Standing Alone

REVIEW: White Wolf – Standing Alone

Bought in April at the Toronto Musical Collectibles Record & CD Sale.  Not listened to in full until October.  Backlog!

WHITE WOLF – Standing Alone (1984 RCA)

From Edmonton, Alberta, Canada came White Wolf.  The land that spawned the massive West Edmonton Mall also produced a hard rock band that combined old fashioned Canadian workmanship with prototypical 80’s rock and heavy metal.  Sharing common ground with bands like Scorpions, Dokken, and even Van Halen and Rainbow, White Wolf weren’t half bad.  The singer Don Wolf (Wilk) has enough power in his voice to raise the roof just enough to be an opening band in an arena.  They’re not quite headline quality, but I bet they were damn good openers.

Their debut album Standing Alone is best known for the single/video “Shadows in the Night”, still my favourite song from the band.  In fact I think it’s quite excellent.  The chugging riff, the excellent vocals and chorus, it has everything!  It even had a suitably cheesy and sexist music video, portraying the band as some sort of wilderness totem hero/villains.  Don’t worry, maybe it’s all a dream, or  just a hell of a bush party/concert?  Hell, I don’t know.

I friggin’ love fur hats! So warm!

Thankfully the album is more than just one song.  The track “Standing Alone” is a mid-tempo but ominous opener, a mournful song about (guess what) standing alone! (Like a wolf?  Layers!)  “Headlines” is uptempo, verging on Priest territory.  Both have plenty of guitar work to go around.  They are followed by “Shadows in the Night” and the seven minute plus “What the War Will Bring”.  This a pretty respectable shot at doing an epic.  Utilizing multiple vocalists and backing keyboards, it’s a tour-de-force suitable for closing side one of the album.

“Night Rider” begins with bad King-Kobra-esque vocal harmonies, but quickly gets into a dual guitar melody before it takes off.  This would be one of the weakest songs with one of those awful, cliche titles.  “Homeward Bound” is a fun song utilizing two lead vocalists, but that riff sure does sound familiar.  Although the guitar rips off “God of Thunder” by Kiss a little bit, this is one of the better songs.  I love the dual vocalist concept, and it’s a fun sleazy romp like 80’s Kiss.  “Metal Thunder” is a pretty poor song title, but a decent stomp through territory previously explored by the likes of Judas Priest.  “Trust Me” is the final song, clearly inspired by Ritchie Blackmore’s Rainbow.  All it needs is Ronnie James Dio shouting, “Danger! Danger!” and suddenly it’s “Kill the King”.

There’s a certain kind of Canadian mediocrity that exudes from bands like White Wolf and label-mates Thor.  This even extended to bands like Triumph and Helix, at various parts of their careers.  I don’t know what it is, but so many Canadian bands of this sub-genre just failed to explode into fully-fledged world-classic song writing and recording.  Maybe it’s touring in a little van during harsh Canadian winters, but I think I’ve made a valid observation.

All that being said, for the $7.00 I paid for this record, I have no regrets.  Standing Alone doesn’t overstay its welcome, nor does it fail to raise a smile any time I’ve played it.  I’m glad to finally have “Shadows in the Night”, and I’m pleased to induct songs like “Homeward Bound” into my collection for the first time.

3/5 stars

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