star wars

#1227: Steele Away the Night

RECORD STORE TALES #1227: Steele Away the Night

The roots of anxiety run deep.  Some things from childhood, I can remember vividly.  I have strong memories of some of the unhappy moments, frozen in time.  When I say “unhappy”, it’s important to stress that these stories might not seem like a big deal to you, but they obviously impacted me in ways that still have repercussions today.

I can pinpoint the year to 1980.  It might have been March break.  Lego was a favourite hobby.  Lego Technic, or what we called “Technical Lego”, was hot and new.  I had a couple sets, including the 1978 go-cart (set 854), a 1979 bulldozer (set 856) and a really cool motor (1979 – set 8858) that were challenging and interesting to a kid (and now adults too).  The holy grail was the 853 car chassis, which came with a similar motor, rack-and-pinion steering, adjustable seats, and the biggest tires that Lego made.  It was completely customizable and a challenge to assemble with little kid hands.  I never had one.  I did get to play with one, once.  This is that story.  But it’s not going to go how you think.

My mom begins the tale.  When you’re a kid, sometimes your “friends” are just your parents’ friends’ kids.  My mom tells me that one of these friends of theirs thought it would be a great idea for me to have a sleepover with her kid.  Mark Steele was his name.  I didn’t know him.  I had probably met him at one of those random things that parents did together sometimes, but I didn’t know him at all.  I was invited to do a sleepover, and I think is was for two nights.  My mom tells me that one of the other kids in the parent-circle went over for sleepovers and had a great time.

I have strong memories about the rest.

Adults always thought I was “shy”.  I guess that is true, but the truth is even back then, I had severe anxiety.  I did not feel comfortable around people I did not know.  I felt very comfortable around close family and friends, but very few people outside that circle.  My dad had this one childhood friend who moved out west and became a scientist.  I took a real shine to him.  Very few others were that fortunate with me.  I did not know these people and I was being sent away for two nights.  Rather than be a fun time that I was looking forward to, it was something that I had to make it through, so that I could go back to my own home and bed.

I was treated with nothing but hospitality, but I simply was never the sleepover type.  I had it pretty good at home.  I had all the Star Wars toys that a kid could want.  I had a sister that I adored, to play with every day.  I had parents that made food that I liked and let us watch whatever we wanted on TV.  I had my best friend Bob, only ever two doors down.  Why would I want to go anywhere else?

Mark was a very friendly and welcoming kid.  His bedroom had a giant poster of a hockey player on the closet door – it was cut in half in such a way that you could opens the doors.  It might have been Wayne Gretzky, but that would not have helped me at all.  I knew nothing about hockey, and had no interest in it.  I liked Star Wars.  Even though every effort was made to make me feel at home, I felt so homesick.

For lunch, Kraft dinner was served.  I have always been a picky eater, and very much so a Kraft dinner purist.  I loved Kraft Dinner.   Nobody made better Kraft Dinner than my mom.  I do today it the way she did it back then.  Lots of milks, extra runny sauce.  No hot sauce, no pepper, just the KD out of the box with nothing added.  Well, wouldn’t you know it.  I was being served Kraft Dinner…with hot dogs mixed in.  I don’t know what I said, but I know I was vocal in my dislike of the concept of Kraft Dinner with hot dogs.  I tried to eat it, and it was probably more psychological than not, but I did not like it.  I still don’t.

For entertainment, we all went out to see the film The Black Stallion.  I remember them trying to pump me up over this movie.  “You’re going to love it!”  I have never cared about horses, and I need not tell you, I did not enjoy The Black Stallion.  My mom loves the film, but I distinctly remember thinking, “This isn’t a kid’s movie, this is a grown-up movie that kids can watch with their parents.”  I liked Star Wars!  I had no idea who Mickey Rooney was, or why he was a big deal.  I didn’t understand the movie.  The horse didn’t seem particularly likeable and I had no idea why the kid in the movie wanted to ride the horse.  Like, who cares?  That was my attitude as a nine year old.

Sleeping was difficult for me in a strange bed in another kid’s room.  As a person with music deep in his soul, and in an age before personal tape players, I liked to hum myself to sleep.  Usually a John Williams soundtrack piece.  I couldn’t do that if I wasn’t alone.  I really had to…not be myself…if I slept over at someone else’s house.

The one thing I do remember, and is definitely a happy memory, is that Mark owned the 853 car chassis.  I got to play with it.  I got to handle it and experience it for myself.  I remember thinking that, visually, it wasn’t very striking.  It was just a red bare-bones chassis. Yes it was everything you stared it in the little Lego catalogue photos, except up close in real life.  At the time, the 853 car chassis was the most desired of all the technical Lego sets.  It had the motor with four pistons that moved as you pushed it over the carpet.  It had loads of big technical pieces, a ton of gears, and was massive in hand.

As hard as they tried, the only thing I really remember enjoying that weekend was the Lego.  The lesson here is that Lego is just plain good for your mental health.

Recap: Interview With “Shandi” Bassist HARPER

GRAB A STACK OF ROCK With Mike and the Mad Metal Man

Episode 129:  Interview with “Shandi” Bassist Harper

Last night I had the pleasure of interviewing bassist Harper on the subject of Kiss and more. Topics covered:

  1. Guitar tech for Paul on the Dynasty tour
  2. Rehearsing Shandi with Paul and Anton Fig, and recording it with Vini Poncia for the album
  3. Working with Peter Criss on his Out of Control solo band that never toured
  4. Loaning Ace the 12 string guitar he played on Fractured Too
  5. Missing the Space Ace
  6. Loaning the Shandi Thunderbird bass out to a legendary metal bassist who used it on his band’s landmark 1984 album (I love this story)!
  7. Working for LucasArts in the 1990s on a Star Wars video game for the N64
  8. Michael Bolton and his band
  9. An Oscar Award!?
  10. And so much more!

Please enjoy the show! I’ll try to get Harper back for any followup questions.

 

🅻🅸🆅🅴 Interview With “Shandi” Bassist HARPER – Wednesday live show!

GRAB A STACK OF ROCK With Mike and the Mad Metal Man

🅻🅸🆅🅴 Episode

Episode 129:  Interview with “Shandi” Bassist Harper

Grab A Stack of Rock is proud to announce a special mid-week LIVE episode:  Please join Mike as he speaks to Tom Harper, professionally known as Harper, the guy who played bass on the Kiss hit “Shandi”!   And not only that, but Harper later spent time at LucasArts, helping create some of the greatest video games of all time, including Star Wars: Shadows of the Empire.  Believe us when we say that some of the stories that Harper has are not widely known, and could break the internet.

For example, did you know that the Thunderbird bass guitar that he played on “Shandi” was later loaned out to a legendary metal bassist, who played it on every song of his band’s landmark 1984 metal classic?  We’ll tell you who tonight.

Harper spent time in Peter Criss’ solo band, was friends with Ace Frehley, played with Michael Bolton, and of course played the bassline you know and love from a Kiss classic.  He has also recorded his own solo covers.  There is plenty to talk about tonight, from bass to video games.  Some of these things may blow your minds!

Since this is a special live episode, if you join us in the chat you can ask your own questions of Harper.  We already have some special guest questions to run.  Please don’t miss us tonight, this is going to be a good one!

 

 

Wednesday December 10 at 6:00 PM EST, 7:00 PM Atlantic.  Enjoy on YouTube or Facebook.

#1213: Ghosts Of Summers Past

RECORD STORE TALES 1213: Ghosts Of Summers Past

I would have met Searle over 45 years ago now.  Our cottage was built on this land in 1980, and we have a photo of Searle straining to look at a load of wood siding and windows, being delivered here, dated July 1980.  Indeed, it was his curiosity that brought him here.  A project as big as building a cottage draws onlookers, and he was only a couple properties over.

We were the same age and both of us from Kitchener.  In fact, his other step-brother Paul taught science at a highschool in my neighborhood.  Paul Marrow would become my favourite science teacher in grade 10.  He even appears in a music video I made in the 11th grade.

Since Searle and I were the same age, it stood to reason that we had in common the only thing that mattered in 1980:  Star Wars.  He and I were playmates during that eternal, infernal stretch of time during which Han Solo was frozen in carbonite at the end of the Empire Strikes Back.  Any games that we played with our figures had to work around that time frame if we wanted to incorporate Solo into the story.  As it happened, Kenner’s Empire Solo figure, in the snowsuit with the working gun holster was one of my favourite figures of the entire line.  Still is!  Of course we wanted to use Solo in our games.

“It’s weird how Han Solo got frozen, but it was hot,” I mused to Searle one afternoon while playing Star Wars in his cottage’s yard.

“Yeah,” he responded.  “There was smoke but he got frozen.”

“I should freeze my Han Solo in ice,” I suddenly thought.  “I’ll put him in a glass and freeze him.”

From that point on in my young life, my mom was never surprised to find a glass with water and an action figure in her freezer.  Part of being a mom to a Star Wars kid.

The last time I saw Searle was in the early 1990s.  He was big, and bald, and very tough looking.  He stopped by the cottage to say hello.  By then, I remember he was into the music of Phil Collins.  And that was it.  Never saw him again.

Until August 31, 2025.  Forty-five years after the fact, a big bald man and a smaller companion walked right past me down the road.  He was unmistakable, but he didn’t look or stop.  He probably assumed there was no way the same guy still lived here.  He walked up the way to his parents’ cottage, and stopped to linger a while.  Then he moved on down the road and away again, like a ghost.

The ghosts of summers past still live on, and with them the memories.  I should try to freeze my new $2 Darth Vader figure in the ice.

 

DVD REVIEW: George Lucas In Love (1999)

GEORGE LUCAS IN LOVE (1999 MediaTrip)

Directed by Joe Nussbaum

This short, which pays homage to Star Wars creator George Lucas in the style of Shakespeare In Love, is a funny, creative little film that any old-school Star Wars fan will enjoy. A fictional account of how Lucas came up with his epic saga simply by taking inspiration from life around him, it is loaded with references both subtle and obvious. Much better than “spoof movies” today, George Lucas In Love, in a mere 9 minutes, is loaded with more laughs than the entire Scary Movie franchise. The Flanneled One himself is a fan.

It is 1967, and young George Lucas has writer’s block. He just can’t seem to finish his movie about space farming. Instead he decides to “write what he knows”, and we all know what happened after that.  Stay tuned for the not-so-surprise ending.

The DVD is padded out with some other unfunny shorts, Evil Hill, ll, Film Club, and Swing Blade. Don’t waste your time. There is also an audio commentary and some behind-the-scenes features.

Keeping the run time in mind, pick this up at a reasonable price if you can — which may be hard as it is out of print.

4/5 stars

#1186: Reunion of the Legendariumites

RECORD STORE TALES #1186: Reunion of the Legendariumites

A sequel to #1182: The Legendarium of George
and #1184: The Legendarium of George: Gene Simmonsarillion

There we were, three men in our 50s, sipping hot drinks as old men do.  One of us is bald now.  One of us has grey, stringy hair.  The third one, perhaps having sampled the powers of longevity from the One Ring itself, had barely aged a day.  There he stood, tall and red:  the legendary Bob.

“What’s your drink?” I asked, having ordered a large coffee for everyone.

“I only drink tea,” he explained.  “I’ve never drank coffee actually.”

“I did not know that,” I replied.  You learn something new everyday, even about the guy you grew up with.

And so, Scott Peddle, myself and the legendary Bob gathered over hot beverages to catch up.  For Bob and I, it had been only a year and a half since the last funeral at which we reunited.  Lately, it has only been funerals.  For Scott, it was their first meeting since 1989, when Bob graduated highschool.

We smiled, we reacquainted, and we laughed.  It was good to be together again.  Our small trio was only a fraction of the old neighbourhood gang.  George, of course, is 10 years gone now.

“So I have to know, do you still listen to music?  And do you listen to the old stuff?” I asked Bob.

“Not so much; my kids like the current music.  One of my sons likes the old rock.”  I smiled.  Someone was continuing the legacy.

Scott then showed off his magnificent Kiss tattoos.  Both of us still love Kiss.  Some things have never changed.  Bob still has some of his old Iron Maiden picture discs.

Talk soon focused on the old neighbourhood.  The late George was older, and always a bit of a pervert.  He had no problem telling us what dirty song lyrics were really about.  “Let me ask you something,” I queried Bob.  “Did you know what a ‘love gun’ was?  Or did you think it was something else?  I thought it was like a gun that shot love potion, like in stories and movies.”  Bob agreed.  It didn’t occur to us that Paul Stanley was singing about his wiener.  Our innocent minds interpreted the lyrics innocently.

I remember a conversation with George about the Kiss song “Under the Gun”.  I assumed the song was about cars.  “Let’s hit the highway doing 69!” sang Paul Stanley.

“That’s not about driving,” said George, but declined to elaborate.  He was always the one with the dirty mind.

Coffee with Bob and Scott was probably the fastest two hours I’ve ever spent.  We spent just as much time talking about the past as the present.  What are you driving?  More like, what is your son driving?   Remember that time that Mike threw a lawn dart and hit Mrs. Reddecopp’s car?  Bob and I agreed to cover for me by blaming it on George.  It was the only time George was innocent, but got the blame anyway.  Most of the time he was the guilty party.  Not always.  We reminisced about all sorts of activities that we got into in the 80s.  Speaking from my own perspective, I think we felt entitled to own those streets as kids.  Cutting through a private parking lot to get to the mall quicker?  That was OUR route; we beat that path into the grass with our own feet, week after week.  How dare they fence it off!  What rebels we were.

Walking to the mall and Short Stop on a Saturday is a memory of something I miss.  Short Stop in those days was like a different store.  No liquor, but loads of comic books and magazines, candy and kites.  When we were young, we’d walk or bike and buy a comic and a candy bar.  When we were older, it was a rock magazine and a bag of chips.  We were, literally kids in a candy store, but the candy store was way better.

Conversation drifted back and forth from family to vehicles to work, but always circled back to George; the tie that still binds us.

I noticed something interesting.  Within the microcosm of our small suburban neighbourhood, there were subdivisions.  Scott Peddle was part of the “Secord Gang”, consisting of himself, George, and Sean and Todd Meyer.  I was in the Owen Avenue Gang, which featured George, Rob Szabo, Bob and his brother.  George’s house was the dividing line, thus he was in both groups.  Further down, there was the snootier Halliwell Gang, and so on.  These groups didn’t intermingle much, even though they were only meters apart.  When you’re a kid, meters may as well have been miles.

Before too long, two hours were behind us, and other duties beckoned.  We pledged to reunite again soon.  And we will.

Some things are as temporary as morning mist, others last a lifetime.  It’s a comforting thing to know.

 

#1182: The Legendarium of George

RECORD STORE TALES #1182:  The Legendarium of George

Every neighborhood has a legend.  While in my own mind, I’d like to think that Bob Schipper and I were the legends, we were far too normal.  Oh sure, we were quirky, but we were not unique enough to be legends.   In our neighborhood, there was only one kid that was an absolute legend, and of his own making.  He was the obligatory “older kid” that had all the records, all the pornography, and reigned as the ultimate outcast.  That neighbor was George.

We lived in a relatively new subdivision.  When my parents bought their house, it was practically new.  Only one family owned it before.  Next door to us, George’s family had been there the longest.  Though he would only have been four years old, George always said he could remember when I was the new baby next door.

George was a dick from when he was just a kid.  He was also the ultimate neighborhood geek.  He had the big glasses.  He had the center-part.  But he was an enigma.  Even though he was most definitely a geek, he was also a braggart.  This probably came from his age, being the oldest kid on our street.  He was also one of the first kids to acquire a record collection, which meant there was often a reason to have to spend time with him, besides the times he’d just invite himself over.

His family was what you’d call dysfunctional today.  He never really had a chance, but George couldn’t be trusted.  While he could be sweet, he started young as a bad apple.

In one of my earliest memories, I was in my basement playing with Lego.  I built a colourful airplane.  I brought it outside to show George, and his two friends Todd and Sean.  “Make it bigger!” they egged me on.  I raced back inside and added another layer of bricks and brought it back out to show them.  “Bigger!  Make it even bigger!”  Eager for approval, I ran back inside and added another layer of multicolour bricks.  I leaped up the stairs and out the back door to show them again.  “Add more!  Keep adding!” they advised, and so I went back inside and added more bricks.  This went on approximately five times total.  The final time, I showed them my massive and impractical airplane, and George smashed it.  Laughing, they stole my bricks as I ran inside in tears.

Indeed, George soon earned a reputation as a thief.  In grade school, he was caught stealing Play-doh.  It became a well-known neighbourhood fact.  “George is a stealer!” said Michelle across the street.  It was like this black mark upon his house.  After he was caught, we didn’t see him around for a while.  He laid low.

Eventually the status quo returned, and George resumed joining the rest of the kids on the street in various activities.

We had a school with a baseball diamond and a tennis court nearby.  Two baseball diamonds in fact.  One summer afternoon, we were playing catch, but not on the diamond.  We were just playing in the schoolyard.  Someone threw George the ball; he ducked, and it went through the school window.

“Oooh George that’s your fault!”

“No it isn’t, you threw it too hard!”

“You should have caught it!”

We were all eager to throw George under the bus for that one.  We all felt he had it coming.

George would always bring two cans of pop with him when we went to the baseball diamond.  If you were thirsty, though, you didn’t bother asking George for a sip.

“These are mine for my diabetes,” he would always answer.

One of our weekend activities was playing “Pop 500” on the baseball diamond.  I don’t remember the rules, but the idea was to hit the ball as far as you could.  There was a regular group of us that played.  They included Bob Schipper, his brother John, George and his friends Todd Meyer and Scott Peddle.  It was well established that Bob was the best athlete in that group.  That wasn’t in dispute.  He was the biggest, strongest and fastest.  But George had his own ideas on how we ranked.

“Bob is the best at Pop 500,” he told me one afternoon.  “Then me, John, Todd, and you and Scott are in last place.”

He sure did think a lot of himself.  It seemed like he always had to be the best (or second best) at something.

Back to the Lego, when we were younger, George discovered this cartoon called Force Five.  It was a North American version of a few Japanese anime series.  Bob and I had never seen it or heard of it, but George was raving about this cartoon.  He built a Lego robot based on the show, but it was really shitty.  The arms and legs were just skinny little twigs that didn’t move, and it had a gun where its…well, where its dick would be.  Bob and I critiqued it fairly, but negatively.  However, we did take inspiration from George, and built our own robots.

We re-convened on my back porch with our robots.  Ours were cooler, had some movement and most importantly, didn’t have a gun for a penis.  (Oh, don’t worry, we’ll be talking about a different kind of “Love Gun” soon enough.)

George’s critique back at us was also in the negative, but for unexpected reasons.

“You see, yours are based on the idea of ‘robot’.  Mine is based on Force Five.”

Always had to be the best at something, to the point of basing the contest upon a show that neither Bob or I had heard of.  Sometimes it was hard to like George.

He was not the giving type, though he was always happy to show his younger neighbours his Playboy magazines.  I can distinctly remember one afternoon, we were out on the sidewalk, burning stuff with a magnifying glass.  I had an awesome plastic magnifying glass that could really burn.  For George though, burning holes in leaves and newspapers wasn’t entertaining enough.  He brought out a Playboy and encouraged us to burn the nipples.  That might have been the first pair of boobs I ever saw.

His young obsession with pornography put my parents on alert.  I think they considered George the neighbourhood pervert.  Indeed, he was the one who would introduce, shall we say, new terminology to our vocabularies.  He was the first one who had porno videos.  He would often talk about girls and sex, and at my age, I would have rather talked about Star Wars or comic books.

Because George was older, he was often first on board with many fads.  He had a Commodore computer early on, as well as a great collection of Transformers and GI Joes, including their accompanying comic books.  He had his own VCR, and he would borrow a second one from Todd to record porn videos.  And, he had a pretty killer record collection early on.  His favourite band was Kiss, and there is no question that without George, Kiss would not have been my favourite band.  When I discovered music, I spent a lot of time learning about Kiss, and other bands, from George.  He would bring his VCR over, and let me tape his music videos.

George’s big weakness was money.  He was stupid with money.  He would come into some money, and go to the comic store and buy a whole bunch of comics.  Then, six months later, he would get into something new, and sell off all his old stuff dirt cheap to fund his new obsession.  And so, he sold to me the first 24 or so issues of GI Joe: A Real American Hero for something like 50 cents each (except the early issues, which were a couple bucks).  This included the super rare first printing of issue 2, which I still have.  Unlike George, I kept every single thing I bought from him.  I still have everything.  This included G1 Optimus Prime, and a ton of early GI Joe figures and vehicles.  I have the GI Joe “MANTA” sailboard, which was mail-order only.  These things are priceless today.  He sold them to us for a few bucks.  Every time we came into some money, from allowance or chores, we could go over to his basement and buy a GI Joe toy.  This went on for a few weeks until he eventually sold everything, to buy records.  Because records were his new big thing.  Until CDs.  But let’s not jump ahead.

When George got into music, Kiss were his favourite band followed by Iron Maiden.  He quickly became a know-it-all.  He would play a tape, and try to stump us.  “Who’s this playing?” he asked.  We’d never heard the song before.  “I don’t know, Black Sabbath?”  He’d smirk and go, “NO, it’s Uriah Heep!”  This went on and on, to an annoying degree.  Bob and I decided to get our revenge and stump him instead.  Bob had recently acquired a cassette called Masters of Metal Vol. 2.  This compilation included a cool song called “Balls to the Wall” by a band called Accept.  “Who does this sound like to you?” asked Bob of me when he got it.  “It sounds like AC/DC to me,” I answered, considering the similarity between Brian Johnson’s grit, and Udo’s.

A plan was hatched.  We were going to put George in his place.

And so, in my back yard, gathered around a boom box, Bob challenged George to “name that band.”  Masters of Metal Vol. 2 was cued up to track five on side one:  “Balls to the Wall”.

George was quiet for the first minute of the track.

Then, “Watch the damned!” screamed Udo Dirkschneider from the speakers of that boom box.

Immediately George answered, “AC/DC”.

“No!  It’s Accept!”  exclaimed Bob in victory.

“Sign of victorrrrryyyy!” sang Udo behind us.

Bob and I stood up and high-fived in our own sign of victory.  George immediately tried to justify his mistake, by saying my stereo wasn’t very good quality, and that was the reason he got it wrong.  He certainly knew AC/DC when he heard it, he claimed, but my boom box was too cheap and crappy to tell the difference between AC/DC and Accept.

Sure…

Though George was seriously into music, as were Bob and I, there was one guy on the street that was miles ahead because he was in a band.  Rob Szabo is talented singer/songwriter today, but I remember when his favourite bands were Motley Crue and Stryper.  Rob had started playing with Peter Coulliard down the street.  He had even written and recorded two songs.  The second one was called “The Stroll”, and I can still hum it today.  George desperately wanted to be in that band.  He wanted to be cool.  He wanted to play in front of girls.  And Rob’s band needed a bassist.  George would hang out with Rob, watching him play, and Rob was kind enough to show him a few things on guitar.

George sold more of his stuff, and saved some money.  Soon, he had enough to buy a brand new bass.  He decided to surprise Rob one day by showing him.

“Look what I have!” he grinned.  “Now I’m your bassist!”  Only, George couldn’t play.  Rob was horrified.  He didn’t want this.  He was serious about music.  He also felt terribly guilty, because George bought the bass specifically because Rob needed a bass player!  For two weeks, George was technically “in the band”.   Rob made a copy of his two-song tape for George.  I was there when George played that tape for the girl he liked.  We were outside on the sidewalk, and George had his ghetto blaster in hand.  He played the first tune.

“That’s us!” he said.  “That’s my band.”  He wasn’t on the recording at all.

Like a kid who didn’t know how to break up with his girlfriend, Rob took a while to tell George he was “out” of the band.  He was crushed, but to his credit, he didn’t give up.

George kept practising.  Gene Simmons was his favourite bassist, followed by Steve Harris.  George would often bring his bass and amp outside to play, so he could be seen and heard by the neighbours.  Desperate to look cool, George brought his bass over to my house and plugged in on the back porch.  Then, he’d be back to “Guess this song” again, trying to stump us.  “Guess this song from the bassline!”

Durm durm durm durm.  Durm durm durm durm.

“Uhh, I dunno, ‘Shout It Out Loud’?”

“No, it’s ‘Love Gun!’”

Bob and I hated that game.  We may have schooled him on Accept, but he was relentless with the basslines.

Most of them were Kiss anyway.  He had a growing Kiss collection.  He would frequently come home from Sam the Record Man with new Kiss albums.   There was a point when he only needed two:  Hotter Than Hell, and The Elder.  There are good stories about each, but the main thing is that I actually got Hotter Than Hell before he did.  I had acquired it and Kiss Alive!, my first two Kiss albums, in a trade with Ian Johnson.  I gave him my sister’s Atari 2600 cartridge of Superman and got the two Kiss albums in return.  She was angry with me, but today accepts the importance of that trade to me.  I still have that copy of Kiss Alive!  As for Hotter Than Hell, I immediately phoned George and leveraged it in another trade, for a Walksman, a Black Sabbath cassette of Paranoid, an Abbot & Costello record of Who’s On First, and some Iron Maiden 12″ singles.  I definitely came out the winner.  That copy of Hotter Than Hell was brutally scratched.  But, I was now well on my way to having a rock music collection.

I taped most of my Kiss off George as I began my collection.  The annoying thing there wasn’t so much that I had to hang out with George to tape his records.  The annoying thing was that he would sit there and play bass as we were taping.  So, I had to politely compliment his playing, as he played along to the records I was taping.  The bass would bleed through, and therefore my dubbed cassette of Kiss Unmasked had his bass all over it!  I wasn’t able to get a proper copy of Unmasked for about two years, so for a long time, all I had was the cassette with George’s damn bass on it!  I can still hear it in my head, especially on “Naked City”.

George finished highschool, but I was just beginning.  In grade nine, I saw my first Battle of the Bands.  Rob Szabo was playing the regionals, and it was a big deal.  The grand prize was recording time at an actual studio.   I sat with Bob Schipper and Scott Peddle.  We were there to support Rob Szabo’s band, Over 550, but also to heckle George.  He had joined a band called Zephyr.

George was really rocking out.  He leaned way, way back as he played his bass.

“Don’t fall over George!” I yelled.

“You suck George!” shouted Bob Schipper.  Scott had his own comments that he yelled at the stage.  We thought we were absolutely hilarious.  It was our revenge for all the stupid bass he made us listen to in the back yard.

George eventually got a job at Long John Silver, a nearby seafood restaurant.  He was memorably disciplined for “finding a faster way to cook the fish,” but that was his main gig.  He would leave early in the morning, walking down the street alone.  He was notorious for singing on his way to work, with a Walkman and earphones.  George was not a good singer.  Not in the least.  My sister and I took to watching him from the front window when we saw him leaving for work.  We’d laugh in hysterics at his horrendous, off-key caterwauling.

The best example of this had to be one time we heard him singing Kiss.

He started his walk silently.  He was already halfway down the street when he raised his fist in the air and shouted “Alright! Love Gun!”  Then he proceeded with the off-key chorus.  “Love guuuuuuun…looove guuuuuuuuuuun!” he bellowed.  Somewhere in the distance, a dog answered his howl.

It was absolutely hilarious.  If there was such a thing as cell phone cameras back then, you can be guaranteed that I would have recorded it.  It was a moment, for sure!

When he was old enough to get into bars, he acquired his very own beer belly, which he showed off with his short T-shirts.  He got a perm.  With his big glasses, it looked even more hilarious than it would have on its own.  He wore studded wristbands and assorted metal jewelry.  He looked like an actual parody.  He used to show off this one photo of him with a bunch of strippers at a strip club, as if it were a trophy.

He was always talking dirty.

“Hey guys.  Wanna hear something cool?  I was getting out of the shower the other day, and I had a boner.  I hung a towel on it.  Pretty impressive.”

“What, a tea towel?” chided Bob.

Unfortunately, George’s problem with money was genetic.  After two and a half decades in the same house, they had to sell it and move.  He moved around a lot, and then eventually we lost track of him completely.  There were rumours he was in Orillia, or Windsor.

One day in 1995, I came home from work to find a message on my answering machine.

“Hey Mike, this is George calling.  I just wanted to tell you, I just bought all the new Star Wars Power of the Force action figures.  Call me.”

I could hardly believe it.  We hadn’t seen this guy in years and he was still up to his old habits:  Going all-in on the latest thing.  I’m sure by 1997, he had sold them all at a tremendous loss.

I didn’t call him back, but kind of regretted it.  Over the years, curiosity got to Scott Peddle and I, as we Googled and searched.  There was no sign of George, anywhere.  It was as if he had vanished without a trace.  Scott and I made jokes about how George was probably plotting his revenge against us somewhere, but the truth is, we spent more time telling “George stories” than anything else.  Because he was a legend.  A total legend.

Eventually, Facebook reunited us.  It was as if none of the past ever happened.  Nothing need be said; we were friends.  Perhaps for the first time.  As for George, he was more into Star Wars than ever.  He started a fresh collection of Star Wars Black Series action figures.  He read this blog, and commented on it.  But the sad ending to the story is that George died young, before he could even see The Force Awakens in the theater.

George passed on Boxing Day, 2014.  He was 46 years old.  He went to a party the night before, came home, and never woke up.  It is strange to think that George was always older than us, but now he will always be younger.  He went far too soon.  We reconnected as friends, but we learned that we are only immortal for a limited time.

We may talk shit about him to this day, but Scott and I toasted George when we went to see The Force Awakens together.

“Cheers, George.”  It was a moment.  He would have loved to see Star Wars back on the big screen.

We talk trash about him, and we make fun of him, but I guess he really became our friend.  He did earn every bit of shit that we threw his way.  It was always deserved.  I mean, he stole Bob’s brother’s bike.  (We know, because he put it in his garage, and his garage didn’t have a door, so you could see the bike from the street.)  He stole Lego from me more than once.  (We know, because I had a rare 4×3 clear windshield slope that disappeared one day and re-appeared in his collection.)  He stole Lego from Bob.  But, he let us tape his records and videos.  He taught us about bands, albeit in the most annoying ways.  Maybe when we were kids, the better word would have been that we were “Frenemies”.  That word didn’t exist back then.  When we reunited as adults, we became friends for real, though so briefly.  I’m not sure if George had a happy life.  He always had a smile, but he lost his family fairly young, and never married or had kids.  He was a loner.

But he was a legend.

 

REVIEW: John Williams – Boston Pops – Pops In Space (1980 cassette)

JOHN WILLIAMS – BOSTON POPS ORCHESTRA – Pops In Space (1980 Phillips)

January, 1980.  John Williams succeeds Arthur Fiedler as the conductor of the Boston Pops Orchestra.  Fiedler passed in July of 1979.  Williams had received 14 Academy Awards nominations, 8 Grammies, and had conducted over 50 movie scores.  Later that year, Phillips released Williams’ first recording with the Pops:  a selection of his science fiction “greatest hits” so to speak.  The audible differences between these and the original cinematic recordings are minor, but there for the diehard fan to enjoy.  If not, the casual fan will be able to hear some of the best bits from Williams’ beloved scores to date.  The Empire Strikes Back was a new release, and three cuts were recorded for this release.

1978’s Superman: The Movie truly made us believe that a man could fly, kids and adults alike.  The Superman main theme is one of Williams’ greatest refrains in his long storied career.  Triumphant, strong, and bright, it glows with the power of our yellow sun.  You can envision Christopher Reeve (the greatest Superman) smiling and waving as he casually swooped across the silver screen.  Williams’ music embodied Superman, and the optimistic spirit that the film represented.  It bears similarities to other familiar themes, such as Indiana Jones, which was in production.  It is a Williams “trademark” theme if you will; instantly identifiable and unmistakable.  It has highs, lows and an incredible outro.  This is followed by Lois Lane’s love theme, which we liked even as impatient kids who hated romance in our superhero movies.  Some of Superman’s theme has a soft reprise here, but the piece is its own.

The brand new Empire Strikes Back is represented by three classic pieces:  the action packed “Asteroid Field”, Yoda’s jaunty theme, and of course, “The Imperial March”, already on its way to becoming a thumbprint anthem for scum and villainy.  There is not much to add here, because words are not sufficient to describe the sheer momentum of “The Asteroid Field”!  Or the joyful playfulness of “Yoda’s Theme”.  Or the symphonic metal majesty of “The Imperial March”, as we watch those monolithic, grey Star Destroyers cruising menacingly through space.

More Star Wars on side two, with the film Star Wars (not yet known as A New Hope – that happened in April 1981).  The two themes included are the main title theme, and Leia’s theme.  I noticed the most difference on the main title – the third note of the opening “bah bah bah…” part is held just a little longer.  As for Leia’s theme, it is softer of course, but the violin strain is so memorable.  So plaintive, yet beautiful.  It grows in power towards the lush end, which is magnificent.  Perfect for our princess in distress, though her reputation for kicking butt was starting to form!

The final piece included is a “Close Encounters of the Third Kind” suite, including the extended ending, added to the special edition.  This 10 minute suite is a rollercoaster, as we recall scenes of awe and wonder.  A bit of “When You Wish Upon A Star” plays, some piano tinkles, and we are swept away with Roy Neary on that starship, whether we wanted to see the inside or not.

As a “greatest hits” of Williams early science fiction music, Pops In Space is a treat to play.  A concise treat, representing a small slice of Williams’ work, yet that little slice has some of his most indelible music.

If anything, fans of physical media need to get this album on any format, just for the cool cover art.  The orchestra can be seen playing on a floating platform…in the vacuum of space!  Far out.

5/5 stars

VIDEO: Unboxing Music and a Surprise from @Darcyska!

Do you ever order a lot of music and then forget about it?  I was confused when I saw this parcel from Quebec on my desk.  Do I know anyone in Quebec?  Thomas Polychuck, and that’s about it.  While I am expecting a parcel from Polychuck soon, this wasn’t it.

I was confused at first, but one disc in this package indicated who it might be from.


SPOILERS: Read after watching!

D’Arcy Briggs is a friend from the Darcyska YouTube channel.  I’ve been on his show before, as has Jex Russell and John Clauser.  I recently sent him a care package which he showed on his channel, and he returned the favour!  The sending address threw me, which is why I seem confused at first.

Here’s what he sent:

  • Star Wars “Nien Nunb” figure 3.75″ action figure!
  • Big Shiny Tunes Bonus CD (1999) Levis exclusive CD
  • Vincat – I Like Their Old Stuff Better (2005)
  • One Drop – One Drop  (year unlisted)

One Drop looks like reggae, and it looks like they actually have a lot of albums out.

I look forward to checking out some new music with my new copilot!

Star Wars Episode I: The Phantom Menace soundtrack on Visions In Sound with Rob Daniels at TheMuseum

On May 1, Rob Daniels from CKWR and Visions In Sound recorded a show live to tape at TheMuseum in Kitchener.  Here are some photos and videos of Rob, with Erik Woods and myself.

The show, which will air in a few weeks as part of Star Wars month, covers the amazing soundtrack by John Williams and stories of the movie’s creation.  Rob will take you from the bleak early 1990s, to the Special Editions, and finally to May 1999 when The Phantom Menace was finally released. He discusses the fallout, in particular with actors Jake Lloyd and Ahmed Best, who bore the brunt of fan hate.  On a lighter note, he also tells you the story of how Erik Woods broke the internet when he broadcast the world premier of the soundtrack!

Stay tuned in May to Visionsinsound.ca for this and much more great Star Wars content!

While we enjoyed the music, Erik and I spent roughly two hours discussing Star Wars and Indiana Jones.  Like typical fans, we talked about what we would have done to make both series better!  And we had some great ideas, trust me.  We talked about our own ideas for the prequels, the sequels, and an Indiana Jones adventure that, like poetry, would rhyme.

TheMuseum is a wonderful location for such an event, though they need to do more advertising.  Their website didn’t even show that they were open that night.  The lounge area where Rob was recording had ample space and a bar.

I hope to see Rob do more tapings at the TheMuseum in the future.  Long live Visions In Sound!