I Don’t Want to Miss a Thing

REVIEW: Aerosmith – Rocks Donington 2014 (CD/DVD)

AEROSMITH – Rocks Donington 2014 (2015 Universal 2 CD/1 DVD set)

Aerosmith enter the stage as the sun at Donington makes its final descent.  Opening with the stalwart “Train Kept-A-Rollin'”, Steven Tyler leaps, covered by a traditional native headdress.  (Strangely nobody screamed “cultural appropriation!” in 2014.)  It’s off before he can start twirlin’ across the stage anyway.  Though desiccated, the band are cookin’ like a group 1/3 of their age.   Brad Whitford takes a welcome solo on “Train” and the band look happy to be up there.

Without missing a beat, Aerosmith travel forward in time two decades to “Eat the Rich”.  At first it sounds as if Tyler’s voice can’t hack it but then he’s right back in the game.  Nice to see Joe employing a whammy bar, but has the young crowd any idea what Grey Poupon is?  Tyler throws down a solid burp before the skippable “Love in an Elevator”.  His older, rougher voice gives it a tougher vibe but it’s overplayed radio filler now.

It’s a string of Geffen hits during this portion of the show.  “Cryin'”…interesting only because the band thought they had to play it for the millionth time.  “Jaded” has the stage bathed in purple but it’s Aero by the numbers.  Tyler spends the end of the song hanging out with some girls in the front row.  But when Joe Perry starts the growling drone of “Livin’ on the Edge”, things come back to life.  The song still has teeth.

The Geffen hits are interrupted by the legendary funk of “Last Child”, and then we see why this band is really special.  It’s not just Tyler and Perry, but it’s the sweet jam that the five of them make together when they really get down.  Brad Whitford is the captain of this particular ship, taking us to the green waters of Mt. Funk with Mr. Joey Kramer in the engine room.  Highlight of the show.

Aerosmith couldn’t have shown less enthusiasm for their newest album Music from Another Dimension.  “Freedom Fighter” with Joe Perry on lead vocals is the only new song presented.  Tyler’s not even on stage for it, but he’s back for “Same Old Song and Dance”.  Kramer’s absolutely the backbone, with his pal Tom Hamilton on bass.  That necessary piano part is provided by Buck Johnson near the back of the stage.  But they just can’t keep playing oldies without giving the kids a hit, it seems.  “Janie’s Got a Gun” is overdue to be retired.  It’s not the band, who are at 110%, it’s just the song and the years.

“Toys in the Attic” is like a sudden wake-up!  Second best tune of the night and no small thanks to Tommy and Joey on rhythm.  Unfortunately all this momentum is spent by playing “I Don’t Want to Miss a Thing”, which should be buried and never resuscitated.  But what do we know, Doningon goes absolutely nuclear for the movie hit ballad.  Fortunately, Steven’s favourite Aerosmith song, “No More No More” is just what we needed to keep the train a-rollin’.  You just have to listen to the guys play and interact with each other to appreciate what makes ’em special, but it’s trippy seeing a big passenger jet landing in the middle of the song.

“Come Together” belongs to Aerosmith as much as it belongs to the Beatles now.  Their version is their own jam.  Unfortunately this perfect moment is ruined by the robotic “Dude Likes Like a Lady”.  Moving on to “Walk This Way”, an oldie but surely just as familiar.  It’s certainly just as cool, especially when Tyler starts playing loose with the words.

The first encore is also the only serious deep cut of the night, an abbreviated “Home Tonight”, followed by “Dream On”.  It’s kind of cheesy when Steven changes the words to “Cream on, cream until your jeans are blue.”  “Sweet Emotion” (with Tom bass solo) and “Mama Kin” complete the night, with the ravishing applause from a crowd of 80,000, breaking curfew to do it.

After a chant of “fuck curfew!” the band launch into “Mama Kin” with the energy of a first song instead of an after-hours closer.  And that’s the proof that there’s nothing wrong with Aerosmith aside from some question of how many hits you need to play vs. deep cuts.  The engine still motors ahead like they haven’t been through multiple splits and illnesses.  Long live Aerosmith!

The concert is well edited with excellent camera angles, relying on minimal slow-motion gimmicks.

3.5/5 stars

 

REVIEW: Aerosmith – Just Push Play (2001 2 CD Japanese edition)

AEROSMITH – Just Push Play (2001 Sony Japan 2 CD set)

Funny thing about some pretty bad albums: sometimes the bands con you into buying them twice. They do this with bonus tracks you may need and can’t find elsewhere. Aerosmith have been guilty of this on multiple occasions. You know what they say about fools and money.

In 2001, Aerosmith did it with Just Push Play. They placed a bonus track on the European CD (“Face”), and a completely different set of bonus tracks in Japan…but excluding “Face”. As one of the looser songs on a pretty stiff album, “Face” is pretty enjoyable.  So what about Japan’s exclusive song, “Won’t Let You Down”?  Well, for one it’s heavy.  For Aerosmith, it’s really heavy.  You could picture it on a better album like Nine Lives.  Though not perfect it’s a damn fine latter-day Aerosmith track.  It just needs another hook.

“Won’t Let You Down” and its associated Joe Perry guitar wizardry is the most interesting of the bonus tracks, but that doesn’t mean the rest are not.  Though “I Don’t Want To Miss A Thing” is more than slightly boring today, it was Aerosmith’s biggest hit to date.  This was the first time it appeared on an Aerosmith album, and only in Japan.

The second CD has a diverse stew of bonuses.  The first is a 3:17 radio remix of “Just Push Play”.  It’s mostly a matter of making the guitar, drums and other elements more prominent in the mix.  It’s quite a bit better than the album cut, though just as silly.  You gotta wonder if anybody in the studio told Steven to try it without the rasta accent.  That’s the remix I want to hear, because the chorus is great.

Moving on to live rarities, Aerosmith included a handful of previously released tracks that weren’t necessarily already in your collection.  First up:  California Jam II.  “Same Old Song and Dance”, “Draw the Line” and “Chip Away the Stone” were all available on the various artists album California Jam II.  If you have this, you don’t need to buy that.  The year was 1978 and Aerosmith were still cooking live.  Whether it comes from youthful or chemical energy, these tracks are faster than their studio counterparts.  Rough and dirty live Aerosmith without the backing tapes and fixes:  what’s not to love?  “Draw the Line” has more…definition?…than the original.  Still, smoking so hot that Joe Perry probably melted his strings.  It’s just plain great to any live version of “Chip Away the Stone“.  Top five Aerosmith song?  Welcome to the collection.

That’s not all folks, as we stick to 1978 and the famous Texxas Jam.  “Big Ten-Inch Record” and “Lord of the Thighs” would be familiar if you own Pandora’s Box.  Strange they included two tracks that were readily available, but here they are and there’s nothing wrong with ’em.

A brief word on the album Just Push Play itself.  We’ve already reviewed it in full, so let’s not rehash.  Joe Perry’s least favourite Aerosmith albumy panders for hits in the most embarrassing ways.  Hi-tech recording and outside songwriters watered it down.  The old Tyler/Perry combination was not to be found on a single track.  The other three guys have not a single writing credit between them.  It’s a sad state of affairs.

If you’re a masochist like me, you’ll want to get this one for the bonus tracks.  If not, just stay away.

Just Push Play1/5 stars

Bonus CD – 3/5 stars

#427: I Do Want to Miss This Thing

“Michael Bay is the Nickelback of movies.” — Mrs. LeBrain

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RECORD STORE TALES MkII: Getting More Tale
#427: I Do Want to Miss This Thing

Blame Michael Bay.

Quite possibly the worst movie director of all time may be responsible for the downfall of Aerosmith.  I’m not talking about the “Falling in Love (Is Hard on the Knees)” music video, which he directed.  No, that was not the downfall.  In fact quality-wise, Nine Lives was a bit of an up-tick from Get A Grip.  It’s too bad that sales didn’t match (2 million sold U.S. vs. 7 million U.S.), but that’s the fickle finger of fate.  The tastes of the public seldom make a perfect match with hard rock quality.

Since Nine Lives would have been considered a bit of a sales disappointment in some camps, it probably didn’t take Steven Tyler much coercing to do a Diane Warren ballad for a movie soundtrack.  Of course, Tyler’s daughter Liv was the headline actress in the flick, so from that standpoint it was a once in a lifetime opportunity for them to work on the same project.  Unfortunately for the world, that project was Armageddon.  Not quite as bad as a real meteor heading to Earth, this Michael Bay stinker made so much money, that some reports suggest that Bay wallpapered his 43 bedroom mansion entirely in Benjamin Franklins.  There’s that problem with the tastes of the masses, again.

So Bay, aided and abetted by Bruce Willis, Billy Bob Thorton, and Steve fucking Buscemi, laid this turd of a movie and all it needed was a turd soundtrack.  As for what happened next, Uncle John’s Bathroom Reader 2015 desktop calendar* has the answer:

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For many fans, this was the beginning of the end of Aerosmith.  Some truly dreadful music followed “I Don’t Want to Miss a Thing”, such as Just Push Play and (ewww) “(It) Feels So Good”.  Can Aerosmith be redeemed?  I don’t know the answer to that.

What I do know this is, and it’s quite simple.

If Michael Bay didn’t make this damned movie, Aerosmith wouldn’t have had this damned million selling single!

Message to Michael Bay:  Stay away from things I like!

* These things are brilliant and I recommend them to anyone who does not have a stunted sense of humour!