mark tornillo

REVIEW: Accept – The Rise of Chaos (2017 coloured vinyl)

ACCEPT – The Rise of Chaos (2017 Nuclear Blast blue and orange splatter limited vinyl edition)

Over the past decade, Accept have joined a rare pantheon.  They are among the few metal bands with “replacement singers” that have continued with honour, and without constant clamouring for older lineups.  Mark Tornillo has, over the course over several great albums, earned his place without question.  The Rise of Chaos (with producer Andy Sneap) continues the journey, full steam ahead.

The blue and orange swirl vinyl edition is a double record set, limited to 700 copies.  Not only do they look stunning, but they sound vibrant and crisp.  A 46 minute album could easily have fit on a single LP, so the fact they did a double means they wanted to ensure maximum musical reproduction for vinyl buyers.*

Wolf, Mark, Peter, Uwe and Christopher crush it throughout.  “Die By the Sword”, the initial assault, is a lightning strike of sharp riffing and Baltes’ bass undercurrent.  This is pure Accept:  gothic backing vocals and overhead screams!  “Hole in the Head” boils over with animosity, delivered molten.  Then, like a Panzer division at full speed, “The Rise of Chaos” rips the heads off anything still standing.

Flip sides.  “Koolaid” retells the story of Jim Jones and the cult of the damned, a topic previously explored by Manowar.  With a riff written as if out of 1984, it takes on a mid-tempo groove rock march.  Yes, it’s possible the best song on the Accept album is named “Koolaid”!  Then the heat put off by “No Regrets” will blister the skin, if the drums don’t give you a concussion.

Flip sides.  Taking it back to a sharp metallic groove, “Analog Man” is an amusing look at our high tech world.  “Now there’s flat-screens and 3-D, my cell phone’s smarter than me!” They go for an anthemic style with “What’s Done is Done”, and plenty of guitar harmony solos to go around.  “Worlds Colliding” has the “classic metal” sound, brilliant riff and chorus combined for a slick mercury-like sound.

Flip sides one more time.  Neither “Carry the Weight” and “Race to Extinction” let up.  It’s 10 more minutes of fast, heavy metal.  Make no mistake, this is one punishing metal album.  Is it a little paint-by-numbers?  Yes — Accept albums are getting that way.  Riffs might be interchangeable.  But when the albums are still this good, it matters little.

4.5/5 stars

 

 

 

* You could also choose from:

  • 45 RPM, 180 gram black vinyl.  “limited edition”.
  • 45 RPM, 180 gram vinyl – blue and red splatter.  300 copies, USA.
  • 45 RPM, clear vinyl.  300 copies, Germany.
  • 45 RPM, 180 gram red vinyl.  300 copies, Germany.
  • 45 RPM, 180 gram vinyl – green and gold splatter.  300 copies, mail order from Nuclear Blast only.
  • 45 RPM, 180 gram vinyl – orange and red splatter.  500 copies, mail order from Nuclear Blast only.
  • This one is 33 RPM, 180 gram vinyl – blue and orange splatter.  700 copies, USA.

 

 

 

 

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REVIEW: Accept – Blood of the Nations (2010)

BLOOD OF ACCEPT_0001ACCEPT – Blood of the Nations (2010 Nuclear Blast)

I had a few Accept albums at home: Metal Heart, Balls To The Wall and Eat The Heat. I’d never bought an Accept album when it was a “new release” before, and I’d never bought anything post-reunion. I suppose I was interested in the music I was familiar with and nothing beyond that. When I heard they were reuniting with a new singer I was instantly skeptical. I was ready to bring the hate!

Some glowing reviews on the Eddie Trunk show opened my ears, and when Eddie started playing new tracks like “Beat The Bastards” and “Teutonic Terror”, I was hooked! New singer Mark Tornillo (who I’d never heard before, but have found out was critically acclaimed as the singer of TT Quick) had filled Udo’s teeny tiny little shoes and somehow made them fit, plus added his own style. Tornillo is not a screamer like Udo, but he can scream when necessary, and damn…it sounds awesome when he does!

New singer or not, the difference between a real fresh start (like Accept) and a mere tribute band with a new singer (like Quiet Riot) is new material. If the new material sucks, then there is no point.  If it stands up, then the band is vindicated.  I was glad to report that Accept’s new material was awesome. I don’t like to throw that word around lightly, because too many people overuse to pump up their favourite bands. Well, a) Accept has never been a favourite of mine, and b) this album really is awesome. Every song has life. The riffs courtesy of Wolf Hoffman are alive, powerful and catchy. Vocal melodies are traditional metal. Everything about this album is traditionally metal except the loud n’ proud, raw modern production by Andy Sneap. In short the album sounds great.

There’s also some solid groove on this album.  Take “Pandemic” for example.  It reminds me of the old Testament classic, “Electric Crown” in terms of groove and tempo.   As far as I’m concerned, Accept absolutely nail it on Blood of the Nations, from the rock solid rhythm section to the screaming leads.

I’m really glad I got this album, and this edition. The bonus track “Time Machine” is one of the stronger songs. Yet every song is equally strong, there are no weak links in this chain. It’s just a great album from start to finish and I hope everyone enjoys it as much as I do.

This album is rejuvenation.  You have to hear it to believe.  That they followed it with the equally strong Stalingrad is almost as astonishing.

5/5

REVIEW: Accept – Stalingrad (2012)

ACCEPT – Stalingrad (2012 Nuclear Blast, bonus track)

They said there could be no Accept without Udo!  But here we are, two albums deep onto a healthy Accept rennaissance with Mark Tornillo at the mic.   Wolf Hoffman and company have carried on with class.  Has there ever been a metal band that so seemlessly replaced their beloved longtime original throat?

I think on Stalingrad, Tornillo’s fitting in better than ever.  It seemed to my ears that they have upped the SPM (screams-per-minute) on this Accept album, and Tornillo’s never sounded better honestly.  I guess that big long tour really tightened everybody up, because the whole band sounds awesome.

Stalingrad is very much a companion record to the successful comeback Blood Of The Nations.  It sound like a natural succession, with perhaps a little more emphasis on melody and catchiness.  The tracks are still as Teutonically heavy as before, but there seems to be just the oddest incremental increase in melody.

Strongest songs:

“Stalingrad”, “Flash To Bang Time”, “Shadow Soldiers”, “Us Against The World”, they’re all good!  I also liked the 9/11 song “Never Forget”, which is a bonus track on some editions.

On a final note, I think Peter Baltes is a damn fine and underrated metal bassist.  He sounds great on this album!

4.5/5stars