Mickey Moody

REVIEW: Whitesnake – Snakebite (album)

SNAKEBITE FRONT

WHITESNAKE – Snakebite (1978, released as both album and EP)

You gotta give David Coverdale some kind of credit for name-dropping two of his old Deep Purple Stormbringer classics right there in the first song on this album/EP, “Come On”.

“I’m just a SOLDIER OF FORTUNE,
Must be the GYPSY in me…”

Maybe David just wanted to remind people who he was, that this was not just some “new” band.  Either way, it’s a very solid outing, considerably more enjoyable than David’s first two albums as a solo artist.

SNAKEBITE FRONT BACK

Snakebite was originally a 4 song EP, under the name Whitesnake.  Over here in Canada, I knew it as a full album .  North America stuck on four of the better tunes from David’s solo album, Northwinds, and released it as an LP.

The EP, or side one of the album, was helmed by Purple producer Martin Birch.  He ensured a solid sound, and Coverdale & Whitesnake provided four solid tunes.

The aforementioned “Come On” sounds like a smoove Paul Rodgers prowl, and features three players who would stay through most of Whitesnake’s history: Neil Murray (bass), Bernie Marsden (guitar) and Mickey Moody (guitar). Track two, “Bloody Mary” is driven by a boogie piano, one of the best songs on the album.  My personal favourite of the album, anyway.  It’s just impossible not to move to this one.  David’s as naughty as ever in the lyrics:

“You know that Madam Palm and her five sweet daughters”
Couldn’t give her man what the doctor ordered”

Then Coverdale gets bluesy. “Ain’t No Love In The Heart Of The City”, previously a hit for Bobby “Blue” Bland, ended up becoming Whitesnake’s live centerpiece.  On the original EP, it is the last track, its position swapped with “Steal Away”.  “Steal Away” is a another highlight.  Moody’s slide guitar is just pure awesome sauce.  The only thing I dislike is some really cheesy sounding electronic toms.

NORTHWINDSSide two of the LP had the earlier Northwinds material, produced by ex-Purple bassist Roger Glover. Although Mickey Moody plays on these songs, he’s the only future Whitesnake member present. The tunes are decent enough.  “Keep On Giving Me Love” was funky, like the kind of stuff Glenn Hughes was always trying to push on Deep Purple.  It’s not really outstanding until you get to the chorus.  “Only My Soul” however is a stand out. Coverdale has often done these incredible soul-searching pieces, such as Purple’s “Soldier Of Fortune”, and Whitesnake’s later “Sailing Ships”. This time out we’re treated to some very appropriate violin, and Glover on synth.  The side is rounded out by “Queen of Hearts” and “Breakdown”, the raucious rocker written about the final demise of Deep Purple.

Although David Coverdale seemed to still be searching for direction after leaving Purple, the Snakebite album (or EP, whatever you happen to own) is an enjoyable listen from front to back. Some material really showed what David was capable of, and he certainly would deliver in full in the future. Whitesnake diehards should not do without Snakebite, as it provides an interesting set of snapshots as to what Coverdale was up to, between his bouts of fame and glory.

TROUBLEThere are numerous options today to get this music.  Not only is the Snakebite album still in print on CD in North America, but you can now also find the tunes remastered.  The Snakebite EP has been added as bonus tracks to Whitesnake’s debut album, Trouble.  You can also get David’s solo album, Northwinds, remastered with bonus tracks.  Or you could just get ’em on original vinyl!  The choice is yours, but I think any Whitesnake fan would enjoy this Snakebite.

4/5 stars

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REVIEW: Whitesnake – Come An’ Get It (Remastered with bonus tracks)

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WHITESNAKE FRONT

WHITESNAKE – Come An’ Get It (EMI 1981, 2007 remastered with bonus tracks)

Come An’ Get It is my favourite Whitesnake album.  Therefore it’s a bit of a surprise that I still haven’t reviewed it.  On the other hand it’s always nice to leave some goodies for later and cherish them, I suppose?

The first time I heard this album was in 1990.  I had ordered the cassette from Columbia House, and brought it with me on a trip to go visit my cousin and aunt in Calgary, Alberta.  I remember I brought two brand new (to me) albums with me from that Columbia House purchase; the other was School’s Out by Alice Cooper.  I ended up loving both, not a bad trip eh?  Driving through the mountains with “Lonely Days, Lonely Nights” by Whitesnake on the earphones was pretty fucking cool.

Come An’ Get It features this classic Whitesnake lineup, aside from David Coverdale himself:

  • Jon Lord – organ
  • Ian Paice – drums
  • Bernie Marsden – guitars
  • Mickey Moody – guitars
  • Neil Murray – bass

Basically, THE lineup of early ‘Snake.  In the liner notes, David says he finds this to be one of his most consistent efforts, and his favourite of the early band.

The incredible album kicks off with the flirtatious title track, Cov the Gov as cocky as ever, with this seasoned band behind him solidly grooving.  “If you want it, come an’ get it, I got something for you.”  And kids, I hate to break it to you, Coverdale’s “something” was not something innocent like candy or treats.

“Hot Stuff” is the second track, which changes up to a breakneck speed.  Lordy on the piano hammers away, keeping up with the furious pace of Paice and the 3 M’s – Moody, Marsden and Murray.  Another standout.

The single, “Don’t Break My Heart Again” is a bit more ominous, with Lord’s trademark Hammond organ carrying the song.  It’s a bit darker, a bit plaintive, David convincing us that he really is heartbroken, even though two songs ago he was begging some lovely lass to “Come An’ Get It”.  This is a standout song, with fantastically colourful solos and a memorable melody.  Shades of the Whitesnake to come.

The aforementioned blues, “Lonely Days, Lonely Nights” follows.  It’s this kind of song that David really sinks his teeth into.  Moody and Marsden throw in plenty of bluesy licks, Lord with his Hammond colouring the backdrop.  Once again, David will have you convinced that somehow, he really is lonely.  Lonely, even though the very next song talks about how much he loves “Wine, Women An’ Song”!

“Wine, Women An’ Song” is actually my favourite tune on the album.  Coverdale is as cheeky as ever:

“If I can make you smile, I will raise my glass,
But if you don’t like it, baby you can kiss my ass,
Yes indeed…
You can tell me it’s wrong, but I love wine women an’ song!”

This barroom piano bopper is irresistibly catchy.  I’ve always been a sucker for past piano tunes, that’s why I love Little Richard I guess!  David’s done a number of these over the years (“Bloody Mary”, “Bloody Luxury”) but this one is my favourite.  And that ended side 1.

WHITESNAKE INNER

Side 2 kicked off with one of David’s more philosophical songs, a style he also does well.  “Child of Babylon” starts slow and bluesy but soon becomes something a bit more menacing.  This is another triumph.  “Would I Lie To You” returns David to his cheekier side.  “Would I lie to you…just to get in your pants?  I think so,” winks Cov the Gov.  This is just a fun Whitesnake tune, catchy, danceable, tongues in cheeks (just not necessarily the cheeks of the tongue’s owner).

My least favourite song is the next one, the slightly funky “Girl”.  The liner notes compare it to Deep Purple; I don’t think so.  Yes, both bands forayed into funk.  I think Deep Purple did it better than this.  Much better is “Hit An’ Run”, which drives.  This song kicks.  David’s vocal is perfect, and there’s even a talk-box solo, and then a killer slide solo!  What more could you want?

The final song of the original album was “Till the Day I Die”, another one of David’s perfect philosophical album closers.  He seems to like to close his albums with tunes like this, or “Sailing Ships”, songs with some mood and thought to them.  “Till the Day I Die” is one of the best ever, a dramatic, sweeping number that goes from acoustic to epic in under five minutes.

Martin Birch produced Come An’ Get It, as he did many ‘Snake platters.  It has a workmanlike sound, powerful enough, sonically clear, with excellent performances.  Slide It In is more powerful in the long run, but this is a step on that road.

There are six bonus tracks to keep you satisfied after the main meal.  Think of this as dessert, as these are unfinished or rough mixes of album tracks.  There is nothing especially revelatory here, but as added value, it’s nice to have these bonus tracks.  There’s some unheard stuff here, such as Ian’s count-in to “Child of Babylon”, nothing mindblowing, just nice to have to fill out the CD.  Some alternate vocals, solos, and so on.

The liner notes by Geoff Barton are excellent, loads of photos, lots of text.  Coverdale shows up to offer his perspective, and illustrates a harmonious band firing on all cylinders.

Keep in mind that context is everything, especially when it comes to music.  I have powerful memories of this album.  For you, it might not be worth it, but for me:

5/5 stars

REVIEW: Whitesnake – Slide It In (1984 UK, US edition, 25th Anniversary edition)

 

WHITESNAKE – Slide It In (EMI, UK, US mixes, 25th Anniversary Edition)

Slide It In is a great album.  I’m very partial to Come An’ Get It, but perhaps Slide It In truly is their best.  The production (on the US mix) is absolutely perfect, with Cozy’s drums sounding like drums should sound!  Big and loud with lots of emphasis on those rat-tat-tat-tat drum fills of his that I love so much.  I personally love 9 of its 10 tracks, only “Gambler” being not my cup of tea.  Strangely, the new CD edition opens with “Gambler”.  I remember my original cassette opened with the title track!

I was very disappointed with the 25th Anniversary edition of Slide It In. It seems hastily thrown together with not much thought given to collectors nor to continuity.  2 tracks are missing from the UK version of Slide It In! (“Love Ain’t No Stranger” – a single, no less – and “Hungry For Love”).  They also talk about the UK mix of B-side “Need Your Love So Bad”, but don’t include it.   Instead, they give you the version from the “Is This Love” single, from 1987, which has no place on this reissue.  Why isn’t it on the deluxe of Whitesnake 1987?  I don’t know!

Fortunately, the esteemed Heavy Metal OverloRd purchased “Need Your Love So Bad” on an original 7″ single with picture sleeve, so you can read all about that missing track on his excellent site.  (He even bought me a copy, which is on its way!)

give-me-more

The missing tracks kind of pissed me off.  I had hoped to acquire, in one purchase both classic mixes of the album.  Instead, I still hunted for and bought the UK version of Slide It In for two freakin’ missing songs. And then to top it off, a live acoustic version of “Love Ain’t No Stranger” from 1997 was included on the deluxe, taking up space that could have been used on missing songs from the period.  This unrelated live version is already available on the live album Starkers In Tokyo.

Anyway, Slide It In.  What a great album.  Jon Lord, Cozy Powell, you just can’t go wrong!  My buddy Rob Vuckovich said, “The final album showcasing Coverdale as a singer…not a screamer.  Remember when he went solo after breaking up with Purple?  I believe he said something to the effect that he did not want to scream his balls off…strange…listen to him from 1987 and onwards.”

Certainly, Slide It In contains some of Coverdale’s most passionate, powerful vocalizing.  Just listen to the amazing not-ballad “Love Ain’t No Stranger”.  I know, technically, audible breathing is not considered professional singing.  But Coverdale uses it as part of his expression.

The title track is just an incredible rock song with hints of blues, catchy and powerful, if a tad dirty!  “Slow An’ Easy” is the album’s six minute centerpiece.  That slide guitar riff…oh man!  So perfect.  Just perfect.  All this is punctuated by Cozy’s tastefully perfect drum fills.  This was the album that turned me onto Cozy as a drummer.  He immediately became a favourite, largely thanks to “Slow An’ Easy”.

As mentioned, “Love Ain’t No Stranger” is another incredible song, a not-ballad with a soaring chorus and mellow,impassioned verses.  This is certainly one of the best songs David has written, and he’s written plenty of them.  But it’s the only slow moment on Slide It In.  This album kicks.

“Spit It Out” (oh, dirty David!), “Give Me More Time”, and “Guilty of Love” are other standouts.  I really like “Guilty of Love”, a fast paced fun rocker, with a riff to kill.  Just listen to Cozy’s drums! And let’s not forget the classic “Standing In the Shadow”, a song that David later re-recorded in 1987 for the 12″ single “Is This Love”.  As with most remakes, the original is superior.

The version of Slide It In that I grew up with and loved most of my life was the remix, the US version.  The 25th Anniversary deluxe edition contains this version, and the 8 tracks from the original UK mix.

What’s the difference then?  Slide It In was released in the UK with the Whitesnake lineup of David Coverdale and his cohorts Jon Lord (keys), the aforementioned Cozy Powell, Colin Hodgkinson on bass, and guitarists Mel Galley and Mickey Moody.  They recorded and released the original version of Slide It In, which came out sounding a little flatter, to my ears.  Within a short while Mickey Moody had left the band and been replaced by the more flashy and modern John Sykes, from Thin Lizzy.  Hodgkinson was fired and replaced by Neil Murray, who was already a Whitesnake veteran from a previous tenure.  Jon Lord went off to rejoin Deep Purple, so Bill Cuomo added more keyboards   With Sykes and Murray, much of Slide It In was re-recorded, adding more guitar solos.  The album was remixed and released as such in the US to tremendous success.The addition of Sykes’ trademark squeals and a fresh mix made a good but “just another Whitesnake album” into a great and important one, at least for this genre and this band.

I prefer the harder edged US version, but they both have their merits.  Different solos can be found on the two versions, and fans of 1970’s Whitesnake may prefer the UK mix.   Regardless, from that unstoppable slide guitar on “Slow An’ Easy” to the awesome blue-rock-balladry of “Love Ain’t No Stranger”, this is a great album.  Even the quiet, soulful B-side “Need Your Love So Bad” is album quality.  It just wouldn’t have fit on a record this rockin’.

The DVD is fine, all the music videos and a few live tracks from the era are included. However, once again…a live version of “Love Ain’t No Stranger”, this one from one of the ‘Snake tours in the 2000’s, and also the Starkers version. Why? I don’t know.

Why not just release a simple 2 CD set with both versions of the album remastered? I don’t know.

The remastering is good otherwise, the liner notes are great, revealing the inner tensions and goings-on with Whitesnake of the time.

Slide It In – standard US version:  4.5/5 stars

Slide It In – 25th Anniversary Edition: 2/5 stars for leaving off two original UK tracks in favour of later content

Slide It In – standard UK version:  3.75/5 stars – the US remix really kicks the songs in the pants!