Get the Fuck Out

REVIEW: Skid Row – Slave to the Grind (both versions)

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SKID ROW – Slave to the Grind (1991 Atlantic “clean” and “dirty” versions)

The Skids knew the second album had to kill. The band, always heavier live than the first album implied, also knew the second album had to sound more like they did in concert. And following up a huge hit debut, they also demanded the album be all killer, no filler. Raising the bar and ignoring the record company, the band re-convened and kicked every ass in the room. The result is Slave to the Grind, one of the best hard rock albums of ’91 period.

The first single “Monkey Business”, which is essentially just dirty grooves n’ screams, was about as commercial as the album got.   With this as first single, it was clear that Skid Row didn’t care whether they got played on MTV or not.  There was nothing glossy or slick about it.  It’s still obvious that there’s something special here, and I credit that to two factors:  the songwriting talents of Snake Sabo & Rachel Bolan, and the frontman chops of Sebastian Bach.  Bach commands this song.   It’s not just his vocals.  It’s his confidence, his swagger, and his ego shining through.

If “Monkey Business” didn’t scare your little sister, then the second single “Slave to the Grind” definitely did.  For the first time, Skid Row jumped straight into the thrash metal deep end.  Drummer Rob Affuso had the chops to do it, and it really was a natural step to take.  Other bands were getting heavier in 1991 too, but none of them took a turn like this.  Skid Row raised the bar for everyone in their field in ’91.

The other singles from the album were technically “ballads”, although the band were eager to point out that none of them were anything like “I Remember You”.  They were dark and edgy.  The record company execs no doubt shit their pants when they heard the magnificent “Wasted Time”, which I can only describe as epic.   It’s an incredible song, and it’s one of the few that Bach had a hand in writing.  Baz wrenches all the emotions from his soul and that’s what I hear coming from the speakers.   “Quicksand Jesus” and “In A Darkened Room” are only a little less impressive.  They share the same kind of mood and sonic landscape.  There is really nothing commercial about any of them.  They all have headbanging moments and integrity.

Rounding out the album were several very strong deep cuts.  “The Threat”, track 3 on the disc, easily could have been a single.  In fact Terry David Mulligan of MuchMusic asked Sebastian if it was going to be selected as a future video, so I’m not alone in thinking that.  “Psycho Love” is a bangin’ bass groove, laid to waste by Bach’s scorching vocal.  “Livin’ on a Chain Gang” is another standout, an angry one about injustice.  Then you have slow, landmine-infested blasters like “Mudkicker”, and fast smokers like “Riot Act”.  All strong songs.  The only one I’m not keen on is “Creepshow”, a jokey tune about the kind of people you’d see on daytime talk shows.

SLAVE TO THE GRIND_0003Skid Row knew well ahead of time that some markets would not release an album with a song called “Get the Fuck Out” on it.  This fun punk rocker sounds like a Rachel song, but Bach’s attitude nails it.  It’s probably a bit of a novelty, but it’s fun.  “Fuck you if you can’t take a joke!” says Bach in one line.  But it’s OK: if you can’t take the joke, you can buy the version of the album without “Get the Fuck Out”.  Earlier pioneers in the clean/dirty dual releases, Skid Row saved the song “Beggars Day” for the Walmart version of the album.  (Also sold by Columbia House in Canada.)  I think it’s cool that they gave both markets added value with exclusive songs.  This song is more traditional metal (perhaps Priest-like) than the rest of the record, but it’s equally strong.

Michael Wagener produced this album with a raw, unpolished finish.  But there are backing vocals where you need ’em, and the instruments are clear and in your face.  It still sounds heavy today, unlike a lot of other music from the same year.  It just seems like everything clicked, and all the factors were in place.  Slave to the Grind kicks ass with the best of them.

4.5/5 stars

Part 317: Rival

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RECORD STORE TALES Part 317:  Rival

There were very few people that I had standing orders to kick out if they ever came into the store. Sure, there were some. The Barefoot DJ was to be kicked out if he ever came in without shoes on his feet. The Creepy Twins, a couple of racist identical twin brothers, were to be kicked out if seen. The one that I remember most clearly was the owner of a rival CD chain. He was notable for his coiffed blonde mane. He looked like he was a member of Def Leppard, and still does to this day.  The fear was he would steal ideas for his own store.

That CD chain owner, who I shall dub Mutt Lange, had a longstanding rivalry with my boss, the owner of our stores. Mutt seemed like a total douche.  Just a pompous ass.  When we first started out, we based our pricing scheme on Mutt’s own catalog. He published an annual catalog, which we bought several copies of each year. When we first started creating our own price database, we used Mutt’s as the starting point. That really would have chapped Mutt’s ass if he had known.  I was even sent into Mutt’s locations to buy the newest catalog.  They needed to send someone that wasn’t recognizable.

I recall not really being into Mutt’s stores. I don’t remember ever buying anything there besides the catalogs. T-Rev found some old Saga CDs there, but it wasn’t really my kind of place. A lot of cheap mainstream “Super Saver” CDs, but not a lot of the stuff I was looking for. The catalog was useful, because it not only indicated retail prices, but would tell us if an album was still in print (or not).

My boss also checked out Mutt’s website regularly. I learned a valuable lesson there.

“Look at this,” my boss said while loading up Mutt’s site. “This hasn’t changed in three years. His site is exactly the same. He hasn’t added anything, he hasn’t changed format, or changed the look at all. It looks like a place that isn’t even in business anymore.”  That was a good point, so when we started up our own site, he made sure we gave it a good solid revamp semi-regularly. They’d change the graphics, the layout, and the way the search engines worked. That was probably the best lesson that I learned about e-commerce. Keep changing things up. People have short attention spans, but if it looks like your store is defunct, they’ll probably assume it is.

Back to Mutt himself – I recall seeing that blonde mane walk through my doors one summer day. It was actually T-Rev’s doors; I was filling in for him while he was helping to build a new store. And yeah, I had to kick him out!  Not a fun experience I wanted to repeat!