Good Morning Freedom

REVIEW: Def Leppard – Viva! Hysteria – Live at the Joint, Las Vegas (Part 2 – CD 2 & bonus features)

Part Forty-Three of the Def Leppard Review Series

DEF LEPPARD – Viva! Hysteria – Live at the Joint, Las Vegas (Part 2 – CD 2 & bonus features) (2013 Bludgeon Riffola)

When Def Leppard rocked Vegas, they rocked it with far more than just a faithful live reproduction of the Hysteria album.  They also “opened” for themselves as “Ded Flatbird”, and treated the diehards to a set of 15 deep cuts and lesser hits.  For many, this is in fact the superior part of the show.  Indeed, Leppard really pulled some surprises out of the bag, finally satisfying a number of fans who perennially complained, “Why don’t they play ‘A’, ‘B’, or ‘C’?”  With a wink and a smile, they did.  They performed two completely different sets as Ded Flatbird, on March 29 and March 30 2013.

Beginning with the March 29 set, the unlisted intro is a bit of “Won’t Get Fooled Again”, which is not present on the CD, only the DVD.  Then it’s onto the first shocker of the night, and probably the biggest:  non-album B-side “Good Morning Freedom”, from the single “Hello America“.  Straight-ahead riff rock.  It sounds surprisingly at home with the current version of Leppard.  Phil rips a solo and Rick Allen can’t wipe the smile off his face.  For the occasion of opening for himself, Phil Collen wears a shirt.  (Appropriate for an “opening act”, the backdrop is a simple union jack flag, hiding the big screens that would come out for the main set.)

As soon as “Good Morning Freedom” has struck its final chord, and standing in front of a stack of EVH amps, Phil rips into the delicious “Wasted” single.  This song from the first album is the one fans have been begging for, for years.  Joe’s voice is lower and rougher, and perhaps even more effective.  The song is still lethal!  That riff could be the most devastating one in their entire catalogue.

From Pyromania, “Stagefright” is another welcome inclusion.  Joe struggles with the challenging screamin’ vocals but he does the job.  He doesn’t cheat the notes.  This is the Leppard that fans have been wanting to see live all this time.  Then another shock:  from High ‘n’ Dry it’s “Mirror Mirror”!  Joe introduces Ded Flatbird as the best Def Leppard cover band in the world, and he must be right.  The tackle this, one of early Leppard’s sharpest and most melodically riffy songs, with ease.

Joe claims his name is “Booty Ruben” as they kick into the Sweet cover “Action”.  There are several official live versions out there.  This is one of ’em.  Not a song necessary for anyone to need another live version of, but once again Rick Allen can’t seem to stop smiling.  Back to the oldies, it’s another surprise with the early single “Rock Brigade”.  Perhaps by adopting the alternate identity of Booty Ruben (who swears Joe Elliott is a nice guy!), Joe is able to sing these old lyrics from a lifetime ago without feeling too silly.  He sounds awesome on the On Through the Night material.  Their music hadn’t got really screamy yet and Joe rocks it with ease.

Another surprise comes next, albeit a more recent one.  From their last album, Mirror Ball, is the rarely played “Undefeated”.  Though not one of their most outstanding songs, even the generic “Undefeated” deserves to be heard live at least once.  This is to date the only live version you can buy.  “Promises” from Euphoria is the last song of this set, and it sounds really great live with rich backing vocals.

The March 30 Ded Flatbird set brings us another set of delight.  After “Won’t Get Fooled Again”, they go right into “On Through the Night” from High ‘n’ Dry.  A bit “Achilles Last Stand”, isn’t it?  Screamin’ Joe manages well.

The surprising “Slang” from 1996 introduces modern beats.  It sounds good live, if a bit under-energetic.  Sounds like it’s just a little shy of full concert electricity.  But that’s OK.  If energy is what you need, then Leppard come at you with both barrels for the remainder of the set:  it’s all of side one of High ‘n’ Dry, in sequence.  “That ain’t good enough?” asks Joe/Booty.  No, no, it’s plenty good, this is what we have been asking for all this time!

“Let It Go” powers the show forward.  Amazing how close they nail it considering the Def Leppard of today has two different guitar players than the band of 1981.  Yet “Let It Go” is the triumph you want it to be.  “Another Hit and Run” is pure smoke.  Full speed ahead, Screamin’ Joe givin’ it all he’s got, and Viv and Phil ripping the solos while Rick and Rick keep blasting it forward.  “High ‘n’ Dry (Saturday Night)” brings the tempo down but the temperature up.  What a riff, and what a fist pumper.

The closing pair of “Bringin’ on the Heartbreak” and “Switch 625” are a thrilling way to end this set.  Like a true guitar duo, Vivian Campbell and Phil Collen walk together to the ramp protruding from the front of the stage, and play “Switch 625” united.  It’s beautiful.  Not to be left out, Ricks Allen and Savage then get a bass/drum outro together.

The DVD has a few more extras to discuss.  There’s a brief and somewhat pointless photo gallery, to the tune of “Animal” live.  None of the photos are on screen long enough to really study.  A better bonus is the “Acoustic Medley”, which is on the DVD but not on CD, except in Japan where it was included as the bonus track.  We’ll discuss this awesome bonus next time.

Viva! Hysteria is an excellent package from top to bottom.  The band were fearless, playing material that they have shied away from for years.  Two CDs, one DVD, and a total of 30 tracks.  Leppard worked hard to get these songs into shape live, and Joe in particular had a lot of challenging material to sing.  They pulled it off, with flying colours, proving that Def Leppard are just as good as they ever were.

5/5 stars


  1. The Early Years Disc One – On Through the Night 
  2. The Early Years Disc Two – High N’ Dry
  3. The Early Years Disc Three – When The Walls Came Tumbling Down: Live at the New Theater Oxford – 1980
  4. The Early Years Disc Four – Too Many Jitterbugs – EP, singles & unreleased
  5. The Early Years Disc 5 – Raw – Early BBC Recordings 
  6. The Early Years 79-81 (Summary)
  7. Pyromania
  8. Pyromania Live – L.A. Forum, 11 September 1983
  9. Hysteria
  10. Soundtrack From the Video Historia – Record Store Tales
  11. In The Round In Your Face DVD
  12. “Let’s Get Rocked” – The Wait for Adrenalize – Record Store Tales
  13. Adrenalize
  14. Live at the Freddie Mercury Tribute Concert
  15. Retro-Active
  16. Visualize
  17. Vault: Def Leppard’s Greatest Hits / Limited Edition Live CD
  18. Video Archive
  19. “Slang” CD single
  20. Slang
  21. I Got A Bad Feeling About This: Euphoria – Record Store Tales
  22. Euphoria
  23. Rarities 2
  24. Rarities 3
  25. Rarities 4
  26. Cybernauts – Live
  27. Cybernauts – The Further Adventures of the Cybernauts (bonus disc)
  28. X
  29. Best Of (UK)
  30. Rock Of Ages: The Definitive Collection
  31. Yeah!
  32. Yeah! Bonus CD With Backstage Interviews
  33. Yeah…Nah!  (Record Store Tales)
  34. Songs From the Sparkle Lounge
  35. “C’Mon C’Mon” (picture disc)
  36. Taylor Swift & Def Leppard – CMT Crossroads (DVD)
  37. B.Sides
  38. Yeah! II
  39. Yeah! Live
  40. Mirror Ball: Live & More (Japan bonus track)
  41. iTunes Re-recordings
  42. Viva! Hysteria (CD 1 & DVD)


44. Viva! Hysteria (Japanese bonus track)
45. Slang (2014 Deluxe bonus tracks)
46. “Helen Wheels” (from The Art of McCartney)
47. Def Leppard (Deluxe and Japanese versions)


REVIEW: Def Leppard – Too Many Jitterbugs (The Early Years Disc 4)

Part Four of the Def Leppard Review Series

Original reviews:
The Def Leppard EP (1979)
“Wasted” / “Hello America” (1979)
“Hello America” / “Good Morning Freedom” (1980)
“Bringin’ On the Heartbreak” (1981)

DEF LEPPARD – Too Many Jitterbugs (The Early Years Disc 4) (2019)

Because of the non-chronological nature of The Early Years box set, we are now back at the beginning:  Def Leppard’s first rare EP, and singles releases.  Only on Disc 4 do we finally get to go back to the original Def Leppard EP, which has seen a few re-releases over the years, but none as convenient as this.

The story goes that young Def Leppard used money loaned to them by Joe Elliott’s father, and booked a studio for one weekend.  Drummer Tony Kenning was fired just before the start of recording, for being sidetracked by a girlfriend.  Frank Noon from The Next Band (featuring Rocky Newton on bass) was chosen to fill-in temporarily.  It was The Next Band’s own three-song EP release that inspired Leppard to make their own.  They only had a handful of rehearsals with the drummer completed before it was time to hit the studio.

“Ride Into the Sun” was properly perfected when it was re-recorded in 1987 as a Hysteria B-side.  The original still boasts the same relentless riff, but without the increased velocity.  The chorus is a bit different, but here it is:  the beginning!  Out of the gates with a good song, with room to improve.  And improve young Def Leppard would.

Next on the EP is “Getcha Rocks Off”, the only track that has been available on CD for three decades.  It saw its first digital release on Lars Ulrich’s excellent 1990’s NWOBHM compilation.  The version that eventually made its way to On Through The Night is heavier, but this ground-floor version has an identical arrangement.  The solo work shows the band had early talent, and the riff demonstrates their ability to come up with the goods.

Finally: “Overture”, the big Def Leppard epic that later closed On Through the Night.  A little progressive, the 7:45 track meanders from mellow acoustic opening to galloping riff to blasting guitar workouts.  Much of it is first takes, with Joe having little time to finish the vocal.  However the job was complete.  The record was made.

All that was left was to ask Frank Noon to join the band full-time, which he declined.  15 year old Rick Allen was selected instead.  (Noon later reunited with Rocky Newton in Lionheart.)

All 1000 copies of the EP sold within a week.  Radio started to play Def Leppard.  Finally they signed the big record deal and the rest is history.  Still, there are plenty of rare tracks from the early years that were recorded.  Most were released but some are here in this box set for the very first time.

“Wasted” with “Hello America” on the B-side was originally released in 1979.  These are early versions that differ from the Tom Allom-produced tracks on the album.  Neither are as as heavy, with “Wasted” in particular needing more bite.  These versions, by Nick Tauber, were deemed not worthy of album release by the record company.  The ferocious “Wasted” riff is there but needs to be turned up – way up!  “Hello America” fares better as a more melodic rock tune.  It lacks that synth riff on the chorus of the song, which makes it a little more raw.  It also has a really long fade-out.

The Tauber sessions yielded two more songs that were never released.  “Rock Brigade” and “Glad I’m Alive”, for whatever reason, were held back until The Early Years box set.  “Rock Brigade” is probably the best of these tracks.  Rick Allen’s marauding drum rolls steal the show, but not as much as on album.  In general, the Tauber versions are less aggressive recordings, and Joe’s vocals are not as unleashed as on the final album.  “Glad I’m Alive” is the only one that didn’t make the album.  It is the song with the lyric “too many jitterbugs”, but is otherwise unremarkable.  Not many hooks (if any).  It is only available in The Early Years.

Leppard’s next B-side was “Good Morning Freedom” from the eventual “Hello America” single.  This is a song that surprisingly and delightfully was resurrected by Leppard live (more on that later in the series).  It is early quintessential early Leppard, centered on the riff and designed to get the heads-a-bangin’.  It is not without hooks, and might be as good as anything else On Through the Night has to offer, “Wasted” notwithstanding.

The next tracks are the disc are single edits, which are padding to some and valuable curiosities to others.  Moving into the High ‘n’ Dry era, they are edits of “Let It Go”, “Switch 625” and “Bringin’ on the Heartbreak”.  Nice to have to be complete, but not essential listening.  All three are obviously better in their full length versions, but you gotta try what you gotta to get on the radio.  “Let It Go” has a shorter intro, and a truncated middle section, weakening its impact.  “Heartbreak” fades out early.

“Heartbreak’s” B-side was a fast and heavy fan favourite called “Me An’ My Wine”.  It was given a raucous and fun music video when it was remixed by Mutt Lange in 1984.  Both “Wine” and “Heartbreak” were remixed for 1984 reissue, and were included in updated editions of High ‘n’ Dry.  All versions, original and remixed, are present in this box.  For some, the remixed “Heartbreak” with added keyboard accents will be the favourite, because it’s the one they grew up with.  It sounds more like a Pyromania single.  The keys do help spruce up the song, which honestly has a couple dead spots otherwise.  As for “Me An’ My Wine”, it has a longer intro and the drums have been treated to sound a little more 80s.  Incidentally, though you can get them on old High ‘n’ Dry CD pressings, this is the first time that these remixes have been available in a remastered form.

And that’s the disc — a damn fine one in fact, because it manages to include every non-album track that Leppard released during those early years.  It makes for a fun listen, as you hear the band evolve.  Even if some songs repeat, they are different enough to not interrupt the flow.  Many of the B-sides have never been released on CD format before, so the value here cannot be understated.

4.5/5 stars



  • The Early Years Disc Five – Raw – Early BBC Recordings

REVIEW: Def Leppard – “Hello America” / “Good Morning Freedom” (single)

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DEF LEPPARD – “Hello America” / “Good Morning Freedom” (1980 Vertigo/Phonogram)

“Hello America” was the third of three singles from Def Leppard’s debut album, the first two being “Wasted” and “Rock Brigade”.  Like many kids in the late 80’s, I first heard the song “Hello America” on Def Leppard’s video anthology, Historia.  It was a weird video, with Rick Allen’s drums up front and the band in behind!  Nobody would ever say that this was one of Def Leppard’s all time best songs, but it’s catchy with a driving riff.  Joe Elliot hadn’t really found his voice yet.  This is standard hard rock, but not outstanding.  The guitar solo by Steve Clark is quite excellent.

Please note, Leppard’s first single for “Wasted” had an alternate recording of “Hello America” on the B-side.  This is not that version.  This is the standard album version.

The B-side, like the A-side, was produced by (Colonel) Tom Allom who had also produced Judas Priest’s British Steel around the same time.  “Good Morning Freedom” was not on the On Through the Night LP, however.  This is an exclusive track.  Just over three minutes long, “Good Morning Freedom” is a good song, much in the same vein as the rest of Leppard’s music at the time.  “Good Morning Freedom” (parsed as “Goodmorning Freedom” on the vinyl itself) is very New Wave of British Heavy Metal in style.  It almost sounds like an Iron Maiden B-side from the same period.  The track boasts a driving rhythm, rock-solid riff, but also another shaky Joe Elliot lead vocal.  Not an outstanding song, but most definitely collectible.  The tune is credited to Elliot, Clark, guitarist Pete Willis and bassist Rick Savage.  It’s notable for its Rick Allen drum intro.

Not a bad single, comes with a picture sleeve, and rocks harder than their later material.

3/5 stars

Def Lep playing “Good Morning Freedom” in Vegas as part of Viva! Hysteria