Love Story

RE-REVIEW: Taylor Swift & Def Leppard – CMT Crossroads (2009 DVD)

Part Thirty-Six of the Def Leppard Review Series

Original ReviewCMT Crossroads (2009)

Dedication (noun):  The character trait of being so devoted to a project that you will watch the Taylor Swift & Def Leppard DVD one more time, even though you reviewed it once before and swore you’d never watch it again.

TAYLOR SWIFT & DEF LEPPARD – CMT Crossroads (2009 Walmart exclusive DVD)

You can blame Rick Allen’s brother for this DVD.  How did pop country songstress Taylor Swift and Def Leppard hook up?  Taylor was on tour with Tim McGraw and Faith Hill whose tour manager was Rick Allen’s brother. You might recognize McGraw from the song “Nine Lives” on Leppard’s last album Songs From the Sparkle Lounge.  Swift expressed interest in doing an episode of CMT Crossroads with Leppard and eventually they made it happen.  Lucky us.

The DVD starts immediately, no big long intro, with “Photograph”.  In a democratic way of doing things, it’s a Def Leppard song to open, but Taylor Swift getting the first lines.  Her smooth voice doesn’t sound right with Screamin’ Joe’s vocal lines, and takes some getting used to with these songs.  You can’t really hear her fiddle player or acoustic guitarists on “Photograph” but they sure are having fun.

The concert is intercut with interviews that help bring the context to this odd collaboration.  Taylor was born two years after Hysteria, but was exposed to Leppard’s music from birth.  She had been wanting to do a show with Leppard for some time so she made it happen.  It’s also fun watching her learn British slang.

Taylor’s “Picture To Burn” is…well, it’s a song about some guy who drives a pickup truck, it seems.  No matter how much they try to convince us that Leppard and Swift are not all that different, they sure are.  “Love Story” is more like a Leppard ballad and isn’t so hard to swallow.  Finally we get to “Hysteria” which works remarkably well as a duet.  Taylor’s vocals add rather than subtract.  You can actually hear certain parts of her massive backing back on this as well, plinking here and fiddling there.

A blues jam about Taylor’s boy trouble is amusing.  “Teardrops On My Guitar” is a nice song, a little more understated and quiet.  Stage choreography seems important with so many band members on stage, and they all seem to have their places and times.  Leppard’s ballad “When Love and Hate Collide” is one song that is the most transformed by the collaboration.  It sounds at home in both worlds.  Taylor reveals she’s long had an obsession with this hit.  It’s very fun to see Joe give her the last line of the song too.

Taylor’s “Should’ve Said No” is upbeat and twangy.  A little bit rock and roll, something a little more familiar.  There’s a great march-like arrangement towards the ending, and then the drums start thumping and you know what that means.  “Pour Some Sugar On Me” has never sounded like this before.  Fiddles and double drums…it actually sounds pretty good.  And that’s the closing song of what is a fun but definitely jarring set of hits.

The three bonus tracks are “Our Song” (written in 9th grade for Taylor’s highschool talent show), “Love” (new Leppard song), and “Two Steps Behind”.  These Taylor songs really take some effort to digest when you’re a Leppard fan, until Joe starts singing at least.  Giving her credit, Taylor sure knows how to command an audience, but it’s irritating to see Vivian ripping up the fretboard, but being unable to hear him in the mix.  More interesting is “Love”, the only choice from Songs From the Sparkle Lounge.  It really benefits from all the extra backing singers and musicians, becoming something really big and huge.  The final bonus track “Two Steps Behind” has eight guitar players and a nice intro from Joe explaining how the song was written electrically in 1989 to become a hit acoustically later in 1993.

To Def Leppard fans at least, some of the best content might be contained in the bonus interviews.  It’s clear Leppard had a new but genuine appreciation for Taylor Swift and how her songs are constructed.  They discuss all the things they have in common with Taylor, such as age.  Rick Allen turned 16 opening for AC/DC and Taylor of course released her first hit album at 16.  Allen reveals his parents were supportive of him leaving highschool in order to tour with Def Leppard, but made him get a tutor.  They understood that it was a once in a lifetime opportunity.  Both artists discuss what it’s like to be pigeonholed into a genre be it “country” or “heavy metal”.  But the coolest thing is the foreshadowing of Leppard’s new album Diamond Star Halos.  “You know who else is a huge Def Leppard fan?  Alison Krauss,” reveals Taylor.  And in 2022 she too collaborated with Def Leppard.

In addition to the interviews, there’s a press conference with Joe, Phil and Taylor where they discuss their history with each others’ music.  They are obviously having fun with their collaboration, even if you are not.  One of the things Joe says is that they would love to work with Taylor in the studio any time anywhere.  Rather than ask why this hasn’t happened any time in the last 13 years, let’s just be glad it hasn’t.  This is a difficult DVD for the Leppard fan to finish in one sitting so let’s just be glad that’s all there is.

2.5/5 stars

Previous:  

  1. The Early Years Disc One – On Through the Night 
  2. The Early Years Disc Two – High N’ Dry
  3. The Early Years Disc Three – When The Walls Came Tumbling Down: Live at the New Theater Oxford – 1980
  4. The Early Years Disc Four – Too Many Jitterbugs – EP, singles & unreleased
  5. The Early Years Disc 5 – Raw – Early BBC Recordings 
  6. The Early Years 79-81 (Summary)
  7. Pyromania
  8. Pyromania Live – L.A. Forum, 11 September 1983
  9. Hysteria
  10. Soundtrack From the Video Historia – Record Store Tales
  11. In The Round In Your Face DVD
  12. “Let’s Get Rocked” – The Wait for Adrenalize – Record Store Tales
  13. Adrenalize
  14. Live at the Freddie Mercury Tribute Concert
  15. Retro-Active
  16. Visualize
  17. Vault: Def Leppard’s Greatest Hits / Limited Edition Live CD
  18. Video Archive
  19. “Slang” CD single
  20. Slang
  21. I Got A Bad Feeling About This: Euphoria – Record Store Tales
  22. Euphoria
  23. Rarities 2
  24. Rarities 3
  25. Rarities 4
  26. Cybernauts – Live
  27. Cybernauts – The Further Adventures of the Cybernauts (bonus disc)
  28. X
  29. Best Of (UK)
  30. Rock Of Ages: The Definitive Collection
  31. Yeah!
  32. Yeah! Bonus CD With Backstage Interviews
  33. Yeah…Nah! – Record Store Tales
  34. Songs From the Sparkle Lounge
  35. “C’Mon C’Mon” (picture disc)

Next:

37. B-Sides
38. Yeah! II
39. Yeah! Live
40. Mirror Ball – Live & More (Japanese import)
41. iTunes re-recordings

DVD REVIEW: Taylor Swift & Def Leppard – CMT Crossroads (2009)

TAYLOR SWIFT & DEF LEPPARD – CMT Crossroads (2009 Walmart exclusive DVD)

“Of course that country cop out track (“Nine Lives”) is brutal…Leppard has no place for CMT! I remember hearing about the Swift deal…I had zero interest. I was like, ‘How can a band that put out stellar product (basically the first four albums) go and cross over!??’ I mean right out of the Sixx play book entitled Following Trends!”Deke from Metal Shatz

“There’s always a first day when you discover a band, be it the Beatles or Taylor Swift, when you hear the name for the first time and then you go and check it out. So we just Googled her, iTuned her, listened to it all and said, ‘Wow’!” — Joe Elliott

“I like to write songs about what’s going on in my life.” — Taylor Swift, stating the obvious

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Before the Swifties come and tear us apart for what you’re about to read, let’s be perfectly clear. Taylor Swift is very talented and has a genuine love for Def Leppard’s music. She is also an incredibly bright individual, and she has written more hits than Def Leppard in a fraction of the time. Both of them started in their teens, and are guilty of using outside writers. In the included interview footage, she and Def Lep seem like a mutual admiration society. We have nothing against Taylor Swift here, though her brand of pop music is never heard around LeBrain HQ…save this Walmart exclusive DVD release.

How did they hook up? Taylor was on tour with “Tim and Faith” (McGraw and Hill) who’s tour manager was Rick Allen’s brother. She expressed interest in doing an episode of CMT Crossroads with them, and then the phone rang.

Leppard and the Swift’s band share the stage, dual drummers, umpteen guitar players, and fiddle…but on a heavier track like “Photograph” you can’t really hear her group. Taylor gets the first line (she says she felt like a kid in a candy store to do so); then she and Joe swap. It’s clear that she doesn’t have the power nor the control that Joe Elliot has. Her voice is whispy by comparison. It’s also weird to see a girl in a gold mini-dress and cowboy boots fronting Def Leppard, but talk about dreams come true! I’m sure Def Leppard didn’t mind the national exposure either.

“Picture to Burn” is the kind of candy-coated pop country that irritates so many fans of the old fashioned stuff. Taylor is more at home on her own songs, but Joe has never sounded more awkward. Taylor’s band dominates on this song, with only a few Phil Collen guitar squeals to remind you he’s there. Tellingly, Joe Elliot says of her music, “You take the banjos and fiddles off, and you’ve got pop.” The next Taylor number, “Love Story” is one I’ve heard on pop radio many times, but it’s hard to suffer through. It brings back bad memories of Leppard’s pop disaster, X.

Taylor butchers my favourite Def Leppard ballad, “Hysteria”. The song successfully absorbs the twang, but again, Swift just lacks the vocal power to blast it the way Joe can. Her own ballad “Teardrops on my Guitar” is so laid back that most of the Leppard guys are sitting down for it. The bands mesh well and the song is pretty good, although she has a guitar player who kind of looks like a goth country emo Russell Brand. She’s at home on Leppard’s “When Love and Hate Collide”. Once again the meshing of the two bands works well here. There’s a full string section, plus backing vocalists crowding the already overloaded stage, but that’s what the song calls for and it’s genuinely great version of the well-worn hit. “Should’ve Said No” is a Swift song I don’t know, but it’s one of those pop tracks that just feels like it was written by a computer. It transforms directly into the show closer “Pour Some Sugar on Me”, but…damn. Taylor’s out of breath. She is audibly gasping (a big no-no) between lines and unable to deliver the goods. With the fiddle and extra accouterments added, this one’s a write-off.

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There are three bonus tracks that weren’t broadcast as part of the show: One Swift, two Leppard. Taylor says she wrote “Our Song” in ninth grade (“three years ago, actually”). That’s exactly what it sounds like, ninth grade pop, but obviously there is a need in the world for that kind of kid-friendly music. Leppard fans won’t find any appeal here. They will however appreciate “Love”, the only new Leppard song in the set. Interestingly it starts with only Taylor and two of her guitarists on stage, then Leppard emerge from the shadows. As a duet, it’s enjoyable, and it’s overall probably the heaviest thing all night. The much-overplayed “Two Steps Behind” is the final bonus track. The fun thing here is trying to count the number of people playing guitar on stage. (Eight plus fiddle and Rick Savage on acoustic five-string.)

Phil Collen gets bonus points for wearing a jacket on stage, dressing up a bit for the television, but he sticks to tradition by having no shirt on underneath.

2.5/5 stars