fugazi

REVIEW: Marillion – Early Stages (Official Bootleg Box Set 1982-1987) / The Highlights

This review dedicated to the great Uncle Meat.  Part 1 of a 2 part series!

MARILLION – Early Stages (Official Bootleg Box Set 1982-1987) (EMI)

This is the first of two Marillion Official Bootleg box sets.  The second covers the Hogarth years 1990-1994.  Mine came with an autographed print!

I listened to this box again over the course of a week.  I chose the car as the setting.  I’ve spent a lot of time driving to Marillion in the past (lots of great memories) so this setting works for me.  I enjoy loading long box sets onto my car MP3 player.  I did that recently with the 12 CD Deep Purple Bootleg Series box set.  As soon as I was done with that one, I dove into Early Stages.

I also acquired the recent compilation Early Stages: The Highlights.  Why, you ask?  Well, like many “highlights” packages, they usually stick on one exclusive song to get you to buy the same thing twice.  The bait is “Market Square Heroes” Fife Aid 1988, the final song of the final show with Fish.  OK, I’ll bite.MARILLION_0009

I don’t have a lot to say specifically about any of the concerts included in this box set.  There are a lot of songs from periods before they were recorded on albums, and that’s cool.  There are four different drummers on this set*, representing the rarely documented transitional periods in Marillion’s lineup.  The discs are all of great sonic quality considering the years they were recorded.  Fish is a great frontman, usually funny but occasionally serious, and always entertaining.

Here are some observations about some of the set’s highlights.  From The Mayfair, Glasgow, 1982:  “He Knows You Know” is not quite as slick as we’re used to, a little tentative, but no less powerful.  An early version of “She Chameleon” is quite different musically from what it would become, although the lyrics are mostly in place.

When you get to the Marquee show (December of ’82), Fish is especially talkative and sentimental.  The gem here is obviously “Grendel”, a song which never ceases to amaze me.  Fish’s expressive voice has me hook, line and sinker.  You’ll be treated to the complete workout of “Grendel” again in 1983 (Reading).  The 1984 Hammersmith concert has emotional classics like “Jigsaw” and “Cinderella Search”.  The real treat is an early version of the first track for the forthcoming album Misplaced Childhood; a track Fish calls “Side One”.  It’s an early version, the lyrics still not all the way there, and it’s missing the entire “Lavender” section.  But you can hear the shape of things to come.

Hey Uncle Meat! Who’s your favourite lyricist?

The box set closes with a late period show, and a big one:  Wembley, 1987.  A good chunk of Misplaced Childhood (all of Side One) and Clutching at Straws are presented.  There are only a couple oldies:  “Fugazi” and “Incubus”.  This is a slicker, more commercial-sounding band, much more skilled at writing complicated yet catchy music.

Of note:  there are a whopping 15 pages full of liners notes by one Derek W. Dick, aka Fish, and new cover art by Mark Wilkinson!  If that doesn’t sell this set, then nothing will.

5/5 stars

* Mick Pointer, John Martyr, Andy Ward, and Ian Mosely.  Only Jonathan Mover is not heard on this, although he is on the 6 CD Curtain Call box set.

REVIEW: Marillion – Fugazi

MARILLION – Fugazi (1998 2 CD edition, album originally released 1984)

Fugazi: Military slang meaning “fucked up situation”, coined in Vietnam.

Or: The making of Marillion’s second album.

After rolling through a couple drummers including Jonathan Mover, Marillion finally settled on Ian Mosely, the British veteran who is still in the band today. They settled in to record the “difficult” second album, which was dubbed Fugazi. It is a challenging listen, probably the most challenging of the original four. As such it tends to fall by the wayside today, despite the inclusion of the excellent single “Assassing”.

“I am the assassin, with tongue forged in eloquence. I am the assassin, providing your nemesis.”

It was a pointed statement at the ex-drummer Mick Pointer, from his former friend, lead vocalist Fish.

Lyrically, Fugazi represents the very best of Marillion of any era. In my humble opinion, both “Jigsaw” and the included B-side track “Cinderella Search” contain lyrics of great depth, beauty, emotion and multiple meanings. I like Fish’s use of homonyms, such as “Swam through the nicotine seize”.

Musically, this is a dense album that takes multiple listens to appreciate. Side one of the original album was catchier, with the two singles (“Punch & Judy” being the second) and the lullaby-like “Jigsaw”. Side two was more challenging, with longer heavier songs: “She Chameleon” and “Incubus” are good examples. Incidentally, Fish considered “Incubus” to be his greatest lyrical achievement, once again using homonyms. “I, the mote in your eye.”

The bonus disc contains the stellar B-side “Cinderella Search”, a song that goes through multiple sections before culminating with its powerful ending. “I always use the cue sheets but never the nets, never the nets, nevertheless.” Other B-sides include a remix of “Assassing” and the re-recorded version of “Three Boats Down From The Candy”. (I prefer the original.) This disc is rounded out by four demos of some of the more challenging songs.

The cover art is loaded with brilliance courtesy of Mark Wilkinson. Wilkinson and the band provide enlightening liner notes. You’ll want to make sure you read them. Did Mark Kelly really see a ghost? Find out inside.

5/5 stars