REVIEW: The Four Horsemen – Gettin’ Pretty Good…at Barely Gettin’ By (1996)

scan_20160908THE FOUR HORSEMEN – Gettin’ Pretty Good…at Barely Gettin’ By (1996 Magnetic Air)

The Four Horsemen seemed to burn the candle at both ends.  Before really even getting off the ground, they imploded, but not before dropping one of the greatest unsung records of the decade:  Nobody Said it Was Easy.  They had Rick Rubin, they had Def American, they had a guy that was in the Cult and another from D.O.A., and they had tours with the Black Crowes and Lynyrd Skynyrd.  They also had a volatile frontman who drove the band nuts and ended up in jail, and they just couldn’t make it last.

Founding member Haggis tried to give it another shot.  He reformed the band with a new singer named Tim Beattie, but ultimately the album was shelved.  It sounded like a completely different band, a southern soul band with nothing hard or heavy.  That’s not a bad thing:  the album Daylight Again was finally released in 2009, and it’s incredible (and we’ll get there soon).  Instead they folded again, but not for long.  Dave Lizmi and Frank C. Starr formed a new Four Horsemen, with Canadians Pharoah (bass) and drummer extraordinaire Randy Cooke.  With another Canadian, producer Rich Chycki, they forged a rare followup:  one as good as the original.

Slimmed down to a single guitar band, the new Horsemen sounded leaner and less AC/DC.  Frankie’s voice had changed and he was no longer screaming, and that also lessened similarities to AC/DC.  He had also become more expressive, while losing none of his power or character.  They opened the album with a southern flavoured “Still Alive and Well”, a Rick Derringer cover.  Considering the five year gap between albums, they couldn’t have picked a better opener.

The title track “Gettin’ Pretty Good at Barely Gettin’ By” goes deeper into the swamps of the south.  Lizmi takes out the slide, and who doesn’t love some greasy slide guitars?  This is an uplifting hard rocker, stating the Horsemen’s modus operandi:  “Well well, oh my my, what have we here?  Some good old fashioned music, lots of whiskey and beer.”  Lizmi wrote the lyrics for this album, but the words sound like Frankie’s.  It’s a celebration of rock and roll, proudly and loudly.

The third song in a killer triple threat of openers is “Drunk Again”, which sounds exactly like you hope it does: fast, upbeat, cocked and loaded.  Gotta love the female backing vocals, giving it a kick of soul.  The performance sounds live and authentic.  At one point, it sounds like Frankie cracks up chuckling right in the middle of a line.  “It’s been 40 days since I looked at my face…ah shit…”  This is the kind of music everybody needs for a serious rock and roll party.


There are few more standout songs that have to be discussed.  First is “Song for Absent Friends”, one of the most emotionally bare tracks you’ll ever find from a band of this ilk.  Original drummer Ken “Dimwit” Montgomery, a Canadian punk legend, died in 1994 of a drug overdose.  “Song for Absent Friends” sends legitimate tingles up the spine.  You can feel the hurt.  But it’s not a funeral, it’s as much a celebration of Dimwit as the rest of the album is a celebration of life.

“And I know that you all are out there somewhere,
On a leave of absence from this place,
And I still have a place for you all,
A place around near me,
And your glasses will always be full.”

Then we have the blazingly fast drag race of “Hot Rod”, featuring the lyric “I got the hottest rod around,” ha ha. It’s that slippery fast guitar lick that knocks you out. But if you want a song that’ll knock some teeth out, with some biting lyrics, look no further than “Back in Business Again”. Frank sounds pissed!

“And we were headed for the top babe,
Way back in ’91,
Some record business scumbags took it from us,
Well they forgot my gun.
Well now we’re back in business folks,
I’ve come to claim what’s mine,
See we’re the Four fucking Horsemen,
Back for a second time!”

That’s nothing. Clearly, they were still ticked that they got dropped by the label in 1992. I don’t think Frank or Dave thought much of the latest wave of bands that were topping the charts in the early part of the 1990’s. Exhibit A:

“Now pay attention,
I got a little story here to tell ya,
It kinda goes like this.
You know I had a couple years off there babe,
To kinda take some time,
And I heard a bunch of whining, little wussy rock n rollers,
Complaining about how fame and fortune’s got them down.
I say we gather up all these little bastards,
Shove them back to their little nowhere town,
See I was born on this stage,
And I plan to stick around!”

Frank didn’t get that chance, either.

Before Gettin’ Pretty Good…at Barely Gettin’ By was even released (by the Canadian label Magnetic Air), Frank was hit by a drunk driver while riding a motorcyle. He suffered massive brain trauma. He never woke from coma, and died four years later.

It’s almost absurd how much hardship fell upon this band, almost as if the fates decided that nothing would stand in the way of grunge. The Horsemen tended to end their albums with emotional epics, and this album ends with “What the Hell Went Wrong”. It’s a complicated question with many answers, but the bottom line is that the success the Four Horsemen had was inversely proportional to their talent.

In one of the strangest twists of an already twisty story, the masses finally heard the Four Horsemen when “Back in Business Again” was used in the movie G.I. Joe: Retaliation.  Completely out of context, but who cares.  The movie starring Dwayne “The Rock” Johnson made $375.7 million.  That’s a lot of people who got to hear a kick ass Four Horsemen track with theater quality sound!

Rest in peace, Frankie.  Rest in peace, Dimwit.

5/5 stars



  1. I had read somewhere that it was Haggis who demanded Frank’s “screamy voice” on the album prior…and one of Frank’s conditions on returning to haggis was to tone down the pitches so he could keep up, as it was taking its toll on his throat during live performances.

    He wouldn’t work with Haggis again.

    I think this album is great as well, even with Frank’s altered tone. I just love the Horsemen, period.

    Liked by 1 person

  2. “the bottom line is that the success the Four Horsemen had was inversely proportional to their talent.”

    While disappointed to hear that a deserving group went under-recognized, that line makes such a perfect graph!

    Liked by 1 person

        1. Sarca taught me how, it’s actually really easy. Save a picture in your WordPress media. Then grab the direct link of that image — it’s there with the photo in your media gallery. Just post that direct link as a comment, and it’ll pop right up. See? Check this out!

          Liked by 1 person

        1. YES! And that one (Welfare Boogie) is tomorrow. T-Rev had an ORIGINAL copy way back in the day. I believe he eBayed it and I think he will probably tell us tomorrow what he got for it.


  3. Yeah your writeup sez it all dude! This album is a cooker from start to finish! Great band! I asked Dave on Facecrack if they recorded any live shows with Young on there Canadian 96 Tour! He replied with a Yes! I countered with a “Please Release!”….
    Great band….

    Liked by 1 person

  4. Curious. Really intrigued by this lot (tragic backstory, though) and I like the vocal better on here, but, and I’m gonna court controversy, that song just isn’t doing anything for me.

    Liked by 1 person

    1. The cool thing about the second album is that it’s more diverse, and something is bound to grab ya.

      There’s also a Star Trek reference in the album…just couldn’t work it into the review. There’s one track with some studio chatter. Frankie says “Is that my cue?” And somebody responds “Q? What is this, Star Trek?”


  5. Great write up Mike! sadly never made it onto vinyl this one – although you have just inspired me to buy the 12″ Pic Disc of ‘Rockin is ma Business’ from Discogs.

    I may even swallow my pride and get this sucka too. Thanks Mike.

    Liked by 1 person

    1. You’re the man, Joe! I was looking at that picture disc earlier. I had a feeling you’d love it. No bonus tracks, though.

      If Aaron and I see a couple of these in Taranna, we’ll pick one up for you. I suspect he’ll snag the first one for himself.

      Liked by 1 person

  6. This is also a killer record. Come to think of it, I only own burnt copies of these two records. I need to buy them, if I can find them anywhere.
    This must be the most unlucky band in the world, but as they say, if it wasn’t for bad luck, there would be no luck at all – that sure sums these guys up.
    RIP Frank Starr – one of the greatest frontmen ever.
    Oh, I’d give this a 8/10 as well.

    Liked by 1 person

  7. Great review of a KILLER record – every bit as good as RIMB. Absolutely tragic that TFH never hit bigger. I saw them live when they toured the first album; also saw Frank with the short-lived Bone Angels (w/ a young John 5 on guitar!), another devastating rock’n’roll band.

    Liked by 1 person

    1. I didn’t know John 5 was in Bone Angels! I guess he must have just been John Lowery back then?

      Thanks for the awesome comment — always appreciate people who know and love this record!


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