pop in at the Record Store.  Finding Jack Joseph Puig’s name in the producer credits got my attention too.

Tonic’s debut Lemon Parade is a great sounding CD, thanks to Puig and the richly arranged guitars of Emerson Hart and Jeff Russo.  When the guitars are center stage, all is well.  The opening duo of “Open Up Your Eyes” and “Casual Affair” have the punch that people don’t always associate with Tonic.  These guys could play.  “Casual Affair” in particular has angst and emotion ripping out of those six-strings.  When they get heavy, like on “Wicked Soldier”, there is always something bright and chiming going on with backing guitars.  Check out “Celtic Aggression” for a fine example of their guitar expertise.  Emerson Hart has an emotive voice, whether rocking out or serenading the ballads.

It’s the ballads the people remember, and you have to admit that when you break it down, “If You Could Only See” is a fantastic song.  Layers of chiming, chugging and sliding guitars are right there beneath the core melodies.  On the mandolin-infused “Mountain”, plus “Soldier’s Daughter” and “Lemon Parade”, you can absolutely hear old-tyme southern influences creeping through.  Tonic have traits that sound as if from another era, in many ways.  These are actually quite great songs, largely forgotten because of that one hit.

There are only a few songs that don’t score top marks:  “Thick” (no hooks), “Mr. Golden Deal” & “My Old Man” (both too sleepy).  The rest is pretty solid.

3.5/5 stars

#475: If You Could Only See (Where are they now?)

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GETTING MORE TALE #475: If You Could Only See (Where are they now?)

In the 1990’s, folks liked to make fun of all the old, outdated one hit wonders from the 80’s.  Whether the name of your band was Winger or A Flock of Seagulls, few were spared the torment of being teased.  It seemed for a while that the only bands that could be considered relevant were not from the 80’s (except for a couple that people always conveniently forgot actually were from the 80’s — Nirvana and Nine Inch Nails).

Today, we like to look back upon the music of the 90’s and do the same thing.  Those terrible post-grunge bands, the awful flannel, and groups with names like Hootie or Spin Doctors…always ripe for the pickings!  We all do it, don’t we?  It’s not like it’s an accurate reflection of the decade.  Even beyond the “big” bands, there were some good and some great 90’s groups who lacked longevity, even though their album output wasn’t bad at all.

Scan_20160323One such band was Tonic.  “If You Could Only See” was their hit ballad, which of course did nothing to hint at the rock and roll on their album, Lemon Parade.  That song actually took a long time to finally hit.  Heavier singles like “Open Up Your Eyes” and “Casual Affair” preceded it, but obviously did not have the same impact.  So, Tonic became one of those bands closely identified with a ballad and not much else — usually the death knell for a group.

I tweaked onto Tonic early. The Record Store that I managed was opened up in April of ’96. A promo copy of Lemon Parade rolled in shortly after.  We bought it from the customer for $6 (which was pretty much the going rate for a brand new release back then) and put it on the shelves where it sat for a while.  I recognized the album in the Kitchener newspaper’s music section, where they gave it a glowing review. It was produced by Jack Joseph Puig, who also produced my favourite Black Crowes album, amorica.  The review claimed that Tonic were clearly influenced by the sounds of the 70’s rather than the 90’s, so I decided to pop it in the player at work and check it out.

I liked it enough to play it a few times, and eventually buy a copy myself.  I found it to be pleasant rock.  Nothing too hard, but edgy enough.  “Casual Affair” for example has an angry groove to it, though it was certainly not going to challenge the Smashing Pumpkins for heaviness.  It had a spare, real production.  It’s all about guitars; layered in the grand tradition of Page and Hendrix.  When it’s quiet you can hear people breathing while strumming.  The key thing with Tonic, to me, was the musicianship.  I had grown weary of the bands who clearly didn’t give a shit about learning how to play.  Tonic were not one of those bands.  The busy basslines grooved with a variety of guitar sounds (including lots of slide) and a wicked drum sound to form a modern but rootsy whole.  Band leader Emerson Hart was a short-haired dude with big cool mutton chop sideburns.  I liked him immediately.

TONIC_0001In ’97, “If You Could Only See” was released as a single and the band finally saw some serious chart action.  Unfortunately the ballad resonated with the kind of people who tended to buy an album for one song, and not give the rest a real chance.  They started coming back used regularly.  The album sold 1.3 million copies, but how many of those are in people’s homes today?  Their second album Sugar (1999) was miles and away better than Lemon Parade, but failed to make a lasting impact on their careers.  By the time they hooked up with Bob Rock for 2002’s Head on Straight (their third LP), it was too late.  Proving that the Grammy Awards don’t know their elbows from their asses, that lukewarm CD was nominated for two awards.  Like a death knell, the band went on hiatus a short while later.

During their hiatus, the band members worked on music separately but Emerson Hart’s Cigarettes and Gasoline was close enough to Tonic to keep the core sound alive.  It contained some deeply personal music — Hart’s father disappeared (like completely vanished) when he was young.  Still, a solo album is not the same as a band album, so Tonic reformed in 2008.  Their Best of album (2009) contained a number of acoustic and live rarities, and a full album simply called Tonic emerged in 2010.  It continued where they left off, plying Tonic’s signature sound based on rootsy guitars and melodies.  Sugar remains their high water mark, but the band have been relatively quiet since the reunion began…until now.

In March 2016, Tonic announced that for the album’s 20th anniversary, they would be recording an acoustic version of Lemon Parade.  This should be worth checking out, but most importantly we hope a trip to the studio will eventually inspire some brand new Tonic songs!

REVIEW: Tonic – Sugar (1999)

TONIC – Sugar (1999 Universal)

Why did Tonic never make it big? Maybe they didn’t have enough of their own identity, maybe it was the 90’s, maybe it was the “one hit wonder” stigma. Whatever it was, I tweaked onto this band in April of ’96 thanks to a positive review in the Kitchener-Waterloo Record (probably by Robert Reid).  I thought their modern rock take on their classic roots was interesting and full of integrity. Indeed, this band didn’t seem to be about following the flavour of the week, but by reaching back to 70’s rock roots in a modern context.

Sugar, the second album, was the one where it all came together. Not one weak track on the whole bloody CD. The slow songs are sweeter, the hard songs are angrier. Something must have happened to Emerson Hart to really tick him off. Girl problems. From “Knock Down Walls”:  “So don’t tell me that I’ve gone crazy, you’re the one who tried to fucking change me…”  Emmerson also begs the question, “Why do you have to be so fucking mean to me?” on the track “Mean To Me”.

Whatever his inspiration, the anger struck a chord with me. Yet the slow songs like “Waltz With Me” were beautiful, gorgeous, full of love.  It’s not a heavy album, but it rocks and has a level of quality that was often absent in the mainstream rock music of the late 90’s.  Sugar is loaded with layers of electric, slide and acoustic guitars, great drumming, great singing, and relatable lyrics. The songs themselves are packed with variety and quality. Really, this should have been a huge album in 1999, and the biggest hit of Tonic’s career, but they were never trendy. Shame. They deserved more than the one hit.

Highlights:
The whole album, but I especially love “Drag Me Down”, “Mean To Me”, “Knock Down Walls”, “Sugar”, “Future Says Run”, “Waiting For The Light To Change”.

4.5/5 stars