War Pigs

REVIEW: Black Sabbath – Live…Gathered In Their Masses (CD/DVD/Blu-ray box set)

NEW RELEASE

BLACK SABBATH – Live…Gathered In Their Masses (2013 CD/DVD/Blu-ray box set)

Any time a classic rock band releases new music and goes back on tour, there has to be a live album to go with it these days.  Actually, to be more accurate in the current age it’s more likely to be some kind of CD/DVD combo pack.  This deluxe of Live…Gathered In Their Masses contains 1 CD, 1 Blu-ray, and 2 DVDs.

The visual program opens with a collage of pre-gig ritiual.  The band arrive, and get ready in their own dressing rooms, the cameras offering a brief intimate glimpse.  Before too long, the air raid sirens of “War Pigs” brings us to the stage.  The Blu-ray looks absolutely gorgeous.  Every line on every face is visible, every grain on Tony’s Gibson SG, and the stage is gorgeously lit.  It’s a beautiful disc to watch in 1080p.  I couldn’t help myself; I sat there playing air drums, and putting my hands in the air when Ozzy commanded.  It was fun!

Ozzy hops about, but most exciting visually is unofficial member Tommy Clufetos.  I wonder if it’s intentional, but he definitely resembles a young Bill Ward circa 1976 (as long as he keeps his shirt on).  And Tony?  He smiles, a lot.  You would too if you’ve been through what he has I imagine!  Ozzy’s already dumped a bucket of water over his head before they get to the second song, a sludgy “Into the Void”.  I think the temptation is often to play this song a little faster live, but this version is very much in pace with the deliberately slow original.

My cell phone ring tone these days is that riff from “Loner”, one of the best songs from 13.  Unfortunately, the fact that this is a new song means Ozzy’s rivited to one place on stage, concentrating on the words, glancing at the floor.  Even so, Ozzy remains a mesmerizing presence.  Another bucket of water, and Ozzy’s the cheeleading frontman again.  The bonus interview on the disc, by the way, reveals why Ozzy really douses himself in water!  (You probably don’t want to know.)  “Snowblind” then erupts, Ozzy hitting the high notes with cracking but real voice!  (That’s the part that counts.)  Tony’s extended guitar solo is a stunner in itself.

The rain and tolling bells of “Black Sabbath” sound great on blu-ray, though I was hoping to hear more stuff going on behind me in the 5.1 mix.  “Black Sabbath” is the standard workout, no surprises here.  Likewise, “N.I.B.” is very much the traditional Sabbath version, even down to each note of Tony’s solo.  Ozzy somehow manages to still be menacing behind the mic.  “Methademic” is one of the new songs again, but oddly it’s a only bonus track on the deluxe versions of 13.  This is a song that resembles Dio-era Sabbath and would have sounded at home on Dehumanizer or The Devil You Know.  With Ozzy behind the mic, it’s still classic Sabbath.  I think it’s a great number, only weakened live by Ozzy struggling through the wordy lyrics.

Oz doesn’t seem to have trouble with the old favourite “Fairies Wear Boots”.  His wail of “Allllllright now!” looms, and out comes the water again!  “Symptom Of the Universe” then stomps on the stage.  This is the song that Clufetos can really sink his chops in.  He’s obviously not Bill Ward, but I like his interpretation of Bill’s parts.  They’re as close to the mark as any other Sabbath drummer’s parts, if not more.  Tommy gets an extended drum solo too, during “Symptom”, not bad for an unofficial member!  Mrs. LeBrain called the solo “Sweet!”

GATHERED IN THEIR MASSES_0004A drum solo naturally suits “Iron Man” to segue into.  “Iron Man” is wooden, Clufetos unable to cop Bill Ward’s loose feel.  It’s still “Iron Man”, a song Black Sabbath have probably played live at every show since ’72, but it’s not definitive.  Only when the song gets up to speed does it become the beast it should be.  Another new song, the deliberately vintage sounding “End of the Beginning” takes over, but it’s not the song I would have chosen to play at this point of the set.  Not only is it too similar to “Black Sabbath” but it slows the set down too much so close to the end.  It does pick up, but I feel it would have worked better closer to the start of the show.

Ozzy then teases out that they will only play one more song, unless the crowd goes “extra crazy”.  This “final” song is the storming “Children of the Grave.”  The audience bounces like a wave in sync with the classic tune, led by an energized Ozzy.  I detected some clever editing here to make it appear that Ozzy is jumping around more than he actually is, but that’s video.  One pretty thing about this song is the appearance of Tony’s old cream Gibson SG, paint cracked and chipping.  Blu-ray allows you to see every scratch in the paint.

The crowd goes “extra crazy” and then Ozzy says they’ll play one more song.  It’s “God Is Dead?”, the excellent first single from 13.  Clufetos nails the stuttering drum roll, but Ozzy’s back to reading lyrics off the floor, which is distracting.  But does anyone actually believe it is the last song; that they won’t play “Paranoid”?  Of course they play it, and the riff from “Sabbath Bloody Sabbath” too.  It’s the quintessential closer, ending the concert as a party, not a session of pure doom!  Clufetos and Ozzy are quite animated on “Paranoid”, and of course Ozzy reminds the crowd that they are “number one”!  I just wish Tommy would pull up his pants.  Fuck, I wish I could fit into that size!

The DVD and Blu-ray versions contain three bonus tracks.  “Under the Sun” is a nice one to pull out of the hat.  Ozzy handles the difficult vocals without issue.  How does he do it?  You can hear his voice cracking from time to time; it sounds live.  “Dirty Women” is a personal favourite of mine.  This is an interesting version.  It’s the one that Spotify have as their own exclusive bonus track to 13.  I already had an audio copy of this bonus track, but Blu-ray is cool, too.  It’s a damn great rendition of a lost classic from Technical Ecstasy.  “Electric Funeral” is the big surprise, a song I don’t think I’ve ever heard played live.  Ozzy really struggles with the words on “Electric Funeral” but it’s a treat.

Elsewhere on the disc, there are more bonus features.  I have to say the Blu-ray menu is an annoying, repeating tolling bell.  Leaving the menu running unattended for more than 60 seconds is an excersize in testing your patience.  In the bonus features, the Sabbath interview is typically low key.  You know what to expect:  a difficult to understand Ozzy, and a soft spoken Tony, with occasional comments from Geezer.  There’s not too much here in the way of revelations.  Vegetable juice and food have replaced vodka and a line before the show, although Geezer still drinks wine.  How scandalous!  I don’t know who the interviewer is, but he’s very good at getting the band involved and in good humour.

Lastly there’s a feature called “Show Day”.  This is a behind the scenes look at the goings-on in the 24 hours before the show in Melbourne.  I love it!

Ozzy:  “You know what I was looking at, the old re-runs of the Twilight Zone.”

Geezer:  “You told me that about 40 times.”

Ozzy:  “Sorry.  Trying to make conversation.”

Tony:  (Laughs.)

Even Joe Perry and Steven Tyler show up backstage.  I enjoy watching Joe and Tony chatting…what a meeting of guitar greats in one room.

The packaging for this box set is loaded with goodies.  I always enjoy some complimentary guitar picks.  There’s one here from Tony, and one from Geezer.  There’s also a replica concert ticket, setlist, and a small poster.  Nothing to get too excited about, but when you buy an expensive box set it’s nice to get these added touches as a bonus.  There’s also two DVDs included with the same content as Blu-ray.  That’s extraneous to me, I may never play them, so they’re sealed.  I don’t have a problem with that, but I do wish they didn’t edit the CD version of the concert down to fit on one CD.  I’m pleased that the CD version contains all the new songs, but for the price of this set relative to the cheap cost of a CD, I don’t know why they couldn’t just make it a 2 CD set.  That part is disappointing.  When I buy a deluxe edition, I want the whole thing on CD.

That niggle aside, Black Sabbath Live…Gathered In Their Masses is worth:

4.5/5 stars

REVIEW: Ozzy Osbourne – iTunes Festival London 2010 / “How?” (iTunes exclusives)

Today, T-Rev, Wes and I are attending The Toronto Musical Collectibles Record & CD Sale in Mississauga, Ontario. Wish us luck in our musical quests! For today, an Ozzy rarities review.

OZZY OZBOURNE – iTunes Festival 2010 (iTunes exclusive EP)

Jesus Murphy!  How much live product does Ozzy need?  Remember back in the 80’s when he used to moan and moan about record companies who wanted to release live stuff with his hits and Sabbath tunes?  Well, for a guy who complained about it, he sure didn’t break the cycle.

This is Ozzy’s third live EP (after Live E.P. and Just Say Ozzy).  For those keeping score, Ozzy also has four full length or double live albums, a live bonus disc to the Diary of a Madman album, and several live bonus tracks.  But who’s keeping track?  I guess it’s kind of cool that this EP was released three days after it was recorded on July 3, 2010…if you were there…or even knew it was happening…I guess.

Anyway this live EP was cool at least because it was the first live product available with Ozzy’s new guitar wizard Gus G.  The band was rounded out by Blasko (bass), Tommy Clufetos (drums) and Adam Wakeman (keys).  Hmm, didn’t two of those guys also play on the last Black Sabbath tour?

It’s entertaining enough, but any Ozzy live product in the last 20 years has felt like “just another live album” to me.  Even with the new lineup on this one, I can’t feel too excited.  At least I got one song that I didn’t have any live versions of:  the new “Let Me Hear You Scream”.  Oh, wait, hold on — another live version was on the Scream tour edition that was released a few months later!  Jesus!  This iTunes version sound like it has loads of taped backing vocals.  Too bad.

“Mr. Crowley” is next, a fine version, nothing wrong with it, after all these years nothing can compete with the version on Randy Rhoads Tribute.  Gus G plays the solo pretty much perfectly, but something’s missing.  Maybe it’s that the song is tuned down for Ozzy’s voice.  Ozzy reminds us that he wants to see “some fuckin’ hands”.  Another Blizzard of Ozz track follows, “I Don’t Know”.  Gus G gets to do some more original shredding here, as he puts his own spin on an Ozzy classic.  This guy will be a guitarist to watch, as he grows.

“Suicide Solution” is the third of three tracks from Blizzard.  I think it’s a shame that Ozzy keeps playing the oldies while leaving more recent songs behind him.  On this EP, only “Let Me Hear You Scream” is newer than 1991.  I for one would probably poop if I got to hear something like “Perry Mason” or “Trap Door”.  At least Gus G breaks the world landspeed record with his solo.

One song I never liked, ever, is “I Don’t Want to Change the World” from No More Tears.  This is the fifth version I own now.  It’s just…I dunno…I hate the chorus.  It’s too pop for Ozzy.  It’s like Bon Ozzy, or something.  Ozz Jovi.

My favourite track is last:  “War Pigs”.  Even though “War Pigs” is on pretty much every Ozzy live album ever made, this version is one of the most fun!  I just love when Ozzy tells the audience this:

“Clap your fuckin’ hands, come on you fuckin’ assholes!”

That is just hilarious!  I always laugh.  When I put this song on mix discs, I always label it “War Pigs (‘You fuckin’ assholes’ version)”.

OZZY OZBOURNE – “How?” (2010 iTunes single)

The last thing I want to talk about is Ozzy’s studio version of John Lennon’s “How?”.  This is also an iTunes exclusive, released in October 2010, shortly after the EP.  It was released on what would have been Lennon’s 70th birthday, with the proceeds going to Amnesty International.

Causes and good intentions aside, I think this version is just as crappy as anything on Ozzy’s dreadful Under Cover CD.  This is just…dull, boring, and not good.  I don’t know who played on it or produced it because there are no credits.  (Physical product!  This is why I care!)

iTunes Festival London 2010:  2.5/5 stars

“How?”:  1/5 stars