EXTREME II – Pornograffitti (1990 A&M)
1990: Everybody was buzzing about the sophomore album by Boston’s Extreme, and their stellar lead guitarist Nuno Bettencourt. Extreme II: Pornograffitti (“A Funked Up Fairytale”) is one of the last great hair metal albums of the era. It is chock full of diverse songs, great playing, great writing, and adventurous arrangements. Big kudos must of course go to Nuno whose guitar playing is at once tasteful and (pardon the pun) extreme. Not to be outshone is lead vocalist Gary Cherone who was at his peak here.
A loose (very loose) concept album, Extreme II commences with atmospheric rainfall, which introduces us to “Francis”: our protagonist and the kid on the front cover. The crashing licks of “Decadence Dance”, the first single, interrupts this moment. Gary’s lyrics are witty and Nuno’s fingers nimble. The song kills.
There is a wide swath of styles covered on Extreme II. Obviously funk is a big one (“Get the Funk Out” with a blazing horn section, “When I’m President”, the title track.) Of course there are the landmark acoustic ballads “More Than Words”, “Song For Love” and “Hole Hearted”. The cool thing about this trio of singles is that all three ballads are different. None of them share the same style as well. “Hole Hearted” is more a campfire rock song than a ballad anyway. While “More Than Words” is now considered the prototypical acoustic ballad, it must be remembered that when it came out, it was unlike most. It contains no drums and only one acoustic guitar. Gary Cherone’s vocals merge harmoniously with Nuno’s creating this lullaby effect.
Other interesting songs include the lounge tune, “When I First Kissed You”. I once read Nuno saying that his inspirations were Queen and Prince, artists who were fearless to include different styles on their albums. Meanwhile, “Flight of the Wounded Bumblebee” contains some of the greatest and fastest guitar soloing of any era. It doesn’t get much more diverse than this withoug losing coherance, but Extreme II holds together as a concept and an album.
The album is filled out with killer hard rockers: Songs like “Suzy Wants Her All-Day Sucker” and “He-Man Woman Hater” are some of the catchiest rock songs this side of Aerosmith, but are tricky enough to keep your interest peaked. By the time the album ends, you’ll be exhausted from rocking out so much, but you’ll still want to start over again from the beginning. The album appears to be designed that way, since it closes with the same rain and thunder.
This is a must-own classic for any hard rock fan who likes it smart.
Once you absorb this album, you have to pick up the following companion pieces:
1. The “More Than Words” and “Hole Hearted” singles, which contained different remixes of “More Than Words”, one being A Capella with congas.
2. The “Song For Love” single, the B-side of which was Extreme’s amazing cover of Queen’s “Love of my Life”. Incredible cover, which was designed to segue into “More Than Words”. They did it this way when played live, as they did at the 1992 Freddie Mercury Tribute Concert.
3. The Guitars The Rule the World (the first one, not Vol 2). This has a Nuno Bettencourt electric blues instrumental called “Bumble Bee (Crash Landing)”. This is the second part to “Flight of the Wounded Bumble Bee”, which on the album was trimmed down to exclude the “Crash Landing” portion. When I recently ripped this album to my computer, I used Audacity to recreate the original complete “Bumble Bee” track. I dropped the file into the correct place on the album to create an “unedited” Pornograffitti experience. It was kind of cool how it worked, segueing into “He-Man Woman Hater”.