It is a lawless time.
CRIME SYNDICATES compete for resources – food, medicine, and HYPERFUEL.
On the shipbuilding planet of CORELLIA, the foul LADY PROXIMA forces runaways into a life of crime in exchange for shelter and protection.
On these mean streets, a young man fights for survival, but yearns to fly among the stars….
Directed by Ron Howard
We are dangerously close to Star Wars overkill. With the announcement of:
- A new trilogy helmed by so-so director Rian Johnson.
- A new trilogy brought to you by the folks who gave us Game of Thrones.
- A live action TV series from Jon Favreau.
- And not to mention more Star Wars Story spinoffs (Obi-Wan? Boba?) and the only movie that really matters: the final chapter of the Skywalker Saga, Episode IX.
We are very close to oversaturation indeed. Remember when you had to wait three years between movies and much longer between trilogies?
Fortunately, Solo is a welcome addition to the crowded Star Wars family.
Solo was one of the spinoffs conceived by George Lucas before he abandoned ship. He’d been trying to do “young Han” since at least Revenge of the Sith, when he was pictured in concept art as an orphan raised by Wookiees. Lawrence Kasdan (The Empire Strikes Back) and son Jon wrote Solo, so you can be assured there is a level of authenticity here. Who better to write that space scoundrel? Nobody.
And who better to direct than Ron Howard? He came in under difficult circumstances after the firing of Phil Lord and Chris Miller, re-shot 70% of the movie, and pretty much nailed it too. Howard also brought in some of his regulars (brother Clint Howard and Paul Bettany) and threw in a literal ton of Star Wars references and crossovers. Solo is Easter Egg heaven.
Finally, composer John Powell created a soundtrack that is different yet founded in the Star Wars universe. Powell hybridized new and old themes together into a memorable score. He too included Easter Eggs, in his music. Listen closely when [SPOILER] the marauder Enfys Nest and her gang arrives. Powell utilised a children’s choir, as a clue foreshadowing Enfys’ young age under the mask.
Everybody was worried about lead actor Alden Ehrenreich as Solo. Admit it, you were too. Fear not, for young Ehrenreich (who is signed on for three films) nailed the role. His higher voice is the only niggle that consistently reminds you that he’s not the Han you remember. Similarly, Donald Glover fits into Lando Calrissian’s capes comfortably, including the suave talkin’. Billy Dee Williams should be very happy with the new Lando.
The concept of Han as an orphan is retained, but instead of being raised by Wookiees, his backstory is more aligned with the old Star Wars novels. He is a thief on planet Corellia, where he and girlfriend Qi’ra (Emilia Clarke) try to stay under the Empire’s nose. Corellia is a shipbuilding world with huge, expansive scenes of Star Destroyers under construction. When Han and Qi’ra are separated, he joins the Empire, as he did in the comics.
Han wanted to be a pilot, but got stationed in the muddy trenches to quell an uprising on planet Mimban. Han, you see, isn’t the best at taking orders. While enlisted on Mimban, he meets Tobias Beckett (Woody Harrelson) and his best friend to be, Chewbacca (now played by Joonas Suotamo). Solo is swept into the seedy world of organised crime where he is delighted to catch up to Qi’ra, and is introduced to her boss played by Paul Bettany. They both work for the dark, shadowy crime syndicate Crimson Dawn.
From an exciting pulse-pounding train heist to the Millenium Falcon, Solo keeps things moving. It’s one big set piece after another, including the Kessel Run. And yes, they used the novels as the source material. The Falcon does indeed make the Kessel Run in 12 parsecs, getting a little beat up in the process. By the end of the film, she’ll look a little more like the ship you remember.
The plot has its twists but you can foresee that some backs are going to get stabbed. Han’s backstory is over-explained a bit too much for a single film, but there is still enough left to explore should Solo 2 be somewhere in pipe. The truth is, the first viewing of Solo is less paying attention to the plot, and more looking for cameos. Speaking of which, characters tie Solo into movies as diverse as Rogue One and The Phantom Menace. You’ll see some stirrings of the early Rebellion, and Han’s intrinsic sense of right and wrong. You might even see a giant “fuck you” to the Star Wars special editions. [SPOILER] Han is definitely a “shoot first” kind of guy.
Things get a little muddled with a side character (Lando’s droid L3-37 played by Phoebe Waller-Bridge) with a passion for droid’s rights. Perhaps a droid-based Star Wars movie would be interesting for the future, but it was extraneous here. Solo is best when it’s giving you a tour of the Star Wars universe, from crime lords to the trenches on the front lines of the Empire. Trench warfare on Mimban is directly inspired by the muddy fields of World War 1, and it’s far better than any of the Clone Wars stuff in Revenge of the Sith.
Unlike The Last Jedi, a spinoff movie doesn’t have to reinvent the wheel. In many measures, the pressure was off. Solo aims to be a fun movie that requires no connections to the Force or Skywalker family. It’s a shame that it has not performed well, but that is not a reflection on its quality.