REVIEW: Bon Jovi – Burning Bridges (2015)


“Flaming Turds” artwork courtesy of SARCA at CAUGHT ME GAMING.  Thanks Sarca!

It’s the WEEK OF FLAMING TURDS!  This week we will be looking at a collection of malodorous music.  Strike a match, you’ll need it for these stinkers!  

For a “drunk review” of this same album by Aaron over at the KMA, click here!

BURNING BRIDGESBON JOVI – Burning Bridges (2015 Mercury)

Like the gambler, I lay my cards on the table:  Richie Sambora was a critical component of Bon Jovi, perhaps as important as their leader.  That’s the way we see it here at LeBrain HQ.  A Bon Jovi without Sambora is a far less interesting animal.  Still, we do have a responsibility to listen to their first post-Richie album, Burning Bridges, with open ears and report back with accuracy.  So let us begin.

Burning Bridges is a set of unreleased and new songs, and also their last record with Mercury.  By calling it a gift to the fans and not considering it a “real” album, the pressure was off.  Producer/co-writer John Shanks handles guitar duties with Jon Bon Jovi on acoustic.  Billy Falcon also co-wrote a number of tracks, and there’s even one lone Richie co-write.

Things begin slowly on “A Teardrop to the Sea” but there is a dark edge to it that is appealing and reminiscent of the underrated These Days album.  I question the wisdom of opening an album wish such a slow number but it does make a strong first impression.  It is sparsely arranged yet powerful, and with or without Richie it sounds like Bon Jovi.  All it needs is one of his bluesy, soulful solos…alas.  Shanks does his best to imitate the axeman. “We Don’t Run”, the single, starts off well but then it descends into another glossy, overproduced digital mess with another imitation Richie solo. Potential wasted.

Sambora co-wrote “Saturday Night Gave Me Sunday Morning” but it’s just paint-by-numbers Pop Jovi. You can predict the hooks coming, although you gotta give credit to the talent of Tico Torres for throwing in some cool drum beats. Pop Jovi strums the acoustics again on “We All Fall Down”, a ballad completely interchangeable with similar ones on any Bon Jovi album over the last decade. Ditto, “Blind Love”. It’s like Kleenex: You pull one out, and an identical tissue takes its place!  Pop Jovi continues balladeering on “Who Would You Die For”.  It does have a dark and low key These Days kind of vibe, but the slick production and programming are completely unnecessary.  I’d give the song a C though rather than a D or lower, because it’s dramatic enough, crap production aside.

Unplugged “Fingerprints” is horrid, flaccid and flatulent for its entire six minute length.  Lyrically, at this point I’m convinced that Jon is just writing down the first things that come to his mind.  “I gave you my fingerprints, guilty or innocent,” he sings with false passion.  More woah-oh-oh singing commences on the nauseatingly contrived “Life is Beautiful”, clearly a leftover from Bon Jovi’s new country period (Lost Highway).  The crapslide continues with “I’m Your Man”, upbeat at least but without a spine.  Finally we have “Burning Bridges”, the song Jon wrote about leaving Mercury, and it’s actually the best song on the album!  Yes, it’s country, but it sounds more or less like a jam, without the annoying production.  The lyrics are pretty hilarious and are by far the most interesting ones on the album.  It’s pretty obvious what it’s about so if you want a taste of the music industry from Jon’s perspective, give it a listen:

“After 30 years of loyalty,
They let you dig the grave,
Now maybe you could learn to sing,
Or even strum along, I’ll give you half the publishing,
You’re why I wrote this song.”

Ooft!  Elsewhere he invites them to play this song in hell!  A bitter end indeed.

Burning Bridges is an unnecessary album to own.  It’s bookended by two decent songs, with the last being the only one that I would consider for a mix tape.  The “real”  new Bon Jovi album, This House is Not for Sale, comes out this spring.  Perhaps with new guitarist Phil X (formerly of Triumph) in the mix, some chemistry will finally return.

1/5 stars


1. “A Teardrop to the Sea”
2. “We Don’t Run”
3. “Saturday Night Gave Me Sunday Morning”
4. “We All Fall Down”
5. “Blind Love”
6. “Who Would You Die For”
7. “Fingerprints”
8. “Life Is Beautiful”
9. “I’m Your Man”
10. “Burning Bridges”


    1. Yuuup. You said it, man. The country album was the first one where I just said “WTF”? I didn’t even hate Have a Nice Day. I like some songs on it like “Last Cigarette”. But Richie vs No Richie makes ALL the difference.

      Liked by 1 person

        1. Inoffensive. Yes. That’s it.

          I bought the country album. I bought the Greatest Hits. I bought the Circle.

          Fool me once…shame on you? Fool me three fucking times and I’m as dumb as a bag of hammers.

          Liked by 2 people

  1. Corporate Jovi should have used Sarca’s photo for the cover! I have not read one good review of this album and no wonder as in my book the last decent thing I heard was Keep The Faith! 24 years ago!

    Liked by 3 people

      1. Bounce I heard thru Tbone…it was ok but not enough for me to buy! BJ 16(hahaha) is what they should call there next album. Even with Phil X it makes no difference as X’s comment that he wouldn’t leave his porch for $10,000 a month to play guitar was a douche comment..have no respect for that kinda shit!
        Wish I was getting 10 grand a month…

        Liked by 1 person

        1. Did he say that? Yikes. Yeah, man I’d do a lot of stuff for $10,000 a month! Anybody need a shitty guitar player?

          I liked Bounce a lot and will probably review my Russian import with loads of bonus tracks.


    1. If it’s a gift…give it away! Do a “U2” and give it away for free. But don’t trick us into buying it.

      You know, there are no credits inside? No indication that Richie was not on the album at all.

      Liked by 1 person

        1. I thought Jon also treated Richie poorly in the press. When he made that statement, “Thank God we’re not U2 and the Edge quit.” That was not cool, man. Not cool at all!


  2. The We Don’t Run song is actually really good. And compared to the horrendous country album, Lost Highway, this is a masterpiece. Still it’s a really bad album. So was The Circle and the one after, What About Now, was even worse.
    It’s been downhill since These Days, I think and without Sambora they’re nothing.

    Liked by 1 person

    1. I really like Bounce. I think it’s worth a revisit. People often overlook that one but it’s got some heaviness to it. I hated This Left Feels Right, and I tuned out about then.


      1. Bounce sure have its moments, but for the most I think it’s pretty dull, just like Crush.
        This Left Feels Right is an abomination!

        Liked by 1 person

        1. I prefer Bounce over Crush in a big way, honestly! I spent a lot of time with it over the years and I really think it’s the only great album they’ve done since These Days.


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