Jon Favreau

#1163: Not A Review of the Movie ‘Elf’ (2003)

RECORD STORE TALES #1163: Not A Review of the Movie ‘Elf’

December 2004 was a low point. My mental and probably physical health too were…not good. I was managing two record stores against my wishes. I was in charge of the Beat Goes On on Highland Road, and Oakville. Oakville was supposed to be somebody else’s store, a franchise. Well, things went from bad to worse and I found myself driving to Oakville every day for many weeks in November and December, in a car that was not long for the grave.  I was going to work, coming home, drinking red wine and going to bed.  It was a cycle of endless days and weekends too.

My boss took me aside; had a meeting with me behind closed doors.

“Mike, I noticed you’re not doing well with the whole Oakville thing.”

There was no such thing as mental health time off in my world.  I wouldn’t have known you could do that.  Could you, in 2003?

My boss suggested that I use the commute time to listen to “old cassettes that you haven’t played in a while.  That could be fun for you.”

That’s when I learned that listening to Winger when you’re stuck in 401 traffic isn’t actually all that fun.

I took a break one afternoon in Oakville and walked over to some crappy store that sold everything from soda pop to small appliances.  I saw Elf on the racks, the Christmas movie starring Will Ferrell as…an elf.  I was skeptical.  I heard mixed things.  But I was in a shitty headspace and I needed a pick-me-up.  Retail therapy.  Elf and a soda pop went into my shopping bag. I may have even bought a bag of chips.

I had Sunday off, and I watched Elf in my pajamas that morning.  And I laughed.  I was immediately enthused because the beginning reminded me very much of Rudolph the Red Nosed Reindeer, what with the animation and the snowman.  I was also following Jon Favreau’s directorial career with great interest.  Peter Billingsley was in the movie.  I truthfully loved it from day one.  I still love it.

My dad on the other hand calls Will Ferrell “that annoying guy” because of this movie.

I remember wrapping Christmas presents with my mother in law Debbie while watching Elf.  I don’t really know if she liked it or not, but she liked watching it with me.  I think she liked a lot of it.  James Caan.  Mary Steenbergen.  Bob Newhart.  These are fantastic actors, and James Caan provided that “realistic” perspective that an absurd movie like this needs.  To sum:  Buddy the Elf (Ferrell) realizes he’s too tall to be an elf, and then Papa Elf (Newhart) finally tells him the truth:  his parents were human, and James Caan is his dad, and he lives in New York City.  And so off Buddy the Elf walks from the North Pole all the way to New York in order to meet his real dad.  Chaos ensues of the culture shock variety.  James Caan, as the biological father thrust into this situation, is the point of view the audience needs to make it work.  The scenes with he and Buddy are often some of the best.  Having said that, there is a badass snowball fight in Central Park, and some great singing from Zoey Deschanel, who doesn’t seem to question the weirdness of this elf guy who’s falling for her.  (Look for a cameo by Tenacious D’s Kyle Gass.)

Wonderful movie in my opinion, with clever use of perspective to make Buddy tower over his elf kin.  Hilarious performances by Peter Dinklage, Faizon Love, and Leon Redbone as the snowman.  Family friendly fun.

So, I thought, “I’ll buy this for Grandma for Christmas.  She enjoys light movies that make her smile.”  I was basing this on a years-before viewing of Ernest Saves Christmas that she enjoyed with us.  And I don’t know if she ever watched Elf.  I asked her a few days later.

“I don’t think I got it Michael,” she said.  “I fell asleep, and when I woke up, it was still the same scene playing.”

She was watching the animated DVD menu.

I didn’t buy Grandma movies for Christmas after that!

STAR WARS: The Mandalorian – new trailer

“New The Mandalorian trailer looks like the Star Wars we’re used to,” says the media.

“What the fuck are you on?” says I.

The Mandalorian is Jon Favreau’s new Star Wars bounty hunter series starring Pedro Pascal, Carl Weathers and Werner Herzog.  And it looks nothing — nothing at all — like “the Star Wars we’re used to”, so ignore the hype.

No Jedi.  No Skywalkers.  An unexplored timeline (just after Endor).  No, this looks like something entirely new.  Which is good.  Don’t believe the hype.  Tell the hype to fuck off.

“Is the world more peaceful since the revolution?” asks Herzog.

One thing that is exactly the same as old Star Wars:  Nobody knows what a parsec is.

The Mandalorian arrives November 12.

REVIEW: Swingers – Music from the Miramax Motion Picture (1996)

movie-soundtrack-week


Scan_20160714SWINGERS – Music from the Miramax Motion Picture (1996 A&M)

Now here…now here is a soundtrack!  Every track is a keeper.  With a mixture of oldies and newer songs, Swingers had a peerless balance.   If you’re down to swing, dance, or just get dirty, this soundtrack has what you need.  Bonus points for the uber-thin and young Vince Vaughn on the front cover too. Jon Favreau executive produced the soundtrack, and it’s clear the guy has good taste in music.

I love it when a soundtrack puts scenes from a movie right in your head.  Dean Martin’s “You’re Nobody ‘Til Somebody Loves You” kicks off both the CD and the movie, and all I can think is “Vegas baby, Vegas.”  That slow jazz just sets the mood for the adventures ahead.  The horns pop!  It’s money, baby.  Talk about setting the bar high for an opening track; thankfully there’s lots more to come.

“Paid for Loving” by Love Jones brings me right into the film’s setting again, but it’s Tony Bennett’s “With Plenty of Money and You” that has me seeing the bright lights of Vegas before me.  Remember Mikey and T rolling up in their suits?  You’d feel like a high roller too, with a song like this playing.  Tony is followed by Big Bad Voodoo Daddy (who appeared in the film).  Now, I do kinda wish it was the live version of “You & Me & the Bottle Makes 3 Tonight (Baby)”.  In the film, Big Bad Voodoo Daddy play it live, but this is a studio version.  I think including the live version would have been an extra treat for fans, but I’m not complaining.  If you don’t find yourself tapping your toes to it, call the coroner, because you may be dead.

Mixing new and old, Scotty and the guys from Big Bad Voodoo Daddy are chased by Louis Jordan, from way way back in 1941.  If you love muted trumpet solos, then dig right in.  A song you should recognise is the oft-played “Groove Me” by King Floyd (1970).  It’s a soul classic that found itself used on TV ads over the years.   More jazz (a couple cool instrumentals), and more Big Bad Voodoo Daddy are to be found as the CD progresses.  Daddy have three tracks on the CD, all of which were in the movie.  “Go Daddy-O” has to be a favourite for sure, but “I Wan’na Be Like You” has a tropical salsa beat.

Roger Miller’s “King of the Road” isn’t jazz and doesn’t swing, but it has the same golden oldie feel.  It’s not the only country song:  George Jones himself honours the CD with his presence.  The melancholy ballad “She Thinks I Still Care” is one of the…saddest, I guess…lyrics I’ve ever heard.  It’s a great song from a great scene in the film.

“Pick up the Pieces” by the Average White Band is the kind of song everybody needs.  “Need” isn’t too strong a word either.  You know the song, you love the song.  You have to.  It’s required.  Finally, “I’m Beginning to See the Light” by Bobby Darin completes the journey, and it’s back to the same kind of sound that Dean Martin started the album with.  And what a journey it is!  You just…feel BETTER after listening.  When I bought this CD, I felt like this line of dialogue directly applied to me:

“You’re a big winner.  I’m gonna ask you a simple question and I want you to listen to me: who’s the big winner here tonight at the casino? Huh?  Mikey!  That’s who!  Mikey’s the big winner.  Mikey wins.”

5/5 stars

REVIEW: AC/DC – Iron Man 2 (2010 deluxe CD/DVD)

AC/DC – Iron Man 2 (2010 Columbia deluxe CD/DVD set)

For the second time, AC/DC have supplied the soundtrack to a movie (see: Who Made Who, the soundtrack to Stephen King’s Maximum Overdrive). This release basically amounts to a cool “best of” CD. While Who Made Who had some new material, Iron Man 2 is the straight oldies, with a few unexpected surprises thrown in. Since AC/DC have never released a proper “best of” CD, this is about as close as you’re likely to get. And it’s just fine.

I’m guessing Jon Favreau had a lot to do with the picking and choosing and sequencing of songs, and he’s obviously an AC/DC fan. I mean, “Evil Walks”? There is even a song (“Cold Hearted Man”) from the Backtracks box set and one from the more recent AC/DC opus, Black Ice. As such, Iron Man 2 is a pretty damn good single disc overview of the whole AC/DC shebang. It flows well, it has an excellent mix of Bon and Brian, and the sound is as good as any of the AC/DC remasters available. Lyrically, it even (very) loosely relates to Iron Man 2 (“Shoot to Thrill”, “War Machine”, “Evil Walks”, “Back In Black”; use your imagination). In short, it rocks. Buy this with Who Made Who, and you will essentially have all the AC/DC that a newbie needs to get kickstarted, with a fair chunk of deep cuts as well.

The deluxe edition packaging is awesome to behold, with (very fragile) shiny cover art, a generous booklet (loads of Iron Man and band photos in here) and a DVD. The DVD is nothing to write home about: the new video of “Shoot To Thrill” and a making-of featurette being the main draw. The live stuff is great, but a fair bit has been previously released on official AC/DC DVDs before (including the aforementioned Backtracks box set). Still, I have no complaints.  It’s just a bonus DVD from a soundtrack representing a Hollywood action movie; it’s not meant to cater specifically to me.  It’s good viewing and you may as well consider it a freebie at this price.

Die hard fans who already own the whole AC/DC back catalogue won’t need this, but I bought it anyway. As a car disc it’s fun due to the inclusion of obscure tracks. But it works. The album flows and rocks, and those obscure tracks deserve a second look-see. I’d forgotten how cool the song “The Razors Edge” is, and it totally fits the Iron Man vibe.

If you need some more AC/DC in your life, some more iron in your blood, go for it. You won’t be let down. Personal highlights for me include:

  • “The Razors Edge”
  • “If You Want Blood (You’ve Got It)”
  • “Cold Hearted Man”
  • “Rock n’ Roll Damnation”

But the whole thing is great, not a weak track in the bunch!

4/5 stars

DVD REVIEW: I Love You Man (2009)

It’s the end of the Week of Rockin’ Movies.  All week we discussed movies with significant rock n’ roll connections.  If you missed anything, click below!  Thanks for hanging out.

MONDAY:  House of 1000 Corpses (2003)
TUESDAY: The Devil’s Rejects (2005)
WEDNESDAY: 2010: The Year We Make Contact (1984)
THURSDAY: Record Store Tales Part 284: The Impact of Movies
FRIDAY: Get Him to the Greek (2010)

I LOVE YOU MAN (2009 Paramount)

Directed by John Hamburg

I don’t know why it has taken me so long to review this rocking comedy. This and Fanboys arrived at roughly the same time, both movies featuring a character who loves the Holy Trinity known to Canadians as Rush. However only I Love You Man was able to score appearances from Geddy, Alex and Neil.

If you’re not a fan of the Apatow factory players – guys like Jason Segel, Paul Rudd, Joe Lo Truglio, Aziz Ansari, Nick Kroll, etc – then even the appearance of the Mighty Rush is unlikely to sway you to I Love You Man. You know what kind of humour you’re in for: dick and fart jokes, and plenty of them. If that’s not your kind of humour, that’s cool, man!

I happen to love fart jokes.

I Love You Man has some great fart jokes. But it also has heart, which is why I’m still into it five years later. Peter Klaven (Rudd) is newly engaged to his lovely girlfriend Zooey (Rashida Jones), but there’s one major issue: He doesn’t have any real guy friends. Zooey has plenty of bridesmaids, but Peter can’t think of anyone for the crucial role of best man. Klaven embarks upon a series of “man-dates” to get to know some guys better. These range from funny (Joe Lo Truglio’s gratingly high-voiced Lonnie) to disastrous (a vomit-filled poker game with Jon Favreau).

Klaven has a second problem. As a real estate agent, he’s landed a great client, but also a tough house to sell: Lou Ferrigno’s place. While Peter laments that it’s hard to sell a house with a giant-size Hulk statue on the lawn, it is at an open house that he meets Jason Segel’s Sydney Fife. Hitting it off, the guys exchange cards and agree to get some drinks later.

The critics really praised the on screen chemistry between Rudd and Segal, and it’s hard not to get drawn into their story. Especially when they realize they have a mutual affinity for Rush. This leads to the now-famous “Slappin’ Da Bass” scene, a phrase that Geddy may hear at just about every concert he plays, for all eternity.

The weakness with the movie (and many similar films) is the lack of strong female characters. Zooey is relegated to the character that is slowly pushed aside by Sydney. It’s not intentional of course, but a few missteps that Sydney makes end up upsetting Zooey, and eventually Peter, enough to jeopardize the best man slot at the wedding.

Can Peter, Sydney and Zooey reconcile in time for the wedding? Will Peter ever sell Lou Ferigno’s house? Will Rush be played at the wedding?

Of course you know what will happen, but this being a review, I’m obligated to stay away from spoilers.

I thought the cast was great, the story hilarious (if not the most original idea), and even the supporting cast were all standouts. J.K. Simmons as “the dad” and Andy Samberg as “the gay brother” were notable, even in their small roles. As a child of the 70’s, Lou Ferrigno was icing on the cake for me. The guy obviously has a good sense of humour, and the movie would not have been the same without him. Ferrigno rules.

I Love You Man has earned a permanent place in my movie collection, and not just for the Rush references!

4/5 stars

Paul Rudd as Peter Klaven
Jason Segel as Sydney Fife
Rashida Jones as Zooey Rice
Andy Samberg as Robbie Klaven
J. K. Simmons as Oswald Klaven
Jane Curtin as Joyce Klaven
Jaime Pressly as Denise McLean
Jon Favreau as Barry McLean
Lou Ferrigno as Himself
Rush as themselves