Stephen Pearcy

#626.4: The Big Lists of 2017 Part Four: LeBrain brings the reign

LeBrain’s Top Lists for 2017

2017 was, from almost every angle, a shit year.  Another onslaught of losses in music, entertainment and sports (another list on its own).  2017 was as devastating as 2016, but perhaps all that loss was turned into musical dividends.  Before the year was even half over, I had already found my #1 album of 2017 from a surprising corner.  I knew as soon as I heard it that it was something remarkable.  I pencilled it into the #1, wondering who would topple it.  Over the months, no-one did.  Though my annual Top Five Albums list was not finalised until last week, the #1 album never changed.

Before we get to albums, however, let’s check out some winners in other categories!

BEST BOX SET

MAX WEBSTER – The Party

I put my reputation on the line when I recommended The Party to everyone I knew.  I only got good reviews in return.  For the record, it was our own Uncle Meat, back in July, who broke the news of this box set.  He knows someone involved with the remastering and was aware of the project well before the public was.  Though the packaging was bare bones, the reissue otherwise hits all the bases.

BEST REISSUE

DEF LEPPARD – Hysteria 30th anniversary edition

What was probably my #1 album for Christmas 1987 is my favourite reissue in 2017.  In a year featuring fantastic reissues by Marillion (Misplaced Childhood) and Whitesnake (1987), none brought me back in time like Leppard’s Hysteria did.

 


TOP FIVE ALBUMS OF 2017

In case you doubt, check out Deke’s list over at “Arena Rock”.  One of my favourite rock scribes agrees with me on most of these releases.  ‘Twas Deke who turned me onto the #5 album — thanks bud.

Normally I exclude live albums from my lists, but this has been a special year.

 

5 1/2 IRON MAIDEN – The Book of Souls: Live Chapter

5. STEPHEN PEARCY – Smash

4. ALICE COOPER – Paranormal

3. THE DARKNESS – Pinewood Smile

2. GRETA VAN FLEET – From the Fires

1. STYX – The Mission

I haven’t cared so much about Styx since I was 10 years old!  What an incredible album The Mission is.  And I’m counting it as CanCon, because of singer/pianist Lawrence Gowan (but you can call him Larry).


 

Other fun categories!

BEST NEW ARTIST – Greta Van Fleet

BEST SOUNDTRACK – John Williams, Star Wars: The Last Jedi

BEST SOCIAL MEDIA – Michael Sweet (Stryper)

BEST ARTWORK – Deep Purple, for InFinite

MOST IMPROVED BEHAVIOUR – W. Axl Rose (Guns N’ Roses)

BEST COMEBACK – Quiet Riot, for Road Rage

BEST GUITARIST – Tom Morello (Prophets of Rage)

BIGGEST DOUCHEBAG – Gene Simmons (KISS)

SECOND BIGGEST DOUCHEBAG – Kid Rock

BIGGEST MISTAKE – Black Sabbath and Bill Ward not playing together at all before The End, a wasted opportunity to set things right.

 

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REVIEW: Stephen Pearcy – Smash (2017 with bonus track)

NEW RELEASE


scan_20170226-2STEPHEN PEARCY – Smash (2017 King records, Japanese bonus track)

Everybody needs a little Ratt N’ Roll in their lives.  How much is up to you.  It’s like salt & pepper — season to taste.  But it’s been a while since Ratt released the fine comeback Infestation (2010), and we’re getting the cravings again.  Ratt’s lead throat Stephen Pearcy must’ve known this, because here comes his excellent solo album Smash.

You can hear Zeppelin bleeding through the intro to “I Know I’m Crazy”, and the word “Zepp-ish” comes up again and again when listening to this CD.  Much of the time this is due to the big big performance by ex-White Lion drummer Greg D’Angelo.  “I Know I’m Crazy” has a bit of the new and a bit of the old:  modern drony guitars, but a punchy Pearcy chorus.  Stephen is wise to not just copy Ratt (there are enough people trying that), but to go beyond that sound and into something a little out of left field.  Then if you’re craving those big rawk guitar riffs, “Ten Miles Wide” offers one o’ those and a brilliant chorus to boot.  Guitarist Erik Ferentinos nails a cool George Lynch vibe on one hell of a smoking solo.  But then it’s fully down Zeppelin alley with slippery slide guitars on the impressively authentic “Shut Down Baby”.  “What Do Ya Think” also has that swampy Zep vibe, very Page-y.

With 13 tracks on the standard CD edition, there is plenty of rock, but an artist can always run the risk of an overly-long album.  Not so with Smash!  Stephen Pearcy has the goods, and a diverse batch of songs.  None drag or overstay their welcome; the standard album runs at 47 minutes of diverse rock.  Check out “Dead Roses” for a tune with a heavy Skid Row grind.  “Jamie” and “I Can’t Take It” too rock hard, with roots still in 80s metal.  Then there’s a sleazy Aero-Ratt called “Lollipop” that fits right in.  You can count on a thick, strong sound throughout — check out the slamming and riffy “Want Too Much”.  Bassist Matt Thorn co-produced the album with the band.  Track after track, expect meaty guitars, full sounding drums, and sassy signature Pearcy lead vocals.  There even a power ballad:  “Rain” is awesome, tough and would have been a massive hit in 1985.  Closer “Summers End” is less a ballad and more music for a dark sky.

Of course you don’t have to buy the Japanese version to get Smash, but when you just can’t get enough Pearcy, the import offers an acoustic mix of “What Do Ya Think”.  The song works very well as an acoustic jam session.  Fans would be advised to check it out and choose which version they like best.  However you get it, be sure to get Smash, a fine start to 2017.

4.5/5 stars

REVIEW: Ratt – Ratt & Roll 8191 (1991) #200wordchallenge

200 word

It’s the #200wordchallenge!  Rock journalist Mitch Lafon has challenged me to up my game.  Back in his print days, Mitch used to have a strict 200 word quota — no more no less.*  It separated the wheat from the chaff.  Click the link to see all the entries.

Scan_20160822RATT – Ratt & Roll 8191 (1991 Atlantic)

Ratt used to claim that their music was so unique that it deserved the title “Ratt n’ Roll”. This 19 track compilation is the one to get to test that theory. With all the key songs, including two from the first EP and a newbie, Ratt & Roll 8191 (Yes, that’s the actual title) will provide all the spills, thrills and chills that Ratt are known for. And in fact, it makes for a heck of a 77 minute CD. You’d think that would be overkill. You’d be wrong. Sleezy hard rock, flashy 80’s guitars, big drums and hooks are in store for you.

So “You Think You’re Tough”? Spin this CD “Round and Round”. Before you know it, “You’re in Love”. Get down and “Dance” just like “Way Cool Jr.”! Soon you’ll be “Back For More”, in fact it’s only “One Step Away”. Or one click away, rather, but keep in mind that “Nobody Rides For Free”. Still, Ratt & Roll can be found affordably. If you’re loaded with cash, look for a Japanese version with a 3″ bonus EP from MTV Unplugged featuring guest Michael Schenker!

If you don’t pick up this album, “Shame Shame Shame” on you.

4.5/5 stars

Scan_20160822 (2)

*Not including title or score

NEWS: Looks like RATT needs a singer…again.

Stephen Pearcy has left Ratt, again.

Hardly a surprise considering the crap Bobby “Da Blotz” has been spewing lately.  (See:  Metal Sludge for details)  Wishing physical harm upon your own singer isn’t what I would call classy.

DA BLOTZ
(photo of Evel Dick Donato)

So, Stephen Pearcy has today announced he’s leaving Ratt.  Unfortunately, Jizzy Pearl is currently occupied.  Pearcy’s statement (on Bravewords):

“After 30 years creating the band Ratt and losing a real brother, (late guitarist) Robbin (Crosby), it’s time that I personally part ways with the band.

I am officially done with having anything to do with them due to the constant turmoil, unresolved business, personal attacks/threats in the public forum,
and most of all, the disrespect to the fans.

I’m very content and proud of the legacy and the music I’ve created. This music will live well beyond any of our lifetimes. I owe no one anything but a huge heartfelt thank you for coming to the party for the last 30 years.

With much respect, life goes on and the music I created will continue to be heard for years to come despite the dark clouds that have lingered for far too long. I will personally continue to make music and perform live shows.

See you out there!”