STYX – Equinox (1975 A&M)
My first purchase from Mike and Aaron Go to Toronto Again…Again to be reviewed. Bought at BMV on Bloor for $5.99 in excellent shape.
A few years ago I picked up the pretty damn fine Styx 2 CD compilation Come Sail Away. Since that time I pledged to pick up old Styx studio albums on CD, if found used or cheap. Equinox is now the oldest found I’ve acquired. After recording four albums for Wooden Nickel records, Styx finally signed with a major label. A&M released their fifth: Equinox. It was however also their last album with original guitarist John Curulewski, a major songwriting contributor to the early albums. The Styx story continued with them moving from strength to strength and discovering a kid named Tommy Shaw out of Alabama. Shaw picked up the ball and helped Styx finish their touring commitments for Equinox.
When I was younger and not really paying attention to the lyrics, I assumed “Light Up” meant something about stage lights, perhaps lighting up the stage for a show. As an adult, I am convinced that Styx were actually corrupting the youth! Opening the album with a progressive salvo of heavy guitars and spacey keys, it quickly transitions into a celebration. “Light up and be happy, sweet sweet sounds will fill the air,” sings Dennis De Young innocently enough. Dennis seems to imply he’s singing about a sipping a glass of wine, but then: “All I need is just one hit to get me by, ‘Cause baby when you’re near I’m halfway high.” I see what you’re saying, Dennis, you rascal. A great happy-go-lucky tune, “Light Up” is just fun. But then “Lorelei” turns up the rock. This time Dennis is corrupting America by inviting a woman to live with him, pre-marriage I assume! “Lorelei let’s live together!” John Curulewski and James Young bring with them a hint of a southern rock twang in the leads (think the Eagles). Dense, immaculately arranged and lush, “Lorelei” is pure classic rock fun. On the progressive side, Dennis’ synth and organs take center stage on “Mother Dear”, a co-write with Curulewski who punctuates it with heavy chords. Fans of space rock will love this trippy journey into the sonic spectrum. “Lonely Child” starts as an acoustic number, heavying-up as it goes. Twangy space guitars are the highlight. These four songs together are a great side, a good balance between the cerebral and the hard.
I still like to think of classic albums in terms of sides, so this is where I got up to make some fresh coffee. Good thing too, because “Midnight Ride” could not be more different. It’s clearly a James Young song, a pure rock blaze through the night going over the speed limit. Put the caffeine right into my veins, man, this is groovy shit and Styx can rock you harder than you expect. Dennis’ role is limited to backing vocals, albeit stunning ones!
“Born For Adventure” combines the different sides of Styx. You get the rocking guitars and the progressive bent, with the pompous arrangement and smoking musicianship. Then, Curulewski is solely responsible for “Prelude 12”, the acoustic part that introduces the album closing epic, “Suite Madame Blue”. Six and a half minutes of bombastic Styx will drive almost every punk rocker out of the room. In many regards, this is a high water mark. It’s their “Stairway”. Their “Hotel California”. It lacks nothing and continues to impress, 40 years later!
John Curulewski died in 1988, of a brain aneurysm. After Equinox, he decided to step out of the spotlight and ran a recording studio while playing with several local Chicago bands. Shaw took his place and the band has never looked back, but we’ll dedicate this review to John Curulewski who was a crucial part the Styx story.