box sets

REVIEW: Loudness – Hurricane Eyes (1987, 2017 30th anniversary 5 CD reissue)

LOUDNESS – Hurricane Eyes – 30th Anniversary Limited Edition (originally 1987, 2017 Warner Japan)

In most timelines and biographies, they’ll have you believe that the original lineup of Loudness had already peaked by 1987 and were creatively and commercially going downhill.  While the commercial side of things was out of their control, creatively Loudness were still writing great songs.  Though they did have one more EP in them, Hurricane Eyes is the final album of the original Minoru Niihara era of Loudness.  It was recorded by Kiss and Jimi Hendrix producer Eddie Kramer with one track by Andy Johns.  Though not as heavy or complex as Disillusion or noteworthy as Thunder in the East, it is thoroughly enjoyable from side A to side B.  The commercial bent is obvious on some songs, but it doesn’t really blunt the impact.

Like most Loudness albums from the classic era, the band recorded lyrics in both English and Japanese and both versions of the album are included in this luxurious 5 CD box set.  In Japan, the Loudness catalogue has been treated reverently but this is the beefiest of all their deluxe sets.  Along with both versions of Hurricane Eyes (including minor musical differences), the set includes a disc of album demos, and another disc of alternate mixes and rhythm tracks.  The fifth CD is a live set from the Hammersmith Odeon from 1986.  Like any set of this nature, you’ll be listening to the same songs in four or five versions, but fortunately they stand up to such immersion.

Though Hurricane Eyes represents a peak effort to break into the American market, and some songs verge on Dokken homages, it’s a strong album loaded with hooks and enviable guitar theatrics & riffs.  And regardless of some of the more radio-friendly material, it also boasts the thrash-like “S.D.I.”, a speed metal riff-fest that remained in the Loudness set list long after after Minoru was let go.  The technical playing on “S.D.I.” is outstanding, and that’s laid bare for you to hear in the instrumental mix on Disc 4.  The guitar solo is pure Eddie meets Yngwie.  “S.D.I.” opens the English version of the album, but closes the Japanese.  It works excellently in either configuration.

The English album continues with “This Lonely Heart”, a hook-laden hard rocker anchored by a solid riff and soaring chorus.  Lynch and Dokken must have been jealous they didn’t write it because it’s right up their alley.  The album title Hurricane Eyes comes from a lyric in “This Lonely Heart” but what you’ll remember mostly is that indelible chorus.  Keyboards are poured into “Rock ‘N Roll Gypsy”, an obvious choice for a radio single.  Though it didn’t hit the charts you can certainly hear the effort in it.  On the Japanese version of the track, the keyboards are present but not mixed in as prominently.  It’s the better of the two mixes, with more of that Akira Takasaki guitar up front.

“In My Dreams” is the first power ballad, with focus on the power part.  Akari has some sweet anthemic guitar melodies in his pocket for this very Scorpions-sounding track.  This gives way to another blitz of a song, though not as over the top as “S.D.I.” was.  “Take Me Home” has similar urgency but more deliberate pace.  “Strike of the Sword” is in similar metal territory with a fab Akari riff.  The vocal melodies sound a little disconnected from the song though.

Don Dokken’s turf is revisited on “Rock This Way”, a mid-tempo ditty within hit territory.  You could imagine this being written for the concert stage, so you can have a singalong chorus — “Rock this way!”  Picking up the pace, “In This World Beyond” is a bit more complex though retaining an insanely cool chorus.  The Loudness guys really developed an absurdly good chorus-writing ability by this point!  But stick around to be strafed out of the sky by Akira’s machine-gun solo.  “Hungry Hunter” returns us to mid-tempo rock ground, though it’s not their most remarkable song.

The American album ends with “So Lonely”, a re-recording of “Ares’ Lament” from 1984’s Disillusion, also in the closing position.  Disillusion didn’t get a lot of attention outside Japan, and “Ares’ Lament” was a clear highlight.  Though the structure is essentially the same, “So Lonely” is a tamed version” of the more traditional metal original.  Keyboards are added, replacing the Akira-shred of the original.  The chorus is beefed up and placed front-and-center.  It suits Hurricane Eyes and though it’s merely a blunted version, it’s still quite excellent.  It’s a demonstration of how you can take a song and tweak it into a different direction.

“So Lonely” isn’t present on the demo CD, presumably because they didn’t need to demo their own classic tune.  Instead there are two tracks that didn’t make the album, but would be finished in the future:  “Jealousy” and “Love Toys”.  The 1988 Jealousy EP would see the first track released (but only in Japan).  This is the most Dokken of all the songs, with one of those concrete riffs that George Lynch was prone to writing with ease.  Maybe when Dokken broke up, Don should have given Akira Takasaki a phone call.  The more frantic and metal “Love Toys” was revisited in 1991 with new lead singer Mike Vescera, for the On The Prowl album of re-recordings.  Both tracks had potential in the unfinished demo stage.  In fact all the Loudness demos on this disc are nearly album-ready.  They’re rougher but also appealing for that same reason.

Disc 4, Behind the Hurricane Eyes is a hodgepodge of alternate mixes and rhythm tracks.  The eight rhythm tracks (essentially mixes without vocals and solos) include another version of “Love Toys”.  The mercilessly tight rhythm section of Munetaka Huguchi and Masayoshi Yamashita come to the fore on these tracks, as does Akira Takasaki as the riffmaster.  “S.D.I.” is present on this CD twice, in rhythm track form and as a straight instrumental.  You will be getting plenty of “S.D.I.” in this box set!  You’ll also enjoy the brighter “Top 40 Mix” of “Rock This Way”, a really good remix that sounds perfect for the hits of the era.  A mix of “So Lonely” with an earlier fade-out isn’t that interesting, but still desired by the collector.  “Hungry Hunter” and “This Lonely Heart” are present in “old mix” and “rough mix” respectively.  Differences are minor.

You could find yourself with a bit of ear fatigue after hearing so many versions of the same songs.  Fortunately Disc 5 is a live set from the previous tour with none of the same songs.  Buckle up.  Opening for Saxon at the Hammersmith Odeon, Loudness went straight into “Crazy Doctor” from Disillusion after a glowing intro from Biff Byford.  It’s right to the throat from the start and this CD has their full set.  “1000 Eyes” from Lightning Strikes follows, the album for which they were touring.  Loudness could have used some backing vocals live to beef up the chorus, but Minoru does a remarkable job on his own, givin’ ‘er all over the place.  It’s also cool to hear Akira go from rhythm to lead so effortlessly live.

There is honestly something charming about someone who isn’t a native English speaker really giving their all to talk to an audience in English.  Minoru is clearly happy to be in “London rock and roll city!” and the audience lets him know he’s welcome.  The awesome “Dark Desire”, also from Lightning Strikes, follows and Akira lays down a mesmerising solo.  Then a long dramatic intro opens “Ashes in the Sky / Shadows of War”, a highpoint of an already great set.

The big Loudness single in 1986 was “Let It Go“, a truly special pop metal song.  This version opening for Saxon at the Hammersmith might be the best live recording if not the most energetic.  Afterwards the late Munetaka Higuchi takes a drum solo (presumably to give Minoru’s voice a rest after this workout!).  There’s a brief segue into Beethoven’s 5th Symphony, and Minoru introduces the band.  That pumps up the crowd for Loudness’ biggest hit “Crazy Nights” complete with crowd singalong.  “MZA!”  After smoking through this one, Akira takes a blistering solo break.  The set closes with “Speed” from their third album The Law of Devil’s Land.  They saved the most aggressive song for last.  Couldn’t let Saxon have it too easy, right?

Though hard to get, these Loudness deluxe editions from Japan are really beautiful to hold in hand.  The thick booklet is printed on glossy paper, and though the liner notes are in Japanese, lyrics are provided in both languages.  The rest of the booklet is stuffed full of tour photographs whose only language is rock and roll.  Loudness certainly looked the part.  The set also includes a little reproduction backstage pass, but the main feature is the music.  Diehards are going to love it.

4/5 stars

Live Stream – My Favourite Box Sets – Satuday April 25

What would you like to see featured next week?  Leave your feedback below.


 

Saturday Live Stream: 7:00 PM E.S.T – My Favourite Box Sets

Wanna see stuff from my collection?  All you have to do is ask.  This week the request was “Let’s see your favourite box sets”.  I’ve rounded up a few for show & tell.  I will go live on Facebook April 25 at 7:00 PM Eastern Standard Time. (If you missed last week’s live stream, Rare Box Sets, you can watch it here.)

The subject matter this week is My Favourite Box Sets.  Most of these you have seen on my site already but we are about to take a closer look.  I’ll be live for roughly an hour with these awesome box sets.  Rob Daniels from Visions in Sound will be going live after I’m done so I’ll be jumping over to catch his show!

Join me tonight at 7 PM E.S.T. for some rock and roll shenanigans!  Facebook:  Michael Ladano

Live Stream – Rare Box Sets – Saturday April 18

 

Related links:

Saturday Live Stream: 7:00 PM E.S.T – Rarities Galore

I hope you’ve been enjoying these Facebook live streams!  I sure have been.  This week’s stream will be Saturday April 18 at 7:00 PM Eastern Standard Time.  The idea behind changing days and times is to give different people an opportunity to watch.  (If you missed last week’s live stream, The Judas Priest Discography, you can watch it here.)

The subject matter this week is:  Rare Box Sets!  I have an armful dusted off to show off to you.  Some you may have seen on my site before, and some you might not even know existed.  I’ll throw in a rare album or two as time permits.  I plan on going for roughly an hour.  Rob Daniels from Visions in Sound will be going live after I’m done so I’ll be jumping over to catch his show!

No crazy stunts this time, but I will be trying out a new feature.  Whether it’s a bomb or not, we’ll see.  It’s called What the Hell is Mike’s Dad Watching on TV.

Join me tomorrow at 7 PM E.S.T. for some rock and roll shenanigans!  Facebook:  Michael Ladano

 

Disclaimer:  There will be NO half-moons this time.  I swear.  Deke is still blind, and according to doctors, may never regain his eyesight.  

 

 

 

Sunday Chuckle: Freudian Thuss

Sometimes the chuckles to come to me and I don’t have to do any work!  Last week, sometimes-contributor Thuss sent me an email titled “Don’t read while listening to music.”  In Getting More Tale #819:  Early to Rise, I expounded on the benefits of being an early riser.   “I’ll do laundry or I’ll review a box set,” I wrote.

He explained, “I read it as I’ll do laundry or I’ll review a sex bot.”
“I actually laughed out loud and I’m at work.  Everyone looked at me like I had two heads.”

Man, that’s a great story.  That would be cool, reviewing a sex bot.  If any Gazorpazorpians want to send me a free sample (deactivated of course, we don’t need any half-alien kids) then I’ll be happy to review it for the readers out there.

 

#749: Do You Wanna Get Rocked? (Def Leppard Box Set Volume Two announcement)

GETTING MORE TALE #749: Do You Wanna Get Rocked?
Def Leppard Box Set Volume Two announcement

In October of 2017 I was contacted by a gentleman who is involved with box set releases.  A long time reader, he said!  Flattery will get you everywhere with me.  He was working on an interesting box set project, and he asked for a favour.

Normally I say “no” to any request to share music from my personal collection.  This, however, was different.  For historical interest, he asked me if he could have the 11 official live songs that Def Leppard released in 2000 and 2001.  These were offered for free from the official Def Leppard website at that time.  Rare stuff like “Demolition Man” and “Paper Sun”.   They disappeared online shortly after.  None of these versions have been released anywhere else…until now.

Coming June 21 2019 is the Def Leppard box set called Volume Two.  Included in the set are seven of these tracks, from my own personal collection!  The band themselves didn’t have them anymore, but fortunately I did.  They selected the ones they wanted on the upcoming box set.

I’m told I’ll be thanked in the credits.  This is an absolute thrill for me — the biggest release I’ve ever been thanked in.  (See Brent Doerner for the other “thank you”.)

Since then I’ve chatted on and off with the gentleman about all sorts of upcoming releases, and wishful thinking.  I’m pleased to report that there are some people out there involved with these box sets who still have the passion for the music.  He too has the fire!  For that reason I had to send him the songs.  Now almost two years later they’ll be released officially again, this time permanently.  I’m proud to be a part of that.  Like he said, it’s historical.  Hystoria!

The songs of mine that are included are:

  • “Bringing On the Heartbreak”, “Switch 625” & “Miss You In a Heartbeat” from Montreal
  • “Demolition Man” from Denver
  • “When Love & Hate Collide”, “Paper Sun” and “Goodbye” from Tokyo

 

See below for the full track list from this incredible box set.  Pre-order yours today.

CD ONE – ADRENALIZE

Let’s Get Rocked
Heaven Is
Make Love Like A Man
Tonight
White Lightning
Stand Up (Kick Love into Motion)
Personal Property
Have You Ever Needed Someone So Bad?
I Wanna Touch U
Tear It Down

CD TWO – RETRO ACTIVE

Desert Song
Fractured Love
Action
Two Steps Behind (Acoustic Version)
She’s Too Tough
Miss You in A Heartbeat
Only After Dark
Ride into The Sun
From the Inside
Ring of Fire
I Wanna Be Your Hero
Miss You in A Heartbeat (Electric Version)
Two Steps Behind (Electric Version)

CD THREE – SLANG

Truth?
Turn to Dust
Slang
All I Want Is Everything
Work It Out
Breathe A Sigh
Deliver Me
Gift of Flesh
Blood Runs Cold
Where Does Love Go When It Dies
Pearl of Euphoria

CD FOUR – EUPHORIA

Demolition Man
Promises
Back in Your Face
Goodbye
All Night
Paper Sun
It’s Only Love
21st Century Sha La La La Girl
To Be Alive
Disintegrate
Guilty
Day After Day
Kings of Oblivion

CD FIVE – RARITIES VOL 2

Tonight (Demo Version 2)
When Love and Hate Collide (Original Demo)
From the Inside – B-Side
Two Steps Behind (Acoustic) – B-Side
She’s Too Tough (Joe’s Demo) – B-Side
Miss You in A Heartbeat (Phil’s Demo) -B-Side
Tonight (Acoustic – Sun Studios Version) – B-Side
S.M.C. – B-Side
Hysteria (In the Club in Your Face – Bonn)
Photograph (In the Club in Your Face – Bonn)
Pour Some Sugar on Me (In the Club in Your Face – Bonn)
Let’s Get Rocked (In the Club in Your Face – Bonn)

CD SIX – RARITIES VOL 3

Armageddon It (Live in Singapore)
Two Steps Behind (Live in Singapore)
From the Inside (Live in Singapore)
Animal (Live in Singapore)
When Love and Hate Collide (Live in Singapore)
Pour Some Sugar on Me (Live in Singapore)
When Love and Hate Collide – B-Side
Can’t Keep Away from The Flame – B-Side
Truth – Original Version
Move with Me Slowly – B-Side
Work It Out (Original Demo Version) – B-Side

CD SEVEN – RARITIES VOL 4

Bringin’ On the Heartbreak (Live in Montreal)
Switch 625 (Live in Montreal)
Miss You in A Heartbeat (Live in Montreal)
Work It Out (Live in Montreal)
Deliver Me (Live in Montreal)
When Saturday Comes – B-Side
Jimmy’s Theme – B-Side
Burnout – B-Side
Immortal – B-Side
World Collide – B-Side
I Am Your Child – bonus track
Demolition Man – Denver
When Love and Hate Collide – Tokyo
Paper Sun – Tokyo
Goodbye – Tokyo

 

Just Listening to…Whitesnake – Unzipped (Deluxe)

Just Listening to…Whitesnake – Unzipped
Acoustic Adventures – Unplugged in the Studio and Live on Stage 1997-2015

I thought this was going to be a boring listen.  5 CDs and a DVD of acoustic Whitesnake?  The same songs over and over?  It sounds pretty dull on paper, but in practice it’s another story.  So far, Unzipped has been a blast!

It turns out, a lot of my favourite Whitesnake songs are acoustic.  “Sailing Ships” is a fine example.  When David Coverdale is in a philosophical mood and busts out the acoustic guitar, he has the ability to make magic happen.  (But damn, he sure does like to re-use lyrics and imagery.  “Circle ’round the sun” again!)  Other tunes, such as and “Summer Rain” are less intellectual, but still leave a lasting impression.  Then you have acoustic arrangements of old familiar songs.  Whitesnake, Deep Purple, and even Coverdale-Page are revisited, and not just the hits.  These are songs to warmly enjoy when in a laid back mood.

The discs also include a remixed and expanded version of the first acoustic live Whitesnake album, Starkers in Tokyo.  The differences are audible; the album finally comes alive.  As a bonus, there is a off the cuff version of David’s solo song “Only My Soul” done a-cappella.  There is also a disc of “unreleased acoustic demo ideas”.  They are very raw — one track even begins with David calling it a “very rough idea”.  Some are written on the piano.  It’s hard to say if any of these ideas could have been made into hits, but they’re not bad.  Points must be awarded for the best song title:  “Another Lick While the Missus is Busy in the Kitchen”, a swampy blues riff.

Man, this one’s gonna take a long time to review!

For a fully detailed review, check out this one by John Snow!

 

 

REVIEW: Rush – A Farewell to Kings (2017 super deluxe edition)

RUSH – A Farewell to Kings (2017 Anthem 3CD/1 Blu-ray/4 LP super deluxe edition, originally 1977)

And the men who hold high places,
Must be the ones who start,
To mold a new reality,
Closer to the heart,
Closer to the heart.

Today’s rock fans have a new reality of their own:  a market flood of “anniversary” or “deluxe” reissues far and wide.  The floodwaters are murkier when multiple editions of the same reissue are available, or when reissues are deleted in favour of new reissues!

2017 represents 40 years of Rush’s fine sixth album A Farewell to Kings.  An anniversary edition was guaranteed, but choose wisely.  For those who need the brilliant new 5.1 mix by Steven Wilson, you will have to save up for the 3CD/1 Blu-ray/4 LP super deluxe edition.  Only that massive box set contains the Blu-ray disc with Wilson’s mix.

To frustrate fans even further, A Farewell to Kings had a 5.1 reissue back in 2011, as part of the Sector 2 box set.  That 5.1 mix (by Andy VanDette) has received heavy scrutiny from audiophiles.  Steven Wilson, however, is well known for his work in the 5.1 field, and his work on the 40th anniversary mix lives up to his reputation.  His crisp mix is deep but unobtrusive.  It is occasionally surprising but always stunning, and over seemingly way too soon.  The separation of instruments is done with care, and without robbing the music of its power.  Rush albums were fairly sparse back then but Wilson managed to make a full-sounding mix out of it.

Powerful is A Farewell to Kings indeed.  Though the title track opens with gentle classical picking, before long you’re in the craggy peaks of Mount Lifeson, with heavy shards of guitar coming down.  Young Geddy’s range and vibrato are remarkable, though for some this is the peak of Geddy’s “nails on a chalkboard” period.

11 minutes of “Xanadu” follows the trail of Kublai Khan.  “For I have dined on honeydew, and drunk the milk of paradise!”  Neil Peart’s lyrics rarely go down typical roads, and “Xanadu” surely must be listed with Rush’s most cherished epics.  Volume swells of guitar soon break into new sections unfolding as the minutes tick by.

“Closer to the Heart” is the most commercial track, never dull, never getting old, never ceasing to amaze.  “Woah-oh!  You can be the captain and I will draw the chart!”  Poetry in motion.  “Closer to the Heart” may be the most timeless of all Rush songs.

“Cinderella Man” and “Madrigal” live in the shadow of “Closer to the Heart”, always there but not always remembered.  (Ironically enough, both these tracks were covered by other artists in the bonus tracks.)  “Madrigal” acts as a calm before the storm:  a cosmic tempest called “Cygnus X-1”.  Another great space epic by Rush cannot be quantified in language.  As it swirls around (even better in 5.1), you’re transported across the universe by the black hole Cygnus X-1.  Peart hammers away as Lifeson and Geddy riff you senseless.


The blacksmith and the artist,
Reflect it in their art,
They forge their creativity,
Closer to the heart,
Yes closer to the heart.

Next, Rush forged their creativity on the road.  They recorded their London show on February 20, 1978 at the Hammersmith Odeon.  Previously, 11 songs from this show were released as a bonus CD on the live Rush album Different Stages.  This newly mixed version adds intro music, the missing three songs and the drum solo.  (The missing songs were “Lakeside Park”, “Closer to the Heart”, and all 20 minutes of “2112”.)  Because this set has all the songs in the correct order, the old Different Stages version is obsolete.

Opening with “Bastille Day”, the London crowd is into the show from the start.  They cheer for the familiar “Lakeside Park”, which is followed by “By-Tor & the Snow Dog”.  This early Rush material is as squealy as Geddy has ever sounded.  He’s pretty shrill but Rush are tight.  It gets more adventurous when “Xanadu” begins, and from there into “A Farewell to Kings”.  Hearing Rush do all this live helps drive home just how talented they are.  The powerful set rarely lets up, as it relentlessly works its way through early Rush cornerstones.  “Working Man”, “Fly By Night” and “In the Mood” are played in quick succession, but is “2112” that is the real treasure here.  Anthems of the heart and anthems of the mind; classics all.


Philosophers and plowmen,
Each must know his part,
To sow a new mentality,
Closer to the heart,
Yes, closer to the heart.

What about bonus tracks?  You got ’em.  As they did for 2112, Rush invited guests to contribute bonus covers, and each does their part.  Headlining these are progressive metal heroes Dream Theater with their own version of “Xanadu”.  Dream Theater really don’t do anything small, so why not an 11 minute cover?  Mike Mangini is one of the few drummers who could do justice to such a song — well done!  Big Wreck do a surprisingly decent take on “Closer to the Heart”.  Not “surprisingly” because of Big Wreck, but “surprisingly” because you don’t associate Big Wreck with a sound like that.  Ian Thornley ads a little banjo and heavy guitars to “Wreck” it up a bit.  His guitar solo is shredder’s heaven.  The Trews’ take on “Cinderella Man” is pretty authentic.  Did you know singer Colin MacDonald could hit those high notes?  He does!  Alain Johannes goes last with “Madrigal”, rendering it as a somber tribute to the kings.

The last of the bonus tracks is a snippet of sound called “Cygnus X-2 Eh”.  This is an extended and isolated track of the ambient space sounds in “Cygnus X-1”.  Steven Wilson speculated it might have been intended for a longer version of the song.


Whoa-oh!
You can be the captain,
And I will draw the chart,
Sailing into destiny,
Closer to the heart.

Box sets like this always come with bonus goodies.  The three CDs are packaged in a standard digipack with extensive liner notes and photos.  Four 180 gram LPs are housed in an upsized version of this, with the same booklet in massive 12″ x 12″ glory.  The LP package alone is 3/4″ thick!

A reproduction of the 1977 tour program is here in full glossy glory.  This contains an essay called “A Condensed Rush Primer” by Neil.  Additionally, all three members have their own autobiographical essay and equipment breakdown.  Alex Lifeson’s is, not surprisingly, pretty funny.  Things like this make a tour program more valuable and as a bonus, this is a great addition to a box set.  Digging further, there are two prints of Hugh Syme pencil sketches.  These works in progress are interesting but it’s unlikely you’ll look at them often.  The turntable mat is also just a novelty.  Perhaps the goofiest inclusion is a little black bag containing a necklace with a Rush “king’s ring” attached to it.  Wear it to work next casual Friday!


Whatever edition of A Farewell to Kings you decide to own (the most logical is the simple 3 CD anniversary set), you can rest assured you are buying one of the finest early Rush albums.  If you have the wherewithall to own the super deluxe with 5.1 Steven Wilson mix, then let the photo gallery below tempt you.

4.5/5 stars

REVIEW: Alice Cooper – The Life and Crimes of (1999 box set)

ALICE COOPER – The Life and Crimes of Alice Cooper (1999 Rhino 4 CD set)

With the benefit of hindsight, 1999 was way too early for Alice Cooper to be looking back with a comprehensive box set.  His new album Paranormal will be out this month.  He’s been consistently touring and recording.  The picture was different in 1999 though, since Alice had been quietly under the radar for much of the decade and there was no sign of new music coming.

This Rhino box set is pretty comprehensive.  Though there are plenty more rarities out there to get on singles and elsewhere, Rhino served up a very generous selection of them.  Starting in 1966 with singles by The Spiders and The Nazz, Alice’s sound begins to evolve.  Those early bands were 4/5 of the original Alice Cooper group:  only drummer Neal Smith had yet to join.  The early singles are unfocused compared to what Alice was going to do in a couple years.  “Don’t Blow Your Mind” and “Lay Down and Die, Goodbye” (sometimes known as “I’ve Written Home to Mother”) are sloppy psychedelia.  “Hitch Hike” is like rockabilly.  “Why Don’t You Love Me” is late 60s style rock and roll with a nice harmonica part.  It sounds influenced by the Beatles.

A demo version of “Nobody Likes Me” is the first “official” Alice Cooper Group track and it sees the sound veer closer to where they were headed.  It has a sing-song melody that recalls “School’s Out” later on.  A few tracks from Alice’s first two albums (Pretties For You and Easy Action) demonstrate a work in progress.  “Reflected” is an early version of something that would be re-written as “Elected”.  The band was still very psychedelic and not as tight as they would become.

There is a sudden shift, and Alice Cooper emerges as the classic artist we know and love when he hooked up with producer extraordinaire Bob Ezrin.  “Caught in a Dream” (a single edit) and a number of essential tracks from Love It to Death kick the box set right in the ass and it suddenly becomes a very engaging listen, when before it was just…interesting.  A quintet of songs from the next album Killer are just as special, though including “Halo of Flies” would have been appropriate too.

Before heading into the School’s Out material there is a rare demo entitled “Call it Evil”.  A small portion of the music would make it into the the classic West Side Story tribute “Gutter Cat vs. the Jets” (also included), but this is its own song and otherwise unreleased.  The single version of “School’s Out”  is an obvious inclusion, but these two are the only tracks from School’s Out, a baffling set of omissions.  Granted, “School’s Out” plays like a concept album and is tricky to split up for a box set, but it is under-represented here, period.

Billion Dollar Babies is considered a peak of this period, and gets five tracks of its own, all brilliant.  “Elected” is the single version.  “No More Mr. Nice Guy” is a highlight of Alice’s entire career and it still sounds fresh.  Another rarity ensues which is “Slick Black Limousine”, a UK exclusive flexi-disc release.  It sounds more like early Alice Cooper group material, with Alice doing his best Elvis.  The end of the original group was nigh, unfortunately, and Alice’s next album Muscle of Love was noticeably lacking something.  Maybe it’s because Bob Ezrin didn’t produce it, but the band was also on the verge of splitting.  Addictions were hurting them.  They were still making great rock and roll, just not…as great.  “Respect for the Sleepers” is a demo version of “Muscle of Love”, an unreleased track with lyrics inspired by Alice’s “dead drunk friends” (Jimi, Janis, Jim).  There are more songs from Muscle of Love included than there were for School’s Out, which is odd but alright.

At this point, Alice split from the original band.  Then there are a pair of rarities featuring Alice from an obscure rock opera called Flash Fearless Vs. the Zorg Women, Pts. 5 & 6.  Before Queen, there was this Flash Gordon album and Alice’s tracks feature players like John Entwistle, Kenney Jones, Nicky Hopkins, Bill Bruford and Keith Moon as “Long John Silver”.  “I’m Flash” and “Space Pirates” are mere curiosities, but it’s stuff like this that makes buying a box set so much more worth it.  Where else would you hear these tracks?  Both feature Alice’s delicious trademark sneer.

Alice’s solo career really began with 1975’s Welcome to My Nightmare.  He and Bob Ezrin went all-in with an elaborate horror rock concept album featuring a number of classics.  “Welcome to My Nightmare” and “Only Women Bleed” are single versions, and it’s fantastic that the blazing “Escape” was included.  Another concept album, Alice Cooper Goes to Hell, was not as strong.  Only two tracks are included, but both were singles.  “Go to Hell” is a must-have.

The third CD in this box set commences a murky period.  Alice was making albums frequently, but they weren’t as well received and many dwell in obscurity.  Lace and Whiskey was pretty good, and “It’s Hot Tonight” is a great track to start the disc.  Meanwhile, original band members Michael Bruce, Neal Smith and Dennis Dunaway formed the Billion Dollar Babies.  They made one album called Battle Axe, and their cool rock track “I Miss You” is included.  That’s a nice touch, because for the first seven albums those guys were as important as Vincent Furnier (aka Alice Cooper).  Michael Bruce sings, but lead guitarist Glen Buxton was more or less incapacitated by addiction and wasn’t invited.  “Battle Axe” sounds like a natural continuation of the Muscle of Love sound.  A bunch more rarities are incoming:  a torch ballad called “No Time for Tears” (unreleased) and “Because”, the Beatles cover featuring the Bee Gees.  This was from that pretty mediocre Sgt. Peppers tribute album from 1978, so it’s great to be able to get it in a box set.  Alice’s interpretation is creepy, and the Bee Gees are immaculate.

Moving on to his next solo album, Alice changed direction on From the Inside.  He had just gotten out of rehab (an actual mental hospital) and made a concept album with David Foster and Bernie Taupin about the experience.  The title track is included as a single version, and you also get the beautifully campy ballad “How You Gonna See Me Now”.  It was a single too, and its B-side “No Tricks” is also included.  It is a duet with soul singer Betty Wright.  Disc three is generous in rarities.  Another one called “Road Rats” (produced by Todd Rundgren) is a decent rocker from a movie called Roadies.

Alice moved into the 1980s on Flush the Fashion which employed some new wave and punk influences.  Its two best songs, “Clones (We’re All)” and “Pain” are included.  1981 brought Special Forces and more rarities.  “Who Do You Think We Are” is a single version, and “Look at You Over There, Ripping the Sawdust from My Teddy Bear” is a synthy unreleased song pulled last minute from the album.  Then there is “For Britain Only”, the stripped-back rocker from the EP of the same name.  “I Am the Future” is a single version originally from 1982’s Zipper Catches Skin.  Completing this era (sometimes called Alice’s “blackout period”) are a pair of tracks from DaDa (1983).  Alice had moved as far as he would go into the high-tech synthesizer direction, and he soon cleaned up for good.  A couple odds and ends tidy up the tracks from this era.  “Identity Crisises” and “See Me in the Mirror” are previously unreleased songs from the Monster Dog movie (1984) which starred Alice.  These are very low-fi tracks, but “Identity Crisises” is actually pretty cool.

The final track on the third disc is the first one from Alice’s big comeback period.  “Hard Rock Summer” is a fun heavy metal rocker from the Jason Lives soundtrack.  It’s cheesy but also previously unavailable.  The fourth and final CD picks up there, with two more rarities from the same movie.  “He’s Back (The Man Behind the Mask)” is included in demo and movie mix versions.  Onto 1986’s Constrictor LP, you get the enjoyable “Teenage Frankenstein”.  By 1987 Alice was telling us to Raise Your Fist and Yell on “Freedom”.  The excellent “Prince of Darkness” is also from that album, but then there are two more rarities.  Alice cut a re-recording of “Under My Wheels” with Axl Rose, Slash and Izzy Stradlin for the movie The Decline of Western Civilization Part 2: The Metal Years. Unlike many re-recordings, this one is well worth it because hey, it’s Guns N’ fuckin’ Roses.

Alice’s sound got slicker moving into the late 80s. “I Got a Line on You” is a Spirit cover from the movie Iron Eagle II. There is a notable shift towards mainstream hard rock, and this spilled over onto the next album Trash (1989).  This box set has three songs from Trash, but one is the irritatingly bad title track featuring Jon Bon Jovi.  His sound got a little tougher on Hey Stoopid (1991) from which you get a single version of the title track, and “Feed My Frankenstein” (also from Wayne’s World).  The Hendrix cover “Fire” is the last song from this period, which was a B-side.  Unfortunately another B-side called “It Rained All Night” is a superior song, but not included.

Alice took another short break between albums before emerging in 1994 with another critically acclaimed concept album, The Last Temptation.  Alice shed the trappings of the 80s and the album is held in high esteem today as a diverse combination of the 70s and 90s.  Three tracks represent it, but it’s hard not to wish “Side Show” was also included.

The Last Temptation was Alice’s last studio album when this box was released in 1999.  In the meantime, Alice made friends with Rob Zombie who was obviously influenced by the Coop.  They collaborated on a song called “Hands of Death (Burn Baby Burn)” for an X-Files CD.  This box set has the unreleased “Spookshow 2000 Mix”.  The track points in the direction of Alice’s next album Brutal Planet.

This box set is quite an epic journey, with many facets and side roads.  A trip like this needs an appropriate closing, and Rhino did something interesting to do that.  They broke the chronological format they used for the majority of the set, and slid in the acoustic rocker “Is Anyone Home?”.  This was a studio track included on Alice’s 1997 live album A Fistful of Alice.  This serves as the climax, and “Stolen Prayer” from The Last Temptation is the finale.  “Stolen Prayer” is a powerful duet with the late Chris Cornell.  It was always a perfect closer, but now it’s…also sad.

It should be obvious now that The Life and Crimes of Alice Cooper is a worthwhile box set even for fans who own every album.  The wealth of rarities are just a taste, but they certainly scratch a lot of track off of collector’s lists.  Many remain exclusive to this box set.  On top of that, it is simply a good listen, bumpy start aside.

4.5/5 stars