Blasko

CONCERT REVIEW: Ozzy Osbourne, Rob Zombie, In This Moment 1/21/08

Review written January 22, 2008.  Dedicated to Peter M. Cavan!

OZZY OSBOURNE/ROB ZOMBIE/IN THIS MOMENT live at the ACC, Toronto Ontario, 01/21/08, on the Black Rain tour

OZZYWhen you pay $100 a ticket you’d better get a hell of a show, no pun intended. While Rob Zombie rose to the occasion and put on the show of a lifetime, Ozzy Osbourne stumbled, carried only by his seasoned band and the love of a metal craving audience.

First up were newcomers In This Moment, who played a short 4 song set to a half filled house. Singer Maria Brink managed to get the crowd going even though most of them didn’t know there was a third band on the bill. Coming out in her trademark blue dress, and screaming her lungs out, I could not believe the power in this woman’s voice. The whole band was hampered by horrible sound which unfortunately rendered her screaming and singing unintelligible. However, at one point she let loose and screamed for a good 30 seconds straight…how she does this is beyond me, I sure can’t! In This Moment played their hit “Beautiful Tragedy” second-to-last and then revved up the audience to see Rob Zombie.

This was Zombie’s last night of the tour, and his crew played pranks on In This Moment through most of their set, however it was dead serious once Zombie hit the stage. Hidden by curtains, the audience could not see Zombie’s amazing stage set until the lights came up. And that was not to happen before we were treated to a surprise: Rob Zombie’s Grindhouse trailer “Werewolf Women Of The S.S.” starring Nicholas Cage as…FU MANCHU! (Zombie is considering making a full movie based on this trailer.)

Then the lights came up, dancing girls on either side of a giant devil head, and band roaring. The head cracked open and an adrenalized Rob Zombie emerged to “American Witch”! What an entrance.

John 5 was at the top of his game on guitar, playing with his teeth, behind his back, throwing his instrument all over the stage. For his guitar solo he even played a snippet of “Oh Canada”, but more on that shortly.

Zombie played all the hits with tons of syncopated pyro behind him, so much that you could feel it from the nosebleeds. “Dragula”, “Living Dead Girl”, “Thunderkiss ’65” and of course “More Human Than Human” were all played expertly, Zombie himself all over the stage at all times. He had ample video footage behind him, showing original film footage from House Of 1000 Corpes, The Devil’s Rejects, his own animation, and classic horror films such as Nosferatu.

Zombie’s crowning moment was during John 5’s guitar solo, at which point he grabbed two flashlights and headed into the crowd, all backed by John 5’s incredible shredding. I mean, come on folks…this is the guitar player that David Lee Roth chose to stand where Eddie Van Halen, Steve Vai, Steve Hunter and Jason Becker have stood.

The only thing wrong the whole Rob Zombie show is that there was so much going on at once, with the video screens, dancing girls, drumming robots, props, lights, and pyro, that you can’t see it all at once. I would like to see Rob Zombie twice or three times…difficult now that his tour is over!

A short break ensued, and then we were treated to some video footage courtesy of the Ozzman. It was a humourous medley of popular film and TV footage from the last year, all recut to star Ozzy himself! Imagine Ozzy in: The Queen. Or Ozzy under Azamat’s ass in Borat! It was good stuff, but unfortunately it underlined that the once and future singer of Black Sabbath has now become something of a joke himself.

Ozzy and his band (Zakk Wylde on guitar, Mike Bordin on drums, Blasko on bass, and Adam Wakeman on keys) then blasted through his first single from the new Black Rain CD, “I Don’t Wanna Stop”. A great opener, unfortunately hard to appreciate with Zakk Wylde’s guitar sounding so harsh in the ACC. Ozzy played most of the classics with very few surprises: “Bark At The Moon”, “Suicide Solution”, “Crazy Train”, “I Don’t Know”, “Mr. Crowley”, “Road To Nowhere” and “Not Going Away” from the new CD.

Ozzy’s problem, both as a solo artist and with Black Sabbath, is his unwillingness to change his setlists. While I’m sure everybody there would have died and gone to heaven if Ozzy played a song like “You Can’t Kill Rock And Roll” or “Diary Of A Madman”, his setlist was based almost entirely around his Blizzard of Ozz and No More Tears CDs. Too predictable, Ozzman. His other problem is his lack of range. His voice cracked many times, and the band lowered the key for him the old songs.

A few disappointing choices: Ozzy did not play “No More Tears”, but instead treated us to the overrated “I Don’t Wanna Change The World”. And for an encore, yes, of course…”Mama I’m Coming Home”. Shame about that, as there are so many better songs to play. “Mama” sure did get the cigarette lighters out [see picture below].

Zakk Wylde did a ridiculous 10 minute guitar solo, which sounded mostly like razorblades coming at your ears. He too played with his teeth, but it was only when he quoted Randy Rhoads’ classic “Suicide Solution” live solo that sparks flew.

As a last song, of course, Ozzy played “Paranoid”. He had to. He couldn’t show up and not play any Sabbath material, although “Iron Man” and “War Pigs” didn’t make his short set. Shame, considering that he reminded the audience that Toronto is where he recorded Never Say Die.

In the end, we all got tired of Ozzy’s endless “I can’t fucking hear you” and “Go extra extra extra crazy!” When Ozzy shouted “I still can’t fucking hear you” for the 100th time, people started responding, “Because you’re fucking deaf”!

There was no question that Ozzy came, saw, and conquered because of his excellent band and the love that the crowd had for him, but it was also obvious that this was Rob Zombie’s show, and there was nothing Ozzy could have done to change that, aside from bringing Randy Rhoads back from the dead.

In This Moment – 3/5 stars
Rob Zombie – 5/5 stars
Ozzy Osbourne – 3.5/5 stars

ozzy

 

REVIEW: Ozzy Osbourne – iTunes Festival London 2010 / “How?” (iTunes exclusives)

Today, T-Rev, Wes and I are attending The Toronto Musical Collectibles Record & CD Sale in Mississauga, Ontario. Wish us luck in our musical quests! For today, an Ozzy rarities review.

OZZY OZBOURNE – iTunes Festival 2010 (iTunes exclusive EP)

Jesus Murphy!  How much live product does Ozzy need?  Remember back in the 80’s when he used to moan and moan about record companies who wanted to release live stuff with his hits and Sabbath tunes?  Well, for a guy who complained about it, he sure didn’t break the cycle.

This is Ozzy’s third live EP (after Live E.P. and Just Say Ozzy).  For those keeping score, Ozzy also has four full length or double live albums, a live bonus disc to the Diary of a Madman album, and several live bonus tracks.  But who’s keeping track?  I guess it’s kind of cool that this EP was released three days after it was recorded on July 3, 2010…if you were there…or even knew it was happening…I guess.

Anyway this live EP was cool at least because it was the first live product available with Ozzy’s new guitar wizard Gus G.  The band was rounded out by Blasko (bass), Tommy Clufetos (drums) and Adam Wakeman (keys).  Hmm, didn’t two of those guys also play on the last Black Sabbath tour?

It’s entertaining enough, but any Ozzy live product in the last 20 years has felt like “just another live album” to me.  Even with the new lineup on this one, I can’t feel too excited.  At least I got one song that I didn’t have any live versions of:  the new “Let Me Hear You Scream”.  Oh, wait, hold on — another live version was on the Scream tour edition that was released a few months later!  Jesus!  This iTunes version sound like it has loads of taped backing vocals.  Too bad.

“Mr. Crowley” is next, a fine version, nothing wrong with it, after all these years nothing can compete with the version on Randy Rhoads Tribute.  Gus G plays the solo pretty much perfectly, but something’s missing.  Maybe it’s that the song is tuned down for Ozzy’s voice.  Ozzy reminds us that he wants to see “some fuckin’ hands”.  Another Blizzard of Ozz track follows, “I Don’t Know”.  Gus G gets to do some more original shredding here, as he puts his own spin on an Ozzy classic.  This guy will be a guitarist to watch, as he grows.

“Suicide Solution” is the third of three tracks from Blizzard.  I think it’s a shame that Ozzy keeps playing the oldies while leaving more recent songs behind him.  On this EP, only “Let Me Hear You Scream” is newer than 1991.  I for one would probably poop if I got to hear something like “Perry Mason” or “Trap Door”.  At least Gus G breaks the world landspeed record with his solo.

One song I never liked, ever, is “I Don’t Want to Change the World” from No More Tears.  This is the fifth version I own now.  It’s just…I dunno…I hate the chorus.  It’s too pop for Ozzy.  It’s like Bon Ozzy, or something.  Ozz Jovi.

My favourite track is last:  “War Pigs”.  Even though “War Pigs” is on pretty much every Ozzy live album ever made, this version is one of the most fun!  I just love when Ozzy tells the audience this:

“Clap your fuckin’ hands, come on you fuckin’ assholes!”

That is just hilarious!  I always laugh.  When I put this song on mix discs, I always label it “War Pigs (‘You fuckin’ assholes’ version)”.

OZZY OZBOURNE – “How?” (2010 iTunes single)

The last thing I want to talk about is Ozzy’s studio version of John Lennon’s “How?”.  This is also an iTunes exclusive, released in October 2010, shortly after the EP.  It was released on what would have been Lennon’s 70th birthday, with the proceeds going to Amnesty International.

Causes and good intentions aside, I think this version is just as crappy as anything on Ozzy’s dreadful Under Cover CD.  This is just…dull, boring, and not good.  I don’t know who played on it or produced it because there are no credits.  (Physical product!  This is why I care!)

iTunes Festival London 2010:  2.5/5 stars

“How?”:  1/5 stars