By request of Eric Litwiller
On album #10, The Moody Blues took it to the #1 slot. Let’s take a dive and see what makes Long Distance Voyager work so magnificently.
Opening with a crash of soundtrack-like synthesizer, “The Voice” soon enters a comfortable 80s groove — think “The Highwayman” by Cash, Jennings, Kristofferson and Nelson. But it’s not country, it’s science fiction-like progressive rock. Justin Hayward’s dreamlike vocal and the the vintage keyboards create an instant atmosphere. A brief but killer guitar solo adds the right accents. What a song! A masterpiece indeed, “The Voice” personifies perfect in every way, from mood to melody to majesty.
Lush strings and tinkling computers mesh on “Talking Out of Turn”, which goes Lennon/Beatles on the first verse. Bassist John Lodge sings on this lengthy study, which was still a successful single despite its length. If the Beatles survived intact into the 1980s, perhaps they could have recorded “Talking Out of Turn”. In other words: high praise.
The omnipresent Disco movement has its impact on “Gemini Dream”, a dance able rocker with a killer beat and vocal melodies to match. Expertly constructed, and one of the best examples of a rock band stepping outside their comfort zone into the dimension of dance.
Acoustic guitars ring out on “In My World”, the side one closer and an extensive song with many guitar textures, including some delicate pedal steel. Long and deliberate, but an instrumental tour-de-force.
The second side commenced on the upbeat “Meanwhile”, a short song with quaint keyboards and irresistible Justin Hayward vocal melodies. An uplifting chorus, and you are hooked. Then it’s the wicked “22,000 Days”, like a synthed-up sea shanty! Awesome song unlike most you will hear. Trans-Siberian Orchestra ripped off this vocal style much later on.
The acoustic “Nervous” starts very early-Pink Floyd without the THC. It transforms into a big, bold ballad powered by strings. Awesome song that doesn’t care that it’s pompous and overblown, nor should it. Ray Thomas’ “Painted Smile” has an old fashioned big-top style, a bit circus-like, with rich accompanying singing and an outstanding lead vocal slot.
A final song with a big bold chorus called “Veteran Cosmic Rocker” ends the album leaving you wanting more. A bouncing progressive rock and roll anthem, this would make a great theme song for anybody looking for a corny yet spacey cue. “He struts, he strolls, his life is rock and roll.”
Since that last tune leaves you hungry, the 2008 remastered disc includes a single edit of “The Voice” as dessert. It actually bookends the album quite brilliantly. Those big Dr. Who keyboards return one last time to make sure you leave this album satisfied.
I got to hear this CD because it was Ray Litwiller’s favourite album, and that was good enough for me.