EOne

REVIEW: Ace Frehley – Spaceman (2018)

ACE FREHLEY – Spaceman (2018 eOne)

Ace is back and he told you so!…with a new band.  It’s true.  One of the of the players on Ace’s new disc Spaceman (Scot Coogan) was in his band…until last week.  And that’s all we’re gonna say about that.  Anton Fig and Matt Starr of Mr. Big also handle drum chores.  Ace steps up with new songs, stacks of guitars, and bass too!

Perhaps the showcase moment of the new album is the first Simmons/Frehley co-write in forever, a stomper called “Without You I’m Nothing”.  Almost immediately, without even knowing the details, there is something “Simmons sounding” about it.  Probably because he’s also on bass.  There is something primitively unique about a Gene Simmons bass line.  Ace’s guitar solo, the first of the album, is pure wicked electricity, though he struggles a bit vocally.  It’s a solid opening though, followed by the old-styled “Rockin’ With the Boys”.  It sounds like something written for 1987’s Frehley’s Comet.  It’s all about the chorus.  Then Simmons is back with another co-write (no bass though) on “Your Wish is My Command”.  Ace’s guitars have a crunchy chime, and the focus is catchy melody.

Spaceman was preceded by an excellent EP, Bronx Boy with a brilliant title track.  “Bronx Boy” is back.  That’s Scot Coogan on drums and backing vocals…no wonder he’s pissed about being fired!  Make way for the crunchy stomp “Pursuit of Rock-N-Roll”!  You don’t have to read the credits to know that it’s Anton Fig playing that tricky rhythm.  His unique playing plus Ace’s crunch make this another album highlight (and a song that Ace wrote solo).  That’s followed by a song he didn’t write:  Eddie Money’s “I Wanna Go Back”!  When Ace covers a song, he tends to go for poppier things than you’re used to hearing from him.  Think “Do Ya” from Trouble Walkin’.  This one has the potential to be as fondly regarded.

“Mission to Mars” rocks.  It’s a wham-bam-thank-you-ma’am rocket ride to the red planet.  Another potential album highlight.  “Off My Back” (Anton Fig on drums) is really strong as well.

Finally (technically) the next in the instrumental “Fractured” series:  “Quantum Flux”.  Technically, because the word “Fractured” isn’t in the title, but it could be considered a spinoff of “Fractured Quantum” from Anomaly.  It’s heavier than the usual, so “Fractured” doesn’t quite suit it.  The acoustic guitars are only a small part of this wide-ranging instrumental.  Songs like “Quantum Flux” are levels above the rest musically.  It’s a tour-de-force.  Ace Frehley is an instrumental genius.  Yeah, we said it!

For Ace Frehley in 2018, Spaceman is a delight.  It is a true fact that the human voice changes as we age, and Ace’s is lower and less dynamic.  Instrumentally he’s never been better, and as a songwriter, he’s done well.

4.25/5 stars

REVIEW: Ace Frehley – Bronx Boy (2018 EP)

 

The KISS RE-REVIEW SERIES Part 46: Ace Frehley solo

We’re doing this one out of order because it’s a brand new release.

ACE FREHLEY – Bronx Boy (2018 EOne EP)

Original  guitarist Ace Frehley has been more active in the studio than his former band of late.  In the last decade we’ve had some great Ace originals (Anomaly and Space Invader) and a much better than expected covers album (Origins Vol. 1).  This week, Ace finally announced the title of his next solo album:  Spaceman, due October 19.  Kiss hasn’t been interested in recording an album since 2012’s Monster.  At least Gene Simmons will be making a cameo on Spaceman.

Spaceman is preceded by the limited, numbered Bronx Boy EP.  This four track record spins one new song and three you may have missed.  “Bronx Boy” will be on the new album.  It’s a shorty (under 3:00) but it packs the signature Ace punch.  Killer riff, blazing solo, great chorus, and plenty of balls!  Lyrically it’s Ace revisiting his street punk persona from his youth.  “You better look out!”

Also on the A side, you will find an unreleased remix of “Reckless” from Space Invader.  It’s a little longer and more dynamic.  “Reckless” is a brilliant tune, probably better than “Bronx Boy” itself when it comes down to brass tacks.  It’s a little more unique, in that Ace way.  It is exclusive to this EP.

On the B-side are two of the best covers from Origins Vol. 1.  Cream’s “White Room” features drummer Scott Coogan helping out on backing vocals (singing that high part).  Really though, it is a showcase for the Ace’s incredible guitar work.  Thick, thick harmonies and plenty of wah-wah will make you drool in envy.  The old Kiss classic “Cold Gin” has Mike McCready from Pearl Jam on guest guitar.  Seems like just about everybody in Seattle was a Kiss fan at some point.*  Just as important though is having a studio version of “Cold Gin” with Ace singing — the guy who wrote it!

In the grand scheme of things, do you need to buy this?  To the practical fan, no.  The album will be out in October and most practical fans don’t care so much about rare versions or physical media.  What about the fans who do care about those things?  Do they need Bronx Boy?  The answer is fuck, yes!  Limited and numbered on grey marble vinyl, with an exclusive remix — these things matter.  It means the price will go up in the coming months.  Plus, you’ll just enjoy spinning it.  And there’s a free download card if you can’t spin the vinyl!

4/5 stars

For another great Bronx Boy review, check out 2loud2oldmusic!

* Nirvana covered “Do You Love Me”.  Alice In Chains have performed in Kiss makeup.  The Melvins had three Kiss-inspired solo albums.  Kim Thayil (Soundgarden) names Ace Frehley as one of his earliest inspirations to play guitar.

 

 

COMPLETE FREHLEY REVIEWS

ACE FREHLEY – 12 Picks (1997 Megaforce Worldwide)
ACE FREHLEY – ACE FREHLEY (KISS solo album) (1978 Casblanca)
ACE FREHLEY – Anomaly (2009 version)
ACE FREHLEY – Anomaly (2017 deluxe edition)
ACE FREHLEY – “Cherokee Boogie” (1996 Attic)
ACE FREHLEY – Frehley’s Comet (1987 Megaforce Worldwide)
FREHLEY’S COMET – Live + 1 (1988 Megaforce Worldwide)
ACE FREHLEY – Loaded Deck (1998 Megaforce Worldwide)
FREHLEY’S COMET – Milwaukee Live ’87 (radio broadcast CD)
ACE FREHLEY – Origins Vol. 1 (2016 eOne)
FREHLEY’S COMET – Second Sighting (1988 Megaforce Worldwide, 1998 reissue)
ACE FREHLEY – Space Invader (2014 E One/Victor Japan)
ACE FREHLEY – Trouble Walkin’ (1989 Megaforce Worldwide)
Return of the Comet – Tribute to ACE FREHLEY (1997 Shock Records)
Spacewalk – A Salute to ACE FREHLEY (1996 DeRock/Triage)

 

REVIEW: Crash Karma – Crash Karma (2010)

CRASH KARMA – Crash Karma (2010 E1 Entertainment)

I wrote a review for this album back in 2010, not so glowing.  For me, the album just sat there.  Even though Crash Karma are made up of members of some of my favourite Canadian bands from the 90’s wave of alterna-hard rock, nothing happened.  I did the review, gave it a middling review and forgot about it.

About six months later, I’ll be damned if the whole thing didn’t just suddenly “click” with me. Rethinking my position, I had to re-write my review.  I think Crash Karma works best after a few listens.

Crash Karma consist of Edwin (ex-I Mother Earth) on lead vocals, guitarist Mike Turner (ex-Our Lady Peace), drummer Jeff Burrows (The Tea Party), and someone named Amir Epstein on bass.  They combine some of the best elements of the bands that spawned them. At first I saw a another faceless post-grunge band rocking past their prime, but now I’m getting it a little more. To the contrary, it sounds like these guys have some ideas to get off their chests. Wracked with Mike Turner’s angular guitar riffage and some mature and pensive lyrics by Edwin, this album rocks. Edwin is singing better than he has in years, pushing the voice to the limits we remember from the heady I Mother Earth prime. Turner is rocking much harder than Our Lady Peace, and much more straightforwardly. Burrows, freed of The Tea Party’s exotic leanings, lays down hard fast fills, recorded expertly by Turner. The result is a collection of songs that combines some of the best elements from the original bands, mixed in with some latter-day Rush.  (Edwin is a veteran of Alex Lifeson’s Victor album.)

Best songs include IME-like “Like A Wave” (the opener), “Awake”, and the furious “Fight”. Another track I begrundingly like is “Lost”, a slow one that sounds a bit too close to Edwin’s solo hit “Alive”. The melodies and vibe are suspiciously alike. However there is no filler on this album. It works better as an album, a single piece, than individual songs. Rather than make a road CD with your favourites on it, this one works as a front-to-back listen.

I still don’t like the cover.  The punk dude makes it look like I’m buying something from fucking Simple Plan or Theory Of a Dead Man.  It’s not like the guys’ faces are all that recognizable, even in Canada. It’s a shame because this album just disappeared. I never heard the tracks on the radio and back in the early 90’s, these guys were the kings of radio. I rarely saw it in the stores, I never saw ads for these guys on tour. It seems that this album will appeal to dudes from the post grunge era, not so much for younger kids.  They did release a second album in 2013, called Rock Musique Deluxe (co-produced by Terry Brown) — but I have not heard it yet.  (Send me a copy, E1, and I’ll be happy to review it!)

Crash Karma:  great musicianship, great songs, very good album.   Check it out.

3.5/5 stars
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