Dave Lizmi

Dave Lizmi Returns! Rockin’ Is His Business on the LeBrain Train

The LeBrain Train: 2000 Words or More with Mike and T-Rev

Episode 75 – Dave Lizmi

By now Dave Lizmi and the Four fuckin’ Horsemen should need no introduction.  Dave was a surprise special guest back when we did Top Album Cover Designers in May.  He’s most famous for being a killer guitarist/songwriter, making his mark in the 1990s with the legendary Four Horsemen.  “Rockin’ Is Ma Business”, “Tired Wings”, “Nobody Said It Was Easy” and “Back in Business Again” are songs that should ring a bell or two.  The Horsemen burned bright and fast, and their story has not been as well documented as it should be.  T-Rev and I intend to fix that tonight.

Dave is a master of tone and riff.  We can’t wait to pick his brain and find out what he’s been up to. And we will be taking your questions! Make sure you tune in live!

Friday July 16, 7:00 PM E.S.T. on Facebook:  MikeLeBrain and YouTube:  Mike LeBrain.

Sunday Screening: The Four Horsemen – “Nobody Said It Was Easy”

In honour of our special surprise guest yesterday, Mr. Dave Lizmi!  One of the truly greatest hits 30 years ago in 1991 was “Nobody Said It Was Easy” by The Four Horsemen.  Its dirty rock and roll sound clashed with everything going on at the time.  They were rock, they were punk, they were southern, they were screaming, and they were truly special.  “Nobody Said It Was Easy” is the song that hooked us.

THE FOUR HORSEMEN

  • Frank C. Starr – vocals
  • Haggis – rhythm and slide guitars
  • Dave Lizmi – lead and rhythm guitars
  • Ben Pape – bass
  • Kenneth “Dimwit” Mongomery – drums

Thank you Dave!  Rest in peace Frank and Ken.

Surprise Guest & Lists! Top Cover Art Designers with Tim’s Vinyl Confessions, Aaron…and DAVE LIZMI!

I’ve said it time and time again:  the LeBrain Train is a show you have to see live.  Why?  Because you never know what is going to happen.  Case in point:  last month we managed to hook up an unplanned meeting between Andy Curran and Mike Fraser.  This week’s surprise was a drop-in from Dave Lizmi of The Four Horsemen!

As you may know, Dave was scheduled for a Friday night interview but had an emergency with his dad.  Saturday’s show was a planned Nigel Tufnel Top Ten list show with Aaron and Tim Durling.  We were talking about the Greatest Cover Art Designers.

As I was beginning the show, Dave messaged me to reschedule the interview, and at the spur of the moment, I asked him to sit in on the list show as well.  Dave went for it, and managed to come up with his own list with no preparation time.  Epic!

Your panel this week:

  • Yours truly (LeBrain)
  • Aaron (KeepsMeAlive)
  • Tim (Tim’s Vinyl Confessions)
  • Dave Lizmi (The Four fuckin’ Horsemen)

I can’t believe I just typed that.

History made today as a rock star joined a Nigel Tufnel Top Ten list for the very first time.  How cool is that?

Thank you Tim, Aaron and Dave for a great set of lists and a fun fun show.  From famous big names like Derek Riggs, Mark Wilkinson, Hugh Syme and Hipgnosis to more obscure artists, this was a great bunch of lists!  Lots of show & tell!

 

 

 

A Tribute to The Four Horsemen with T-Rev

Unfortunately Dave Lizmi had a family emergency and could not make the show tonight.  We hope Dave and his family are OK.  In the meantime, the show must go on, so T-Rev and I talked Four Horsemen memories and showed off our stuff.  It was a pretty good show if you’re interested in this great band.  We hope to reschedule Dave at some time in the future.

Start at the 0:48:00 minute mark to check out the Four Horsemen chit-chat. Everything before that is the first attempt at a Sunset Cam. Enjoy the show! And tune in tomorrow May 29, for a second show, details below…

 


SATURDAY SHOW! Don’t miss Aaron and Tim Durling from Tim’s Vinyl Confessions as we talk about the Nigel Tufnel Top Ten Cover Art Designers!

 

Saturday May 29, 3:00 PM E.S.T. on Facebook:  MikeLeBrain and YouTube:  Mike LeBrain.

Double Feature LeBrain Train Weekend – Dave Lizmi and Tim’s Vinyl Confessions

Two shows lined up for you this weekend!

 

The LeBrain Train: 2000 Words or More with Mike and T-Rev

Friday – Episode 66 – Dave Lizmi

The Four Horsemen should need no introduction.  The only guy to play on all three albums (plus an EP) is guitarist Dave Lizmi.  He is a master of the Les Paul and his tone is sublime.  Trev and I look forward to asking him everything we wanted to know about one of our favourite bands.

Friday May 28, 7:00 PM E.S.T. on Facebook:  MikeLeBrain and YouTube:  Mike LeBrain.


 

The LeBrain Train: 2000 Words or More with Mike Ladano

Saturday – Episode 67 – Nigel Tufnel Top Ten Cover Art Designers – with Aaron and Tim Durling

Please welcome Tim from Tim’s Vinyl Confessions and The Contrarians!  I’m so glad to have him on the show.  His collection is insane — give him a follow on Instagram and see for yourself.  The list this week is a Nigel Tufnel Top Ten Cover Art Designers.  This was a challenging list, but Tim knows his stuff and I’m sure he will have a killer set of albums to show off.  Joining us for this one will be Aaron who also has a pretty impressive collection.  This is a Saturday show, so we hope that you’ll join us!

The Saturday shows are a summer experience in order to include more people.  I hope you can make it.  As always, it’s best to participate live!

Saturday May 29, 3:00 PM E.S.T. on Facebook:  MikeLeBrain and YouTube:  Mike LeBrain.

REVIEW: The Four Horsemen – Nobody Said it Was Easy (2018 vinyl reissue)

THE FOUR HORSEMEN – Nobody Said it Was Easy (originally 1991 Def American, 2018 vinyl reissue with bonus tracks)

Though defunct for well over two decades, the Four Horsemen are like the gift that keeps on giving.  When they bit the dust, all they initially left behind were two albums and an EP.  Today there are a set of reissues with bonus tracks, live releases, and a “lost” second LP that was never released before.  In 2018, another handful of unreleased tracks came to light on a brand new vinyl reissue of Nobody Said it Was Easy.  This is the second reissue of the album now, the first (on CD) having three completely different bonus tracks (“She’s Got It”, “Homesick Blues (harmonica version)” and “Born to Boogie”).  The vinyl replaces those with a bunch more you didn’t have.

First, about the album Nobody Said it Was EasyWe reviewed it back in 2016 and stand by every word.  It was a shining beacon of rock n’ roll when it was in danger of drowning in a sea of grunge.  Rick Rubin gave the album an edgy, loud and crisp sound.  The band had a dirty vibe at odds with the Poisons and Motley Crues on the charts.  And they boasted one of the greatest unsung frontmen ever:  Frank C. Starr.  A real life bad boy, there was nothing phony about Frank, nor any of the Four Horsemen.  The nucleus was the man known as Haggis, ex-The Cult, ex-Zodiac Mindwarp.  His slippy-slidey guitars melded perfectly with the southern soloing of Dave Lizmi.  On bass was a chap named Ben Pape, but the secret weapon was drummer Kenneth “Dimwit” Montgomery.  This mountain of a man, a Canadian punk rock veteran, had presence and a deep Bonham-like beat.  The Four Horsemen couldn’t be touched by anyone in their field.  The 12 songs that made up Nobody Said it Was Easy sound derived in equal parts from early AC/DC and the American South, with a healthy dose of sleazy intent.

“My name is Frankie, let’s fuck up the place!”

The three singles are flat-out indispensable.  I wouldn’t want to live my life without “Rockin’ Is Ma Business” any more than I would want to live it without “Let There Be Rock”.  “Tired Wings” is a greasy southern revelation, while the title track has more hooks than a tackle shop.

As an added bonus, this package also includes the first Four Horsemen EP, Welfare Boogie.  It was available separately on a remastered CD with bonus tracks, but now you can get it on vinyl right here.  The four EP songs were pretty high octane.  “Hard Loving Man” remains a ridiculous highlight.  Tattooed pecker indeed!

Onto the unreleased tracks, of which there are six:  five songs and an interview.  All of these are exclusive to this LP; nowhere else.  The interview is a vintage road call from a humorous Haggis to a Calgary radio station, but it’s inconsequential at only 2:30 long.  (My copy of the second LP has the sides labelled incorrectly.)

Check out the original open-G tuning of “Tired Wings”.  It’s remarkable how changing the tuning made the difference between a good song and a great one.  Now it’s timeless.  Frankie did a completely different lead vocal on “’75 Again”, without the screaming (some of the guitar bits are missing too).  I think I prefer the screaming version when you hear them side by side.  An alternate version of “Can’t Stop Rockin'” is a different take, also without screaming (or backing vocals).  These versions that ultimately didn’t make the album are as well produced as the record, but ultimately it’s a matter of taste which you prefer.  It’s certainly startling to hear different versions after this many years.

“The Night they Drove Old Dixie Down” is an instrumental, recorded Christmas Day 1991.  This certainly foreshadows the direction the Four Horsemen would go on their “lost” second album, Daylight Again, which was more Band than AC/DC.  Finally it’s an extended 8:32 live jam on “Can’t Get Next to You”, a non-album rarity.  Another version can be found on the CD/DVD set, Left For Dead.  Dave Lizmi really gets to cut loose on this.

It doesn’t really matter which version of Nobody Said it Was Easy you end up with.  The original 12 track CD was 5/5 stars then and now, but which is best?  The remastered CD gives you unreleased tracks exclusive to the format, so there’s that.  This LP gives you even more, plus the original Welfare Boogie EP, but it is limited to just 500 copies.  Better act fast before it’s too late.

5/5 stars

MORE FOUR HORSEMEN:

  1. Record Store Tales #224:  Rockin’ Is Ma Business
  2. Welfare Boogie (1990 – 21st Anniversary edition CD)
  3. Nobody Said It Was Easy (1991 – 21st Anniversary edition CD)
  4. Daylight Again (1994 “lost” album – 21st Anniversary edition CD)
  5. Gettin’ Pretty Good…At Barely Gettin’ By (1996)
  6. Left For Dead 1988-1994 (2005 – CD/DVD set)
  7. Death Before Suckass – Live at Saratoga Winners 1991 (2012 CD)

 

 

 

Gallery: LeBrain Day Fun

Another spin ’round the sun, another basket full of goodies!

Thank you everyone for the birthday wishes.  Here are some of my favourites.  You might recognise some of these people!

 

 

 

 

 

Had a lovely dinner at Borealis with the family & Dr. Kathryn.  And so we get to the gifts!

First up!  A signed first edition copy of Dr. Ladano’s The Improvising Musician’s Mask:  Using Musical Instruments to Build Self-Confidence and Social Skills in Collective Free Improvisation.  That’s a mouthful and a generous gift.  These books aren’t cheap, even for her!  The funny thing is that when I grabbed the wrapped hardcover-shaped package, I said “I hope this is a copy of your book,” but I didn’t actually think it would be out so soon!

Dr. Kathryn also gifted me some music.  Ho!  It’s Derek Smalls’ debut solo album Smalls Change!  Appropriately considering the occasion, it is subtitled Meditations Upon Ageing.  I can’t wait to spin this one.  She also got me this nifty Worf (Star Trek) not-Lego head.  These look great in the office.  I have Spock as well.

The lovely Mrs. LeBrain was amazing to me as well.  She trekked up to Encore Records where she met my old pals Al “The” King and Chris Boyne.  They hooked her up with some live Ghost, on vinyl.  This is my first Ghost vinyl.  Ceremony and Devotion is a great album, and the vinyl has two “exclusive” songs…that are also on the CD!  Anybody know what’s up with that?

It doesn’t really matter.  Double live albums have a certain intangible quality that almost always makes them better on vinyl.  Scientists have been trying to figure out why that is since the advent of digital media.

Since my wife also dresses me, check out the cool shirts.  I think I’m going to wear that getup to work tomorrow.  Han Solo and BB-8 look awesome together.

Thanks again everyone for the happy birthday wishes.  I keep getting older, and you keep getting awesome-er!

 

 

REVIEW: The Four Horsemen – Death Before Suckass (2012)

scan_20161216THE FOUR HORSEMEN – Death Before Suckass – Live at Saratoga Winners (2012)

“No edits.  No overdubs.  No bullshit.”  No kidding!  There also also no frills, just seven songs and 30 minutes of rock and roll.

Death Before Suckass, recorded fall 1991, sounds like a crowd recording.  You can tell by the douchebag talking before the Horsemen’s set.  “You should see our drum kit!  It fuckin’ blows that one away!  $5000 Yamaha…”  Whoop-de-do, fucko.  Because no matter how much your kit costs, I doubt you could hammer on it as hard as Ken “Dimwit” Montgomery did on his.

Dimwit swiftly kicks things into motion, with “75 Again”, a screamy rocker that is about 9 out of 10 on the AC/DC scale of kickass.  Lead singer Frankie Starr’s voice was primed for screaming, and could do it better than most.  Without even a pause, “Hothead” follows up.  In a groove now, lead guitarist Dave Lizmi greases up his Gibson and lays down some beautifully fluid solo work.  In the realm of heavy bluesy rock and roll, few can touch Dave Lizmi.  Then rhythm guitarist Haggis takes out his slide for the single “Tired Wings”, soaking it in whiskey stained blues.  Frankie’s charismatic singing shares the spotlight with the biting licks.

frank-c-star-biting-licks

A non-album track that used to get some live play was “Can’t Get Next to You”, an AC/DC blues a-la “The Jack”.  There is a sloppy edit into “Wanted Man” but as Haggis says in the liner notes, there is nothing perfect about this CD.  “Wanted Man” comes close, with Lizmi again doing some really impressive playing on the six string.  The most familiar songs are the singles “Nobody Said it Was Easy” and “Rockin’ is Ma Business”.  The beat is a little faster, a little more intense for the stage.  The only tragedy is the fidelity of this CD does not capture the thunder.  You can hear it on the stage, but you cannot feel it shake the floor.  Too bad, because you can be assured it all but certainly did shake the floor.

And this leads to a quandry.  This album is packaged intentionally minimalist.  It suits the recording inside.  But it has hard to ignore that what is recorded inside is only 30 minutes, and costs $18 US plus shipping.  Yes, it definitely costs The Four Horsemen a lot to press up these independent discs, and they surely don’t make a lot of money on them.  Still, it is hard for the cash-strapped fan to justify that kind of money, unless you are a superfan.  And unfortunately, it is likely that only superfans will be able to appreciate Death Before Suckass as the valuable noisy treasure that it is.

3.5/5 stars

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COMPLETE FOUR HORSEMEN REVIEW SERIES:

1. NOBODY SAID IT WAS EASY (21ST ANNIVERSARY EDITION)
2. GETTIN’ PRETTY GOOD…AT BARELY GETTIN’ BY (1996)
3. WELFARE BOOGIE (21ST ANNIVERSARY EDITION)
4. DAYLIGHT AGAIN (21ST ANNIVERSARY EDITION)
5. LEFT FOR DEAD (1988-1992) (CD/DVD SET)

REVIEW: The Four Horsemen – Left For Dead (1988-1992) (CD/DVD set)

“You know, Sean Connery was the best Roger Moore they ever had.” — Frank C. Starr

THE FOUR HORSEMEN – Left For Dead (1988-1992) (2005 CD/DVD set)

“Nobody said it was easy…and they were fucking right!”

The final review in this Four Horsemen series is a valuable live album/DVD set.  The CD was put together from “a box of old tapes”, all from 1992 gigs (one of which was Toronto), and there are ample liner notes discussing the band’s history and the songs herein.  It’s a brilliant live set, loaded with energy and Frank C. Starr’s unmistakable charisma.  Every track sweats whiskey.  With an opening one-two punch of “’75 Again” and “Moonshine”, you know you’re in for an action packed ride.  “Moonshine” is particularly cool, because the album version featured an authentic over-the-phone lead vocal, but the live one is full-on.  Throwing in a couple extra screams, Frankie added the icing on the cake.  Man, we so miss Frank C. Starr.

It’s a noisy affair, which actually suits this band just fine.  It’s appropriate that a Four Horsemen live album isn’t an overdubbed and glossed collection.  What it sounds like is a live band in a tiny club.  All three of the Horsemen’s singles are included in live form.  The slide-drenched “Tired Wings” goes down a treat.  “Nobody Said it Was Easy” and “Rockin’ is Ma Business” are both electrifying; the latter especially so.  You don’t hear a singer with a voice like Frank’s very often.  He had the grit, the power and the ability, wrapped up in a rock star-sized bottle of Jack.  Frank Starr has to be one of the greatest unsung losses in modern rock.

And what a band behind him!  There is a constant and very hard-hitting beat at the back, courtesy of the man-mountain Ken “Dimwit” Montgomery.  According to the liner notes, Dimwit was a psychiatric nurse in addition to being a hell of a punk rock drummer.  The name Dimwit was clearly a joke, but there is a dark side.  The rigors of his work and the amount of care and emotion that went into it may have contributed to the depression and substance abuse that eventually took his life.  It’s sad really, but thankfully these live recordings exist.

One non-album cut is included in this set, a slow raunchy one called “Can’t Get Next To You”.  The AC/DC influences are obvious as this one is clearly in the musical mode of “The Jack”.   The fans wouldn’t have known this song, but Frank wants to see how many people know the album.  Introducing “Hot Head” he announces, “Let’s see if some of you fuckers actually went out and bought this shit!”…right before an equipment breakdown!  And it’s all there, documented for history.  Leaving in things like amp troubles makes for a more authentic listening experience.

All told, only two songs from the legendary first Four Horsemen record are not on the live CD:  “Can’t Stop Rockin'” and “Homesick Blues”.  Although unlisted, “I Need a Thrill” does contain the “Something Good” coda, just like the album.  It’s even longer, with some absolutely consummate playing from lead guitarist Dave Lizmi.  The low grade sound quality perhaps enhances the overall experience.  This was a dirty rock and roll band and that’s how the live CD sounds.  That seems right.  With almost the entire first album plus an unreleased song, any Horsemen fan worth his or her salt should probably get their ears on this.  But there is still the DVD to feast our eyes upon!

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Interspersed with rare footage and interviews, you get all the original Horsemen music videos, starting with “Rockin’ is Ma Business”.   The stark music video for “Nobody Said it Was Easy” is a previously unseen version with some risque shots.  An interesting clip from MTV has the band mistakenly called “Four Horseman”.  (Apparently it was Riki Rachtman’s first show.  But then MTV got the name wrong on a later episode too!  MuchMusic got it right though.)  A rare live bootleg of “Hard Lovin’ Man” is audio garbage but video gold.  “High School Rock and Roller” is a blast to watch, especially the moving mountain that was Dimwit on drums.  There is big stage action from October ’91, opening for Lynyrd Skynyrd (“’75 Again” and “Rockin’ in Ma Business”).   Perhaps most interesting are some rejected music videos that didn’t see the light of day.  An early version of “Tired Wings” (with a pre-fame Kate Moss) is pretty crap and rightfully hated by the band.  Better than this is a rare “Mexican version” of “Nobody Said it Was Easy”.  The intro borrows liberally from “The Old Man Down the Road” by John Fogerty, but it’s cool watching the band mime in a hot dusty town in Mexico.  Then there is a never before seen $2000 budget video for “Welfare Boogie” from the original EP.  This video was rejected by MTV because the band were “too ugly”.

DVD special features are sparse but cool.  There is an exclusive acoustic demo version of “Tired Wings”.  What a different spin this is!  In demo form it was a slow acoustic drawl, laid back with angelic band harmonies.  The lyrics and melodies are identical but the arrangement is completely different.  This is set to a nostalgic slide show of rare band photos.  There is also a band commentary track for the main feature (Haggis, Dave Lizmi and Ben Pape). Lots of laughs, memories and anecdotes.  And making fun of “Dave Lizmo’s” hockey stick-style guitar neck.   Mostly they poke fun of each other’s clothes.  It’s a lot of fun to hang out with the Horsemen.  The audio commentary track is a highly recommended shambles.

The CD/DVD set can be ordered straight from the band, and it comes autographed.  I think mine is signed by Haggis but I cannot be sure!

4/5 stars

REVIEW: The Four Horsemen – Daylight Again (21st Anniversary Edition)

scan_20160919THE FOUR HORSEMEN – Daylight Again (2009 21st Anniversary Edition)

Haggis was itching to make some music again, but not with Frank C. Starr.  When the original Horsemen split in 1992, Haggis cut off contact with Starr, and the two never spoke again.  Instead Haggis hooked up with a singer and harmonica player named Tim Beattie, who did some mouth organ on “Homesick Blues” from the first LP.  Tim could sing too, with a slight southern drawl as a contrast to Starr’s AC/DC shred.  Guitarist Dave Lizmi and bassist Ben Pape were not interested in rejoining the band, so Haggis brought in two new members:  Rick McGhee handled the guitar leads, and Duane D. Young held down the bottom end.  Dimwit Montgomery flew down from Canada to complete the lineup.

It wasn’t to last long.  Even without the explosive Starr, the volatile band began to melt down shortly after writing a batch of new, soulful rock tunes.  Rick McGhee quit.  Dimwit too; Les Warner ex-of The Cult came down to record the drums.  Even Dave Lizmi came back briefly, but left after recording an album’s worth of demos.  Lizmi was replaced by a new guitarist named Mike Valentine before it all hit the wall again.

The album that became Daylight Again was recorded in 1994 (with Lizmi) and shelved.  According to Haggis, the fate of the band was “an inevitable outcome.  We had evolved to the point of being unrecognizable from the group that had been signed five years previously.  We started out as card-carrying members of the Bon Scott fan club, and ended up sounding like the house band at an Arkansas chicken ranch.”  The label lost patience and dropped them.  Haggis quit music completely, while up in Toronto, Lizmi decided to give the Horsemen one more try….

Daylight Again wasn’t intended for release as-is.  These are cassette and DAT recordings, cleaned up as much as possible for CD.  Hiss and noise are part of the deal, so buyer beware, this is not the gloss of a Rick Rubin production.  You can taste the rawness; not even blue-rare, just pure raw blues unfettered by mixing consoles.  The sound is modified by banjos and pedal steel.  The location is somewhere in the deep south.  You can feel the humidity in the rehearsal space and sense the hot tube amps humming away.  Somewhere in between the Allmans and Skynyrd, the Horsemen found some inspiration from old grooves.

You can even find a little funk (“Trailer Park Boogie”) among the blues, soul, folk and rock influences.   These traditions are given a boost with a touch of gospel.  Nowhere is this more obvious than the closer, an 11 minute jam on “Amazing Grace”.   Each Horsemen album ended with a long, emotional song of epic quality.  It was “I Need a Thrill/Somethin’ Good” on the first LP, and “What the Hell Went Wrong” on Gettin’ Pretty Good…at Barely Gettin’ By.  “Amazing Grace” trumps both in the emotion and time categories.  It’s also Beattie’s best performance on the album.  The guitar melodies are just sublime.

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Daylight Again is an incredible, albeit unfinished album.  Some arrangements sound fluid and not quite there yet; it’s a flawed gem of a recording.  The thing about the blues is that it has a timeless quality.  You can’t nail this album down to a specific period because the blues are eternal.  Whether it’s Beattie blowing away on some harmonica jams, or Lizmi’s pure feel, there are loads of tradition to dig into on this album.

As discussed in a previous instalment of this series, Dave Lizmi formed a new Horsemen lineup himself shortly after the Haggis/Beattie version disintegrated for good. With Frank C. Starr back in the saddle, Lizmi’s Horsemen released the “official” second LP, Gettin’ Pretty Good…at Barely Gettin’ By.  However, Daylight Again pre-dates those recordings by almost two years and showcases a “lost” period in Horsemen history.   The 2009 reissue does a great service by finally bringing this lost LP to light.

4/5 stars

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