toronto

CONCERT REVIEW: Claypool Lennon Delirium – Danforth Music Hall – Toronto, April 10 2019

CLAYPOOL LENNON DELIRIUM – Danforth Music Hall – Toronto, April 10 2019 

By Uncle Meat

 

Sometimes you go to Rock shows and are blown away by the venue, or the sound of the band, or the band itself, or something extra special happens.  Usually you are lucky to be subjected to one or two of these wonderful things.  It’s rare when all these things happen at once to make truly iconic memories you could never possibly forget.  This happened for me last night.  Music is the gift that keeps on giving.

Found out yesterday morning that I was going to see Claypool Lennon Delerium at the Danforth Music Hall in Toronto.  Special thanks to friend and fellow Sausagefester Aaron Stepaniuk for inviting me.  I had never been to the venue, nor had I ever seen Les Claypool perform.  I found it interesting as well that it was the very first show of their tour, showcasing their new album South of Reality.

Walking into the venue during the opening band, instantly I loved the Danforth Music Hall.  Very cool place to see a show.  Warming up the proceedings was someone by the name of Jim James.  All I knew was that he used to be the singer for a band I know nothing about called My Morning Jacket.  I was informed on the way to Toronto by Aaron’s girlfriend Rachel that there is an American Dad episode basically dedicated to “the angelic voice of” Jim James.  Gonna have to check out some American Dad.  The few songs we caught I deemed as “whispy”.  It wasn’t bad but didn’t resonate with me.  Jim James’ look reminded me of Daryl Hall dressed as the Joker and I was kinda glad when it ended so we could go out and smoke a huge joint.

As I am hauling off of this Buck-constructed, Buck-approved monster of a spliff, a door opens beside me, (I was too concerned with smoking this massive joint to even realise we were standing right beside an equally massive tour bus) and while I’m taking a healthy drag out walks Geddy Lee.  Yes…THAT Geddy Lee.   I almost exhaled the drag right into his nose, he was that close to me.  Instantly I started wondering if he could be getting on stage, but that stuff never actually happens for real…Right?

The show starts off with Pink Floyd’s “Astronomy Domine”.  I knew they might do some covers since they released an EP of covers in 2017 called Lime and Limpid Green.  On that note, the covers played that night were epic songs that most bands wouldn’t dare even try.  “Astronomy Domine”, “Boris the Spider” and “The Court of the Crimson King” are songs that you MUST play well live to even consider such an idea.  Interspersed throughout the covers were songs from their 2016 debut album Monolith of Phobos and their newest album South of Reality.  I enjoyed everything I heard that night.  First of all, Claypool and Sean Lennon can both sing very well and both comfortable in a high vocal range. The keyboard player also sang backup vocals.  No matter if it was Lennon or Claypool taking lead vocals, the background vocals were top-shelf fucking glorious.  This aspect was a definite highlight of the show.  I was there to see Claypool and he didn’t disappoint whatsoever.  However Sean Lennon was a bit of a revelation to me.  He is an amazing singer and a much better guitar player than I would have imagined.

The stage banter between Les Claypool and Sean Lennon (or “Shiner” as Les kept referring to him as) was comfortable and cool.   After some more of their anecdotes, the drummer breaks into a very familiar drum pattern.  I turned to my buddy Bucky and said “They aren’t really gonna play this are they?” The rest of the band started to join in and yeppers , they are playing Tomorrow Never Knows, written by the guitar player’s father.  You may have heard of him.  I can see off stage as a stage hand is standing there with a bass in his hand.  He hands it to an emerging shadow and out walks Mr. Geddy Fucking Lee, possibly still on a contact high from the joint smoking he walked through earlier.  Now I am watching Sean Lennon sing his late father’s song with two of the greatest bass players of all time on stage.  You cant make this shit up.  This kinda stuff never really happens and now it is happening.  As they are jamming out the song hard, Les Claypool does one of the coolest things I have ever seen.  He takes off his bass and starts kinda bowing to Geddy Lee with a huge smile on his face, gives a little “see ya” nod to the audience and walks off stage, leaving now only Geddy finishing “Tomorrow Never Knows” with the band.  For a couple minutes it was actually The Lennon Geddy LEErium.  The respect and tribute that Claypool shone upon Geddy by the nod and walking off stage will be a top 5 (Or higher) concert moment for me.  I had the utmost respect for Claypool before this night.  With one little wave to the crowd and the walk-off, he made my Rock & Roll heart melt.  I so wish Tom Morwood was there.  He would have cried like a big bearded baby.

The band walked off and came back for an encore.  Claypool says something like, “Gotta love when guys like Geddy Van Halen just walk on stage.  That’s what still gets my dick erect”.  The Delerium then went into their lone encore song, Primus’s “Southbound Pachyderm”.  It totally kicked ass with a sensational bass groove.  What a show.

What more could you ask for?  Did that really just happen?  Mind…Blown.

 

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GUEST CONCERT REVIEW: KISS – Toronto – Scotiabank Arena March 20 2019 by Uncle Meat

UNCLE MEAT:  Well…I guess tonight I experience the controversy head on.

LeBRAIN:  What’s tonight?

MEAT:  Members of Black N’ Blue and Badlands.

LB:  Kiss?  You are going?  If so you are REQUIRED to write something for me. Or else!!

MEAT:  Old buddy, Scott Hunter, who I saw Kiss with twice in 1982 and 1983, messages me out of nowhere and has a paid-for ticket. Him and his buddy have VIP but only two, but who cares.  They had the Vault Experience with Gene last year too.

LB:  Go go go.

MEAT:  Only been 36 years since I saw Kiss live.  Mid-arena, 20 rows up.

LB:  It’s gonna be sad I think. Just my feeling.

MEAT:  Fairly good tickets. But yeah. The spectacle is the part to enjoy I guess.

LB:  I hope you have a good time.  But seriously if you don’t write this up for me, I am going to probably hurt you very badly. You won’t see it coming. Maybe we will be driving to the farm and I will punch your nuts so hard that you bleed from your ears. Just saying. Not that you “owe” me anything, you just have to. Or have your nuts tenderised. Your choice! You won’t see it coming but it will happen!

 

– Toronto – Scotiabank Arena, March 20 2019
Review by Uncle Meat

Kiss in 2019 was the best “show” I have ever seen.  Easily.

What about the singing?  I had watched a cool video the other day, where a guy pointed out in each song where Paul is lip syncing and where he is actually singing.  Which was good because before that I thought it was pretty much all tape. That being said, I could notice both last night.  It’s like he is trying some songs’ verses (or what have you) on different nights. But, 60% of the vocals (at least) were the same as they had been on other stops. I have heard the “Love Gun” track several times, how the verses have been re-recorded, and he does exactly the same inflections within the verses.

BUT!!!

Truth is? 20 seconds in, and I didn’t give a shit.  And while I hold the same opinion about it, it literally took ZERO away from a show I can only describe as almost perfect.

Gene sings 100% of his vocals, at least on the verses, and was kinda goofy all night.  More aloof than he usually is. Less Demon. More Mike Myers.  He is getting fat in the face though, wow…he looked like Bea Arthur in Gene makeup.

Paul still is on the very top shelf of frontmen, as per between-song banter.  He had me right in the trenches, clapping along, laughing out loud several times, just fuckin’ entertaining.

Eric Singer was a great drummer.  LOVED his voice in “Black Diamond”, and really really enjoyed “Beth”.  Like alot.  Surprising.

I was really blown away by Tommy Thayer’s guitar tone.  Fucking powerful, and creamy.  He changed just enough of the Ace solos to put his mark on it, but leaving the important parts of the solo in to suit the songs.  Great set list too.  “100,000 Years” and “Let Me Go, Rock and Roll” were serious highlights.

4.5/5 steaks 

The missing 1/2 steak only because of the lip-sync stuff.

 

 

 

 

VHS Archives #37: The Girl With the Poison Tattoo

Speaker’s Corner was a place where anyone could get on TV!  You would step into the recording booth, pop in some coins, and record a brief video.  If you were lucky, you’d be chosen for the Speaker’s Corner TV show.! The Barenaked Ladies got their start by playing a song on Speaker’s Corner (“Be My Yoko Ono”).  There were lonely people looking for love, there were eccentrics and even LeBrain and his pals (though I don’t know if our video was ever broadcast).  There were also recurring people, like Brie.

Funny thing.  A guy I used to work with at the Record Store named Joe Perry once said to me “I know a girl with a Poison tattoo.”  He was shocked when I answered, “Is her name Brie?”

“How, how the hell do you know that?” he asked.

How could Joe have known that I was taping Speaker’s Corner the day she showed off her Poison tattoo!

You gotta give the girl credit for getting a Poison tattoo in the 1990s.

 

VHS Archives #18: Kim Mitchell wins Best Toronto Male Vocalist (1990)

An unusual but amusing one for you!  (I recorded everything.  I have a tape here labelled the “Star Trek Awards”, I can’t wait to see what that is.)

This tape comes from the 1990 Toronto Music Awards.  Mike Levine and Gil Moore of Triumph are called to present Best Toronto Male Vocalist.  Triumph were without a singer at the time, imagine if Rik Emmett were nominated!  But he’s not.  Check out the seven (!) nominees and who Kim had to beat.  “Sebastian Back” was a formidable singer and Kim said as much.

Finally, Peter Fredette is hilarious.  Listen to him singing opera style as he approaches the podium.  Did you know he was Kim’s vocal coach as well as bassist?

 

VIDEO: Mike and Aaron Do Taranna 2018

MUSIC CREDITS: “Shit” parts 1 – 5 written and performed by AARON

Sunday Surprise: Guess what we’re up to today?

REVIEW: Raw M.E.A.T 1 – Various Artists (1990)

Welcome to…
…Hosted by Vinyl Connection

RAW M.E.A.T 1 (1990 M.E.A.T Magazine)

Drew Masters’ legendary metal magazine M.E.A.T took a lot of pride in promoting Canadian talent.  The next logical step was putting out a CD featuring the best of the best in unsigned Canadian rock and metal.  The flagship band was Toronto’s Slash Puppet.  On this first volume, only groups from the province of Ontario signed up.   Even though the talent all came from a small region in and around Toronto (with one exception), it’s a surprisingly diverse selection of styles.

I look at Raw M.E.A.T as a first tapping of an oil reserve.  It was a gusher.  So much untapped raw talent, unheard in suburbs.

“Slow Down” by Slash Puppet was previously issued on their indi tape, but Raw M.E.A.T 1 was its first issue on CD.  The track has been described as Motorhead meets Faster Pussycat and that still fits the bill.  Lead singer Anthony J. Mifsud was the sandpaper throat to go with the rough and tumble music.  You can hear why there was such a buzz around Slash Puppet.  They had pro-level tunes and performance. All they needed was a break.

Most Raw M.E.A.T buyers knew what they were getting with Slash Puppet. The rest of the tunes were uncharted territory.

Eiffel Power, from Taranna, knocked it out with “City Action”.  Singer Lionel Lois  had ample range and lung capacity for this fun metal shuffle, very current for the time.  Think of Extreme’s first album but with more muscle.  Then there’s the instantly likeable “Feel Me Sweet” by Brampton’s own Ragadee Anne.  Yes, it’s true:  coming up with names for bands isn’t always easy, but “Feel Me Sweet” kicks.  One reason they sound so professional is due to the production by Tom Treumuth (Triumph), surely an advantage in the studio.  Glam rock with bite and youthful innocence sure sounds good.

Blackglama (Toronto) take it to the streets with the rock/rap hybrid of “Playin’ Hardball (With the Big Boys)”.  This was just a year or two ahead of its time, though director Bruce McDonald used it in his 1991 film Highway 61  (but not the soundtrack CD).  The next group, Washington Wives, bring it to immaculately composed AOR rock.  “Memoirs, Etc.” has backing vocals from Phil Naro, from just across the border in Buffalo.  Naro is best known for Talas and his work with Kiss’ Peter Criss.  “Memoirs, Etc.” is vaguely familiar, as if you’ve heard its like on the radio before (Journey? Night Ranger?), but there’s no question this track was hit-ready.  Zero fat content, this is all meat of the most melodic variety.

Short Avenue has another “name” attached, that being “Scarpelli”.  Guitarist Gene Scarpelli is the son of Gino, of Toronto’s Goddo.  Short Avenue sounds nothing like Goddo, rather more like some tough street punks ready to mix it up.  With hindsight, they sound like precursors to The Four Horsemen.  “Push Comes to Shove” is right in the same vein as the Horsemen’s “Rockin’ is Ma Business”.  From the Horsemen to the Cult:  The Cult have always been big in Canada.  First impressions are that Trouble In Mind (Toronto) were very inspired by Ian Astbury.  Regardless, their track “Sweet Addictions” is album quality.  Lead singer Beau (just “Beau”) turned up on a later instalment of the Raw M.E.A.T series, but that’s another story.

We depart Toronto momentarily for a trip to the nation’s capitol.  Ottawa’s Antix had been self-releasing vinyl since 1986, and “Kick It Up” was a new track.  With a Van Halen shuffle, their track hits the right spots, but suffers from inadequate production.   It’s unfortunate that the most experienced band has one of the poorest sounding tracks on the CD.

Russian Blue received their first major exposure via Raw M.E.A.T, and thanks to their incredible song “Once a Madman”, they gained a cult following.  They were a double threat:  a magnificent singer and a terrific guitar player.   Vocalist Jo E. Donner found himself compared to a young Robert Plant.  Richard Gauci backed that up with memorable guitar hooks.  “Once a Madman” gets the job done in just 3:15, leaving behind an unforgettable and unique rocker that begs for repeat listens.  One reason it sounds so good?  Produced by a pre-fame Harry Hess of Harem Scarem.

The next band, Zyle, sound like they were going for a traditional metal sound.  The Scorpions come to mind immediately, as does fellow Canadian rockers White Wolf.  They needed a bit more originality.  The guitar solo directly quotes Randy Rhoads, too close for comfort.  But then it’s The Remains with something a little more street punk.  A variation of the classic Peter Gunn riff, “Too Much” is actually never enough.  It’s the right mixture of middle finger and middle eight.

Hanging out just down the QEW are Hamilton and Oakville, from which come the last two groups.  Cathouse prove that you can never have enough permutations of the classic Van Halen shuffle.  “In For the Kill” nails it, with a vocalist who seems like equal parts Skid Roper and Rob Halford.  Finally, Oakville’s Johannes Linstead is best known today for his flamenco guitar albums.  He didn’t start there!  Wildside (later to become Gypsy Jayne) are about that sleaze rock.  You can hear that the guitarist is something special, though you wouldn’t predict the future from this one track.

It’s difficult to be objective, even though so many years have passed since Raw M.E.A.T 1.   Many (if not most) of these bands had potential.  Toronto in the early 90s was ready to explode as “the next Seattle”, but there was no “next Seattle”.  12 of these 13 songs are really fondly remembered, with one just needing a little more originality.

4.5/5 stars

 

VIDEO: FansToys Terminus Giganticus (Pack A)

Balancing a music collection with a toy collection is expensive, but they do have a lot in common.  For example, both feature “holy grail” items that you simply must have.  In 2017, the holy grail category was won by toys for the first time.  Behold!  Enjoy the video at bottom.

Key points:

* Terminus Giganticus is FansToys’ version of a Masterpiece class Omega Supreme action figure, to fit seamlessly with your official Transformers Masterpiece collection.
* Fucking huge.
* Comes in two packs: Pack A (September 2017) and Pack B (November 2017).
* Thanks to Madhaus Toys (facebook.com/madhaus.collectibles) for the pre-order!

References:

* For more information on third party toys:  Getting More Tale #570: Third Party
* Incredibly galleries  from TFCon:  Getting More Tale #578: TFCon 2017

Video:

#584: Fake News

GETTING MORE TALE #584: Fake News

Fake news is not recent.  Fake news has been around as long as there were people!  Here is a list of fake news stories from the Record Store days.

In the mid 90s, many people actually believed that Marilyn Manson had his bottom ribs removed so he could bend over and blow himself.

From the same time period, word had spread that all five Backstreet Boys released solo albums on the same day, and that “Walmart has them.”

Bafflingly, and for many many years, people believed that Toronto got album releases before anywhere else in Canada.  As if albums were delivered by the Pony Express.

Levels of hoaxes so complex it’ll make your head spin.   SuperShadow was a supposed Star Wars inside informant who leaked prequel plots and characters.  He was a notoriously hated spreader of fake Star Wars news, but the layers of intrigue here go down to all the way to…me…who posed on MySpace as a “fake” SuperShadow, in hopes of smoking out the real one.  Fake news of fake news!

In an interview with Slash published in the March/April 1994 issue of M.E.A.T Magazine, the guitarist claimed the next Guns N’ Roses album would be out the following summer of 1995.  Heh.  Won’t get fooled again?

There are of course many “fake news” stories through the history of rock and roll.  “Paul is dead.”  “2 Pac is alive.”  “There are two Nikki Sixx’s.”  “Joey Tempest is a demon.”  What are your favourites?

#555.5: A Short Visit to Sonic Boom

GETTING MORE TALE #555.5: A Short Visit to Sonic Boom

Yesterday I took Mrs. LeBrain to Toronto to see a neurosurgeon.  It was a great meeting; very positive, but we will get more into that in a future tale.   (Look for an upcoming Getting More Tale story called “Seize the Day” if you want to know more.)   After the meeting with the doctor, she had some tests.  I didn’t need to be around for the those, so with a couple hours to kill, I went down to Sonic Boom on Spadina.  I was accompanied by Mrs. LeBrain’s Mom, who insisted we cab to the store.  It was a rainy miserable day outside.  Wet, cold, windy and unpleasant.  The cab ride wasn’t unwelcome.

I’m glad I shaved my beard down to a goatee the other day, because almost every dude in that store looked the same.  Bearded hipsters buying vinyl, left right and center, lookalikes all!  I tuned out the background noise and focused on the cool.  Upstairs they had two colouring books I almost considered getting.  Do you know anyone who is a huge fan of either James Franco or Benedict Cumberbatch?  If so, I am happy to report that Sonic Boom had colouring books of both.  (They also had Star Trek and Star Trek: The Next Generation.)  I spied the new Mastodon among the new releases, but headed downstairs where the real treasures usually lay.

Although I put in a Herculean effort, there was little to be found.  Maybe I have too many CDs, because everywhere I flipped it seemed to be “got it, got it, got it, got it…”  Aaron asked me to look for Danny Michel and a few other titles.  Nothing to be found.  I was struck by how just about everything seems to be reissued on vinyl today.  The Spice Girls’ first album, Spice.  I fail to comprehend.  It doesn’t compute.  I considered buying some Kiss reissues, but I didn’t really want to come home with something I already owned.

With some persistence I did liberate three titles:

  1. The Sword – High Country (CD, used, $9.99)
  2. Queen – The Game (2 CD remaster, used, $9.99)
  3. Rush – Agora Ballroom, Cleveland Ohio, May 1975 (vinyl, new, $32.99)

The Queen set was in the recent arrivals, and that is a nice score.  I’m nowhere near complete with my Queen remasters, but when I can pick them off one by one, used?  That’s the best way.  The Rush on the other hand is something of a chance I’m taking.  This is a radio broadcast vinyl, and I’ve never bought one of those before.  They had several available.  I don’t have anything live from Rush in 1975, so that was the key factor.  Also a non-album track:  “Bad Boy”, a Larry Williams cover.  180 gram coloured vinyl to boot.  Should be good times.

Not a knockout shopping excursion, but not a waste of time either.  We walked back to the hospital (although Mrs. LeBrain’s Mom would have preferred a cab) and got soaked, but it’s good to stretch the legs when it’s a long day of driving and sitting.  Besides, we enjoyed looking at the Toronto scenery.  The fruit and vegetable markets smelled great.  They even had bonsai trees.

Back in the hospital waiting room, I was able to do a little research for my Kiss Re-Review series in progress.  Guess which album I have to write up next.

I don’t want to use the word “disappointing” for this Sonic Boom trip, because I am very pleased with my new albums.  I told Uncle Meat I wanted some more The Sword, and Sonic Boom delivered.  I’m more surprised than disappointed that I was only able to scrounge up three finds this time.  Every visit is different, and I’m sure that next time I return (either in the fall with Aaron, or sooner for more tests) it will be another story.  Sonic Boom is still an absolute must for any music fan visiting Toronto.  Don’t miss out, and be sure to check out the new arrival bins.  They are often the key to many great finds.

As always Sonic Boom gets 5/5 stars.  And so does Mrs. LeBrain for being a tough-as-nails trooper.