Deana Carter

REVIEW: Stone Country – The Songs of the Rolling Stones (Various)

The sixthΒ review from Mike and Aaron Go to Toronto…Again! Β This CD was given to me by A himself.
This is also a SIMULTANEOUS REVIEW! Β The far more Stones-knowledgeableΒ Aaron has reviewed the same album today: take a look!

STONE COUNTRY – Country artists perform the songs of the Rolling Stones (1997 Beyond Music)

STONE COUNTRY_0005Country artists covering the Stones? Sure, why not? Β You might be surprised by the common ground exhibited here on Stone Country.

You can’t mistake “Honky Tonky Woman” right from that opening cowbell. Β Travis Tritt sounds natural performing this one, because it’s already so country. Β I dig it. Β Travis Tritt’s always been one of those country guys who I respected. Β He didn’t seem like a sell-out to me. Β And he’s never cut his hair either, so fuck yeah! Β This is a very rocking country version, and it sounds very alive in the studio. Β ItΒ hasΒ some serious thump too.

Tracy Lawrence on the other hand, I wrote off years ago, because if you hit a woman, you lose my respect. Β However I gotta be honest — I dig his version of “Paint It, Black”. Β I told Aaron a while ago, “I never need to hear another cover of that song,” but I was wrong. Β I can add this one to my library without shame. Β It’s cool how the exotic and country sides meet without conflict in this version, and there are cool solos (organ and guitar) to boot!

STONE COUNTRY_0003“Ruby Tuesday” by Deana Carter, on the other hand, doesn’t “rock” per se, but it’s “Ruby Tuesday” and it doesn’t suck! Β It’s softer and has some twang in the vocal and fiddle, but the strings are still there pumping up the chorus. Β Up next, “The Last Time” is transformed into a bar room country chug by The Tractors. Β There’s plenty of cool Β guitar playing to keep you satisfied, but this isn’t one of my favourite Stones tunes to begin with.

Rodney Crowell then takes a challenge upon himself with “Jumpin’ Jack Flash”. Β What an iconic song, and inherently youthful and edgy. Β He changes the guitar riff to a fiddle one, and holy shit! Β It works! Β This track smokes! Β There’s even a sax solo. Β How rock n’ roll! Β High five, Rodney.

STONE COUNTRY_0002Sammy Kershaw has sold a lot of records over the years, but I truthfully don’t know if I’ve ever listened to him before. Β He chose to cover the ballad “Angie”, a bold choice, since it relies so heavily on the voice. Β The gamble paid off. Β “Angie” does not stray far from the original, and it’s amazing how well Mick’s idiosyncratic vocal delivery works with a little twang in it. Β  Well done Mr. Kershaw, you have a great voice. Β Respect!

Blackhawk transform “Wild Horses” into a fast bluegrass ramble. Β I’m reminded of Blue Rodeo in a big way, who have plenty of songs that sound this way naturally. Β I’m not too keen on the vocals, but there is some serious pickin’ going on here! Β I don’t think I had ever heard Blackhawk before this. Β I can say the same for Collin Raye: heard of him, never heard him. Β Raye takes on “Brown Sugar” which has a great guitar sound. Β This sounds like a good bar band’s take on the song, which is all you really need. Β It’s punchy, and would work great just before a bar fight in a seedy strip club in some Bruce WillisΒ cop movie.

I’m on record with “Beast of Burden” being one of my fave Stones tunes of all time. Β It’s untouchable to me. Β So Little Texas (out of Nashville!) have a lot to prove to me. Β But shit, they managed to do it! Β The song still has that swanky sway, punchy bass, and it does not suck, until the “pretty pretty girl” breakdown in the middle. Β Other than that, it’s pretty good. Β Then country veteran Nanci Griffith does “No Expectations”, which was originally a B-side, so kudos to her. Β It was originally a slide guitar country song anyway, but Griffith takes it up in tempo and mood. Β Just one comment: Β what a voice!

Saving the biggest name for last, George Jones singsΒ “Time Is on My Side”, not a Stones original but a song they did make famous. Β This slowΒ dance is perfectly suited to Jones’ balladeering. Β I can pictureΒ in my mind the ladies in the audience swaying to the sound of Jones’ spoken word section.

Aaron reckonsΒ that he found this CD for noΒ moreΒ than $2. Β In that case I say money well spent!

3.5/5 stars

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