Claude Schnell

REVIEW: Dio – Finding the Sacred Heart – Live in Philly 1986 (2013)

DIO – Finding the Sacred Heart – Live in Philly 1986 (2013 Eagle records)

The King of Rock and Roll rolled into Philly with a new axeman.  Vivian Campbell bitterly departed and was replaced by Craig Goldy of Ruff Cutt.  Goldy had a flashier style, a bit heavier on the shred.  The Sacred Heart tour was a big deal, and I can distinctly remember seeing TV ads for the Toronto show.  They had their big dragon on stage, a crystal ball, and Accept as the opening act.  The Philly gig was filmed, and so today we have this double live album to enjoy.

As it did on Sacred Heart, “King of Rock and Roll” opened the set with a flurry of speed.  Another newbie, “Like the Beat of a Heart” goes over well with an extended solo by Goldy including a nod to Blackmore.  “Don’t Talk to Strangers” is the first Dio classic in the set, though “Hungry for Heaven” was a top 30 single.

Dio had so much material to play (including his past with Rainbow and Black Sabbath) that a lot of the biggest songs are jammed into medleys.  “The Last in Line”, “Children of the Sea” and “Holy Diver” are truncated into eight minutes.  “Rock ‘N’ Roll Children” is joined with the Rainbow classics “Love Live Rock ‘N’ Roll” and “Man on the Silver Mountain”.  It seems a shame that there are guitar solos, a drum solo, and even a keyboard solo, but all these classics had to be crammed together into medleys.  “Heaven and Hell” is complete at least, but Claude Schnell’s keyboards sound out of place on this Sabbath cornerstone.

1986 was one of many prime periods for Dio.  Your perception of this CD set will largely hinge on how much you like Craig Goldy vs. Vivian Campbell.  Goldy was a fine replacement though his shredding often sounds like a green kid just going for it.  There is plenty of great Dio material to enjoy, all killer no filler from start to finish…solos aside that is.  There’s even a live version of the smooth “Time to Burn”, the first new song with Goldy from the Intermission EP.

There is a nice selection of live Dio available on the market.  Finding the Sacred Heart would be a great choice for most, but if you want Dio live with Vivian Campbell, probably best to go for the Donington 1983 & 1987 set.  This one certainly sounds excellent, it’s a beautiful recording and mix.

4/5 stars

REVIEW: Dio – The Last in Line (deluxe edition)

DIO – The Last in Line (originally 1984, 2010 Universal deluxe edition)

Ronnie James Dio used to consider the second albums he did as inferior to the first ones.  Second Rainbow wasn’t as good as the first; same with the second Sabbath, according to Ronnie.  Is that also true for The Last in Line compared to the legendary Holy Diver?

Comparing the two is much like splitting hairs.  The two albums are so close in style and quality that it really doesn’t even matter.

A better opener than “We Rock” is hard to find.  The blitz of drums and riff was custom made for bangin’ on the stage.  It’s unusual to hear a song where the drums are a major hook, but Vinny Appice has a way of doing just that.  He gives you the urge to air-drum every time he throws down a fill.

Dio had an interesting pattern for his albums in the early days, up to Dream Evil (1987).  The albums always began with something fast.  In the song two position:  always the title track!  (The title track of each album always had a few lines of lyrics printed in the album sleeve too!) And so it is with “The Last in Line”.  The soft and ballad-y opening lures one into that “safe place”…before Dio lets it loose.  One of his best and most memorable music videos went with “The Last in Line”, absolutely one of the legendary man’s most notable songs. Its reputation is well earned, as all the pieces are in the right and you never get tired of hearing it.

We’ll know for the first time, if we’re evil or divine, we’re the last in line!

With the first two tracks being so legendary to Dio fandom, it’s easy to understand how the next batch often get lost in the shuffle.  “Breathless” lacks for nothing.  Vivian Campbell’s solo spot is blazing stuff, and the song is memorable enough for head banging.  Accelerating into “I Speed at Night”, hooks are sacrificed for tempo.  It’s quintessential 80s heavy metal when speed was such an important thing.  Not a bad tune, but one with only a single purpose — banging thine head.

“One Night in the City” takes the time to allow the hooks to percolate through.  Vinny and bassist Jimmy Bain lock into a mid-paced groove while Ronnie lays down one of his typically emotive melodies.  Though it simmers on a back burner, “One Night in the City” is hot just the same.  “Evil Eyes” is also a high quality tune, and if it’s familiar that might be because an earlier version was a B-side, included on the Holy Diver deluxe edition.  Naturally, the album version is more polished, but as for which is better, that’s up to the listener.  Then there is “Mystery”, arguably Dio’s most “pop” single.  Not such a bad thing, after all Ronnie James Dio also did right by “Love is All” from the Butterfly Ball.

We are lightning, we are flame, and we burn at the touch of a spark.

“Eat Your Heart Out” is the only stumble, but it’s soon paid back with “Egypt (The Chains are On)”, a Dio epic in true metal fashion.  Who doesn’t love a good plodding metal epic about Egyptian legends?  It’s a second or third tier metal motif!  Ronnie brings his own metal melodrama to the fore.

The Last in Line is already a great album, certainly up to the quality of Holy Diver with equally memorable material.  This carries over to the bonus CD included in the deluxe edition.  Four single B-sides from the era are included.  They are live versions of “Eat Your Heart Out”, with “Don’t Talk to Strangers”, “Holy Diver” and “Rainbow in the Dark” (all originally from Holy Diver).  The only two B-sides missing are “Stand Up and Shout” and “Straight Through the Heart” live at Donington 1983, from “The Last in Line” 12″ single.  These tracks however can be found on the 2010 CD release, At Donington UK: Live 1983 & 1987 

Finally we have Dio’s entire set from the 1984 Pink Pop festival.  Naturally there is some overlap with the previous live tracks:  “Holy Diver”, “Rainbow in the Dark” and “Don’t Talk to Strangers”.  This is offset by a smattering of Rainbow and Black Sabbath classics:  “Stargazer”, “Man on the Silver Mountain” and “Heaven and Hell”.  The audio is quite good and Jimmy Bain’s bass has a nice full thump to it.  The Last in Line is one deluxe you’ll want to add to your collection

4.5/5 stars

 

REVIEW: Dio – Intermission (1986 EP)

IMG_20150129_173910DIO – Intermission (1986 Warner EP)

Intermission was Dio’s live EP, bridging the gap between Sacred Heart and Dream Evil. At the time it came out, Dio was very busy with the Hear N’ Aid project as well as replacing Vivian Campbell on guitar. Maybe that’s why he opted for just a Dio EP to tide fans over.  For a long time this unavailable on CD; it has recently been reissued in its completion as bonus tracks on the deluxe edition of Sacred Heart.  Good news, I’m sure, for those fans without the equipment to play vinyl.

The band was in a transitional period.  They had recorded the five live tracks with Vivian, but replaced him with Craig Goldy in the middle of the tour.  For years, fans were wondering who played on Intermission.  Goldy’s picture is on the back, but the solos are clearly Vivian.  There were no credits either, but today we know that Vivian is indeed the guitar player on the live tracks.  And so is Craig!  They overdubbed Goldy over Campbell on the live rhythm guitar parts!  Why he decided to do this, aside from spite, I have no idea, but I strongly dislike tampering with live recordings. (Yes, that makes me a hypocrite since I rated Kiss Alive! a 6/5!)

Goldy plays all guitars on the soul newbie, “Time To Burn”.  This new studio cut was a really excellent one; a mid-tempo burner (no pun intended).  He co-wrote it, probably contributing that cool riff.  The song has melody to spare and is definitely a diamond among Dio’s early solo material. It sounds similar to the Sacred Heart era, but with a higher level of songwriting quality.

As far as I’m concerned, they may call it an EP, but this is essentially an album, clocking in at 32 minutes.  That makes it slightly longer than Van Halen’s Diver Down.   It may only have six tracks, but one is a 10 minute medley of Dio and Rainbow classics.  “Man on the Silver Mountain” sounds incredible; Ronnie was singing powerfully on this tour, and despite the tampering the band does sound great.

The Dio songs sampled here include obvious choices like “We Rock” and “Rainbow in the Dark”, but the two biggest hits (“Holy Diver” and “Last in Line”) are absent.  Diligent fans already had live versions of those two on the last Dio single B-sides. The more puzzling inclusion is “King of Rock and Roll” which was already released live on the last album!  Ultimately though I’m satisfied with the songs selected on this EP.  The vinyl used to be frequently played around these parts, though it has no been collecting dust since the reissue of the songs on the deluxe Sacred Heart.  It remains a great sounding mini-album, if you will!

4/5 stars