Katorz

REVIEW: Voivod – Infini (2009)

Part 2 of a 2 part series.  Click here for part 1, Katorz.

INFINI_0001VOIVOD – Infini (2009 Sonic Unyon)

Who would have thought that little band from Quebec, VoiVod, could have survived so much adversity. The death of Denis “Piggy” D’Amour (guitar) in 2005 should have been the end, but yet the band has soldiered on with two albums utilizing his guitar parts recorded just before his death. In addition, unbelievably, the band has even continued on with returned original bassist Blacky (Jean-Yves Thériault) and new guy Chewy (Dan Mongrain) on guitar!

For those who don’t know, shortly before Piggy died of cancer, he had been working hard at recording every idea he had onto a hard drive. He explained to the band, that if they went into his PC they would find hours of meticulously recorded music and detailed instructions on how to use it. From there, Away (drummer Michel Langevin), Snake (singer Denis Belanger) and Jasonic (bassist Jason Newstead, ex-Metallica) buckled down and created the surprisingly awesome Katorz. Incredibly there was still enough music left to create one more album, 2009’s Infini. The fact that both albums are excellent, coherant pieces that add to the already rich VoiVod body of work is nothing short of astounding. It is a tribute to Piggy as an artist and as a person.

INFINI_0004What VoiVod have created here is yet another astounding progressive metal headbanging experience. Loads of droning Piggy chords, odd Piggy solos, insane time changes, and cool lyrics abound. Snake’s lyrics are both thought provoking and cool sounding through a Francophone lens. Even the song titles alone evoke multiple images.

I’m pleased that the band has continued on with Blackie and Chewy.  Their last album, Target Earth was also challenging and excellent.  But that’s another review.  For now I am blown away and grateful that the band have created two monstrously great albums in a row after the death of the man who seemingly defined their sound. As a metal fan, and as a fellow Canadian, I am proud of our metal heritage. I feel Piggy is a huge part of that heritage (the CD itself has Maple Leafs and Fleurs-de-lis emblazoned upon it), and I hope his music continues to live on in the new VoiVod.

Highlights:

“God Phones,” “Destroy After Reading,” “In Orbit,” and “Earthache”.  I love the thunderous chorus in “Earthache”:  “Blah, blah blah, is that all you say?”

Infini is not quite the album that Katorz was, it’s more challenging and abrasive, but it’s definitely one to be proud of.  Very few bands could produce an album of this complexity and intensity.

4/5 stars

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REVIEW: Voivod – Katorz (2006)

Part 1 of a 2 part series

KATORZ_0001VOIVOD – Katorz (2006 The End records)

When Piggy (Denis D’Amour) passed away of colon cancer in 2005, I thought it spelled the end of VoiVod. It was such a sudden, unforeseen tragedy.  He was only diagnosed that year; the cancer had spread so rapidly that any operation was deemed impossible.  However, Piggy loved VoiVod and he loved music. Knowing his end was near, he recorded hours of new music with his guitar onto a computer. Before passing he instructed the band on how to access the music he’d left them, and they realized the VoiVod dream was not dead. Away (Michel Langevin), Snake (Denis Belanger) and Jasonic (ex-Metallica bassist Jason Newsted) painstakingly went through his final recordings and realized there was an album there. (In fact there were two albums there, but that’s another story.)

Katorz (“fourteen”, their 14th release) was assembled from these parts. It is a loving tribute to the man who defined the VoiVod sound, and it is a gift to us, the fans. As Canadians, we should be very proud of VoiVod. They never made it big like Rush, although Rush certainly took them under their collective wings on the Presto tour. Their sound is anything but commercial — it’s a stunning, disorienting array of unusual droning chords, complex themes and precision drumming. The band have also inserted some of Piggy’s beautiful final acoustic passages in between songs as transistions, all of which are haunting statements about his impending death. Piggy was not known for his acoustic work, until now, which makes it that much more powerful. (The band has suggested in the past that there may be an entire Piggy acoustic album to come.)

KATORZ_0003Through all the hardship, VoiVod have only perfected their art of songwriting. The songs on Katorz are among the best of the VoiVod back catalogue. They have come far from their thrash metal n’ studs roots. From the band that once did a thrash version of the “Batman” theme, their music is still heavy. The complexity that they gradually began integrating in the mid-80’s is tied together with more melody and groove. Certainly, you can find few drummers as talented as Away, and his drumming here is astounding. Away jumps from time change to time change effortlessly.

The always nasal whine of Snake will not appeal to all, but it is part of the VoiVod sound and identity, and his lyrics are as jittery and potent as ever. To me it’s like Megadeth. I can’t handle a lot of Mustaine’s singing in a day, but in small doses it’s quite palatable.

Perhaps the most impressive thing about Katorz is that you cannot tell that anything is wrong with Piggy or the band.  His playing is as unique as ever, pushing the boundaries as he always has.  Check out the noise solo on “Mr. Clean” and you’ll see that Piggy was stretching out to the very end.  Song-wise, Katorz is seamless.  It sounds as if the band wrote and recorded it together, as they always have.  There is a certain coldness to Katorz, but that’s VoiVod.

Katorz is thinking-man’s metal. It is over-caffeinated, constantly pushing the extremes (X-Streams?) and restless. More importantly, it is a tribute to one of the great guitarists that made Canada proud. Piggy was great not because of his speed or dexterity, but because of his sonic uniqueness. Piggy’s sound was like no other, droning and headache-inducing, just like VoiVod’s music. Our country is a sadder place without him.

Highlights:
The whole album, but especially “The Getaway”, “Odds & Frauds” and “The X-Stream”.

A beautiful noisy mess. 4.5/5 stars.