MuchMusic’s Laurie Brown took over the Pepsi Power Hour in 1988, and for me personally, a lot of their best shows were from her era.
This interview with the young rockers named Duff McKagan and Slash (from some band called Guns N’ Roses) is definitely an anachronism. Cigarettes lit, the guys seem fairly sedated though refreshingly authentic. Their naivete is interesting in hindsight. They clearly did not see themselves becoming the mega-phenom that they are. “Guns N’ Roses is five kids, who pretty much don’t have a whole lot of influence on the rest of the world, as far as we know.”
Duff and Slash offer insight about their early years, getting signed, and touring with Iron Maiden. It’s quite obvious they are not having a good time with Iron Maiden! Laurie also asks them about the original cover to Appetite For Destruction. “We didn’t see any rape thing going on,” insists Duff. “Her bra fell off, what?” laughs Slash. Slash mockingly relents. “OK, alright fine. We were generally promoting rape…I mean come on.”
Speaker’s Corner was a place where anyone could get on TV! You would step into the recording booth, pop in some coins, and record a brief video. If you were lucky, you’d be chosen for the Speaker’s Corner TV show.! The Barenaked Ladies got their start by playing a song on Speaker’s Corner (“Be My Yoko Ono”). There were lonely people looking for love, there were eccentrics and even LeBrain and his pals (though I don’t know if our video was ever broadcast). There were also recurring people, like Brie.
Funny thing. A guy I used to work with at the Record Store named Joe Perry once said to me “I know a girl with a Poison tattoo.” He was shocked when I answered, “Is her name Brie?”
“How, how the hell do you know that?” he asked.
How could Joe have known that I was taping Speaker’s Corner the day she showed off her Poison tattoo!
You gotta give the girl credit for getting a Poison tattoo in the 1990s.
When I was a kid buying new Kiss albums likes Crazy Nights, I used to say “Kiss should go back and make a full album that sounds like Side Four of Alive II.” Either that or Kiss Killers. I thought either direction was worthy of re-visiting, since they were small collections of songs, not full albums.
The guys who created the original band Klassik ’78 read my mind, and decided to do something about it. In the spirit of the Kiss sound circa Alive II, Klassik ’78 took it upon themselves to write and record a “lost” Kiss studio record that could have followed Love Gun. Imagine Kiss didn’t split to make solo albums or return with a Disco record. Original Kiss, not ghost musicians. Klassik ’78 aimed to create an album from that exact year in that precise alternate universe. The remarkable thing is that they actually succeeded.
The Side One EP has a bangin’ opener: the Paul-styled “Standin’ Tall”. Paul-vocalist “Joe” nails the Starchild’s mannerisms, while the riff mimics that kind that Paul was writing around the time of Rock And Roll Over. A slaying Kiss-like chorus drives it home. Klassik ’78 member “Tom” rolls out a Gene-like song as authentic as the Demon’s long tongue. “Please n’ Tease” is a “Love ‘Em Leave ‘Em” styled sleaze rocker just like Simmons used to write them. There’s even an Ace-y solo that burns like the Spaceman’s rockets. “Mean Business” definitely nails the Alive II vibe, kind of like a sequel to “Larger Than Life” with a guy who’s doing his best to sound raspy like Peter Criss. Another perfect faux-Frehley solo is the ideal topping. “Passion & Love” is obviously a “Paul” song, a mirror image of “Mr. Speed” and a nearly perfect vocal. Every “Ooh yeah!” is spot-on. There’s a good chance you could fool any casual fan into thinking “Passion & Love” is an actual lost Kiss song from 1977. “Rock and Roll You” is another Gene-like vehicle, right in that Kiss pocket. Finally, with a title like “Streetwise”, you’re probably already expecting a track like Ace Frehley. That’s exactly what you get, with a crunchy Ace-like riff, sharp licks, and the same kind of spacey vocals (also by “Tom”). “I grew up in the city, spent my time on the street.” Every lyric on Side One is crafted to fit the Kiss member it’s for. The attention to detail is remarkable. Certain moments of the “Ace” guitar solo have bits inspired by Frehley’s 1978 solo album. It’s uncanny.
The important thing is that these are not just tracks that sound exactly like Kiss songs. These are songs that sound exactly like good Kiss songs. Could Klassik ’78 deliver another six tracks to make it a full, good album?
“Joe” in the Paul Stanley guise opens Side Two with a stunning “World on Fire”. It is in the style of Stanley’s ’78 solo disc, but with the Frehley guitar fills of Kiss instead of Bob Kulick. Time for a “Gene” song next with “Ain’t No Fool”, kinda similar to “Mad Dog” as released on the Box Set. Another obvious Ace title is “Jendell”; I say “obvious” because hard core fans know that Ace Frehley supposedly comes from planet Jendell. “I was sent on a mission, light years ago. To help the human condition, for how long I didn’t know.” Yep, it’s a “Space Ace” track and a good one at that, once again with tones inspired directly from the Frehley solo album. Back to Alive II (think “Rockin’ in the USA”), it’s another “Gene” song with “American Made”. The title alone is perfectly Simmons. “I”m American Made, and all my dues have been paid.” In the vibe of “Makin’ Love”, it’s a Stanley-like “Hot On Her Heels” next. Once again, you could easily fool friends into thinking this is actually Kiss. Closing Side Two is “Victims (Nosferatu)”, implying a Kiss Demon epic. Think “Almost Human” from Love Gun, but with more heft. Klassik kloser, pardon the pun.
I’m not going to bullshit you. If the Klassik ’78 album was a real Kiss album from 1978, it would be considered one of their best, with the original six. Obviously Kiss have no intention of ever making an album like this, so why not let Klassik ’78 have some fun with it? Clearly the fans responded, because the limited run of CDs (re-titled The Un-Originals) sold out immediately.
Check out Klassik ’78 on iTunes, put on your old jean jacket and set your time machine back to 1978. This album will transport you back.
Once upon a time, John Roberts was J.D. Roberts. He wasn’t a political pundit on Fox News, he was the host of the Pepsi Power Hour! The year was 1986 and Yngwie J. Malmsteen was in the studio.
J.D. asked him about his Classical influences, and then a dumb question about turning Bach into Rock. Check it out.
While out promoting 1987’s Dream Evil, Ronnie James Dio and Craig Goldy sat for an interview with MuchMusic’s Erica Ehm. She asked him about Satanism in rock lyrics and videos.
AMERICAN DAD – “Persona Assistant” (Episode 16, season 13)
For fans of Roger the alien, the13th season of American Dad really delivered this time. It was a special episode: #250 of the long-running animated series. The best episodes usually focus on Roger and his many personas. This instalment was one of them.
We get a glimpse of Roger’s daily life. He’s busy for an alien. He has so many personas to live, and only 24 hours in a day. The workload must be getting to him. He’s feeling sickly and has a strange lump growing on his ample forehead.
Roger is resistant but the Smith family take him to see Dr. Kalgary, the show’s resident master of the dark sciences. Kalgary removes the lump, a large tumour, and Roger is sent for rest and rehabilitation. Taking a jar with his tumour sealed inside, Roger goes on vacation. So who will handle all his personas while he’s away?
Stan steps up for the recovering Roger, only to find that living the lives of his all personas is hard work! Of course he mucks it all up. To his shock, Roger’s personas were so important that their absences causes the city to descend into chaos and anarchy. When Roger finally returns, he is not alone. It turns out that his species have a way of handling stress. That tumour was not a tumour at all, but a little homunculus named Rogu!* With Rogu’s help, Roger can fix the damage that Stan has done. But not before the return of one of American Dad’s most requested personas: Ricky Spanish! The most hated man in town! Only Rogu can stop him.
When I saw Rogu, I had tears in my eyes from laughing so hard. The same thing happened the next day when I watched again. For whatever reason, Rogu has tickled my funnybone in a serious way. Roger has, over time, become almost a normal character. There’s little he can do that surprises you anymore. Rogu? That’s a whole new ballgame. The show can get even weirder now. (Rogu is absolutely certain to return, considering an upcoming episode is called “The Hand that Rocks the Rogu“.)
In the second storyline, Steve’s joined the jazz club at school. Playing on the old stereotype of drugged out jazzbos, Steve takes performance enhancing drugs to take his scat singing to the next level! The finals are coming, and Steve brings his scatting to the extreme. Only morphine can stop him.
Fuck yeah, American Dad. I thought maybe the best years were behind. Apparently not. Carry on!
“I had to mark the singer from a band called Glass Tiger who was quite useful. Sadly for him the pitch was in poor condition and after I chased him round for 45 minutes, he twisted his ankle and was stretchered off. I never touched him ref — honest!’ Stretchered off with ‘undisclosed injuries to his testicles’ was I believe the newspaper quotation that tells you all you need to know about the match.” — Bruce Dickinson
This video clip of a football match between Iron Maiden FC and Toronto’s finest singers and media is surely a rarity. It’s a shame that more wasn’t broadcast. On a personal level, this match meant to lot to me. My heroes (Iron Maiden) were facing off against my sister’s (Glass Tiger). And of course Glass Tiger and Co. were pummelled. I loved holding that over her head!
Look for Frew and MuchMusic alumni including Master T (Tony Young) and Kim Clark Champniss in this fun clip.
It must have been cool to be at this game. I wonder what it was like? Wait it a minute — why don’t I just ask a guy who was there?
“I was at that game. Covered it for the newspaper at U of T [that] I wrote for. Keith Sharp (then of Music Express magazine, later my boss at ACCESS) was friendly with the band. As a kid he was a goalkeeper for the Manchester City youth squad, so he had some skills, and he’d organize a match with the Maidens, who were all soccer fiends, whenever they were in town. Alan Frew (Glass Tiger) went down with a knee injury during the match… Others on the Music Express squad that I can recall were Mark Holmes (Platinum Blonde) and Maria Del Mar (National Velvet). I even got some Maiden sideline quotes for my story… And it was the first time I met Keith.” — Jamie Morrison, friend and former journalist
“Outside of Toronto…that’s Kitchener anyway.” – Dan Gallagher
This is a real treasure! A legendary interview, it does not appear to be anywhere else online. It’s also the only video I know of to have one of my old customers in it — Snake the Tattoo Man. To be fair, Snake was T-Rev’s customer first. Trevor sent him to me, because he knew I was a huge Helix fan. Snake’s first claim to fame was appearing on the Phil Donahue show. Snake has over 90% of his body tattooed, and was kicked out of a mall in London Ontario simply because of the way he looked. His next bout with stardom was when he was cast in the Helix video for “Running Wild in the 21st Century”, one of their best songs!
MuchMusic’s Dan Gallagher talked to Brian Vollmer and Snake outside Speaker’s Corner in the spring of 1990. Of course Snake’s tattoos are discussed, and a new technology called “Surround Sound” is rolled out. Which of course you won’t hear, since Much was broadcast in stereo and I was recording in mono!
Great, classic interview that I proud to bring back to the world via Youtube.
Michael Olivieri recently left Leatherwolf leaving them with only one original member! Back in ’88, they were firing on all cylinders with Olivieri and original guitarist Geoff Gayer. The pair sat down with Erica Ehm on the Pepsi Power Hour to talk about their second album, Leatherwolf.
The guys discuss recording in the Bahamas, Robert Palmer, the Triple Axe Attack, live performances, “The Calling” video concept, and where that “edge” comes from.
Leatherwolf were a great band when these two guys were in it. Check out the live clips in this interview, and hear what they had to say back in the day!
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