REVIEW: July Talk – Touch (2016 vinyl)

JULY TALK – Touch (2016 Sleepless Records)

Surely one of the most exciting bands to emerge from Toronto in the last few years has been July Talk.  Defying categorization, they’re often lumped in with “blues rock” and “indie”, neither of which really describe July Talk.  You could also call them “art rock” because July Talk truly treat their music as high-energy art.  Loud art.

July Talk are a five piece rock band known for their volatile live shows where anything can happen.  Lead singers Peter Dreimanis and Leah Fay offer a contrast, he of the gravel voice and she as the smooth one.  They songs are like battles between characters, little stories with Fay and Dreimanis playing the parts.  Dreimanis and bassist Josh Warburton have also entered the visual world, with each directing some of July Talk’s most interesting music videos.*

Picture yourself in a tangle with another, you’ll feel your body awaken.  That’s the opening lyric to “Picturing Love” but also apt listening advice.  Some of these songs sound like the act of sex in motion, limbs tangled and struggling to get free.  On “Picturing Love”, Leah Fay contrasts Dreimanis’ grit with a sassy vocal.  “I suppose, I’ll strike pose…”  A band is usually lucky to have one memorable front person.  July Talk have two and that’s their secret weapon.  “Picturing Love” is one of three singles.  Another is the next track “Beck + Call”, a bass-heavy groove that hits with body blows.  Dreimanis screams “She loves me, she loves me not!” while Leah Fay floats above it.

Things get dancey on “Now I Know”, a track which recalls certain aspects of the 1980s and a little bit of U2.  Fay takes the center stage with an irresistible shouted chorus.  We go punky on the brilliant “Johnny + Mary”.  Fay has a punky sass that she employs with pure attitude.  Meanwhile the band chug away on some heavy riffing.  One lick even sounds like an Iron Maiden melody.  A dusky ballad called “Strange Habit” closes the first side.  This delicate song shows that July Talk can do it quietly too, and successfully.

If you have not heard the first single from Touch, “Push + Pull”, do so now.  A slinky groove turns into a battering ram.  “Push + Pull” is a great representation of the July Talk sound.  Whether you are dancing or thrashing, “Push + Pull” will work for ya.

“Lola + Joseph” rests on a spare but killer guitar hook.  Fay and Dreimanis trade off vocals seamlessly, as things get hot.  “But I’ve never done this, can you show me please,” pleads Dreimanis during one sexy exchange.  “Just count to five, not too fast,” whispers Fay in response.   “Lola + Joseph” is the hidden gem on this album.  It’s the nice little surprise that you get for playing the album through.  It’s just killer.  Leah Fay goes for a new wave punky snarl on “So Sorry”, another brilliant and loud track.  “Jesus Said So” has a completely different vibe, more like classic 50s doo-wop in a modern song.  Closing with a haunting song, the last is the title track “Touch”.  Piano is the main feature as it builds to a dramatic close.

Check this band out.  Touch is only their second album.  Time to get on board!

5/5 stars

* “Guns + Ammunition” directed by Warburton is one of the coolest technical achievements in a music video you’ll ever see.  Check it out below.

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19 comments

  1. Very interesting, I like what I hear… though I may struggle with a full album on account of the chap sounding maybe a wee bit too much like an over-the-top Tom Waits (too much barking going on). I’ll definitely check them out, though.

    I also see they’re playing here in November.

    Liked by 2 people

        1. I would agree with what you said. Shouty, no subtlety. Might overwhelm. They are a taste to get used to. But once you’re hooked…I mean, who doesn’t want to hear a band with a lead singer who looks like Steve Buscemi?

          Liked by 1 person

  2. I need this and their 1st one as well.
    I tried to see them locally but it sold out instantly.
    I really like the difference in their voices. Even though his voice may sound like Waits, it is still unique enough. Also, he has his own flair and style.
    Nice review.

    Liked by 1 person

  3. Like J, I was reluctant to explore further, fearing the guy was ‘doing a voice’ – which is something I struggle to get past, regardless of genre.
    But if this one features spare yet killer guitar hooks + 50s doo wop, I’m ready to give it a try!

    Like

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