shredder’s envy

REVIEW: Europe – Wings of Tomorrow (1984)

By request of the Heavy Metal OverloRd.

WOT_0001EUROPE – Wings of Tomorrow (1984 Epic)

In many ways, Wings of Tomorrow is the perfect Europe album.  It combines their early grand metallic leanings with the keyboards and anthemic sheen they would later become known for.   Like the first Europe album, it’s loaded with hard rockers, the odd ballad, and an instrumental guitar workout.  The same lineup from the last album was intact, with the major difference being Joey Tempest adding more keyboards to the mix.

The opener “Stormwind” is a great hard rock/metal tune, with a memorable chorus, riff, plus a tricky sounding solo from virtuoso John Norum.   Second up is the ferocious “Scream of Anger”, featuring Norum playing the heavily distorted riff through a talk box.  This is a solid burner, scorched-Earth policy firmly in place, taking no prisoners.  Tempest wrote this song with Yngwie Malmsteen bassist Marcel Jacob.

The best known song on the album is “Open Your Heart”, which a later lineup of the band re-recorded for the underrated Out of This World record.  I prefer the re-recorded version, because it includes an additional guitar part, really cool and catchy, immediately after the acoustic intro.  The original version is still a great song though, a power ballad, and probably the first great Europe power ballad.

The angry prowler, “Treated Bad Again”, takes us back into metal territory.  This predatory number would have fit in perfectly on something like a mid-period Judas Priest album.  Then, as on the debut album, John Norum ends Side 1 with an instrumental.  This one is called “Aphasia”, which refers to a medical condition that can render sufferers unable to speak.  Get it?

Side 2 opened with an assaulting metal riff, on the album’s title track.  It’s a jagged riff that juxtaposes nicely with Joey’s smooth voice.  “Wasted Time” sounds like the aforementioned Yngwie at first, just because of the riff, but then it begins to gallop into Diamond Head style chorus.  The guitar solo is shredder’s envy.   “Lyin’ Eyes” maintains the momentum.

All this sets the stage for the penultimate song, and possibly the best ballad Europe ever recorded:  “Dreamer”.  It’s a piano power ballad, without the saccharine overload of songs like “Carrie”.  This one’s just a classic ballad, much like you’d find on the first Europe album, but refined a bit.

Wings of Tomorrow closes with the reckless pace of “Dance the Night Away”, which sounds nothing like what its title implies.  It’s a simple metal song, fast burning riff, and plenty of solos.  It’s a shame the guitar wasn’t mixed in heavier.  You get the impression that this album would have sounded so much harder live.

I don’t know if anybody could have predicted the massive success of the next album, The Final Countdown, after labouring in obscurity for two records.  But success did come, and these early albums are a memento of a time before Joey Tempest wrote “hits”.

4.5/5 stars

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